Stir It [David’s blog on Two Artists Tuesday]

Kerri explained to the woman at the shop that she rarely uses things for their intended purpose. For instance, we have a collection of old coffee pots that she uses as canisters in the kitchen. The end-table beside our couch is the drawer section of an old desk. It was sawed-off when she found it. Our walls sport old window frames and screen doors. We have a stack of old suitcases that we call “special boxes”. They hold the memorabilia of our life together: programs to performances, adventure day train tickets, cards from friends…

Things used as other things. It’s the hallmark of a creative mind. It’s the joy of her creative mind.

At the time, she wasn’t sure what she was going to do with the chunk of concrete. She just knew it had to come home with us. The woman at the shop had no idea what the chunk of concrete was originally used for – and the mystery made it more attractive to Kerri. It was signed and dated on the bottom. More mystery. More attraction. “What are we going to do with it?” I asked, wondering if I could actually lift it into the truck.

“I don’t know yet,” her eyes sparkled, the imagination-wheels turning. “Something.”

“Something,” I gasped, hoisting the chunk of concrete to the tailgate of the truck. I was grateful that it was round and rolled it the rest of the way into the bed. “You are something. You will be used for something.” I sat on the tailgate, catching my breath as Kerri and the woman disappeared into the shop to look at things-used-for-other-things.

I remembered once, running a spotlight for a show, the light broke mid-performance and I fixed it between cues with a frostie cup from Wendy’s, duct tape, and the sleeve of a jacket. It’s a valuable skill in the theatre: things used as other things. Ask any prop-master. The entire art form is recognizing the multitude of potential uses inherent in the most mundane objects.

My artist group once challenged me to explore beyond of my known art form so I sculpted crows from found objects. Wood, clamps and wire hangers. I loved it. It stirred my imagination.

Stirring the imagination. It’s what I appreciate about the home Kerri creates. Nothing is what it was intended to be. Everything is a wonder and can be transformed. Even a chunk of unidentifiable concrete. After a move into the house that made me appreciate the toil involved in building the pyramids, the chunk of concrete has now met its destiny. It is a side table and sports an old-school iPod sounddock. It couldn’t be more perfect. “I love it,” she says every day.

Me, too.

read Kerri’s blogpost about the CHUNK OF CONCRETE

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buymeacoffee is anything you can imagine it to be.

Be Where You Are (David’s blog on Two Artists Tuesday)

“Your soul knows the geography of your destiny.” ~ John O’Donohue, Anam Cara

A picture of Joseph Campbell floated across my stream. It included a quote, a reference to Nietzsche: “the love of your fate.” “It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment–not discouragement–you will find the strength is there.”

Love your fate. Bring love to the moment. You will find strength there.

When I was a teenager I was on a bus trip to camp. Imagine it. A bus filled with excited teens, bristling to hit the mountains for adventure and mischief. And then the bus broke down. A tsunami of disappointment was rolling through the bus until the counselor laughed at us. He challenged us to embrace this, our fate, part of the adventure. “This is it! Your adventure has already started.” he said, “Why resist it because it doesn’t fit your picture?”

Kerri and I are addicted to watching mountaineering documentaries. They boggle the mind of the average homebody because the conditions for the climb or the hike are often miserable yet there are smiles and laughter amidst the misery. In a recent film, a trek through extreme circumstances and conditions, one member of the team said, “You have to focus on the adventure and not the plan. If you fill yourself with expectations of good weather and an easy path you will be miserable.”

On the broken-down bus or the trail with the adventurer, the message is the same: get out of resistance of the reality of the moment. And, maybe, that is what it means to bring love to your fate. It’s great to have a plan. It’s necessary. But when the bus breaks down or the snowstorm blows in unexpectedly, when the job falls away, when the wrists break…As philosophers, poets, and sages across the ages have advised: be where you are.

We daily remind ourselves: the adventure has already started. Why resist it because it doesn’t fit the picture.

read Kerri’s blogpost about LOVE YOUR FATE

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buymeacoffee is the place where fate meets support and support generates titanic appreciation.

