Receive The Message [on Two Artists Tuesday]

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It is my practice, when an animal crosses my path in a special or unusual way, to research the animal’s symbolism. I love story, mythology and the power of symbols (words are symbols, too!) – and, oddly, as a human, I am given to ask that most basic of human questions, “What does it mean?”

One night I had a very long eye-to-eye communion with a coyote. Two snakes crossed my path. Crows used to plague me on a daily basis. A white owl kept me company for a spell. Each was the impetus for me to dive into the symbol, the possible medicine or message of each visitation.

Kerri is horse crazy yet it hadn’t occurred to me until last week to spend some time with the horse as an animal spirit. We were up north on a brief get-away and Dan, in a fit of genius, arranged a sleigh ride. The horses pulling the sleigh were Bill and Ace. Kerri and Ace were immediate friends. They were more than friends. I watched a sweet magic swirl between woman and horse. There is no simple emoji for what passed between Kerri and Ace.

This past year has, for us, been a time of great upheaval and contention. Kerri’s broken wrists are only the latest-and-greatest slice in a year full of crazy pie. And so,  I stood witness to the immediate magnetism, the power of the horse to touch and raise Kerri’s spirits. In the sleigh, for the first time in months, Kerri completely relaxed. The tension and contention of these many months disappeared. She whispered excitedly about Ace and her love of horses. No doctor could have prescribed a better medicine for what ailed her.

Horses signify the overcoming of obstacles. They speak of how to carry yourself in the face of adversity. They appear to remind us to take care of our spirits, our minds and emotions and bodies. Above all, they symbolize freedom of spirit. Freedom. A horse can serve people but can never be fully tamed by people [I may as well have written of Kerri: she can serve but she will never be tamed].

A few days later, on our drive home, she was full of light and possibility. “I think we may have finally turned the corner,” she said. “Or, maybe, we should just live as if we’ve turned the corner.” Yes. What better way to address an obstacle, to carry yourself in the face of adversity, than to let your spirit run free, to live as if the hurdle was already cleared. No resistance.

I smiled and looked out my window. What does it all mean? Who cares. I whispered a quiet gratitude that a horse crossed our path and now my wife’s spirit is running free.

 

read Kerri’s blog post about HORSES & SLEIGHS

 

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Find The First Principle [on Merely A Thought Monday]

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I don’t know about you but the moments in my life that I am the least proud are the moments that I was steeped in anger. In anger, I have said things that I didn’t mean and done things that I now regret. There is no real strength to be found in anger. There is only blindness and weakness.

We live in the great age of the misnomer. In anger we slap a label of virtue on the mad face of vice.

Step outside and you’re likely to be trampled by a stampeding herd of verbal misdirection. If your brain is not pulped by rage and you are curious enough to question, you just might survive the stampede. But do not think you are safe! That roaring that you hear is nothing less than an avalanche of obfuscation.

Occam would have a field day using his razor on phrases like “alternative truth.” What are the odds that a lie is a lie and not an alternative at all? He would roll his eyes at us. “What entices you, ” he would ask, after slicing the alternative from the truth, “to willingly swallow so much word-gumbo?”

The answer is easy and readily apparent: anger. We are an angry nation getting angrier. Angry people rarely ask questions. Anger and Reason are never seen sitting at the same table. Angry people are especially gullible, easily whipped into an frenzy, and led by the nose into concocted fights. People are made angry in order to focus their blood shot eyes on made-up-divides. There is nothing that bonds an Us like the perception of an invading Them.

If you survive the avalanche of obfuscation, duck, cover, and roll as the squadron of conspiracy theories are certainly swooping in to drop their fantastic story-bombs. Misdirection. Obfuscation. Cries of “Hoax!” and “Witch hunt!”

Anger, so we’re told, is a secondary emotion. It is a cover-up emotion, a protection against feeling the primary thing, like fear or loss. Anger is what happens when the metaphoric dog is backed into the corner. It’s better to bark and snap than to feel shame or sadness or otherwise vulnerable, especially in public. It’s easier to punch, to blame, to rage than it is to deal with the first principle.

What we-the-people have in common, our first principle, is suffocating under all of this anger.

Sharpening his razor, Occam might ask, “What would happen if you dealt with what you were really feeling instead of covering it up with so much fury? What’s beneath the anger? Deal with that.”

