Clean Inside And Out [David’s blog on KS Friday]

And by the grace of some unseen internal trigger, the long-awaited-often-discussed-house-cleaning-out has commenced. I have no other explanation than the time must be right.

The time is right.

In truth, I’m just beginning to understand that the external house cleaning is an extension of the internal house cleaning that has been going on for some time now. It just finally hit the surface. The bags I take to the trash, the boxes readied for the Goodwill, are extensions of that ongoing internal process.

Making space on the outside is labor intensive. It takes some sweat and muscle. Dedicated time. Making space on the inside begins with the intense heat of disruption. Discomfort. The disorientation of masks falling off, the scary peel of protective layers. Exposure. Loss and lost.

Kerri introduced me to a phrase that I at first resisted: People don’t change, they just become more of who they are. Now, I think she is spot-on with one slight adjustment: People don’t change, they just reveal more of who they are.

It turns out that I am none of the labels that I so eagerly apply to myself. I’m not a winner or loser, an artist or an educator. Those designations are either things I do or fleeting judgments about the things I do. It’s very easy to get lost in the dark forest of self-stick labels. I love what I do. Even so, the labels are not who I am.

Talking about Abe Lincoln – who knows how we got there – Horatio hit me with some of his usual uncanny insight. “His fame is a fluke but his good works are not,” he said, “We often confuse the two.” Good works are intentional. Fame is circumstantial.

As the onion peels and the layers of circumstance fall-off, I discover more center. Or, said another way, applying Kerri’s rule, I become more of who I am. Less peel. More heart.

The river keeps moving. Neither hard times or easy days are permanent, nor are they entirely one thing or the other: hard times hold easy days. Easy days invite hard reflections. In the cleaning-out, in the opening of space, there is one thing that is becoming abundantly clear: Bob Marley has it right. No matter what, “Every little thing is going to be alright.” Because it already is.

Taking Stock/Right Now © 2010 Kerri Sherwood

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read Kerri’s blogpost about EVERY LITTLE THING

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Bring On The Comfort [David’s blog on Merely A Thought Monday]

Last Tuesday evening we sat on the deck until late. We were in short sleeved shirts. Kerri wore summer shorts. It was an anomaly for late October in Wisconsin. The warm breezes set the chime symphony in motion. It was an evening of low talk and high peace. The Dogga slept on the deck. Hope-the-frog meditated by the pond.

Since then the temperatures have headed south. We are wearing layers, warm socks, and replacing the cotton sheets on the bed for flannel. The quilt has made an appearance. Slippers and Uggs stand at the ready.

And, just like that, it’s soup weather. The return of comfort food. In our cupboard, patiently waiting for this day, is a humungous can of peeled tomatoes. We’ll launch the good boat Comfort with a vat of Joan’s tomato soup. It’s simple and delicious. We’ll bake bread for dipping or to tear and toss like croutons into the soup. It never fails: once the soup is ladled into the bowls, all coherent conversation stops. This soup is that good.

No worries, 20 will help us eat it. With a vat this big, there will be plenty of leftovers (for days).

Comfort: 1) physical ease and freedom from pain or constraint. 2) easing or alleviation of a person’s feelings of grief or distress.

This is some seriously powerful soup. Bring on the comfort!

read Kerri’s blogpost about SOUP!

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Play Well [David’s blog on Not So Flawed Wednesday]

“It takes a very long time to become young.” ~ Pablo Picasso

Early in our collaboration, when my plan seemed too fun-loving for our corporate clients, it struck fear in the heart of my business partner. I was fond of telling her, “Everyone really wants to play.”

And, I believed it. I believe it still. Everyone really wants to play. The challenge of stimulating entrepreneurship or innovation or creativity is never about opening minds; it is to scale the fortress walls we erect around our light hearts. The same is true with change initiatives and diversity-equity-inclusion. The heart is the target and playfulness is the path.

In general, the epicenter of what ails us is that we take ourselves too seriously. The cure: play. When the mask of seriousness falls, there’s nothing left to do but play well with others.

I am reminded of the cure every time we assemble at the cabin with The Up North Gang. The overriding intention of our gatherings is to take nothing seriously. To play. We eat too much. We snack with abandon. We adventure. We make space for fun and eschew all serious pursuits. We laugh. Spirits are lifted. Eyes and hearts open. Ideas and imagination flow like a raging river, so warm, safe and impish are our companions.

