A Time Of Water [David’s blog on KS Friday]

And just before the autumn equinox, the last day lily had her brilliant orange moment in the sun and then closed up shop for the winter. It was poignant. We watched her drink in the sun and then fold.

The nights grow longer than the day. The plumes on the grasses are radiant when they catch the evening light. The leaves on the pepper plant have yellowed. The sweet potato vine, once a vibrant uniform lime green, now displays a pattern of color, red-brown and crimson.

We’re emerging from a few weeks of sickness, a bad cold moved in and took much of the wind from our sails. Our limited energy allowed for a few shaky-leg slow walks by the lake. Slow walking allows for better seeing. I marvel at how unimportant most things become – how my perspective simplifies and clarifies when I have limited energy; when my body demands my attention. We sat in our adirondack chairs facing the sun. I felt like the day lily, drinking it in. The sun is good medicine.

Better seeing. Clarity.

I did not know that the word “winter” comes from an old Germanic word and means “time of water.” The snow, the ice, the freezing rain. We pull inside. We retreat to the root to recuperate and gather energy for renewal.

Each week Kerri chooses one of her compositions for our Friday posts. This week, in trying to decide between two pieces, she chose both: one piece from her first album, entitled In Transition, and one from her most recent album – her 15th – entitled Transience. I was moved when listening to the pieces side-by-side: the same theme separated by a decade and a half of life. Transitory life, cycles of production and retreat, generation and rest, exploring and recognizing.

Transitory life looks differently when you are older than it does when you are young.

We are having an extended conversation with our son about artistry. He is an EDM artist and is taking full possession of his gifts. It’s thrilling to watch him move from becoming to being. He is fully inhabiting a time of fire. He is running fast. Chasing.

We – Kerri and I – are fully in a time of water, from being to becoming. We are slow walking. Gathering energy. No longer trying to arrive in a life that is constantly moving. We are the dream we chase. Appreciating the transitory. Savoring our moment, this one glorious never-to-have-again day. We are like the last day lily drinking in the sun and storing that warm heart energy for the coming of spring.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE DAY LILY

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How To Harmonize [David’s blog on Not So Flawed Wednesday]

“Nature, in the intimate and in the vast, is not designed. It is designing. Our own nature confirms it.” ~ N.J. Berrill, You and the Universe (via The Marginalian)

 In one of our famous conversations, Horatio suggested I read Ernest Becker’s Pulitzer Prize winning book, The Denial of Death. So, I did. Horatio has never led me astray. Boiled down to an essence, as a unifying principle for religion and science, it unpacks the human dilemma of being a finite animal with an unlimited imagination. We are unique among creatures because we know we will die yet we have the capacity to imagine ourselves infinite. And so, to live beyond the veil, we think we must leave a mark, to serve a greater purpose. We must seek or give meaning to our limited time. No other animal carries so great a burden, this split-dance of separation and unity.

It is an understatement to suggest that it has set me to thinking. It is the ultimate in creative tension.

For ages, artists have painted the Danse Macabre. Some are a painting a warning: it’s coming so be ready! Some are painting an appeal: it’s precious so live every moment of it!

And this is what Horatio’s recommendation has me thinking: It’s a cycle of movement, like the tides or the cycle of the seasons, the movement of the earth, spinning around the sun…It is movement. Life is movement.

I was hired at the software start-up, not because I know anything about technology or coding, but because I see movement. Dynamic whole systems. In my brief foray into the start-up, I learned that, in order to be successful, software has no end. It is never finished. It must constantly iterate. It must never assume a completion. It is, in that way, like a human being, constantly becoming, cycling through periods of stability and periods of chaos, through lostness and found-ness, each generation supporting the cycle of the next generation.

We confuse ourselves by seeking an answer to our end, as if the design is finished. As if we are complete. That is a statement of our denial. We are movement. Relationship. Cycle. Never complete.