History teaches that when a leader fans anger into a red hot flame, the purpose is to forge the gullible into a thoughtless mob. These are the necessary bellows: obfuscation, misdirection, conspiracy theories a-go-go. Blame. Blame. Blame.

Mobs are not really strong. They are flashes in a vapid leader’s pan. They return to their strength when the fire burns itself out, when their eyes clear, and they once again become capable of asking, “What’s going on?”

Anger and strength – despite what the stampeding herd would like you to believe – are not the same thing. One requires the presence of mind and clear sight – and the other is defined by blindness and the absence of thought.

 

read Kerri’s blog post about ANGER AS PROXY

 

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Scream Into The Mic [on KS Friday]

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During the healing time of Wristgate, as Kirsten called it, Kerri and I have been spending much of our time on the raft [our bed – it is where the broken wrists are most comfortable].  We work from the raft. We eat from a tray on the raft. We plan life from the raft. And, because it is cold winter, we reminisce on the raft. We talk about what might have been, what choices we’ve made, what storms blew in, wreaked havoc and gave shape to our lives.

No Balloons. It is one of the first studio recordings of Kerri. It is from 1980, smack dab in the era of Joni Mitchell, when a cassette tape was the latest and greatest technology. I recognize her very young voice, shaky and not yet rooted, trying to find itself. Sitting on the raft, although I’ve heard the backstory of the song before, to hear it again made me weep.

No Balloons is a song about rape. Kerri’s rape. A young woman, hopeful and trusting, trying to find her voice, a violent storm that blew in, a man twice her age that altered the course of her life. When she sought help she was met with a solid male wall of See-No-Evil-Hear-No-Evil.

We live in the #metoo era. Even though it’s still very hard for young women – any woman – to get the world to listen, to be taken seriously, it was exponentially harder in the 1970’s. The woman, so our sad history goes, was to blame for her own violation. Kerri did what most women did in that time. She internalized it, swallowed her bile, and covered it up. She ran from it, ran from her attacker, ran from a man-world that couldn’t be bothered to listen. She candy-coated her ruin and made it a shameful secret.

After listening to the recording, the sweet quaking voice, the flute floating over the top of the band, the disjoint between the composition and the lyric, Kerri gazed into a dark corner that I could not see and said, “I should have been screaming into the mic.”

Had I not been holding space for her I might have said, “It’s not too late. Maybe the mature woman needs to do what the young woman could not. I suspect there are a legion of young women out there who need you to scream into the mic.”

 

NO BALLOONS

 

read Kerri’s blog post about NO BALLOONS

 

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no balloons ©️ 1980 kerri sherwood

Listen To Chicken [on DR Thursday]

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The original conceit behind Chicken Marsala came during a road trip. Kerri and I started talking about what life might have been like had we met when we were younger. Our conversation wandered into the question of mutual children and then became utterly hysterical when we started tossing possible names back and forth. Chicken Marsala, the imaginary child of two people who met late in life, was born.

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Chicken had friends. Chicken went to school. Chicken had a full blown imaginary life. Chicken terrified his parents, making them do and say things that they would not have otherwise done. Chicken became the inner and outer voice of two artists trying to make their way in a world where they do not necessarily fit.

All of my life people who have cut themselves off from their inner artist have asked me, “Where do I begin?” They build studios for themselves, buy supplies, and then sit, frozen. Tom McK used to tell me that there was only one answer to that question: a writer writes and a painter paints. There is no magic. The muse can’t help unless you pick up the clay and throw the pot. Write many, many bad pages and soon you will discover that you are following an impulse rather than grinding “it” out or making “it” up.

One day, someone asked Chicken’s mom a question about composing. “How do you do it? What’s your secret?” It was a question from someone desperate to uncover their long buried inner artist. What’s the secret charm, the divine key? Chicken leaned into his mom and whispered: Sometimes you just have to put your fingers on the keys and follow the music.

It is no mystery, after a few years banished in the drawer, that Chicken is suddenly pulling on my sleeve. I haven’t been active in the studio for months. ‘A dry spell,’ I tell myself. ‘All of my creative energy is going to other things.’ ‘I’m bored with my work!’ ‘I’m blank…’ Yada Yada. Chicken shakes his head. ‘Not again!’ He giggles.

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Put your fingers on the keys. Pick up your brush. Use that great imagination to play rather than plague yourself. Follow the music. It will always lead you home.