Work Forward And Back [David’s blog on DR Thursday]

Writing the first draft of a play, I’ve just entered the “swimming upstream” step in the process. I’m working my way from back-to-front to make sure all the story dots connect. It’s detail work. It requires looking close-in. I used to hate this part of the process because I’d get lost. I’d forget what I was doing and prematurely rework sections. Painters ruin paintings when working too small too soon. Writers are subject to the same peril. Now, I adore this step. Life is funny.

A few years ago I realized that my change in process-love, my capacity to work in detail without getting lost, came when I stopped trying to race to the end. Now, I am in no hurry to finish. I want a full relationship with my story as it reveals itself to me. It is a child, holding my hand, guiding me to the wonders of the playground.

Working forward. Working backward. Stepping in and then stepping away, like the tides. Big brush washes first, attending to the overall composition. Structure. And then detail. It’s much like building a house. Foundations and then finishes.

I have learned from watching Kerri to use my camera to see detail. To step in and look. Seeing-as-a-relationship. To pay attention to the dew on the small pine, the reason it glistens. And then to step in further. The platitude: a single drop of dew contains an entire world. Beyond the platitude: step in and it’s possible to fall into another world. To experience the surprise available in the enormity of the minute. And bring back to the big, big world of hurry-here-hurry-there the astonishment that is found there.

Forward Back, 18 x 36IN, mixed media on canvas

read Kerri’s blogpost about DEW

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buymeacoffee is a dew drop in a sea of possibilities, a tiny window into the realities of another reality.

Breathe Again [David’s blog on DR Thursday]

To say I sobbed is a bit of an overstatement. I’d been raking leaves all morning. It was clear and crisp. I’d just finished stuffing the last green bio-bag in the front yard and hauled it to the curb for pick-up. All that remained was to collect the bags from the backyard and move them to the curb. That’s when I heard her playing the piano. I couldn’t believe it! I slipped beneath her studio window and listened. This was no small moment.

She played after she fell and broke both her wrists. She couldn’t open a doorknob or button her shirt but, somehow, she found a way to play. She had to. The pandemic had already taken one of our jobs. Her bosses could not find the heart or moral compass to afford her time off to heal. One hand in a cast. One hand in a splint. Nine useful fingers and an immobilized thumb. She played. Nine months later, nearing complete healing, she fell again. A wet floor. No signs. This time, the injury was debilitating. The depression that followed was a deep dark crevasse. She stopped playing altogether. She sometimes stood at the door of her studio but rarely entered.

These past few years I can count on one hand – well, two fingers – the times she played. When Rob visited I asked her to play for him. She chose a few pieces. Rob was moved to tears. I could tell it hurt her. She was asked by an old friend to play for a transgender memorial service. With her brace she was able to play the two 15 minute sections.

Sitting beneath her studio window, listening, the pain and loss, the weight of the past few years flowed out of my eyes. A flood of relief. She was playing. For herself. For no other reason than to feel the muse. It was a step forward. A step toward. A step back into the light. A moment of possibility.

I felt as if I’d been holding my breath these many years. Now, perhaps, on this crisp fall day, it was time to breathe again.

read Kerri’s blogpost about LEAVES

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buymeacoffee is a moment of possibility, a sigh of relief at the continued creation of the artists you value.

Imagine It [David’s blog on KS Friday]

It looked like a spiny dragon’s tail or Nudibranch that abandoned ship eons ago and, somehow, its petrified remains traveled from the deep of the sea to a trail in Wisconsin. Perhaps it was the skeleton tip-of-the-tail of a dinosaur. My imagination flooded with mythic-creature-possibilities. As Kerri knelt to snap her photos, I carefully scanned the woods. One cannot be too careful when dragons and dinosaurs might be lurking about.

While I was pretending to be watched by Jurassic critters, it occurred to me that imagination is a muscle. In order to exercise it, to make it strong, it must be used. With intention.

In truth, we (humans) daily exercise our imaginations though we don’t know it. Imagining that we can control what other people see or think. Imagining that the worst will happen. Imagining what might have been. Imagining that our day will be mundane. Imagining ourselves too small in the story of our lives. Imagining ourselves as superheroes saving the day.

That’s one way of exercising the muscle. Another way is to imagine possibilities. Imagine the ridiculous. Pop open the expanse of conceivability. In this direction of imagination exercise, it’s hard to take yourself so seriously.