She knelt to take a photograph of the daisies, each at various points in their life cycle. A perfect visual for the single question-with-no-answer at the core of our short season on earth:

“…how to harmonize our cosmic smallness with the immensity of our creaturely experience…” ~ N.J. Berrill

read Kerri’s blogpost about DAISIES

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Look-At-Me-Look-At-You [David’s blog on KS Friday]

It struck me that as the crowd gathered to watch the family of foxes, the foxes, in turn, gathered to observe the rabble of humans. Look-at-me-look-at-you. I wondered if they thought of us as wild, uncultivated. I know they were delighted that a makeshift fence stood between us and them.

The mother fox leapt onto a stone and seemed to pose for photographs but I was certain she was drawing attention away from her brood. Look-at-me-not-at-them. She knew how to make her frolicking children disappear. And they did. Once safe, she stepped off her platform, no rush, and also disappeared.

A local woman walking her dog saw the crowd and asked, “Is it the foxes?” I nodded. “Thought so,” she said and nonchalantly continued on her way. A family of foxes in the center of town. Nothing new. For her it happens every day. For us, passers-through, it was a surprise. A delight. A family of foxes have never rollicked on our street at home. I may never see this again. She will see it again on her stroll tomorrow, just like yesterday. Thus, the power of perspective.

I read that foxes are observers. They easily meld into their surroundings. They vanish so they can watch. So they can see. “If Fox has chosen to share its medicine with you, it is a sign that you are to become like the wind, which is unseen yet is able to weave into and through any location or situation. You would be wise to observe the acts of others rather than their words at this time.”

Tom Mck told me that as he aged he felt that he grew invisible. I feel much the same way these days though my encounter with the foxes has made me realize that I have mostly lived my life as an observer of others. Like the wind. I much preferred coaching people over the phone: I could listen purely – no negotiating of image – and easily hear the message behind the words. Perhaps I have not grown invisible but am only now fully realizing the truth of one of my gifts. Weaving through any location or situation: Look-at-me-look-at-you.

Every Breath/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE FOXES

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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What’s Now? [on Two Artists Tuesday]

After a fairly contentious conference I co-facilitated in The Netherlands, Kerri and I took the bullet train to Paris. It was early in our relationship and our first time abroad together. We couldn’t afford to get to Paris otherwise, so tagging a small vacation onto a work trip seemed foolish not to do. It was the perfect place at the perfect time. I released the conference friction the moment we stepped off the train. I didn’t know it at the time but on the streets of Paris I left behind a skin that I’d badly needed to shed.

We had limited funds so we bought baguettes and Camembert cheese, fruit, tarts from vendors and bottles of wine. We ate in parks. We wandered the streets. Climbed the hill to Sacre’- Coeur, visited Rodin, and tried to get lost. We fell exhausted into bed each night, full of art and sound and color and delicious wandering. One night we sauntered to the Arc de Triomphe and barely escaped a riot. Bus loads of police in riot gear appeared on the street and, wide-eyed, we slipped out of the crowd and hustled to find more peaceful rues. Paris now serves as a marker. There was before Paris. And after.

“This shadow looks like that picture I took of the Eiffel Tower,” she said, showing me the photo of the shadow. The angle is perfect. The shadow is appropriate. Shadows. What was. An outline of the people we were, reflected on the snow. And, the series of photos, shadows along the way, the surprising people we have lived-into since we wandered those streets, shedding old skin, and boarded a plane home with a a question, “What’s next?” What’s now?

read Kerri’s blog post about SHADOWS

Constellate [on KS Friday]

Our 3am banana conversation was about cleaning out. The past few years have, as Skip is fond of saying, tipped the apple cart. Our life-apples are akimbo. So, as we pick them up, we are also sorting. It’s not just the stuff in our closets or the post-water-line-mess-explosion in the basement, it’s also the psychological/mental/spiritual/emotional debris. What bag of trash can we finally toss in the bin? What small treasure was unearthed that surprised us? What will we carry forward into the next chapter that informs who we’re now becoming?

