The Naked Truth [David’s blog on DR Thursday]

Watching a time-lapse of the vine you’d swear it was a conscious creature. Tendril arms search for supports, stretching. seeking and grasping, it knots itself around leaves and stems of competitors, twisting to strengthen its grip, competing to secure its place in the sun. It begs the question, how might we humans be in the world if we understood that plants were conscious, like us, awake and aware of their surroundings? Would we be more awake and aware of our surroundings? Or would we fear green consciousness and fill our mythos-minds with a Little Shop of Horrors? Feed Me!

This vine evokes The Gordian Knot. It is a tale in three parts. The first is the existence of an impossible problem. The second is the ease of the unforeseen solution. The third is the fulfillment of promise and prophesy. It seems in these times we have in these un-United States a substantial Gordian Knot. I am anxiously awaiting the unforeseen solution.

A Gordian Knot suggests that bold action is necessary to cut through a complex problem. In our case bold action is not a sword but the voices of innocence: in the story an innocent punched through the chorus of enablers by telling the emperor the truth. He is, in fact, naked. His majesty is make-believe. Our emperor already knows he is naked but surrounds himself with loud sycophants and bullies his fear-driven court to sing the praises of his imaginary cloak. The decades-long rape of innocents, the recent bombing of innocents, is a sharp sword cutting through the illusion.

Truth-telling in the face of rampant pathological lies is a bold action. It fits the bill. Truth-telling is, after all, surprisingly easy and, in time, always slices the hard knot of misinformation. It is now the only way for us to protect and fulfill the promise of our democracy against the would-be-fascists (republicans). The sharp truth, the voice of the innocents, calling out and cutting through the Gordian Knot of the Epstein Class and those who are afraid of shining light on the naked truth.

read Kerri’s blogpost about THE VINE

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Go Empty [David’s blog on Two Artists Tuesday]

Among my vast archives of good-advice-received is a gem from Karola. I’ve often written about her wisdom: “Let yourself go empty,” she said. She laughed knowing that “going empty” would be a struggle for me. There is nothing more vulnerable or frightening for a young artist than to admit that their well is dry. What if the muse never comes back? “Going empty” at that phase of my life was akin to abandoning my identity. It felt like a step into the void.

As it turns out going empty was among the best things I ever did for myself. It stands among the greatest lessons I’ve ever learned. Spring requires winter. All budding artists eventually learn that artistry is not what you do – it is who you are. Going empty is the path to learning it. Karola knew exactly what I needed to hear and when I needed to hear it.

Have you not, at one time or another, been left in awe at an insight that comes from a confluence of seeming random experiences? Pieces of a puzzle coming together in what might seem arbitrary but is, in fact, a magic key that unlocks the door to deeper understanding? Last week, after wrestling for months with a play, I decided to leave it alone for awhile. In truth, after wrestling for months, I finally wrote a section that had merit – and when I saved the file it simply disappeared. Poof! After several attempts to find and retrieve the file, my computer insisted that the file was corrupted. I took it as a sign. Give it some space. Leave it alone.

Just as I’d decided to let the project go, we received a message from a man who wanted to buy the remains of my rocking chair. This chair has lived in every studio I’ve ever occupied. Except for my easel it is the only piece of furniture I’ve carried through my nomadic life. In our most recent basement flood a pipe burst directly above the chair, blasting the caning and destroyed the seat, damaging the finish and annihilating a hardcover sketchbook resting on the arm. I decided my chair deserved a better place-in-the-world. It deserved to be with someone who could properly restore it and take better care of it. The message from a buyer sent me reeling. I, of course, denied it. Kerri saw my distress and helped me see it. Every single painting I’ve created in my adult life was rocked into existence in that chair. It’s history was my history. We told the buyer that the chair was already spoken for.

I sat for several minutes with the remains of my chair. There was no one on earth who could better care for it because there was no one on earth who cared more about it than me.We’ll find someone who does caning. We’ll find an upholsterer who can repair the damage and replace the seat or we’ll do it ourselves.

