Tickle Open The Closed [on Merely A Thought Monday]

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It used to be one of my favorite exercises to facilitate. Ask one person in a small group to tell a story of blame. Ask the rest of the group to invest in the story. In no time the small groups would be indignant, talking over each other in disgruntlement. A klatch of agitated victims, howling.  They’d laugh in their aggravated frenzy. They’d devise clever revenge or ways to torment the object of their blame story. They’d grow a monster.

Blame stories are like sugar. They are easy to eat and highly addictive. There’s rarely any real substance, so much gossip-cotton-candy, but there is an odd pleasure in playing the role of  “the injured party.” The groups would always reflect that the exercise was fun. So much so that they’d often forget it was an exercise. Commiseration and validation, after all, are the point of a blame story. That, and making someone else responsible for how we feel.

Ask the same groups to tell a story of choice or opportunity and most times, after only a minute or two, they’d sit in silence. Their, “Great. That’s really great,” support would dwindle. Feeding an idea is not nearly as easy as feeding a story of blame.

Quinn used to tell me that creativity is not for the faint of heart.

The groups were always shocked to discover how much of their lives were spent chewing the gristle of discontent, of feeding the notion that someone else was to blame for their choices or their circumstance. They’d generally comment on how easy it was to commiserate and how difficult it is to question, challenge or stop the blame-game. Mostly, they were shocked to discover how little of their time they dedicated to feeding ideas, theirs or another persons.

Blame stories are easy because they are reductive. They engender tight little balls of closed minds and closed circles. They close hearts. They take almost no energy at all to spark but, once burning, like a wildfire, they are capable of consuming entire forests.

Idea exploration is expansive. Seeing possibilities requires eyes that look up and out.  It takes much more energy to imagine, to question, to ponder. To try. To experiment. To ask. To challenge what you think you know. Opening minds, opening circles and hearts requires a deep sense of self-responsibility. It requires an even deeper sense of responsibility to others.

One of the purposes of the artist is to open closed circles, to tickle open closed minds. To help their community see anew and entertain never-before-imagined possibilities.

It takes more effort and courage to sail to the edges of the known world than it does to hang out around the water cooler and complain about others. Great minds do not have more capacity than any other mind, but they do require a very different focus.

 

read Kerri’s blog post about GREAT MINDS & IDEAS

 

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FaceTheRain

feel the rain, mixed media, 2019

Point Your Nose Toward The Moon [on Two Artists Tuesday]

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This moon called us. We were leaving rehearsal, pulled out of the parking lot and were hit in the face by an enormous orange moon. “We have to go to it,” Kerri whispered. We drove to the shore and sat with the moon for a while.

Staring out of the truck (it was a very cold night and with broken wrists it was easier to keep Kerri buckled in), my energy running low, this super moon reminded me of a long-ago-book, LUCY AND THE WATERFOX. The last few illustrations feature a beckoning moon. This is the Waterfox’s lesson for Lucy and, as it turns out, the Waterfox had a few words for me, too, on this moon-full night:

“The Sky is where you belong! Fulfill your heart’s longing and let the pack think what they think! Everyone knows that most foxes don’t swim and most foxes don’t fly, it’s not that they can’t, it’s because they don’t try. A fox whose heart soars like yours needs to dance in the air. Remember: words are like magic, misused they are tragic and belief is a great and most powerful word!” With that he gave her a wink, tipped his big hat and swam out of sight.

And so, while the other foxes nestled deeper into sleep, Lucy pointed her nose toward the moon. She took to the sky repeating his words so she’d never forget: words are like magic, misused they are tragic and belief is a great and most powerful word.”

 

Illustration 25

from my children’s book, Lucy & The Waterfox

 

read Kerri’s blog post about the SUPER MOON

 

 

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Check Your Reality [on Two Artists Tuesday]

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We parked the truck in the Kemper Center lot, far enough from the shore not to be hit by the flying debris, the chunks of seawall and pavement being hurtled from the impact of the waves. Kerri has lived here for over 30 years, “I’ve never seen anything like this,” she repeated as a towering wave engulfed the gazebo, took down a piece of the wall of the art center, a hunk of coastline disappeared.