 

read Kerri’s blog post about FINGERS ON THE KEYS

 

 

 

 

 

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chicken marsala ©️ 2016 david robinson & kerri sherwood

play 2 play illustration ©️ godknowswhenprobablybeforeyouwereborn david robinson

 

Knit A Better Structure [on Not So Flawed Wednesday]

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“…the test of a civilization is how it cares for its helpless members.” ~ Pearl Buck

As a nation, we are currently enamored with tests, and it is not a stretch to say that we’d receive a failing grade on this test of civilization. The helpless members do not fare well.

As Horatio pointed out, much is lost between the cracks of the quintessential conundrum built into the DNA of these United States: the dueling philosophies of every-man-for himself versus I-am-my-brother’s-keeper. Republicans versus Democrats. Corporate greed versus social need. Black and white thinking that leaves gaping voids into which the helpless members disappear. There is no both/and to be found. Division has been a useful tool of control since the inception of the American experiment. The ideological cleaver is sharper than ever these days.

Yet, there is hope that reveals another side to our character.  Kerri said, “Look at this!” The Appalachian Wildlife Refuge put out a call for used mascara brushes. They are a useful tool in saving small critters and returning them to health. They received so many brushes, the response was so great, that they had to put limits on when they would accept new brush donations. It’s my bet that people of all political stripes and social strata sent their used mascara brushes to the Refuge. It’s my bet that the critters and the caregivers were grateful in every case.

When tragedy strikes, we rush to meet the need. When a photo moves us, we respond. Something pierces the superficial divide and reaches into our communal heart.

Robert Fritz teaches that behavior is like water, it follows the path of least resistance. If you want to change behavior, you must first change the underlying structure of the land. What might it take for us to challenge this superficial concocted divide, to reach deep  into our DNA and knit a better structure of the land – something more useful and more profound than perpetually dueling philosophies? What might it take for us to put down our cleaver and pick up our mascara brushes? What might we imagine and create together that would help history give us a better grade on our test?

 

read Kerri’s blog post about IMPACT

 

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See The Series [on Two Artists Tuesday]

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The closing moment of the film Love Actually is a wonderful montage of greetings at the arrival gate at Heathrow airport. The Beach Boys sing God Only Knows to images of children greeting grandparents, husbands rushing to their wives, friends opening their arms to friends. Hugh Grant’s voice over: “Love actually is, all around us.”

For reasons I’ve never quite understood, we human beings have an uncanny ability to focus on the negative stuff while completely missing the love all around us. We famously study ourselves and the data is overwhelming: we yammer on and on to all who will listen about the “bad” thing that happened in our day. We share the “good” stuff less and with far fewer listeners. There’s something about a fight that draws our eyes while a kiss will make us look away.

Stand on any street corner and  watch the world go by and one thing becomes immediately clear. There are far more acts of generosity than there are acts of violence. The kind hearts outstrip the mean spirits by far so why do believe the opposite?

Krishnamurti famously said that “Life is a relationship. Living is a relationship. We cannot live if you and I have built a wall around ourselves and just peep over that wall occasionally.”

Violence and division make for better ratings because it’s profitable [and easy] to focus the feed on all things negative. Low hanging fruit. It’s profitable to keep the eye off the thousand tiny miracles. But that doesn’t mean they aren’t happening all around us, every minute of every day.

What might it take to pull down the wall so we might more than periodically peep over it? So that we might see that love actually is all around us? To borrow a phrase from The Beach Boys, “god only knows.”

 

read Kerri’s blog post about A THOUSAND TINY MIRACLES

 

 

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Eat The Cold [on Merely A Thought Monday]

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“Eat the cold!” the Buddhist monk said to the shivering novice. “Eat the cold.” It is” monk-speak for embracing rather than resisting the circumstances of your life.

Non-resistance. Detachment. Hold your self lightly. Presence. Make no assumptions. Be here now. Every spiritual tradition has language for the lesson. Eat the cold. Have the experience. Suspend your judgment. See what is there, not what you think is there. Feel it without condemnation or praise.

When I was a teenager I went on a trip with a school group. The bus broke down in the mountains. We sat on the side of the road bemoaning the state of our affair. The teacher laughed at us. “We’re on an adventure and this is part of it!” he exclaimed. “Rather than fool ourselves into thinking we are stuck, maybe we should fool ourselves into thinking this is exactly where we should be! What’s here? What can we do and create here?” I remember nothing about the rest of that trip but I do remember how much fun we had on the side of the road.

