What I Remember [David’s blog on Not So Flawed Wednesday]

Memory is a funny thing. It’s almost never accurate. Over time we revisit and restory our life experiences, scrambling the order of events, forgetting essential details while hanging on with white knuckles to specific moments that we understand as truth.* This happened. It matters. I remember it.

I re-member it.

Joseph Campbell introduced me to a phrase, an aspect that is present in all creation myths: the paradox of dual focus. “…so now, at this critical juncture, where the One breaks into the many, destiny “happens,”but at the same time is “brought about.”

Kerri and I have an ongoing conversation about the paradox of dual focus. For instance, our coming-together-story seems fated, as if it was part of the grand-plan all along. “It was meant to be!” we exclaim. And, at the same time, we ask, “What are the odds?” Our meeting was a happy accident in a vast chaotic universe.

Both/And.

It just happened. And, it was meant to be. It depends upon how we re-member it. It depends upon how we want to story it.

A Balinese man told me that, in Bali, when two people crash their cars into each other, their first thought is “I am supposed to meet this person.” Insurance claims and blame are not priorities. Fate orchestrated a fender bender. The strangers emerge from their cars and greet each other as if fortune had just smiled upon them; they are two pieces of a greater puzzle come together.

Supposed to happen. Accident.

The greater puzzle. The essence beyond the fragments. The One that breaks into the many. Focusing on the small stone does not negate the truth of the mountain. The single blossom is an expression of the plant, which is nourished by the soil and rain and seasons and critters…

Memory is like that. It is both stone and mountain. Blossom and ecosystem. The order of things is less revealing than the essence, the relationship to the whole. We grow and change and so that what might have at one time seemed a hardship now seems a course correction, a blessing. Kismet.

It happened. It matters. That’s what I remember.

*(It is a sign of our times that I feel it necessary to distinguish my thoughts on individual memory from the facts of history. We live in a time when those in power are actively editing, scrubbing and rewriting history. They concoct a narrative that has little to do with the actual history of our nation. This is not dual focus. This is white supremacist fantasy-creation.)

read Kerri’s blogpost about BLOSSOMS

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“I Am!” I Said. [David’s blog on Two Artists Tuesday]

Un-momentous Breaking News! I’ve just decided – just now, right this moment – that my personal symbol, my identifying-critter-crest, should from now and for all time forward be…The Bumble Bee!!!

“Wait!” you yawn. “What?” you ask-to-be-polite. “You can’t possible make so un-dramatic a dramatic claim without a comprehensive explanation!”

True. Yes. An explanation. Fortunately, I came prepared for this moment. The word “bumble” – relative to the bee – has two definitions that, lately, fit me like a glove. First, to move ineptly through the world. To blunder, lurch, or wobble. The second (as is proven by this very blog post), to buzz or drone on and on. To babble, ramble, gibber, and burble.

But wait! In case you are suddenly concerned that I am hosting a festival of self-deprecation, let me assure you that you are misguided. Wrong. Filled with wild assumptions. Your concerns could not be further from the truth of my new personal-symbol-bumblebee-rumination. I’m actually quite pleased.

Creative processes never follow a straight line. Bumblebees get the job done but their path is nearly impossible to follow. They appear like a flying-happy-accident, a reeling wanderer that is surprisingly efficient. It’s the real trouble with my resume (or any creative person’s resume): HR people, family and friends expect to see straight lines and are highly suspicious of anything expansive, eclectic, or exploratory. I will be quite pleased with myself, when the next stranger I meet at a party asks me what I do for a living, to answer, “I’m a bumblebee.”

As for droning on an on. Well. Look at the archive of this blog. Good god. Or the drafts of plays, the ideas for books, the organizational ruminating, the stories…, the opinions I have not-yet-learned to keep to myself (this is your cue to send condolences to Kerri. For some reason she married me so now I have a captive audience…). “Gear-down!” she says, when my esoterica runs amok and she needs my mind to express a simpler path and be less bumble-bee-like.

And, to prove that I am actually capable of controlling my drone, I now return you to your regularly scheduled programming.

[Bonus track. This popped into my mind as I wrote the title of this post]

read Kerri’s more coherent blogpost about BUMBLEBEES

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Welcome This [David’s blog on DR Thursday]

My series, Earth Interrupted, is as yet incomplete. I started it like I start most things – a happy accident – or more accurately, my brush giving voice to something rising from the deep that had not yet hit my brain. I completed five canvases and then stepped away. It needed to simmer. I needed to simmer.

The Lost Boy – my play with-and-about Tom Mck – took over a decade to germinate and find its place on the stage. My new play, Diorama, is an idea that has been with me, stewing, for many years. Last fall it rolled out of me in a process that felt easy though I know better. It took a long time to find “easy”. Now the real work comes: finding the path to performance and release into the world.

