It’s Fine [David’s blog on DR Thursday]

Now most folks suffer in sorrow
Thinking they’re just no good
They don’t match the magazine model
As close as they think they should

They live just like the “paint by numbers”
The teacher would be impressed
A life-time of follow the lines
So it’s just like all of the rest

~David Wilcox, Leave It Like It Is

To be honest, I began writing a post about self-love and bagged it. I don’t really know anything about self-love, which is why I wanted to write about it. Luckily, I realized that it was way too big of a topic for my little, little post.

Tara Brach wrote about her mother’s deathbed confession: “All my life I thought something was wrong with me. What a waste!”

Recently Kerri and I had a conversation about how different we feel – how different our lives have been – from our friends and neighbors. We did not color within the lines. Younger versions of ourselves were split in two: one half following the imperative of our muse, the other half chastising because we didn’t fit in. I’m happy to report that we’ve made peace with the paths we’ve chosen.

We’ve been alive, not necessarily safe.

I used to tell groups I facilitated that “Nothing is broken, nothing needs to be fixed.” I believed it but didn’t necessarily live it. I was looking for what was missing.

It turns out that nothing was missing. My chosen path looked chaotic when compared to the template expectation. It’s a damn hard road when you are both trying to fit in and trying to follow your star. The road was only difficult because I expected pavement when I was a dedicated off road traveler.

What follows is the complete text of my imagined graduation speech to the class of 2025:

“Leave it like it is, it’s fine.” ~ David Wilcox.

Pax, 24″x24″, mixed media on panel

read Kerri’s blogpost about COMPARTMENTS

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Nothing More Beautiful [David’s blog on Two Artists Tuesday]

I make it a practice to take notes when I have calls with Horatio. He says the most extraordinary things. This morning I search-and-rescued this Horatio comment about aging: he said, “It only felt like an ambush because I hadn’t been paying attention.”

I went looking for Horatio’s quote because Kerri and I had a spontaneous-hysterical-conversation about the abrupt changes in our bodies over the past five years. “Look at this!” she bellowed, “It just happened!” Of course, I was too invested in horror at my own creeping-decrepitude to notice what part of her body she was disparaging. “It never used to be this way!” she muttered, spinning slowly so her disdain was a full 360°.

I made the rookie mistake of asking what age she was comparing herself with. Because her glare signaled that I was about to spend the rest of the day in the doghouse, I quickly added, “I don’t look like I did when I was thirty, either.” Rookie mistake number 2. Dumb. Stupid. Brainless. Dense. Not to mention dangerous. Had she killed me in that moment, no jury in the land would have found her guilty; “Her act…,” the jury foreman would report to the judge, “…was justified”.

We make a practice of paying attention. It’s why we often choose to walk slowly. Rather than walk through the woods, we try to be in them. To notice. The consistent miracle when walking slowly is that there is always something new to discover, something that we’ve never before seen. For instance, the portal in the ancient tree. We’ve walked past and admired this tree a hundred times. We’ve placed painted rocks in its nooks. Kerri’s photographed it dozens of times; age has made it beautiful. Photogenic. And, today, for the very first time, we noticed the portal, a peek through the tree to the other side. “How did we miss that?” we exclaimed.

“It only felt like an ambush because I hadn’t been paying attention.”

Horatio, of course, is right. There is no ambush. The river keeps flowing and somehow we are surprised to find ourselves in places we’ve never before imagined. New stages of life. All the time I tell Kerri that she is beautiful. She cannot hear me because she expects herself to be in another part of the river entirely. I am guilty of the same false expectation.

Looking backward in life is like looking through the tiny portal in the ancient tree. The view is blurry and limited. Ask me if I would like to go back to the time when my body was thirty and I will howl with laughter, “No way!” This day, this moment, as hard as it can sometimes be, is the best time of my life. I am learning to appreciate my aches and pains, my ever-changing-body, to pay attention to where I am and not where I imagine I should be.

