Talk Turkey [David’s blog on Not So Flawed Wednesday]

(Bing) “You just got a text” I said. We’d been in the basement all day, cleaning, sorting, making piles of what would go, what to donate, what to keep. There’s nothing like an extended polar freeze to inspire a deep purge of the collected-and-accumulated- stuff-of-life.

She read his text aloud, “Umm…are you guys having turkey tonight?” Our neighbor, John, is a master of understatement, one of the funniest people we know. Bob Newhart dry.

“What? What’s he talking about?” I asked.

(Bing) “He sent a picture!” She laughed, “Oh, my god! We have to go upstairs,” she said, bounding out of the basement.

“What? Why?” She was already gone. “I’ll be there in a minute,” I said to myself. I heard her laugh again and then the sound of the camera snapping photos. Fear-Of-Missing-Out set in. I dropped my broom and galloped up the stairs.

“Come see,” she smiled. “You’re not going to believe it.”

Two of the neighborhood turkey trio were sitting atop the Scion. The third was standing in the driveway staring directly into the studio window. A set up. A blatant appeal for sanctuary. I expected the driveway turkey to extend a wing in our direction. Instead, it raised one leg, tucking it into the warmth of its body. One of the turkeys atop the car pooped. Choreography. An appeal combined with a not-so-veiled threat.

“They must be freezing,” she said.

“No,” I said. “Not a chance. They are not coming into the house.” She snapped a few more photos.

“It’s really cold out there.” she muttered. The one-legged turkey shifted to the other foot. “It’s too cold to stand on both feet,” she said, looking at me with those eyes.

“No way. Not a chance. They’re turkeys. They are made to withstand the cold.” The second turkey atop the car pooped.

Someone is going to have to clean that off the car,” she said, subtly allying with the turkeys.

I slowly raised my leg, tucking it in, standing on one foot. “It’s cold in here,” I said. Two can play that game.

read Kerri’s blogpost about TURKEYS ON THE ROOF

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buymeacoffee is a warm car-roof on a polar cold day, a wind block for the feathered artists standing at your studio window holding out a wing of appeal.

Listen To The Cookie [David’s blog on Not So Flawed Wednesday]

We take our fortune cookies very seriously. I mean, it’s a fortune that arrives through a cookie! Some fortunes arrive through crystal balls, others take shape through the tarot, a roadside medium or a toss of the I Ching. Any bit of advice or prescience that comes through a cookie cannot be ignored. 

This particular cookie-delivered-fortune was dubious because it had an advertisement for Jockey Underwear printed on the other side. How can I take seriously the advice to do nothing when the shadow side of the paper tempts me to buy underwear? There’s a bit of an angel/devil game going on in my fortune cookie. I suppose all of our fortunes are now, in one way or another, tied to advertisement. I, for one, understand that I will never achieve full manhood until I have a Porsche in my multi-car garage, a closet filled with Eddie Bauer and am scented by Calvin Klein. Of course, now that I am wrinkling at a rapid rate it may take anti-wrinkle cream and Just For Men hair dye to fulfill my destiny as advertised.

And what if I ignored the advertisement and decided to heed the cookie-advice to do nothing? We’ve all witnessed the power of a small decision or random choice to alter the course of a lifetime. The flip of a coin can alter a destiny. I’ve seen a single step-off-a-curb end a life. My life was forever changed by sending a single email newsletter that at the time seemed tiny.

What if I decided not to fill my day with tasks but instead to smell the roses? Feel the sun? Walk for the sake of walking. Hang out with Dogga? Hold Kerri’s hand? A single day dedicated to appreciation without the need for achievement. One day of rest without the anxiety imperative to do or to be…something.

When viewed through that lens, it’s a momentous and worthy fortune. And, It cannot be ignored because, after all, it came through a cookie.

read Kerri’s blogpost about FORTUNE COOKIES!

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Share The Symbols [David’s blog on KS Friday]

When I was a wee-turnip I found a textbook on the shelf from a course my dad took in college. Comparative religions. It’s a big-big book full of many-many comparisons. It now resides on my shelf. This book sparked a life-long fascination for me. The universal nature of myth and story across individual cultures and how these stories and symbols are, over time, pulled and twisted like taffy, co-opted, integrated and sometimes claimed as the private property of religion x or y.

Today, as I write this, we sit squarely on the solstice. I thought a few tidbits of story-symbol might be fun to visit so, together, we might taste the taffy.

In Italian tradition, La Befana is the goddess of the solstice. She rides a broom through the skies leaving candy and presents to the good little boys and girls. As a broom-riding pagan goddess, she predates Saint Nick by more than a few centuries. The Christian tradition snagged her and after a bit of twisting, she became a character in the Magi story. On a cold, cold night she gave shelter to those three wise-men but declined to join them on their quest because she had unfinished chores. After they left she had a change of heart but couldn’t find the manger on her own so she gave the gifts she had in tow to the nice children she met during her manger-search.