I turned all my canvases to the wall, turned off the salt lamp and climbed the stairs. I met Kerri in the sunroom where we ate Munchos, drank wine, and debriefed the day. I confessed my revelation: I was going to sell my chair because I did not feel worthy of it – which, of course, is a statement not at all about the chair. It was a jolt akin to the discovery of a secret passageway that leads to a hidden chamber of secrets. A lingering question of worth.

Later it felt like opening the window and bringing fresh air to rush into a long-sealed dark and stale room.

I felt exhausted. I felt relieved. I felt as if I could breathe.

“It’s time to go empty.” I heard Kerri say. I heard Karola laughing. Jump into the void. This time, no timid stepping: jump. Really jump. Clear space for a worthy abundant spring.

read Kerri’s blog about the MUNCHO HEART

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Conscience Totems [David’s blog on Not So Flawed Wednesday]

In a roiling stream of consciousness, the limbs at sunset evoked a memory of watching a master of ink and brush, a fluid stroke, a guided hand that for some reason pitched me into Robert Motherwell. I scrolled through selections of his work and was taken by how many of his pieces are direct descendants of Henri Matisse. I was taken by how many times he returned to a theme Elegy To The Spanish Republic. The atrocities of war.

We heard the phrase “conscious avoidance” but thought we heard “conscience avoidance”. The confusion was fantastic! If I someday paint a series of pieces about the un-United States during these authoritarian years I will name the series Conscience Avoidance. Pam Bondi refusing to look at the Epstein survivors. The republican congress emasculating itself, refusing to deal with the obvious truth. The conservative members of the Supreme Court refusing to look at the Constitution. The Constitution stares, mouth agape, at the justices who try not to look at it. My massive canvases will be pocked with oppressive black strokes. Soul holes. Void.

There will, of course, be a parallel series. Conscience Totems. An homage to the people who take to the streets. Keepers of the promise and the light. Bright swaths of vibrant color evoking guide stars and torches and courage. The fluid strokes mimicking a master of ink and brush, a hand guided by something grander than self-serving-money-lust or personal-political-gain. The living branches of a tree reaching one to the other, interlaced and interconnected, reflective of their roots, drinking deeply from the earth so it might touch the sky. A celebration of those unafraid to look power in the eye and ask, “What happened to you?”

read Kerri’s blogpost about THE TREE SILHOUETTE

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These Bright Lights [David’s blog on DR Thursday]

“We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.” ~ Plato

And aren’t we now witness to a real tragedy. A president and his party desperately afraid of the light of truth. They pretend bravado, they posture as leaders, all the while terrified of shining a light on the Epstein files. Their dance is a dance of distraction. Their abject fear of light shining on their darkness makes them monstrous. They throw shadows on the wall in an attempt to divert attention from the files.

We have “happy lights” strategically placed all over our house. During the dark days of winter these lights lift our spirits much as a campfire might if we were lost in the deep woods. Firelight repels shadow monsters. Happy lights repel sadness monsters. In the dark of early morning, after plugging in the coffee pot, I plug in the happy lights.

Plato wrote an allegory about prisoners’ chained in a cave. They mistake shadow for reality. One of the prisoners escapes and learns that the shadows are not the truth. He returns to the cave excited to share his discovery with the other prisoners and is met with hostile rejection. The others have grown accustomed to their chains and comfortable in their ignorance. It’s an allegory appropriate for MAGA and perfectly describes the propaganda-Fox casting shadow-monsters on the wall.

In Minneapolis and other cities, people of color are afraid to leave their houses. There are real monsters, masked and armed, roaming the streets. Although these monsters are not themselves shadows their minds are awash in them. Comfortable ignorance is a cancer that metastasizes as darkness in the heart. There are other people who do not fear the light, in fact they are bringers of the light, delivering groceries to the people in hiding, blowing whistles to alert the neighborhood of the presence of the monsters. They film the monsters. Their whistles and their cameras are forms of light. The sound is an alarm calling attention to the monsters, calling in the communal light. The cameras serve to lay bare the dark shadowy lies the monsters claim as truth.

I have hope that these bright lights will one day repel the masked monsters roaming the streets, monsters grown comfortable in their chains and ugly in their ignorance. Orks.