Here and now. There is nothing more beautiful.

read Kerri’s blogpost about THE PORTAL

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Know The Context [David’s blog on DR Thursday]

Things are rarely what they seem at first glance. One tidbit of information, one step to the left or right and a new perspective opens, the image shifts, and everything comes into focus. Change need not be monumental. More often than not it happens in the tiny steps, the subtle rearrangement of expectations, full understanding alights with proper context.

The picture comes into view. A nice way of implying comprehension. The penny drops. The light bulb goes on. I knew immediately what this was a photo of – I know the context. It’s familiar to me. Outside of my context this photograph might be a mystery. A Rorschach inkblot. A request for a psychological interpretation. A blob on mesh.

It’s Dogga, taken through the screen door. He’s looking back at the camera. Even at rest he tracks us, he knows we are watching before we know we are watching. Even at rest, he is invested in our well-being. Our safety. He delights us with his antic awareness.

Things are rarely what they seem at first glance. Although it may not be immediately recognizable, it is a photograph of quiet joy. An image of home. Heart warmth. A sign that all is right in the world.

All My Loves, 24″x40.5″, mixed media on hardboard

read Kerri’s blogpost about the SCREEN DOOR

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buymeacoffee is…nothing more. nothing less.

Take The Curve [David’s blog on Merely A Thought Monday]

I understand that there are no straight lines in nature. In life, either. Curves, bumps, potholes…surprises… are the spice of an interesting life. A full palette experience. Note: I did not write “an easy life.” Easy is a one-color painting.

That there are no straight lines in life or in nature (same thing) makes this warning sign something of a curiosity. If there are only curves of varying degrees, why warn me that there is a curve coming. I’m presently standing in a curve. There will be a curve after the upcoming curve. And another after that.

I’d be much more interested if the sign warned me of smooth sailing ahead. Or calm waters. Or momentary peace.

I suppose I’m less interested in the geometry of my travels and more concerned with the quality of my journey. I understand that the sign is attempting to help me manage my expectations, moderate my speed, prepare for what’s ahead; it’s a type of crystal ball. It knows what the future holds if I continue on this path.

I already know that there is a curve ahead. I have no expectation of straight paths. Or narrow paths, for that matter. I do, however, expect to be surprised. Although there is no sign in yellow and black warning me of the beauty, I understand that there’s an amazing vista ahead, somewhere just beyond the curve.

read Kerri’s blogpost about CURVES

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buymeacoffee is a sign on the road that we are not tossing our words and work into a e-void. it’s hope in a modern era.

Stand At The Fork [David’s blog on KS Friday]

Once in a vision
I came on some woods
And stood at a fork in the road
My choices were clear
Yet I froze with the fear
Of not knowing which way to go
One road was simple
Acceptance of life
The other road offered sweet peace
When I made my decision
My vision became my release.

Nether Lands by Dan Fogelberg

It happened again. We were making dinner and, before she said it, I knew exactly what she was going to say. “I’ve been here before,” I thought. Deja vu. I understand these moments as affirmations of being on the right path. The first day we met was a festival of deja vu.

Most of my life I was terrified to sing. A professor in graduate school challenged us to walk into and explore one of our fears so I took a class: singing for the utterly petrified. That wasn’t really the title of the course. I can’t remember the title because I was in a heightened state of panic the whole semester. We had to choose a favorite song to sing. I chose Nether Lands by Dan Fogelberg because it was the first album I ever owned and I used to play it over and over and over. I knew the title track by heart. I figured I’d have a better chance of staying conscious if the song and lyrics were already beaten into my brain. The fact that I am writing this so many years later is proof positive that I survived.

When we met I told her, a consummate musician, “I don’t sing and I don’t pray.” Better to spill the beans upfront than to torture her ears down the road. Managing expectations, yada yada.

“That’s too bad, ” she said. A few short months later I was singing in her choir, band and ukulele band. So much for conviction! She told me that my problem wasn’t singing, it was hearing. I had to learn to hear. I loved the implication: walking into fear requires learning to hear. I’m still learning. Deja vu!