I sat in the basement for a few minutes yesterday, staring at the canvas on my easel. Each day I see a little more of the painting that I will someday paint. I do not now have the time or energy to make it visible. This canvas is becoming a marker in time. It calls. My creative energy is dedicated to other projects and I am careful not to over-tap it. That is new. Knowing my limits. Honoring the creative well is part of who I am becoming. I am in no rush. That’s new, too.

“I’m certain these were my momma’s,” Kerri said, showing me the tic-tacs. She was cleaning out the pantry and found them in the way-back. Beaky was a fan of tic-tacs. Treasure. And, how did they get lost in the recesses of our pantry? No matter, they inspired some good stories, reminiscing. “It makes no sense, but I’m keeping these,” she said. Treasures do not need to make sense.

I learned a big lesson during the decade that it took me to complete and produce The Lost Boy: I started it as a project for Tom to perform and it became a project I had to perform for Tom. His passing was the final piece necessary to complete the story he wanted to tell. His passing made the play possible to perform. The lesson: we cannot see it all. We think we understand “why” but mostly our reasoning is constellation. Dots connected in the vast open sky.

The tipping of the apple cart. 3am bananas. Next chapter imagined and arriving. A tic-tac kiss from the past. Making space for constellation. We are in awe and not in a hurry.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about TICTACS

connected/released from the heart © 1995 kerri sherwood

Become Whole [on Two Artists Tuesday]

barney spring 2020 copy

When Barney came to live in our backyard, he’d been long forgotten in the dank dark basement boiler room. His soundboard was shot. He was headed for the junkyard when Kerri intervened and asked if Barney might come live out his days with us. It has been five years since Barney arrived in the junk man’s pick up truck. He has aged beautifully.

The first day in his new home Barney spoke when Kerri played his keys. He let go of his voice one key at a time. Within a week he was silent, no longer what he once was but not yet sure of what he was becoming.

We adorned him with flowers in pots for a few summer seasons. Certainly, he was content to support the flowers – like a crossword puzzle, it was something to do – but it never rose to the level of purpose. We realized he was doing it for us so when the third season arrived we let go our desire to give him meaning. He heaved a sigh at our revelation, and, at last, purpose-free, he enjoyed the sun for no other reason than it felt good. That season, wild geraniums grew around his baseboard and embraced him, the chipmunks used him as their hiding spot. The little critters made him laugh as they stood on his blistering lid and taunted the rowdy dog.

Initially, we tried to slow his inevitable peel, slathering him with marine oil, but his skin wrinkled and bubbled anyway. The white veneer of his keys was the first to go. We realized that Barney was becoming another kind of beautiful. He was, as Rilke wrote, living his way into the answer to all of his questions.

Jen and Brad suggested in our stay-at-home-seclusion that we exchange images of spring. I stepped onto the back deck and recorded the birds singing. And then I saw the wild geraniums were showing up and gathering around Barney. He was absolutely gorgeous in the morning light, sculptural and at peace. I’d just read something Thomas Merton wrote and it perfectly described Barney on this early spring morning: There is in all visible things…a hidden wholeness.

 

read Kerri’s blog post about BARNEY IN SPRING

 

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Find Another Door [on Merely A Thought Monday]

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Roger and I used to discuss life and career. He would say, “There is a time of becoming and then, one day, you realize that you have become it.” He was right. I wanted to be an artist. For years I chased it. For years I practiced it. And then, one day, I realized I was it. Not because I’d arrived at a place called Artist, but because art was my practice. Art was my pursuit. Art called me.

It’s a paradox. You become the thing that you pursue on the day that you realize it is not an achievement. Becoming is a choice of practice, a dedication of your limited time on earth to an exploration. Follow the Siren long enough and she will claim you.