On the solstice, the goddess Isis gave birth to her son Horus, the sun god. Leta gave birth to Apollo on the solstice. The Persian god of light, Mithra, was born on the solstice. These births were technically virgin births since the conception in every case was immaculate. Egyptian. Greek. Persian. These stories predate the Christian story by centuries. It’s a ripple across time and culture of the same human impulse: after a long dark season to celebrate the return of the light.

We lose more than we know when we – to borrow a great term from Joseph Campbell – concretize a symbol. The stories and myths are meant to open us to greater unity with each other and the world we share. They are not meant to be taken or understood literally. Holding them literally slams the door on their greater meaning and unifying power. It renders them a possession, a plot point on a map.

On this winter solstice I can imagine no greater gift to this divided world than to recognize we are, through our unique symbols and characters, telling the same story, yearning for the same possibilities, sharing the same ideals whether they soar through the air on a broomstick or in a sleigh, both rides brimming with toys for good girls and boys. We borrow each others best ideas and ideals, rewriting them to fit our unique audience. From Isis and Horus to Mary and Jesus, it’s time once again to celebrate the rich warm return of the light through our myriad forms and cultural traditions, to feel the push and pull of something ancient and deeply human. Together.

this season/this season © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE HOME IN THE TREE

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buymeacoffee is a surgically implanted intention, a medicinal tradition stretching back eons to a time when beauty and analytics held hands and shared meals. together.

Tell The Deeper Story [David’s blog on DR Thursday]

Walking on our trail in the middle of December, we rounded a corner and stopped. The dramatic shadows of the trees made long and distinct by the low-to-the-horizon winter sun. “It’s mid-December,” she said, “And the grass is green…” Looking at the photograph I’d guess that it was taken on an early spring day. In the era of climate change, it’s not so hard to see the story behind the story of this green, green grass.

What’s the story behind the story? There’s always a deeper story to tell. Always.

On my easel is a canvas marked with a few charcoal lines. A bare-sketch of two people and a puppy. The story? On a rainy fall day, driving the back county roads, Kerri and I rescued a puppy. It was lost and scared.

The story behind the story? When we saw the puppy we had a long drive ahead of us. We were trying to get to Madison. We spotted it at a crossroads. Turn right and go to the puppy. Turn left and keep our appointment in Madison. We turned left. And then in one swirling circle motion, immediately turned around. The first impulse: we’re late! This is not ours to do. The second impulse: who cares! this is exactly ours to do. The moment the shivering-scared soaked puppy jumped into our arms, nothing else in the world mattered. Nothing. The superficial dropped away and the essential came roaring into focus.

We named him County Rainy Day. Rainy for short. We dried him off and fed him crackers. He didn’t have a collar so we called Jen and asked her what to do. We played and laughed and snuggled with him in the cab of the truck. Finally, after giving our hearts to the puppy, we took Rainy to a shelter. He was reunited with his family.

I confess, we’ve returned to the spot where we found him. Just in case. He stole our hearts but more importantly, he brought us to our hearts. There is always a moment of choice. Turn left. Turn right. The list or the life? Behind each act of kindness is a moment of choice. Behind each act – of any kind – is a moment of choice. The story behind the story.

a detail of a sketch. a work barely in-progress. county rainy day

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read Kerri’s blogpost about GREEN!

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buymeacoffee is a choice made at a crossroads. nothing more. nothing less.

Peek Behind The Facade [David’s blog on Not So Flawed Wednesday]

Two people sit at a bar, late in the afternoon, and order far too many appetizers. Then, when offered, they say “Yes” to a peek at the dessert menu. They split a second glass of wine. They seem as if they have not-a-care-in-the-world.

Things are rarely as they appear.

I often remind myself that I can never know the full story of another person’s life. My reminder comes in handy when I am judging or comparing. It is the thinnest image slice that invokes judgment. My comparison is made with a facade.

The day of our anniversary was so fraught that we couldn’t reach through the angst to touch a moment of celebration. We sabotaged the day. Lit it on fire and watched it burn.

The next day we took a very long hike. We sorted through the ashes of our angst. We laughed at ourselves. After our hike we decided to have a glass of wine. We did what we almost never do: we spent money on ourselves. Two people at the bar. We decided to order appetizers and, since it was a make-up day for our anniversary, we ordered anything and everything we wanted. Pressure release. We were like kids in a candy store, our eyes a’ poppin’ when the food arrived. We clapped our hands. We giggled. We savored each delicious bite.