It happened again. Carefully opening the small step ladder between the piano and the cello to hang the lampshade in her studio. “I’ve been here before,” I thought, positioning the legs of the ladder. I knew she was going to tell me to make sure the feather clip was in front. I knew she was going to wrinkle her nose. I had no idea what would come next.

It’s what I love about a good deja vu – you’ve both been there before and have no idea where you are going. It stops you for a moment of appreciation. Affirmation. Always at a fork in the road: simple acceptance of life and sweet peace. I have a feeling that, no matter the choice, all roads eventually lead to the same place. Hanging a funky cool lampshade. A wrinkled nose. Learning to hear. A deja vu. An affirmation of being right where I am supposed to be.

recorded on an old iphone on a piano in need of tuning… A Shred of Hope © 2020 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LAMPSHADE

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buymeacoffee is a path you’ve previously walked but only now remember.

Sail Toward It [on Not So Flawed Wednesday]

Gordon MacKenzie ends his wise little book with this: “You have a masterpiece inside of you, too, you know. One that is unlike any that has ever been created, or ever will be. And remember: If you go to your grave without painting your masterpiece, it will not get painted. No one else can paint it. Only you.”

His analogy – his encouragement – is to let go of others’ expectations and paint your painting, not the paint-by-number painting that you think is required of you.

I wrote this note to myself over ten years ago: you do yourself a terrible disservice to doubt what you know.

I know the world is round. If I set off on an adventure to the unknown I will never touch the horizon. It will always call to me. And, if I sail toward it long enough I will arrive back where I started. Home.

If I believed the world was flat, I would delude myself into thinking that I could catch the horizon – and touch it – merely a moment before I sailed over the edge and into the dark abyss. I know this: no one holding a flat world belief will knowingly sail toward the horizon, the great unknown. That would be crazy! No one willingly sails into the abyss. Better stay safe in the harbor! Color within the lines!

Masterpieces are made by sailing into unknown territory. Releasing control and discovering what’s just over the horizon. And, what’s just over the horizon is more horizon! More questions. More experiences. More discoveries. More tastes. More textures. More sounds. And, to sail toward the horizon with abandon first requires an understanding that the world is round. It is all horizon.

Paint-by-expectation is the road of a flat-earther. Perfection is a false horizon. Try to touch it and the abyss is yours.

Young artists jump back and forth between the flat and the round earth philosophy. They have to. Vulnerability is a learned skill and comes easily when the quest to touch the horizon is abandoned. In other words, painting a masterpiece comes when the quest for a masterpiece is ditched. When making a mess takes precedence over “doing it right.” When following your bliss determines the rules you uphold.

It’s counterintuitive. There’s a place where control and freedom blend into one. You’ll find it when you aim at the unattainable horizon.

read Kerri’s blogpost about THE HORIZON

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Walk With Shadows [on Two Artists Tuesday]

These are not the pine forests of Colorado. The trails in North Carolina are a crazy cross-hatch of roots and shadows. Rhododendron explosion and cedar. Kudzu. “This is a Hansel and Gretel forest,” Kerri whispers.

“Luckily for us,” I reply, “we are too old to taste good. No witch would have us.” She punches my arm. I laugh, but not too loud.

This forest is different than our ideal. That is why we come here. It opens us. It challenges our “should-be.” New experiences and unknown places dissolve expectations and elevate awareness of “what is.” It shakes the stone fortress of imagined security. Each step is alive and unexpected.

Renewal. It’s a special branch of the slow-moving-river called curiosity.

After many miles we arrive back at the car. We emerge from the Grimm Brother’s forest and step onto the comfort of paved parking lot. Exhausted, we are thrilled with our hike. The forest sprites retreat back into the dark recesses of our minds while the new shapes and smells and colors and sounds energize our spirits.

“We did it!” She is elated. Then, “Do you think that crashing sound was a bear?” she asks.

“Could be,” I lie, certain that we were followed – and rejected – by a hungry Ogre. Too boney. There are, after all, certain benefits to aging.

read Kerri’s blogpost about ROOTS AND SHADOWS

Modify The Plan [on saturday morning smack-dab.]