Long after his retirement, Tom continued to toss his hat into the ring for regional directing assignments. During his career, he was a force in the theatre. He was a master-teacher-director who opened the door to many of my peers, theatre artists, the people I most admire. I heard about Tom long before I met him. And, although he continued his passionate pursuit after his retirement, the world of opportunity could not see beyond his grey hair. Even his former students, those people I most admire, stopped considering his resume or returning his calls.

It was in the midst of recognizing that he had more to give but the old routes were now closed that he pulled me aside and said, “I need help telling a story.” And then he asked, “Will you help me?”

Our project, The Lost Boy, opened ten years later,  several months after Tom’s death.  The opening night audience was a packed house of Tom’s family and relatives, people who brought photographs of the lost boy, Johnny, to the theatre. They clutched them as they watched the play. After the performance, they stayed in the theatre sharing their stories until the management asked them to leave.

A dream. Tom’s practice: uniting people through telling and sharing a common story. Art in its purest form.

His final lesson for me: storytellers (artists) age but the force of their dreams does not grow old. They will inevitably hit walls and freshly closed doors and rather than sit down and throw up their hands, they simply turn, ask a few questions, and look for another way.

 

read Kerri’s blog post about NEVER TOO OLD

 

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The Chili Boys in rehearsal for The Lost Boy. They wrote gorgeous music for the play. I will always be grateful to them.

 

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carrying on the tradition (and my heroes): mike and sabrina bartram

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50 minutes before stepping onto the stage. Kerri and I performed together for the first time.

 

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Take Flight [on KS Friday]

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Who hasn’t in their dreams taken flight? It’s possible in the morning not to remember but that does not negate the experience of flying.

Who hasn’t dreamed of becoming? A dancer, a pilot, an explorer. It’s possible when standing at the threshold of a dream to fill up with doubt but that does not halt the becoming. It is part of it.

I remember my first flight. It was a miracle of new perspective. From up there rivers and mountain ranges can be seen as what they are. Circulation. Movement. Earth’s inhale and exhale. I felt intensely alive. It is possible, after many many flights, to dull and forget, but that does not negate the miracle.

We are among the first humans in a long, long history of human beings to see our planet from the air. From space. From outer space. From above. It is possible to lose this new perspective among the daily detritus . It is possible with so much noise here on the ground to forget.

This amazing composition will help you remember.

 

TAKE FLIGHT on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about TAKE FLIGHT

 

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take flight/this part of the journey ©️ 2000 kerri sherwood

Study It [on DR Thursday]

Although this news will come as a blow to my ego, I am not a genius. My work is not opening new and exciting doors in the trajectory of western art. My boyhood fantasy of becoming the next Picasso has evolved into the happy reality of becoming the only…me. I love to paint. That is more than enough. Becoming, with no end in sight.

I rarely do studies or rough drafts. Only when a painting is giving me fits do I stop and study it. And, if I actually stop to do a study, the next step is to wipe the painting off the canvas. You might say that the act of doing a study is a warning to the elusive painting. “Last chance, dude.”

FACE THE SUN began as a study, a warning to CHASING BUBBLES. I was ready to wipe it away. In fact, I was cackling at the satisfaction a fresh start would bring. Kerri intervened. She has an uncanny sense for knowing when I am about to wipe away a painting. More than once, at the very moment my hand is reaching to annihilate the trouble-maker-painting, she rushes in to plead its case. I knit my brow. “You’re kidding, right?”

CHASING BUBBLES lived to see another day. Cleaning the studio, I saw the study that saved the painting. I liked it so I finished it and called it FACE THE SUN. Kerri came into the studio and said, “That painting makes my neck hurt.”

“What?! You’re kidding, right?”

She smiled her “gotcha” smile. Not only am I not the next Picasso but the painter that is becoming me is gullible. I am not a genius but I am an easy mark.

 

read Kerri’s blog post about FACE THE SUN

 

 

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face the sun/chasing bubbles ©️ 2019 david robinson