Later, after the storm, we went back. Trees were down, encased in ice. Huge sections of the walking path were shattered and tossed into the flooded mess of the parking lot behind the center. Walking was treacherous. Like the trees, the ground, the rocks, the destruction was coated in a thick layer of ice. It was beautiful and inconceivable.

Words mask all manner of reality. We have a word, nature, that can’t even begin to touch the magnitude, the power of where it points. Mother Nature. I have been thrown out of bed in an earthquake that brought down freeways like they were so much satin ribbon. Go to Pompeii or Herculeneum, visit Mt. Saint Helens, watch with disbelief any of the news  footage of any one of the tsunamis that have wiped communities off the map. Wrap your mind around it, if you can.

We are cavalier in our conversations about global warming. We impact, we do not command. We reduce it to questions of business, of protecting the beef industry. Which economy will suffer most? We make up these strangely insignificant divisions. We imagine that we are the center, holding all the controls. We imagine that it is all about us. So small, a chihuahua yipping at a forest fire.

Sitting in the truck, feeling the boom of the waves in my chest as they tore off chunks of the shore, I felt tiny. I remembered a snippet of film I saw about a man who wore a superhero suit and stood in the face of an oncoming storm. He flexed and stomped and raged for the camera. And then the storm hit. The best he could do was run for his life.

 

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read Kerri’s blog post about THE STORM

 

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ice ©️ 2020 kerri sherwood

for prints of “ice” go here

 

Take One Glorious Step [on Merely A Thought Monday]

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This post marks the 100th week of our Studio Melange. As it turns out, to my great surprise, the body of work I leave behind in this lifetime will probably have nothing to do with my paintings. I write everyday. I do not paint everyday.

I read that Graham Greene, one of the most prolific writers of the 20th century, wrote 500 words a day. Sometimes those 500 words took an hour. Sometimes they took several hours. Either way. Write 500 words a day, every day, and you, too, will be prolific.

Listen to enough mountain climbers and you’ll receive the same advice. One step at a time. One hand hold at a time. Don’t think of climbing the whole mountain. Rather, pay attention to the next step and the next and the next. The action of stepping will take you farther than the wishing. Step consciously and the summit will cease to be a goal and will become another glorious step en route to another glorious step [and, best of all, your odds of survival will skyrocket].

Were Kerri and I to scrabble together into book form our 100 weeks of writing, we’d have more than a few tomes on the shelf. A single prompt. He said/She said. Mounds of accumulated thoughts. Lots of writing. A few precious and treasured readers. Every once in a while, especially on these dark winter days, one of us asks, “Why do we keep doing this?”  The other will inevitably say, “Well, let’s stop.” The answer is always, “Nooooo! I love doing this!”

Why do it? Why climb the mountain? Why walk toward the horizon? Why paint what no one sees or compose what no one hears? Our answer, after 100 weeks, is becoming clearer and clearer: do what you love. Even better, do it with someone you love. One glorious step en route to another glorious step.

 

read Kerri’s blog post about MAKING HUNDREDS

 

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Let Go The Conditions [on Merely A Thought Monday]

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Change the world. It’s a hefty aspiration. It’s a daunting mountain to move when all that needs happen is to forgive. And what does that mean? To forgive. It sounds so simple! Forgive and BAM! The world is changed. Phew.

In a world that needs so much changing, you’d think we’d be more forgiving.

Take the wrapper off the word “forgiveness” and a skinny naked vulnerability is exposed. What might be lost or surrendered or compromised or released in this simple forgiveness? What must be let go? It’s scary stuff to take off the wrapper. It’s scary stuff to forgive.

What must be ‘let go’ is another reduction, a simple word or two. The wound. The grudge. Let it go and forgive? Language makes all things possible! Just let go. BAM! The world is changed.

Isn’t it true that, once wounded, once offended, we hang on tight. We claim it. Indulge in the hurt? Once wronged, isn’t it is the other person’s responsibility to make it right? I’ll forgive if and when they apologize?

