The Essentials [David’s blog on Merely A Thought Monday]

The interviewer asked me to name three things I love and three things that piss me off. “Ah, here’s the trick question,” I thought. Tom Mck once told me that, when conducting interviews for teaching positions, he’d ask a trick question, “Tell me about your experiences with a bad student?” If the interviewee answered the question, he would not hire them. “There is no such thing as a bad student,” he said. I knew better than to answer the interviewer’s question but I did anyway: “I can’t see my dad anymore and sometimes that really pisses me off.” Of course, I did not get the job.

I read The Little Prince, first to myself and then aloud to Kerri. As I turned the last page I saw that she was silently crying. “I forgot how it ended,” she said. So had I. In the book, after the Little Prince is bitten by the yellow snake and dies, the narrator searches the sand but cannot find his body. The author, Antoine de Saint-Exupery, a year after he wrote the book, crashed his plane over the Mediterranean Sea. It was 1944. His plane was later found but not his body.

Neil Postman wrote Amusing Ourselves to Death in 1985. It is more relevant today than when it was written. He predicted our indifference to lies. It’s not that we cannot discern fact from fiction, it is that we do not care to. It’s much more entertaining to spew self-righteous bile and shared discord within the confines of the social-bubble. A free press, the mechanism meant to function as society’s lie-detector, has collapsed and become a terrific magnifier of falsehood. Entertainment. That which can be seen with the eyes but is nowhere detectable with the heart. Wild lies, outrageous claims and blame, blame, blame, blame, blame are much more captivating than essential truth. It’s about numbers: grotesque behavior attracts more audience than genuine discourse so completely dominates the info-stream.

The body politic fragments, like pieces of an airplane tumbling from the sky.

Lately, I hear often – and speak – this common refrain: “I just can’t understand how people don’t see it.”

“Oh, people do see it,” whispers The Little Prince, sweeping clean his volcano, adding, “With their eyes.”. He winks, “Closed hearts are not concerned with the essentials.”

The wind shifted so we sat outside and enjoyed the evening cool after a hot day. Just like my dad used to do. Now, when I close my eyes, I can see him. We made dinner with 20 and ate under the waning light in the sky. It was the solstice. The stars made their slow entrance. Gazing up, I wondered if perhaps Antoine de Saint-Exupery found a way to join The Little Prince on his planet so together they might attend to the vanity of the rose. I hope so. For a moment, we sat in silence and appreciated all that our open hearts could see.

read Kerri’s blogpost about SEEING CLEARLY

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Take A Closer Look [on Two Artists Tuesday]

“Knowledge is rarely completely divorced from power, and interpretation is too often an expression of convenience.” ~ Wade Davis, The Wayfinders

Discussing our project, Yaki and I agreed that we needed to step lightly. “We wouldn’t be allowed to perform this piece in Florida,” I quipped. Yet, sadly, it’s true. The piece is Beethoven. Nothing controversial there! I’ve written and will perform the narrative, an update of the piece from 2008. Yaki asked me to rewrite the narrative to speak to the issues of 2022.

It’s odd. Were we to perform the new script in the world of 2008, it would be benign. No one would deny or take issue with the fact that slavery is part of the history of the United States. It would have been laughable to challenge the era of Jim Crow or that the struggle for Civil Rights was and is a part of our story. Our division is not new. It’s institutional, systemic. Yet, in 2022, in red states, the dark side of colonialism is being scrubbed from curricula. They’re attempting to rewrite our nation’s history as a Hallmark movie.

Things are rarely what they appear. It’s one of the reasons why art is so powerful and necessary in a healthy society. When a community goes off the rails, claiming truth is fiction while aggressively promoting fiction as truth, the truth deniers always attempt to shut down and/or shout down all conversation. The theatre, the arts, during turbulent times, can reach into dark fiction, and resurrect the soul of truth.

Things are rarely what they appear. Staring out the kitchen window I was amazed that the bird perched on the wire fence was so still. It was so uncanny that I walked out back to get a closer look.

It’s the only way for people, for ideas, for communities, for nations, to grow. To question. To be curious enough to have a closer look. To laugh at themselves when the bird is discovered to be a leaf. To not be afraid to have their illusions popped, their history unpacked, or to welcome another point of view.

read Kerri’s blogpost about THE BIRD

Chew On It [on Merely A Thought Monday]

The first and most important question of the day is, “What is nougat?” I’ve always been more of a peanut M&M’s guy or, these days, a straight-up almonds, sea salt in dark chocolate lover. I’m currently accepting donations of Chocolove’s Salted Almond Butter in Dark Chocolate. You should be, too.

So, what is nougat? Originally it was honey, nuts, and egg whites but in this era of “it’s-better-not-to-know-what-I-just-put-into-my-mouth-and-called-it-candy,” I wonder what passes for nougat? I only ask because I’d never heard of a Charleston Chew so, to understand the reference, I looked it up. When I read that a Charleston Chew is, “…flavored nougat covered in chocolate flavored coating…” I immediately spotted the word “flavored” twice in the same sentence. If the chocolate isn’t really chocolate then what are the odds that the “flavored” nougat is really honey, nuts and egg whites?