Our plates and glasses were empty. So full we could barely move. As a courtesy the bartender asked us if we wanted to see the dessert menu. He was as surprised as I was when Kerri said, “Yes.” And then she ordered another glass of wine for us to split. And then, a slice of flourless chocolate torte.

This was a first. In our decade of life together, frugality has been our necessity. A first taste of excess, a moment of generosity to ourselves, was a healing balm. An anniversary celebration.

We laughed at the story the bartender must have told of this care-free couple. Of their excess. He could not have known.

“For one person to love another: that is perhaps the most difficult of our tasks…” wrote Rainier Maria Rilke. “Loving…is a tremendous responsibility.”

read Kerri’s blogpost about DESSERT

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Choose The Shape [David’s blog on KS Friday]

Kurt Vonnegut posited that stories have shapes that can be graphed. According to his graphs, there are only eight story shapes. His story graphs work on a horizontal axis, from Beginning to End, and a vertical axis, Good Fortune to Ill Fortune.

Stories are journeys. Life is a journey. Over the course of every journey, fortune flips. Robert McKee writes that fortune flips are central to making a well-made screen play. What looks like a gift becomes a disaster and vice-versa. Just like life.

Kerri calls this photo of a mushroom A Table For Two. It reminds her of our pop-up table. We’ve celebrated anniversary dinners at the beach around our pop-up table. We’ve had pop-up snack time in the woods. The pop-up table was a great idea that came during pandemic isolation. For me it became a visible symbol of a fortune-flip. How to bring light into a dark time? Make a special meal pop-up in any location: a beach, the woods, a park, a trail…

There are circumstance-driven fortune-flips. There are fortune-flips brought through intention. When circumstance brings ill fortune, there is no better response than to pack a special meal and celebrate the day from a surprising location. Flip the circumstance through intention. Choose the shape of the story.

Disaster strikes? “A table for two, please.”

good moments/this part of the journey © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about A TABLE FOR TWO

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Tuck It In [David’s blog on Merely A Thought Monday]

We open the garage, push the VW Bug out into the sunlight for its annual washing. It’s a yearly ritual. After cleaning the garage and scrubbing the Bug, we push it back into the garage and cover it like a sacred object (it is).

This was Kerri’s first car. Her parents bought it when they vacationed in Europe in the 70’s. They shipped it back to the states. After a time, they “sold” it to her. It was light blue then. Now, it is titanium white.

It hasn’t run in the decade that I’ve lived here but that is of no matter. It is filled with stories. It is filled with connection to her parents. She’s walked up to line a few times, thinking she should sell it to someone who’ll fix it up, get it running again. She steps back from the line, “Not yet. Not yet.” After all, it’s not simply a car that she’d be selling.

“Maybe I should take pictures of it, make it into a Shutterfly book. Then I’d have the memories,” she says, suds to her elbows, as she gives the VW Bug its yearly bath. This, too, is part of the ritual. Imagining it gone. Imagining letting it go.

“That’s a good idea,” I say, playing my part in the ritual.

She climbs in the driver’s seat, releases the brake. “Okay!” she says and waves to me. I put my shoulder into it and push the Bug back into the garage. Her connection to her mom and dad, their stories, her stories, safely tucked in for another year.

read Kerri’s blogpost on THE BUG

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Re-Realize The Beauty [David’s blog on Two Artists Tuesday]

I have thrown old journals into the fire. Letters from long lost friends have gone into the flames. Paintings, too. More than once, at a retreat, the facilitator asked us to write about fears or obstacles and ceremonially commit them to the flames. A statement of release. A marker in time: letting go.

When I was young I spent many nights in the mountains. The campfire was primal. Light and warmth against the cold dark of night. The fire was safety. In an experience that, to this day, makes me laugh and blush, camping with my brothers and dad, the fire having burned to soft embers, we climbed into our sleeping bags. Deep in the night a large animal crashed through the brush, sent us scared and scrambling to reignite the embers. We stoked a mighty roaring fire. The savage creature circled our camp for hours, snapping branches, staying just beyond the light. Running low on wood and still hours from dawn, we debated what to do. At the height of our anxiety, the peak of our fear, the imagined mountainous hungry bear moooooooo-ed. Our fire kept us safe from a wayward cow.

In our backyard we have a fire pit (a solo stove), a flame tower (propane), tiki torches of all sizes, and a chiminea. No matter the source, we light the flame and inevitably all conversation ceases. We stare, lost in thought, the flames having danced our monkey minds into quiet peace.