Kerri’s wrists are broken. We find ourselves on a metaphoric roadside. Our patterns are completely disrupted so we are experiencing the gift of mindfulness. Putting on a coat requires complete attention. Lifting a fork. Combing out her gorgeous naturally curly hair. Buckling a seat belt. We have abandoned all notion of rushing. It happens when it happens. When she plays the piano, she does it with full attention; nothing is taken for granted.

What’s here in this storm? Maybe this is exactly where we should be. Amazed at our friendships, our first walk since the accident with Jen and Brad, the sun and wind, laughter with 20, cooing at the meal Joan made for us, flowers, brownies and wine, crawling under the healing quilt that Janet sewed.

 

read Kerri’s blog post about EVERY STORM 

 

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Ripple [on KS Friday]

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“you make a difference in their life, even though they don’t know who you are, you make a difference.” ~ Kerri Sherwood, You Make A Difference

I catch myself in webs of my own weaving. There are things that I know to be true but willingly ignore when I am feeling blue and indulge in a warm bath of self-pity. For instance, my move to Wisconsin brought me to my great love but also came as a career killer. I have, in the past few years, spent inordinate amounts of time pondering my worth to the world. Beyond “husband,” who am I now that “no one” finds value in my work?

When my eyes and heart clear, I know that I have willingly stepped into the single greatest trap plaguing the Western world: investment in the notion that my experience – my life on this earth – is a product. That I must, as John O’Donohue writes, “…strive to garner a quota of significance from the world.”

How isolated we are, searching for purpose, trying to make a mark, seeking an experience, trying to find our voice,…have value, like so much property or stocks to be traded. Reduction. People as bottom lines. What is my value? What is yours?

I’ve decided that my favorite movie is ABOUT TIME. The main character, Tim, is afforded the opportunity to live each day over again. The second time through, instead of grinding out his task list and exhausting rush to achieve, he pays attention to the little things, the relationships he has all throughout the day. He is afforded the opportunity to shift his focus from “life as a product” to “life as relationship.” He makes a difference, not because he makes millions or wins the case, but because he smiles at the clerk of the convenience store. He pays attention to the “space between” and realizes he is nothing more or nothing less than a relationship. Ultimately, he has no need to live each day twice because he ceases throwing the first chance away. He releases the life-dulling-I-am-a-product-mentality and embraces the life-giving-I-am-a-relationship reality.

Sisyphus, in his first trip to the underworld, watches as a thousand souls wander the river bank, so lost in the fog of their own stories that they, each and every one, believe that they are all alone. Finally, their manic little stories play out, the fog surrounding them dissipates, and they see each other. In that moment, they return to their natural state, their most powerful state. They blend together into a single, vibrant mist (relationship). In that moment, Sisyphus is forever changed. He comes alive, returning to the upper regions, knowing that the real vitality, crackling life, is available if he looks beyond his isolating story-fog.

Instead of reducing his life to a measurable value, a few gold coins extracted from the world, Sisyphus expands beyond his little story-prison of worth-seeking to paying attention to what he brings to the moment, focusing on the shared space between. His life ripples and those ripples have no end. In fact, he understands that his life is a ripple.

Instead of trying to be somebody (separation) he simply recognizes and fully inhabits the utter miracle of his being (relationship). In that simple, profound shift, the difference is made.

It’s in Kerri’s song. You make a difference in their lives, even though they don’t know who you are. Your life, and their life, are one and the same thing.

 

YOU MAKE A DIFFERENCE is available in iTunes& CDBaby

 

read Kerri’s blog post about YOU MAKE A DIFFERENCE

 

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you make a difference ©️ 2003 kerri sherwood

Leave It At The Door [on DR Thursday]

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There is a simple exercise that I am particularly fond of but less than terrific at practicing. It goes like this: don’t drag yesterday’s trash into today. See this day as it is: new. Live this day without the control fantasy of believing that you know what will happen, that you know or can control what other people think. Recognize that the burden you carry is exactly that – something you carry. Put it down for a spell. It will be there when you are ready to pick it up.