Play is an action but it is also the fruit of an environment. People cannot play if they do not feel safe. Another truism I learned during my walk in the organizational wastelands: environment creates behavior. So many serious faces; so much fear of being seen “as”… There’s nothing like a safe space to foster a hotbed of creativity.

A warm autumn day, a blue-blue sky, the leaves vibrant with fall color. A quiet mind. An open heart. A great relief. I realized that over these many months Kerri and I have not felt safe, swimming as we are on the bottom of Maslow’s Hierarchy. I was suddenly and profoundly overwhelmed by the lightness in my heart, the ease in my being, the great gift of our Up North Gang.

A gentle reminder that the path forward is rarely found by squeezing together synapses and figuring-it-out in-the-mind. The path becomes clear when illuminated by the lively spirit of play. Heart-paths become visible. I smiled at all that I know and too often forget. Everyone really wants to play.

read Kerri’s blogpost about AUTUMN UP NORTH

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Create Ease [David’s blog on Not So Flawed Wednesday]

Reading The Marginalian this morning I was taken by these two quotes:

“The whole process of nature is an integrated process of immense complexity, and it’s really impossible to tell whether anything that happens in it is good or bad.” (Alan Watts)

“…learning not to think in terms of gain or loss.” ~ The Marginalian, August 16, 2023.

It came at the right moment. There was a river of anxiety running through our house. I opened the newsletter because the title was Seneca on the Antidote to Anxiety. I needed an antidote. Actually, I needed to be reminded of what I already know.

Most of our monsters are invented. Most of our stresses are made-up. What we fear rarely happens. Such is the power of the human imagination. We are capable of making ourselves sick with make-believe, ill with assumptions, fearful by assigning meaning to an experience before it actually happens.

We fret. We worry. We brood. We lose sleep. We get worked up. We torture ourselves with our untethered thoughts and wild-imaginings. It’s the heart of my argument to all people who’ve labeled themselves as “not creative”. We are so abundantly creative that it hurts. Check your inner monologue. It is a riot of creativity! A stampede of wild-horses!

We are capable of imagining ease rather than angst. We are capable of creating love rather than hate. It’s true, but creating ease, creating love, first requires a complete surrender of black-and-white thinking. Good or bad, gain or loss, better or worse…control fantasies, all. Creating ease is borne of an understanding that every experience – every single experience – has many possible interpretations. And, fully comprehending that you are the creator of the meaning you make. And, most of all, recognizing that making meaning of an experience is best done after it happens, somewhere down the road. I guarantee, no matter the meaning made today, it will change again and again over time. Creating ease.

Side note: compassion for self and others lives on this non-binary road.

Reminders of what I already know.

I loved the sunflowers when we placed them on the table. They were a gift and were fresh from the farmer’s market. I thought I might like to paint them, which is unusual for me. A few days later, the sunflowers bowed their heads and I found them more compelling. They seemed like gentle beings in a posture of reverence (how’s that for imagination!). Both Kerri and I raced for our cameras.

Were they more beautiful or less? And, isn’t that the exact wrong question to ask?

read Kerri’s blogpost about SUNFLOWER BOW

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Make Peace [on Not So Flawed Wednesday]

Look closely. There’s a turtle motoring through the water, scooting along the muddy bottom of the river. Turtles always elicit squeaks from Kerri. We watched this shelled-wonder for a long time. There were a few others that caught my attention, heads rising just above the water, floating peacefully in a pose of suspended animation. Turtle tai-chi.

We went to a sound meditation at the Botanical Gardens. Singing bowls and rain sticks. I was transported. I felt as if I was gifted with a turtle-moment: floating in a calm suspended animation. I recognized that feeling of ease and vowed to practice it more often. There’s wisdom in non-motion. Non-resistance. Flow by another name.

We were awake deep in the night. She asked if I could remember the places I’ve lived in my life – specifically the apartments and houses. Mostly she wanted to know if I could remember living-in-them. Making dinner. Doing laundry. How they felt. The sounds and smells. For me, there have been many. Most were creative spaces. Most of my living spaces were also studio spaces. Sacred spaces. Quiet places.