Conditional forgiveness. Feuds are built on it. Marriages are destroyed by it. Wars are hungry for it.

It’s a log jam. Stuck-ness. Energy eddy. Does the knot create the toxin or does the toxin create the knot?

Sometimes, as Rich taught me, when the pain of holding the grudge becomes greater than the fear of letting it go, forgiveness becomes possible. People open their hands and reach rather than withdraw. The log jam breaks and movement begins again. Readiness is all [another simple word].

The world is not a fixed state. It is fluid. It require movement for health. Forgiveness is nothing more than movement. A release of conditions. Simple? BAM!

 

read Kerri’s blog post about FORGIVENESS

 

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Breathe The Same Air [on Not So Flawed Wednesday]

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For years I had a debate with my business partner. She was a first adopter, always jumping into the latest technology. Her position in the debate: real relationships were possible through technology. My position: you need to be in the same room with someone if you want a real relationship. Technology can provide connective tissue but can never approach the visceral, tangible, sensual realities necessary in a relationship.

Over time I’ve flip-flopped my position and then flipped back again. Connectivity is not relationship. I am connected with people all over the world – and I deeply appreciate the network connection – but I am only in relationship with the people I spend time with. It is simple. Relationship takes time. Relationship needs time. It is not an achievement; it is an ongoing investment in the heart of another.

John O’Donohue writes about the “digital instant,” the expectation of arrival compressed into a nanosecond. The absence of journey. If the website doesn’t come up in a second or two, we leave in frustration. We click our angry departure for another instant arrival. If I don’t answer an email within a compressed amount of time, the originator of the email wonders why I’m ignoring them. Connectivity comes with expectations that often prohibit relationship. Or, rather, connectivity is the low-bar expectation of what now qualifies for real relationship.

Yesterday 20 and I continued a conversation that we started four years ago. We will pick it up again because our conversation has no end. It is a lifetime conversation. There is no expectation of arrival, of conclusion. The focus is entirely on the journey, the friendship, the continuance. The laughter, the deep sharing of fear and frustration, the vulnerability, the sharing-of-time-to-listen-and-give-presence. What we share is not a network connection (that phrase feels scrubbed, antiseptic, even in the writing of it). It is something with breadth and depth and texture that can only come when two people breathe the same air, sit in the same room, read body language, and feel what is beneath the words.

 

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read Kerri’s blog post about NETWORK CONNECTIONS

 

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Hear What You Say [on Not So Flawed Wednesday]

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A deep dark secret: we write the melange for ourselves. It makes us pay attention. For instance, Two Artists Tuesday is always an image, a photograph of something striking or beautiful that we’ve seen. The necessity of having an image each week to write about makes us practice seeing. We are always on the lookout for the simple beauty that surrounds us. And, each week (this will not shock you), we find too much of it. There is so much beauty available if you make yourself available to seeing the beauty.

In addition to images, we’ve given ourselves the necessity of listening to language, hearing the odd phrase, the ridiculous statements we make or that spill out of the mouths of others. And, like the images, there are always too many of them. We never know where they will come from. We are constantly scrambling for a pen or speaking to Siri so we won’t loose a phrase. Choosing the material for the melange is generally an act of sifting through an embarrassment of silly riches.

We had a 24 hour turn around trip to Kansas City. On the way back, too tired to drive another mile, we stopped in a rest area somewhere in Iowa to catch a nap. In my imagination there are travelers all across this nation with photographs of our sleeping faces smashed against the window of our car. Swimming out of our most recent roadside snooze, Kerri said, “That was a good nap! I was dreaming and everything.”(note: I’m not sure what “everything” refers to but that is definitely a post for another day.) I remarked that, if you can dream at the rest area, you were supposed to be there. Kerri jumped for the phone, “Hey, Siri…”

Siri, ever the grammatical maven, had a few suggestions. Think about it: a silly phrase inspired silly-phrase-correction-recommendations from a mechanical device (with a name) that is capable of speaking back-at-us (in “her” preprogrammed schoolmarmish voice). It’s a wonderful, confusing world. Unhinged. An embarrassment of riches.