It’s not an exercise in denial. It’s actually the opposite. It’s an exercise in dealing with the real moment rather than the imagined monster. You’ll be amazed at the world of light, color, and possibility that opens when yesterday’s trash stays in yesterday, when the weighty story wrapped around the past-moment drops away.

I used to tell my actors, when entering the rehearsal hall, to leave their day at the door. Rehearsal halls, like artist studios, are sacred places. The art of the theatre is the mastery of presence and it’s a necessary skill to tuck the story-of-the-day into a safe keeping box before stepping onto the stage. And, what if, as master Will wrote, all the world is a stage? It seems to me that the art of living is the mastery of presence.

I call it the “garbage layer,” those moments when I am first coming out of sleep. Coming up from the bottom of the slumber-ocean there is a surface layer where all the trash floats. It is coming through the garbage layer that I have the option of leaving behind or picking up yesterday’s flotsam. The nagging to-do list, the contention, the worries, the fears and fights can all be scooped up and hauled into the new day or the story-of-yesterday can be left at the door.

And when I leave yesterday’s garbage in yesterday? An entirely different set of experiences and assumptions become available. Awe at the light in the trees. Awe at the smell of coffee brewing. Awe at the sun and the enormous cat that purrs when I sit close.

[Chicken Marsala was one of our cartoon creations. He tickled the syndicates but never got picked up. We love him still. We designed all manner of cool prints, cards, cups and other stuff that you can find here]

 

read Kerri’s blog post about ASSUME AWE

 

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chicken marsala ©️ 2016 david robinson & kerri sherwood

 

 

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face the sun, mixed media, 18 x 24IN

 

chicken marsala ©️ 2016 david robinson & kerri sherwood

face the sun ©️ 2019 david robinson

 

Bother to Ask A Question [on Flawed Wednesday]

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All of us know this tale: A farmer loses his ax. He saw the neighbor boy playing in his field so he suspects the boy took his ax. He tells his wife the neighbor boy is a thief. The wife goes to town shopping and tells everyone she meets the story of the neighbor boy stealing her husband’s ax. People share the story and the story magnifies. An ax is now the least of the boy’s crimes! They tell other people and when things go missing or worse, the boy is their suspect. If he could steal an ax he could also steal a shirt off the line. He’ll take your horse when you’re not looking! He’s a chronic thief! The boy is shunned. His family is ostracized. The farmer feels satisfaction until the day he finds his ax resting on the tree – right where he’d left it.

Narratives are very, very powerful.

Yesterday I listened to a speaker from SelahFreedom present on the growing “industry” of sex trafficking. It was horrifying. One of the slides on the speaker’s Powerpoint was from a pimp’s notebook, instructions about how to keep his women under his control. Drugs help but the narrative weave is all. It could have been notes taken from the commandant at a concentration camp or a cult leader’s handbook. Paranoia tactics. Isolationist, us-versus-them strategies. Lies and distortions repeated to the point that it is impossible, once inside the narrative, once hooked in the story, to distinguish between reality and the distortion.

We live in the age of information and misinformation. We now inhabit the era of hyper-magnified distortion. A single post, a tweet, can reach millions in an instant. The boy stole the ax! They are trying to make us all socialists! The judge was biased! Don’t believe what you see! Witch hunt! Hoax! Believe what I say not what I do.

When was the last time you checked the veracity of your news sources? When was the last time you bothered to fact check or research something that alarmed you in your stream?

Fear is a great brain scrambler. Robert Sapolsky, researcher of stress in animals, has shown that zebras are capable of shaking off their stress after the lion gives up the chase. People, on the other hand, whip up and maintain their stress by repeating the story over and over to all who will listen. And, more to the point, there need not be a real lion chasing us, just someone who knows how to manufacture a lion and get us to spread the terror, to share without question.

It’s the pimp’s strategy. Stoke fear. Discourage thinking.  Threaten. Sow doubt. Play on insecurity. Keep them hooked. Encourage thoughtless sharing of an empty narrative. It validates the perspective of the pimp and the farmer who couldn’t possibly have lost his ax all by himself.

Despite what they tell you, the pimp is never protecting your interests. The pimp is only concerned with his own interests and needs a deep state of delusion running rampant through his stable, to control the narrative.

Imagine what might have been possible if anyone in the ax chain had thought to ask a question, had stepped back to think about what they were hearing before they hit the easy button to share.

 

read Kerri’s blog post about THINK BEFORE YOU SHARE

 

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