These bright lights, gathering together all across Minneapolis, the nation and the world, stoking the bright light of freedom and truth, will one day overwhelm the republican/authoritarian darkness and expose the ugliness that their leaders so desperately fear and work so hard to hide.

Helping Hands, 53.5 x 15.25IN, acrylic on canvas

read Kerri’s blogpost about HAPPY LIGHTS

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After All [David’s blog on Merely A Thought Monday]

We spent some time hanging out with Frank over the holiday. He is 93 and doing a stint in rehab. Frank is filled to the brim with great stories told with the laughing good humor of a man who has made a friend of folly. On our way out the door he said, “After all, isn’t that what’s most important in life, what life is about? Good friends. The relationships we enjoy. The time we spend together” We nodded and he added, “It seems like we have nothing to complain about.”

Frank is among my role-models for how to age well. Stay wide-open to new experiences. Believe in the goodness of people. Dance the twist at every opportunity. Laugh at yourself. Cultivate your mischief. Stand firmly planted in gratitude.

A few years ago I read about a comic whose performances and life blossomed when he realized that his job was not to make people laugh, rather, it was to bring them to their laughter. It’s subtle but profound: focus on what you bring to others, not on what you get from them. Later, as we prepared our Guinness Irish stew and mashed potatoes, I realized this simple message was Frank’s superpower, the reason why I admire him: even at 93 years old in rehab, even while facing an impossible mountain to climb, his focus was on what he could bring to us. There was not a hint of self-pity. There was no mention of his aches, pains or growing list of obstacles. He told fishing stories and regaled us with adventures from his youth. We laughed and bantered and left feeling full to the brim with great stories and good humor.

“After all, isn’t that what’s most important in life, what life is about? Good friends. The relationships we enjoy. The time we spend together” We nodded and Frank added, “It seems like we have nothing to complain about.”

read Kerri’s blogpost about GATHERING

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Feed The Marvels [David’s blog on Two Artists Tuesday]

Last year Carl Blanchet walked all 2650 miles of the Pacific Crest Trail in less than 90 days, a feat that would have killed most of us. This year he’s walking the PCT again, not to break his previous personal record, but to do the opposite. This time Carl is taking his time. He’s moving slowly. He’s watching sunsets. He’s smelling flowers. He’s making new friends along the way.

Carl’s gratitude is magnetic. His enthusiasm for small things is contagious. He finds magic in a tiny swimming hole. He exudes appreciation and simple kindness. He giggles at the colors of the sunset. He can’t wait to walk another mile and share it with his audience.

He has become one of our favorite bright lights in this dark time. Each night we look forward to his next installment, to spending a few moments with someone who intentionally immerses himself in the love of life.

He is a stark counterpoint to those immersing themselves in hate. He reminds me of what is possible. He reminds me of the power of the cliché: where you place your focus grows. Carl’s enthusiasm for life comes from a decision; it is an intention.

He reminds me to look for the light, to feed the positive, to not let a single sunset go by unnoticed and without celebration. It’s not so difficult to beat back the darkness when our dedication is to see – to focus on – and feed in each other – the abundant marvels readily available in this life.

read Kerri’s blogpost about THE SKY

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Above All Else [David’s blog on Merely A Thought Monday]

“Life is strange. You arrive with nothing, spend your whole life chasing everything, and still leave with nothing. Make sure your soul gains more than your hands.” ~ unknown

As a young artist Roger often asked, “What is sufficient?” If you solely choose an artist’s path – or an artist’s path chooses you – the odds of realizing a modicum of financial prosperity are slim. An artist in the USA necessarily makes peace with chasing a different kind of wealth. Soul wealth. Yet, the question of sufficiency is important to ask since it is the thin ice that many artists – especially as they age – disappear beneath. It is impossible to live on the bottom of Maslow’s Hierarchy of Needs indefinitely. Perpetually struggling for food, heat, and shelter will inevitably drown the muse.

What is sufficient to keep the muse happy and fed?

Kerri came home and told me of a conversation she had with Steve. Most people – including us – want nothing more than to live a simple life. We do not need to own yachts or mansions. With the disappearance of the middle-class, the stagnation of wages, the wealth of the nation running to the top 1%…more and more people in these un-United States are sliding to the bottom of the Hierarchy of Needs. It’s one reason why there is so much anger out there. Safety is further and further out of reach for more and more people. Sufficiency is nowhere to be found.