In the story, Prometheus steals the spark-of-life from Zeus. Fire. He wants to ignite the hearts of his creations, his humans, made from clay and sticks. He knows that Zeus will disapprove because he’s made his humans beautiful rather than the crude forms Zeus commanded him to make. That’s why he had to steal the fire. To ignite beautiful hearts, capable minds, generous souls. He was successful though Zeus, according to the story, has worked diligently to corrupt the beautiful humans and infuse them with ugliness, keeping them distant from their true nature.

Staring into the fire, with a quiet mind, it’s possible to hear Prometheus’ whisper. In the flame dances the possibility of safety, quiet mind, the capacity to let go the hurt, and for a moment, to re-realize the beauty, ignited by the spark, beating in the hearts of his humans.

read Kerri’s blogpost about FIRE

This is the first painting in a triptych I created for my performance of The Creatures Of Prometheus – with The Portland Chamber Orchestra. This is “Prometheus:Creation.” 48 x 96IN

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Be The Metaphor [David’s blog on KS Friday ]

There’s a scene in The Lost Boy that I especially love. In the play, Tom tells the story of finding his 90 year old aunt Buntie, on a very windy day, standing on the roof of the ranch house. He coaxes her down a rickety ladder and then chastises her, “Don’t go on the roof anymore! Call me if you need something!”

“Oh! You sound just like your uncle Sandy!” Buntie laughs. “He’s mad at me because I’m on the roof but I tell him I have to see that the shingles are still there. Dad put a fine roof on the house!”

When I see a bird on a wire, I think of Tom’s story. I’ve somehow associated a bird on a wire with Buntie on the roof.

Bird on a wire. It’s a perfect metaphor with many possible meanings. For Buntie, a true bird on the wire, the metaphor means to carefully consider your next step. You are in a potentially dangerous place. Wires carry electricity.

I remember sitting in Tom’s small living room at the ranch, late at night, when he began to reminisce. He delighted in telling stories of Buntie. I turned on my tape recorder. I asked a few questions but mostly listened. He was a great storyteller and needed no encouragement. He had become a bird on a wire. Like Buntie, he was reclusive in his old age, another possible meaning of the metaphor. He was sitting by himself on the metaphoric roof trying to keep the family stories from blowing away in time’s persistent wind.

We’re staying inside. Our area is under a “heat dome” for the next few days so the shades are drawn and our little window air conditioner is chanting, “I think I can! I think I can!” It’s taking the edge off the sizzle and for that we are grateful.

Somedays, like today, we feel like birds on a wire with our feet trapped in lime, preventing us from flying. It’s yet another possible meaning of the metaphor. Perhaps the oldest meaning of the metaphor. Caught in a sticky trap. Nothing is moving. No progress is being made. We sit on our wire, songbirds.

“We’re not getting anywhere,” she said, closing her laptop.

“Nope,” I agreed. “No. Where.”

“Good thing it’s really hot,” she smiled. “I don’t want to go anywhere anyway.” Lemonade from lemons.

“Yep.” I agreed, declaring, “It’s too hot. I want to sit right here. I don’t want to be anywhere else!”

“We’re lucky,” she smiled.

“Yep.” We are extraordinarily lucky. We may feel trapped but we’re still singing.

From somewhere out of time, Tom winked at me. Birds on a wire.

always with us/as it is © 2004 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora & iHeart Radio

read Kerri’s blogpost about BIRDS ON A WIRE

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Arrive At Wisdom [David’s blog on DR Thursday]

The meeting of sand and surf. In the children’s-book-of-my-mind, at the beginning of the story, sand and surf have completely different points of view. They have radically different understandings of each other and opposing orientations to ebb-and-flow, to the movement of the earth and their place in it. They insist that they are in conflict.

And yet, they meet. Every day. In the story of sand and surf they eventually learn that they can focus on their differences or they can focus on what they have in common. They are surprised to learn that one could not know itself without the other. They are gobsmacked by the knowledge that one would have no purpose without the other! In fact, they would have no identity without the other!

With their new understanding, sand and surf begin to ask a different question: who do they want to be together.

At the end of the story, the climax of this children’s tale, they come to understand that their reason-for-being is each other. They are not, in fact, separate. They are symbiotic. They transform each other in their mutual dance. Thus, they arrive at wisdom.

Sand and surf. Harmony, in the children’s-book-of-my-mind. Nothing really changes other than their choice of where to focus. And then, of course, everything changes.

my favorite illustration from Lucy And The Waterfox

Peri Winkle Rabbit Is Lost. A book I wrote and illustrated for a hurricane Katrina relief project. The organizers asked for an original story to help children understand and cope with loss. Original illustrations, no copies. I loved making this little book and i hope some child, somewhere, now an adult, loves it, too.

My gallery site

read Kerri’s blog post about SAND AND SURF

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