When you are an artist, you begin your career with the understanding that retirement is not really an option. You will work as hard or harder as any of your friends. You will have satisfaction in your work that few people can imagine. And, you will, most likely, unless you are very lucky or have a surprise trust fund, never experience lasting financial security.

Also, when you are an artist, you can’t imagine not making art so “retirement” generally means the-big-dirt-nap.

We have, since our great-double-wrist-break-and-financial free-fall of 2020-21, changed our approach. It’s less easy to improvise when the world perceives you as old-and-should-be-retired (non-dirt-nap-variety). Your networks collapse. Your mask obscures your capabilities.

We’ve modified our plan. We’ve modified our expectations. Now, we need only live long enough to break the Guinness Book of World Records as the oldest living artists. Anything is possible! That belief, a hard-core dedication to abundant possibility, is what makes us artists in the first place!

Retirement (non-dirt-nap-variety), here we come!

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Raise The Bar [on DR Thursday]

I just spent a few minutes reading quotes about expectations. The overwhelming message in my brief survey of expectations is this: expect nothing and you will never be disappointed. Or, said another way: lower the bar and you’ll always be able to clear it.

Expect nothing. Lower the bar. Shield yourself from disappointment.

Context is everything in the game of meaning-making. Humorists, philosophers and poets alike recommend with great humor and good hearts the disavowing of expectation. Expect nothing. My context is January 6, 2021. To expect nothing seems profoundly sad. And, with a nod to the wisdom shared through the ages, to expect more from our leaders seems to court nothing but disappointment. What a low, low bar we witness on this day. A low bar that seems to have no bottom.

MM wrote, “I don’t know about you but I found that the monumental sadness of this largely preventable pandemic coupled with the heartless, ignorant, half-assed, sociopathic drivel from our national leader and his apologists and sycophants this last four years – but especially this last year – just too much.”

Monumental sadness. Preventable pandemic. Heartless drivel. Sycophants and apologists.

Like MM, I do not wish to shield myself from disappointment. I am not capable of dropping my expectation of my nation or those we elect to office. As of this moment 352,464 of my nation’s citizens have died, many needlessly. The simple adherence to wearing a mask would have cut this number dramatically. That is not opinion, it is science. As of this moment, many members of congress are going to knowingly and willingly support a lie that undermines the very foundation of our democracy. In a circus of sedition, they are going to betray their oath of office and the country they vowed to serve.

Why should I not expect more?

Why should we not expect more of ourselves? At this moment, thousands of angry citizens, too lazy to check a fact, too gullible to ask a few obvious questions, are amassing at our nation’s capitol. They are assembling to protest unfounded-and-repeatedly-disproven allegations of voter fraud in which they themselves create as willing participants in a bevy of lies. Why should we not expect more of them?

There is a simple reason we do not see eye to eye. Many citizens of this nation do expect more. It is precisely why we voted in record numbers. Many – including some of our leaders – can’t be bothered to expect anything at all.

read Kerri’s blog post on EYE-TO-EYE

Flawed Cartoon Wednesday

Acrobats BIGcopy copy 2

I am a practiced eavesdropper. And, in today’s world, who isn’t? If you are of a certain age you will remember the first time you saw someone walking down the street talking to themselves and realized that they weren’t demented but were on the phone. The world spins when old expectations meet new realities. It is now commonplace to hear private conversations in a public space. You are considered demented if you don’t carry a device that makes you appear to talk to yourself.

This Flawed Cartoon Wednesday from the melange is a celebration of the misalignment of expectations. How many times have you heard the request, “Text me when you land.” Well, what if…?

TEXT ME WHEN YOU LAND merchandise

Acrobats Tote copy Acrobats framed print copy acrobats clock copy Acrobats card copy

read Kerri’s thoughts on this Flawed Cartoon Wednesday

melange button jpeg copy

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text me when you land ©️ 2016 david robinson & kerri sherwood