We watched a conversation between two people who make their living on social media. Their discussion revolved around the cancer that social media has become. They explained that the algorithms sort to the extremes. The middle ground is nowhere to be found in social media conversations. Extremist views are elevated while moderate voices are minimized. In their conversation, they asked their substantial viewership to turn off their screens and go outside and sit with real people. Real connection is only possible when sitting face to face with real people – and that’s the only place where we might reclaim our common ground, our communal sufficiency, our safety – especially with those whose opinions differ from our own. Middle ground is a shared space.

Craig enticed me into a long text conversation about artistry. It made me reflect on what I believe and how many great mentors and teachers I have enjoyed. In my life I have been rich in life-guides. I still am. I told him that all of the great artists I have known – or who have been inspirations for me – have wrestled with their demons and, therefore, were fearless at asking hard questions of themselves and of others. Their hard questions, in the form of lyrics or images or dances or compositions or characters that they played…ultimately transformed their demons into teachers. They walked toward their fears and made them into something beautiful.

I lost three of my guide stars in the past few years. They created lives of sufficiency. They thrived beyond any measure that money could bring. Simple lives marked by a real connection with real people. Lives lived in conscious – and joyful – support of other people. Three rich souls who gained in their lives more than a mansion or piles of money that they would have never been able to spend. They brought people together.

The single thing that I remember about these three artists – above all else – above all that they taught me – is their abundant laughter. Isn’t that the sign of a good life well-lived? A life to emulate?

read Kerri’s blogpost about SOUL GAIN

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The Only Question [David’s blog on KS Friday]

Breck the aspen tree is no longer a sapling. Since May she has grown a few feet taller. Her trunk is now the sturdy stock of a mature tree. Her bark is taking on the whitish hue of mature aspens. We stand at her base, crane our necks looking up, and marvel. In a few short months we have watched her come-of-age.

In a contentious time, an age of the disappearance of justice and the rise of a criminal, Breck is a reminder for us of all that is good. When we need a dose of sanity, when we need a reminder that nature takes little notice of human folly, we sit with Breck. We allow ourselves to be soothed by the comforting shimmer of her quaking leaves.

Joseph Campbell wrote The Hero With A Thousand Faces in 1949. I almost spit my coffee this morning when I read, “The tyrant is proud and therein resides his doom. He is proud because he thinks of his strength as his own; thus, he is in the clown role, as a mistaker of shadow for substance; it is his destiny to be tricked.”

I know it is a mistake to conflate myth with biography, yet, have you ever read a more perfect description of our authoritarian wanna-be?

Myth meets the historical moment. The tyrant is a clown. He is a mistaker of shadow for substance. He thinks his strength is his own. His destiny is to be tricked. Campbell also wrote that, in the mythic cycle, the tyrant, “usurps to themselves the goods of their neighbors, arise, and are the cause of widespread misery. They have to be suppressed.”

Usurping to himself the goods of his neighbors? Check.

The cause of widespread misery? Check.

In mythology, the tyrant is the harbinger of the hero’s rise (note: the hero need not be a male). “The great figure of the moment (the tyrant) exists only to be broken…The ogre-tyrant is champion of the prodigious fact; the hero the champion of creative life.”

The word “prodigious” in this sentence = unnatural, grotesque.

Locked in a shadowy lie-about-the-past with a monstrous clown? Or, progressing forward toward actual possibilities? We are a nation quaking to come-of age.

The tyrant exists only to be broken – and it makes sense in mythology and in the patterns of history. Breck can only grow in one direction. The same is true of us. The only question is how much damage will the tyrant do before we-the-people, the actual hero in our tale, awaken, open our eyes and rise?

WATERSHED on the album AS IT IS © 2004 Kerri Sherwood

watershed,(noun): an event or period marking a turning point in a course of action or state of affairs.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about BRECK

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Hummingbird Hope [David’s blog on DR Thursday]

Hummingbirds bring to mind my great aunt Dorothy. Outside the door of her tiny mountain home, precariously perched – and tilting slightly – on the hill above the Central City Opera House, she maintained a festival of brightly colored hummingbird feeders. She was a no-nonsense woman who cooked her meals on a cast iron wood burning stove. She loved her hummingbirds.