And, I suppose, that’s the point. Hope slips in when life is held lightly. Hope and imagination-in-the-direction-of-impossible-possibilities are one and the same thing. Spacious. Surrender. In my reckoning, when I have been in the tightest bind or stuck in the worst scenario, the person who shows up, the door that opens, the hand that extends…is beyond my imagining and arrives when I let go.

Last night, deep in the night, I lay awake and listened to Kerri’s soft breathing and Dogga’s gentle old-dog snores. The window was cracked to allow in the cool night air. The chimes sang softly in the midnight breeze. A decade ago, I couldn’t have believed such riches of life would be mine.

But like a dinosaur watching me in the woods, I must have, somewhere way back then, closed my eyes and imagined it.

blueprint for my soul © 1996 kerri sherwood

Kerri’s music is available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SPINY STICK

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buymeacoffee is a dragon tale whispered to your soul from the deep woods in hopes that your imagination will take over and run wild. It could happen.

Invite The Bacon [David’s blog on Merely A Thought Monday]

Of course, the problem with leaving well enough alone is that the phrase only pops up when things are not well enough. When change is on the horizon, when a hidden truth is about to breach the crusty surface, when the globe spins and a new insight dawns, it is a sure bet that the keepers of the conservative will bellow, “Leave well enough alone!”

Call it creative tension. The space between progress and conservation is a taut rubber band. Both poles serving a necessary purpose, neither is trustworthy when absent the other pole. So, phrases like, “Leave well enough alone” are signal flags, signs that the tension on the band is high and the snap forward is inevitable. Pulling back always signals an impending forward step. Always.

I’m particularly fond of this image. A tomato slice demanding inaction. And won’t this crabby tomato be surprised in a day or two to see the icky green results of inactivity! Better to invite the bacon, lettuce and toasty bread to the plate, a bit of salt and pepper, and get on with the business of yummy sustenance. Progress by any other name.

read Kerri’s blogpost about LEAVE WELL ENOUGH ALONE

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buymeacoffee is a progressive impulse meeting a conservative over-reaction causing deep distress that can only be cured by an action in the direction of intention to make a better world for the tomatoes that envision it.

See The Bounty [David’s blog on Not So Flawed Wednesday]

I doubt that our bird feeder experience is different than most people. The chipmunks and the squirrels get most of the bounty and the birds play clean-up.

In another life, were I to aspire to be an acrobat or gymnast, I’d study the amazing antics of chippies and squirrels. They scale the impossible pole. They leap the impossible leap. And then they fill their cheeks to bursting, kick gobs of seed to the ground, and fling themselves – fully loaded – into space and somehow catch a limb or bit of fence and escape into the great unknown. They are fearless.

The birds alight on the feeder, too, but mostly they find their fortune on the ground.

Over the summer, directly beneath the feeder, corn plants appeared. We let them grow for a while. I confess, the corn made us smile. “We have corn!” we’d giggle at the absurdity even though the origin was obvious. Apparently we are easily amused.

And then the corn plants sprouted across the yard. A stalk grew right next to Breck-the-Aspen-Tree. And then we found a few lively plants pressing through the tall grasses in the front yard. We’d unintentionally set into motion a small-sample-experiment of corn migration as carried by birds and mini-beasts.

Across many cultures, corn has long been a symbol of prosperity and representative of the cycle of life. It’s easy to understand why. The fields are magical places. In our film mythos, baseball teams of yore emerged from the corn, bringing good fortune to the family that built a field on their farm. Giver of dreams. Fulfiller of hope. Ancestors return to the corn.

In addition to the summer of the bunny and the surprise frog-named-Hope, this is the summer of corn-on-the-move. As the leaves begin to turn, as the harvest comes in, we take comfort knowing that we are surrounded by so many symbols of plenty.

read Kerri’s blogpost about CORN

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buymeacoffee is an online “tip jar” where you can support the continued work of the artists you value.

See Hope [David’s blog on Two Artists Tuesday]

The sun had set. The pond lights aglow. The night was quiet with occasional bursts of the cicada chorus. We were exhausted from the day. I saw its silhouette when Dogga ran his usual circuit by the pond. It leapt across the light and plopped into the water. A frog.