[my personal favorite and almost the winner of this week’s melange: if you can dream OF the rest area you’re supposed to be there. The implications of this Siri-suggestion are ominous!]

 

read Kerri’s blog post about DREAMING AT THE REST AREA

 

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Know That You Are Funny [on Merely A Thought Monday]

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Before the world of text messaging, it used to be a game for me. Sit in a coffeehouse and catch snippets of conversation. There were little word hysterics everywhere. If you care to listen, so much of life sounds like the first line in a children’s book. I’m not sure why any of us should take ourselves seriously. We are a very funny species when taken in dribs and drabs.

Now that the world conversation has been reduced to tweets and texts, word hysteria is so pervasive, there is no longer a need to venture into a coffeehouse to capture them. I don’t even have to scribble madly to capture them. They come pre-written.  They are flinging through our news. The word hysterics are channels for policy. So few words given so much weight. We are being ruled by children’s book. I can only hope that historians will have a better sense of humor than we currently do. Taken out of context, the hysteria is hysterical.

It is refreshing, then, when someone sends a text and they KNOW that they are being funny. The dachshunds ate by candlelight. John Oz sent me to the floor with gales of laughter. The power was out. The dogs had to eat. What a terrific first line of a children’s book! It opens worlds of possibility (and, what great illustrations!)

Knowing that you are funny. Not taking yourself so seriously. Precision in humor rather than reduction of communication. Pretend connectivity. I breathe a sigh of relief when a bit of intentional consciousness comes through a text. It helps balance the pervasive other kind, the kind we take so seriously, the word hysterics that are meant to close thought. To reduce our thinking. It is funny how easy it is to blunt minds.  So few words; no poetry. Black and white. Children’s book thinking. It’s almost funny.

 

read Kerri’s blog post on DACHSHUNDS

 

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Say It Over And Over and Over…[on DR Thursday]

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While Kerri plays the service, I often sit in the choir loft and scribble images on the back of old bulletins. On the left side of this sketch (not visible in the crop) is a running stream of words, ohpleaseohpleaseohpleaseohpleaseohplease…

I’ve been playing with words as images a lot in the past few years. The words become pattern, the repetition renders the symbols meaningless-as-language but potent-as-design. I love pattern for this very reason. Too much repetition dulls the eyes and mind and in the dulling, something new emerges. It is how a good ritual works: dance fervently the pattern until you drop. Exhaustion opens the door to let in the spirit.

Pray hard enough and often enough and the words become meaningless. It is exactly at the point of meaninglessness, that perception shifts and something new rushes in. Saul-the-Tai-Chi-master would say it this way: wrestle with the obstacle long enough and you will eventually give up. In giving up, in your defeat, you just might glance beyond the obstacle and, at last, see the field of possibility.

 

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read Kerri’s blog post about SCRIBBLES

 

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the sketch is a sketch and not useful and may be pirated and spread widely all over the world so feel free to insert it into your recipes or instagram or populate the cover of your technology with it or send it to china without guilt.

 

instrument of peace ©️ 2015 david robinson

Get There [on Not So Flawed Wednesday]

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It is what I love about language: a single word can have two diametrically opposed meanings. I am nonplussed. Read that as you will.

If anyone tells you that communication between people is easy, they are either lying or trying to sell you something you do not need. Communication is hard. Sometimes it is impossible. Doubt me? Chuck the word ‘socialism’ into the public square and watch the fight. One word, a mass of angry or positive associations. Communication will always leave you nonplussed.

Language – words – are imprecise and malleable. They are never passive, that is, people us their words to get something (get understanding, get an idea across,  get their way…). Language is a tool of intention. Language is a tool of story. The story raging inside your head or outside is intentional. Self-talk and Other-talk – both – are in hot pursuit of something (being right, being seen, being valued…). Achieving the intention or not will inevitably leave you nonplussed.

Nonplussed seems like a good intention to pursue. Either way you go, you get there.

 

read Kerri’s blog post about NONPLUSSED

 

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