I spent the morning looking at my Earth Interrupted series. I’ve not visited these pieces since just prior to the pandemic – so it’s been awhile. The original impulse must have stewed long enough because the series is calling me back – though not in the usual sense. I have no images in my mind. I have no real passion to explore the initial notion behind them. I do, however, want to get lost in what I know will be the slow evolution, the process of allowing the image to find me, not through my mind, but through my quiet. I yearn for the quiet. I quite literally ache for the stillness that I experience when I paint. It’s the process that calls.

This series began as a meditation. It feels as if the sun is reaching through a thick layer of clouds. I am lucky. I listen for the voice rising from the deep. It’s been a long time. I welcome this meditation returning, breaking the surface at long last, and signaling that it’s time to come back home.

Earth Interrupted 1, 48″x53″, mixed media

read Kerri’s blogpost about THE SUN AND CLOUDS

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Honor The Error [David’s blog on Not So Flawed Wednesday]

“Art is human. Error is human. Art is error.” ~ David Bayles & Ted Orland, Art & Fear

I adore all three parts of this syllogism. Just don’t ask me if the reasoning is inductive or deductive since the three characters in the play are suspiciously unreasonable: Art, Humans, and Error. Applying reason to the unreasonable seems dubious for the get-go. In a world of rationalizing the irrational, who cares if the path is general to specific or vice-versa?

We made Christmas dinner at Craig’s house last night. Since he is nose-to-the-grindstone trying to make a career from his music, we talked about what he is experiencing. What he is learning. “It’s hard,” he said. Kerri smiled, knowingly. Yes. The music industry is Hard. Art-making is a joy. Making a viable career of art-making is akin to pushing a rock up a steep hill and never reaching the top. Sisyphus. No joy. Despite common stereotypes, no one works harder than artists-with-a-passion. “Talent and hard work is no guarantee that you’ll make it,” he said, sharing a recent revelation.

Trial and error. I’m currently writing a play and each day I remind myself of John Guare’s famous observation: you have to write ten bad pages to arrive at one good page. In other words, error making is the path. Any master craftsperson can tell you that. Make enough errors and you’ll eventually develop a wee-bit-of-discernment. What works. What does not. Discernment does not stop the error-making, it embraces it. It uses it.

I asked Craig if his definition of “good” had changed in the many months that he’s been producing and performing music. What is good work now relative to good work last year? His answer tickled me. His observation is ubiquitous to all creative pursuits. What seemed good last year often looks like doggerel this year. “I can’t believe I released that track,” he said. It’s a very good sign. He’s stacking his errors. He’s developing discernment. That, too, is a life-long pursuit, a steep climb with no top. Van Gogh looked back at his early work and wrinkled his nose.

So hope-full. The courage to follow an inner imperative. Honoring an undeniable impulse makes no sense. Intuition-listening. Eschewing illusions like “perfection” for a more gritty heart-filled error-strewn path. A more realistic human path, riddled with blunders and happy accidents. Now, isn’t that a lovely paradox! So honest. So art-full.

Kerri asked, “What does this post have to do with the pink ornament?” My answer: “These are the very pink thoughts I hang every day on my thought-tree.”;-)

read Kerri’s blogpost about PINK ORNAMENT

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buymeacoffee is an error filled path that leads to appreciation of the very flawed artists you appreciate.

Embrace The Accident [on Two Artists Tuesday]

I am a big believer in happy accidents. Kerri didn’t intend to take this photo. A vibrant shock of red thrust into a field of green. I’m tempted to slap a title on it and enter it into a contemporary photography exhibition.

I’ve read that serendipity, an “unplanned fortunate discovery,…is a common occurrence throughout the history of product invention and scientific discovery.” It’s also a common occurrence throughout the history of art. It’s also a common occurrence throughout the history of…history. We have experiences and then we make meaning of them. Not the other way around.

I suppose we pride ourselves on our capacity “to know” so we forget that all knowledge is the result of a stumble, a discovery found at the far end of curiosity, exploration or an outright mistake. The point of a hypothesis (to borrow a term from Quinn) is to cultivate serendipity. Try it and see what happens.

I’ve been following the conversation in the tech-o-sphere about the sudden blossom of the very lucrative job “phrase engineer.” Human beings attempting through trial and error to learn how best to converse with the technology we’ve created. AI. ChatGpt. The unspoken goals are (not surprisingly) efficient and effective communication. There are now several sites with useful phrases, conversational hints, Youtubes abound with guidance for best ways to ask better questions, quickly eliciting the best result: an answer. It’s glorious and reminds me of old 3rd grade language primers or my high school foreign language class – only more enthusiastic.

I am among the millions who hope beyond hope that someone-out-there bumbles into the secret of effective communication. Perhaps if we discover how to communicate with artificial intelligence there will be a profound blowback and we will, serendipitously, discover the secret of easy communication with each other. Generosity. Empathy. Kindness. How-you-say-what-you-say matters.