I felt Dorothy hanging out with me when I planted the cardinal flower in the huge rusty-ancient-fire-pit that we placed near the hummingbird feeder to help attract more hummingbirds. Kerri loves her hummingbirds.

For weeks the cardinal flower was flowerless. It did a fine Jack-and-the-Beanstalk imitation, growing tall, reaching for the sky. “Where are the blossoms?” she asked. I shrugged. This was my first cardinal flower so I was clueless. I was, however, mightily impressed that it had grown taller than me.

Hummingbirds, like us, are not fans of very hot and incessantly humid weather so they abandoned our region and sought fairer climes. Their absence has been palpable. There were so many zipping about earlier in the summer that their disappearance is magnified.

Unusually, because of the heat-smoke-and-humidity-combo-platter, we’ve mostly been inside, staying close to “the cold box”. We’ve abandoned our usual outdoor living and make only quick forays into the yard to water plants, pull weeds, and harvest basil or jalapeño peppers. As the weeks passed we’d mostly forgotten about the flowerless cardinal plant. We stopped refreshing the hummingbird feeder.

The first pop of color nearly knocked us over. The red was electric against the viridian ivy slowly covering our neighbor’s garage. Within a few days, despite the persistent heat and humidity, a single hardy hummingbird visited and drank deeply from the blossoms. Kerri quickly whipped up a new batch of sugar water and refilled the feeder.

We’ve not yet seen another. I imagine the lone hummingbird was a scout for the hummingbird clan and reported that although it found a brilliant cardinal plant and a fresh batch of sugar water, the conditions remained unfavorable. The smokey heavy air was not ideal for flight.

And so we wait.

Dorothy used to stand at her kitchen door, watching the hummingbird feeders in her tiny mountain yard. “They give me hope,” she’d say.

We watch our feeder and towering cardinal plant from the kitchen window. “Do you think they’ll come back?” she asks.

“Of course,” I say. “We can only hope.”

read Kerri’s blog about THE CARDINAL PLANT

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The Door [David’s blog on Two Artists Tuesday]

“Follow your bliss and the universe will open doors where there were only walls.” ~ Joseph Campbell

We leaned an old door against the garage. The towel rack serves as an excellent perch for birds. Initially, we entertained the idea of hanging a basket of flowers from the rack but abandoned the idea. As time and weather peel back the layers and reveal the door’s history, we are delighted that we left well-enough alone. The door is beautiful and needs no adornment.

I am rereading The Hero With A Thousand Faces, Joseph Campbell’s masterwork introducing us to the idea of a monomyth: the story-pattern found universally in folklore, myths, religious narratives…across cultures. The human journey. This time through I am slow-reading the book, taking in only a few pages a day – or sometimes if it strikes me I linger on a single paragraph. In this phase of my life I am less interested in consuming information and more wanting to savor what I read. I am not trying to “get there” or to “achieve” or ascend the heights of knowledge mountains. I am in favor of strolling and appreciating.

Sitting on the step of the deck, watching Dogga explore the crab grass, I realized that we placed the door directly opposite of Barney the piano. And, because my mind is savoring mythic journeys I was amused at the creation of our unintentional sculpture. Music is Kerri’s bliss. Since she fell and broke both of her wrists the door has been mostly closed. Recently she cleaned out her studio. It feels good in there! There’s light and space and new energy. Occasionally, spontaneously, she will run in and play for a few minutes. Dogga and I exchange a knowing look: the muse is calling.

There was certainly a departure from the known. There have been challenges – more than I care to count. Like Barney and the door, the old world collapses, layers peel away, revealing history long unattended. In the collapse the purest form emerges and finds new light. Though the journey is not yet complete, I am witness to her transformation.

We placed an old door opposite of Barney. Where once there was only a wall, I have faith that this door will open. She will return to the land of the known, and as the monomyth foretells, she will bring with her a boon, a special gift gained from her arduous journey.

read Kerri’s blogpost about THE DOOR


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