To borrow and bastardize a bit of Hamlet”To eat; perchance to savor: aye, there’s the rub.” Kerri assures me that a Charleston Chew is yummy. Who cares what’s in it if it makes my toes wiggle with satisfaction? It’s the inverse argument of all those nasty foods adults made us swallow as children: who cares if it’s good for me if it makes me gag? Make me go hungry and send me to my room! Please! Caring adults forget that kids squirrel away and hide Charleston Chews beneath the mattress so banishment to the bedroom for not choking down brussel sprouts is tasty a reward.

This is key to understanding why people do what they do: we know what’s in a brussel sprout*. We have no idea what’s in a Charleston Chew. We’ll clamp down our jaws or pitch public fits rather than eat what’s good for us. Yet, we’ll happily binge on mystery snacks that are certainly no good for us but, damn-do-they-taste-good. Insight: humans are not rational beings. We puff up and proudly defend all manner of thought-nougat but can’t be bothered to look up the source or verity of the dreck we’re feeding on.

Of our current dilemmas, there is one thing that is certain: we can’t Charleston Chew our way out of this.

Take heart. There’s always Chocolove.

[*now that I’m rumored to be an adult I love roasted brussel sprouts]

read Kerri’s blogpost about CHARLESTON CHEWS

Achieve Some Reason [on Flawed Wednesday]

I laughed heartily when I saw this Dodge Challenger commercial. It’s entitled Family Motto and inadvertently speaks to the one of the major challenges of our times. We have a very hard time separating the real from the fabricated. The frame freezes, the small boy in the driver’s seat of the in-studio-muscle-car looks to the camera and says, “Our lawyers just want you to know that this isn’t real.” They poke fun at the ease of deception, the effortlessness of suspended disbelief. It’s fun to believe that the kid is driving the car.

It’s fun until it’s not.

For instance, in a lawsuit against Tucker Carlson, the lawyers at Fox News successfully argued that no reasonable viewer would take anything he said seriously. In other words, much of what he espouses is nonsense not to be believed. It’s entertainment, not information. He’s akin to a comedian, like Stephen Colbert – only not funny. Sydney Powell, after months of sowing doubt and slandering Dominion Voting Machines over the last election is attempting to make the same argument. Reasonable people, she claims, would never believe a word that she said. All of those press conferences, those indignant claims of voter fraud blasted into the news cycle, were apparently for sport. They were meant to be fun.

Thinking-people should know better than to believe what they are being told. Reasonable people know that the kid isn’t really driving the car and so they should also know that the pundit and the lawyer are peddling fiction and not fact.

It’s one thing to sell a car. It’s quite another to sell a false-reality. To peddle a lie. The car is being sold during a commercial. The false-reality is being sold on a network platform that sports the word “news.” Context is everything. Reasonable people, we are told, should know the difference. Is it news? Is it a commercial? Is it entertainment or press event? What do we call it if it is broadcast between commercials?

The problem, of course, is that reasonable people are either in short supply or they base their reason, invest their faith and belief in places they ought not. The false-narrative is literally ranted into the camera from behind a news desk or at a press conference. It’s propounded with the same enthusiasm that Phil Swift uses when selling Flex Seal products – only not as nice. The lie is proclaimed as truth. And then, the lawyers step in. And then, the story changes. The previously spouted truth should not be believed and reasonable people ought to know better.

We have a very hard time separating the real from the fabricated, news from entertainment. We’ve had a lot of help ascending our mountain of confusion.

I recently heard this phrase: an armed person is a citizen, an unarmed person is a subject. It is, of course, a phrase that is bandied about by the 2nd Amendment alarmists but I think it is more relevant and applicable when “being armed” applies, not to guns, but to information. Those men and women who stormed the Capitol, beating the police with flags, declaring their freedom, were in fact, being sold a false narrative. Voluntary subjects void of information, grown fat on a diet of fantasy. Easily led.

A person armed with information in the face of so much deliberate confusion, has a prayer of being a citizen. Achieving reason takes some effort. The lawyers want to you know that no reasonable person should believe that the kid is driving the car. The same is true for the space between the commercials, the detritus in the media stream.

read Kerri’s blog post about IT’S NOT REAL

Pray For Apollo [on Two Artists Tuesday]

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I confess to seeing this contrail and thinking it might be Apollo’s chariot. Of course, if it was Apollo’s chariot then we’d all be in really big trouble. The sun seems untethered from the chariot. Depending on how the myth is told, the sun is either being pulled by the chariot or the sun IS the chariot and, either way, if you are seeing what I am seeing, Apollo has lost control.

Of course, the other side of my brain always kicks in and I think to myself, “Apollo flipping across the sky, gripping the reigns, sans chariot, is not a bad metaphor for these troubled days.” In addition to riding the chariot/sun across the sky, Apollo is symbolic of reason and logic. All things illuminating.

Our world is upside down. Fact is assailed as fiction. Conspiracy theories are traded like baseball cards to deflect attention from the actions of a feckless president  pushing disinfectant as a pandemic cure while science bites its tongue for fear of offending him. Blame inhabits the vaunted seat of responsibility. A good portion of the population willingly and knowingly plants their heads in the sands of propaganda.  Reason is shunned. Questioning and perspective are rejected. Sand is preferable to logic. We’ve reduced our hallowed ideal of jurisprudence to base partisanship; justice is no longer blind but sees in shades of red or blue.

Apollo twirls like a kite, hanging on for life to his mighty horses as they race across the sky, wild-eyed, in no particular direction.

 

read Kerri’s blog post about CONTRAILS

 

 

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