“AI, tell me what you see and I will listen with an open mind and heart.” I know, I know. More pie-in-the-sky. But as a dedicated believer in happy accidents, I’m given to think that anything is possible.

read Kerri’s blogpost about RED ON GREEN

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Turn To See [on Merely A Thought Monday]

Joseph Campbell said, “None of us lives the life that he/she imagined.” We have an idea, perhaps a plan, a good map, and then, well, life happens. As anyone who’s ever done home repair knows, things rarely go according to the plan. A good life, a life well lived, allows for both the well-laid-plan and the home-repair-rule. Things happen. Plans change. Visions grow. Pipes burst. Pieces don’t fit. Good angels arrive.

Dreams are fluid things. Despite expectations, very few life paths are straight lines.

One of the tenets we taught in The Circle Project was to plan for surprise. Expect the unexpected. There is nothing worse than an inflexible plan. There’s nothing better than a happy accident that alters the course of an idea, the direction of a life.

That we have penicillin in our world is the result of a famous happy accident. Intention met mishap met serendipity. A surprise discovery in a Petri dish in 1928 took years, many more Petri dishes, publications and happy discovery by other scientists who held a similar intention, followed by additional happy accidents to at last become a useful antibiotic available to the public in 1942.

Though I rarely include it in my list of gratitude, I would not be alive today were it not for that accidental mold in the dish and the subsequent scientists who included in their plan time to read journals and follow up on the research they found there. I’ve never come across a life plan that included a bout with life-threatening infection but I’ve heard countless tales of relief when the antibiotic – no longer a surprise – arrived. Surprise meets plan. Plan meets surprise. They are dance partners, not adversaries.

A team can practice, practice, practice, but they cannot know or predict the outcome of the game. It must first be played. And, as any athlete will tell you, the game is only worth playing – or watching – because the outcome is unknown.

Plan for the unknown. Welcome the surprise.

The long view is what we desire before life is lived. Pick a point on the horizon and walk that way.

The long view is something we can only truly see after the fact, when we arrive at a point, and turn to see the surprising path we have traveled.

read Kerri’s blog post about THE LONG VIEW

Plan For Surprise [on Not So Flawed Wednesday]

coffee cup dance copy

The best laid schemes o’ mice an’ men/Gang aft a-gley ~Robert Burns, To A Mouse

The best laid plans of mice and men often go awry. It is something we keep in mind as we wade into the planning phase of our next project [well, learning first. Planning, second].

Actually, in truth, the best laid plans always go awry. Life, circumstance, is a constantly moving and changing force that generally alters all well-conceived plans. Whether we acknowledge it or not. We plan but [you might want to sit down for this next bit of revelation]: we do not control.

The plan, at best, is an abstraction that assumes a perfect circumstance and completely ignores relationship dynamics. People are fickle. Everyone has a plan and many of the plans do not line up with my plan! There is weather. There are partycrashers.  Pick pockets. Tripping stones. The budget. The children get sick. The internet portals are tapped out. The bridge fails. There is a better idea.

If everything went according to plan there would be no happy accidents. No teachable moments. Most discoveries come precisely because the plan fails. It is a rule of change that if you know where you are going, you will recreate what you already have. The plan can only pretend to bring about change. Change comes when you veer off course. Change comes from time spent in the unknown lands. Oddly, so does learning.

The only plan that makes sense? Plan for surprise. You’ll never be disappointed or frustrated because everything will go according to the plan.

 

read Kerri’s blog post on THE PLAN

 

 

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feet in ocean website box copy

Count On You [on KS Friday]

count on you song box copy

Occasionally we’ve intentionally organized our weekly melange around a theme. Mostly, however, we choose the individual pieces according to a scientific method, a very precise criteria. It’s called ‘Oh, I like this one. Me, too.” And, sometimes our very precise criteria bumbles into a theme that we only notice when building the web page. That was the case this week. This is called the ‘happy accident’ method.

Our happy accident reads like a self-empowerment seminar: unleash the power of your crayon, living without fear, break away from the flock, pray in the field of opposites, and today’s KS selection: count on you. Kerri told me that this song was not her favorite and I reminded her that no artist likes all their work. She scowled at me and nodded her head at the same time.

It is especially difficult for an artist to reach back almost two decades and appreciate, let alone recognize, the work they did at another time, during another era of exploration. I famously look into my archives and grimace. A very few pieces stand out, the connection still strong, the exploration still alive and vital. The rest look foreign like someone else created them.

But this is what Kerri knows and always tells me when I am in full artistic grimace. The pieces serve as markers, important reminders of where you’ve been, reminders of how far you’ve traveled. And, as the artist, it is never my place to decide for others what is best and what is not. It’s the artist’s job to share. And so, in a grand moment of blow-back, I reminded Kerri of her own words when she grimaced at this song.

Blow back has blow back. No one ever accused me of being smart. It is not by intention that I now find myself sharing the crate with dogdog as I introduce to you this song of wise reminders. It’s a marker of Kerri’s past but her message is never dated.

COUNT ON YOU on the album SURE AS THE SUN available on iTunes & CDBaby. You can buy a physical CD here.

 

read Kerri’s blog post about COUNT ON YOU

 

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www.kerrianddavid.com

 

count on you/as sure as the sun ©️ kerri sherwood