“What are you doing?” Kerri asked as I jumped from my chair.

“But it’s late September!” I said. She narrowed her eyes, my reply too random for synapse connection. “I just saw a frog!” I announced and she was instantly by my side. We stayed by the water for several minutes, searching, but saw no further sign. “I didn’t imagine it,” I whispered. “I saw it. We have a frog.”

“I know.”

I’d like to say that we didn’t need some sign of hope, some whisper of encouragement, but it would be a lie. This unlikely frog, coming so late in the season, seemed like a sign or at least we decided to make it so. “Things are going to change for the better,” she said. I nodded. I was so tired I wanted to blubber with giddy-frog-inspired-relief.

“I’ll take my hope anyway I can get it,” I said.

“That’s what we should name it!” she replied. “Hope.”

Yes. Hope. A silhouette flashing across the light on an otherwise quiet dark night. A leap. A glimpse. And suddenly, anything is possible.

read Kerri’s blogpost about THE FROG

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buymeacoffee is an online “tip jar” where you can support the continued work of the artists you value.

Go With Abundance [David’s blog on KS Friday]

The sound of the tree cracking sent us scurrying. We didn’t know if the falling branch was above us so it was best to move until we could locate it. Fifty feet behind us and well off the trail, an enormous branch collapsed, snapped, fell, and broke into several pieces. “What are the odds that we’d be here to see it fall?” Kerri asked. “I wonder what it means when you see a limb or tree fall?”

We Googled the symbolism and, not surprising, it’s either a good omen or a bad omen. It depends on what you choose to believe. It might not mean anything at all. To re-use a favorite quote from Alan Watts, “The whole process of nature is an integrated process of immense complexity, and it’s really impossible to tell whether anything that happens in it is good or bad.” We decided the falling limb was a terrific sign of positive changes on the horizon.

There’s a sigh of relief that comes when you realize that meaning isn’t found, it is made. It is given. We are, all of us whacky humans, in every moment, giving meaning to our experiences. Is it good or bad? That depends on what we choose to see. The real magic happens when the measuring stick of meaning is not based on a polarity. There are infinite colors available between good and bad.

A chance meeting happens because of a missed plane. The loss of a job opens new avenues of possibility. A closed road leads to an amazing discovery. We found a lost puppy on the side of a county road because we made a detour to avoid road work. My heart blew wide open when that puppy leapt into my arms. “We were meant to come this way,” agreeing on the meaning we wanted to make.

Earlier on the trail we found a blue jay feather. The blue bird of happiness. A sign of abundance and healing. Of course, it might also signal the opposite. “I think I’ll go with abundance and healing,” I said.

“Me, too,” Kerri agreed. “Why not?”

[If you want your heart to blow open, listen to Kerri’s THE WAY HOME. It gets me every time]

the way home/this part of the journey © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost on BLUE JAY FEATHER

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Fall Into Peace [David’s blog on DR Thursday]

20 calls me The Tetris Master because I can pack a lifetime of odd-shaped accumulation into the smallest moving van. I have an innate understanding of space. In other words, I am spatial; I feel space.

The first time I stepped into the silo I felt an immediate sense of peace. It was like a little round chapel with a soaring ceiling. Cool air on a hot day. The chair placed at the center of the circle was inviting but I knew I better not sit there. I’d want to stay. I’d fall into the peace. There were too many people moving through the barn. Falling into peace, like falling into a deep meditation, is internal and best done in private.

The silo reminded me of the faerie circle. Barney showed me where it was and told me, “This is your place.” He was right. I sat in the center of the circle of trees and was immediately transported.

It had been years since we visited the gardens and I’d forgotten about the silo. When we entered the barn to look at the antiques, soaps, and clothes on display, I felt the rush of remembrance. Stepping into the cool air, the carpet and single chair were just as I remembered. So was the peace of the circle.

There were less people so I lingered for a moment or two. “Someday I’m going to sit in that chair,” I said to no one listening. I smiled at the notion: and wouldn’t this world be better if we all had a place, a space, like a magnet, that pulled us into our peace?

i’ve yet to get a descent photo of this painting but this will serve-the-turn for now

read Kerri’s blogpost about THE SILO

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