I don’t remember the day-to-day. I remember the place and time that I decided I was going to learn to cook. It was a statement of self-care. It was a decision to make all the world my studio and not just the places where I painted. Moving out from a solid center, joining the world, rather than closing off from the noise. Making peace with my out-of-step-ness. It was a decision to move into the chaotic world, to crawl with abandon and explore the river’s muddy bottom.

That reminds me of a Flawed Cartoon.

read Kerri’s blogpost about TURTLES

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Use Your Fingers [on DR Thursday]

They call them life lessons because they cycle back again and again. Each successive cycle peels off another layer and reveals a new simplicity. Currently, I am having another layer peeled.

My layer is a renewed appreciation and deeper understanding of a famous Picasso quote: “It took me four years to paint like Raphael, but a lifetime to paint like a child.” I think I may be shedding some dedicated self-importance and a thick-headed notion of what I ought to be. What I should have been.

I am surrounded by paintings of my own making. They are serious stuff! They are meant to move people and mountains. Some make me smile. Most make me knit my brow. They are generally absent of fun.

I’ve taken a vacation from my serious pursuit and thank goodness! In the meantime, I’m drawing cartoons. And, most importantly, I am painting rocks. We are painting rocks. No thought. No necessity. Just because we can. It is the most fun I’ve had in years.

It is the fun, the complete abandonment of taking-myself-too-seriously that may bring me back to art-as-play. Fun at my easel.

I have fingers so there may or may not be brushes involved.

read Kerri’s blogpost about FISH!

snowflake with possibilities/flawed cartoon © 2016 david robinson, kerri sherwood, john kruse

Sing The Song Of Simple Lessons [on Not So Flawed Wednesday]

This is a song about the simple lessons. The amusing and eye-opening answer to “because we’ve always done it this way.”

As a budding young artist I was frustrated because my charcoal lines were not as alive or fluid as the masters I so admired. I wrestled and strained and struggled to achieve “alive” lines, doubling down on my technique, my personal bridge to nowhere, as if doing more of the same, rife with inner turmoil and tension, might achieve my aim of ease.

Watching me struggle, amused by my absolute dedication to doing the same old thing in the same old way, as if I might accidentally squeeze out a new result, my art teacher, a wisened older woman full to the brim with laughter and humility, came to me, took the charcoal from my hand, and showed me how to hold it, not like a pencil, but like a flower. My lines were instantly alive. My teacher laughed at my amazement.

New ways – better ways – are rarely discovered on a tension path. Why is it that we look in the same drawer multiple times when we’ve lost our keys?

We have, for years, made lunches from yummy food wrapped in a corn tortilla. More often than not, our food falls to our shirt, our plates, the floor, because the tortilla splits. “We have to do something different,” Kerri says each day as her tortilla disintegrates. Dogga delights in the mess and recovers the spoils that hit the floor. Day after day, year after year, the tortilla struggle has been a part of our lives.

During a recent visit, Kirsten, watching our struggles, shook her head, sighed and asked, “Why don’t you use two tortillas?” It was a revelation. A simple change that never occurred to us, babies of depression era parents.

“Two tortillas!” Kerri exclaimed. “Yes!”

I nodded with satisfaction. A better life, a cleaner meal, was in reach! Less mess in our future!

Two tortillas. Hold the charcoal like a flower. Revelations born of ease and the obvious answer.

Someday we will learn (or not): No stress necessary. Relax. Insight sings the song of simple lessons.

read Kerri’s blog post about Two Tortillas

What’s Now? [on Two Artists Tuesday]

After a fairly contentious conference I co-facilitated in The Netherlands, Kerri and I took the bullet train to Paris. It was early in our relationship and our first time abroad together. We couldn’t afford to get to Paris otherwise, so tagging a small vacation onto a work trip seemed foolish not to do. It was the perfect place at the perfect time. I released the conference friction the moment we stepped off the train. I didn’t know it at the time but on the streets of Paris I left behind a skin that I’d badly needed to shed.

We had limited funds so we bought baguettes and Camembert cheese, fruit, tarts from vendors and bottles of wine. We ate in parks. We wandered the streets. Climbed the hill to Sacre’- Coeur, visited Rodin, and tried to get lost. We fell exhausted into bed each night, full of art and sound and color and delicious wandering. One night we sauntered to the Arc de Triomphe and barely escaped a riot. Bus loads of police in riot gear appeared on the street and, wide-eyed, we slipped out of the crowd and hustled to find more peaceful rues. Paris now serves as a marker. There was before Paris. And after.

“This shadow looks like that picture I took of the Eiffel Tower,” she said, showing me the photo of the shadow. The angle is perfect. The shadow is appropriate. Shadows. What was. An outline of the people we were, reflected on the snow. And, the series of photos, shadows along the way, the surprising people we have lived-into since we wandered those streets, shedding old skin, and boarded a plane home with a a question, “What’s next?” What’s now?

read Kerri’s blog post about SHADOWS

Be Like BabyCat [on Not So Flawed Wednesday]

We had a difficult time choosing our Melange this week. The final week of the year is overwrought with reflection and, let’s face it, 2020 is not like any other year. There is too much. For the first time in our 151 consecutive weeks of writing, on Sunday night we published an almost empty slate; one solid decision and four placeholders. We knew our prompt for Monday because, well, it was Monday. The curtain was rising.

It is tempting in a year like no other to write about the tragedies, disgruntle-ments, mountains to climb and we’ve certainly done our share of that. The pandemic has merely served as a baseline to the other palette of poo that populated our 2020 experiences. As we rounded the trail on Monday we decided that filling-out the Melange week with DogDog and BabyCat might be the respite that we needed. Our boys keep us laughing. They bring us back to the moment, to the real stuff of life. More than once this year, lost in the stormy sea of my mind, I’ve joined the boys on the rug, ruffled ears and stroked chins – and in a matter of seconds I’ve been awash in the thought, “It doesn’t get any better than this.” They are wizards of transformation.

BabyCat is a study in contentment. Scratch that. He is a master of contentment. While DogDog runs circles through the rooms of the house or barks at imagined intruders, BabyCats seeks stillness and sleeps. While we wrestle with fears of the future or sort through the wreckage of our stability, BabyCat finds the most comfortable place in the house and occupies it. He is not ashamed of his inactivity. He revels in it.

I watch him. He is my first cat, an alien being, a mystery that I can’t help but study. Yesterday, as he moved from one nap into the next, I thought that, if BabyCat was an artist, he would be in a constant state of conception. He sleeps on his ideas with no imperative to actually make them happen. He loves an idea for its own sake. In that deep-state-of-fulfillment, he specifically and successfully rejects all forms of self-criticism. He is a hedonist, shameless in his love of pleasure, his ease of enjoyment.

There were days in 2020 that pounded us into mush. If Kerri or I found ourselves in a fit of despair, without fail, in a matter of moments, BabyCat would crawl into our lap. He’d plop his hulking contentment in the center of our darkness, stop all movement, and purr himself to sleep, taking our despair with him into that netherworld. There are few more effective soul-balms than a contented cat on your lap.

Wizards of transformation. Contentment in a storm. No words necessary.

read Kerri’s blog post about BABYCAT

Invite Magic [on DR Thursday]

NapMorsel

We are going on an adventure. Our adventure comes with a house on the lake. It is work and although some people might not consider work an adventure, we are not those people. The challenge is great. The work seems oddly destined. It “fits.”

Among the first things we moved into our adventure-home was this painting, Nap On The Beach. One of the quirks of being an artist is investing in the belief (or, perhaps, the cultivated-and-embraced-delusion) that the art you make sometimes carries “power.” This painting is autobiographical. It carries a good memory. It evokes a way-of-being. An intention for living. Once, early in our lives together, we fell into a magic sleep on a beach. We were so comfortable, so at ease entering our new life together.

Magic.

We wanted to invite magic and this way-of-being-together into our adventure-home and our next phase of work. And, so, we hung this painting. There are other paintings poised to join Nap On The Beach. They invite a different spirit. Unfettered, free. But, for now, there is this: comfort. Ease. Peace. Giving over to something much, much bigger. An invocation. An adventure.

 

 

preadventure painting sale box copy

 

read Kerri’s blog post about NAP ON THE BEACH

 

feet on the street WI website box copy

 

nap on the beach ©️ 2017 david robinson