Tuck It In [David’s blog on Merely A Thought Monday]

We open the garage, push the VW Bug out into the sunlight for its annual washing. It’s a yearly ritual. After cleaning the garage and scrubbing the Bug, we push it back into the garage and cover it like a sacred object (it is).

This was Kerri’s first car. Her parents bought it when they vacationed in Europe in the 70’s. They shipped it back to the states. After a time, they “sold” it to her. It was light blue then. Now, it is titanium white.

It hasn’t run in the decade that I’ve lived here but that is of no matter. It is filled with stories. It is filled with connection to her parents. She’s walked up to line a few times, thinking she should sell it to someone who’ll fix it up, get it running again. She steps back from the line, “Not yet. Not yet.” After all, it’s not simply a car that she’d be selling.

“Maybe I should take pictures of it, make it into a Shutterfly book. Then I’d have the memories,” she says, suds to her elbows, as she gives the VW Bug its yearly bath. This, too, is part of the ritual. Imagining it gone. Imagining letting it go.

“That’s a good idea,” I say, playing my part in the ritual.

She climbs in the driver’s seat, releases the brake. “Okay!” she says and waves to me. I put my shoulder into it and push the Bug back into the garage. Her connection to her mom and dad, their stories, her stories, safely tucked in for another year.

read Kerri’s blogpost on THE BUG

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Light A Candle [on Merely A Thought Monday]

Often, when archiving her photographs, Kerri gives them a title. This one she named Delicate. “Like life,” she said.

Today we light a candle. We light them when we are commemorating an anniversary of loss, the passing of someone we love. The light of remembrance. “He’s been gone 31 years,” she sighed as we placed the candle in the jar, touched fire to the wick. Today we remember her big brother Wayne.

Our remembrance is rarely maudlin. We tell stories. We laugh. I’m particularly grateful for this candle-day because I never met Wayne. He was gone years before I arrived on the scene. But I feel as if I knew him because Kerri’s stories of her brother are rich in memory-texture. Visceral. Deeply rooted. And all roads lead to his love of coffee ice cream so I’m certain he and I would have been great pals.

As I’ve written in the past, the first words that Kerri spoke to me were “I don’t do nutshells.” It’s true. If you desire brevity you’ve come to the wrong place. She layers detail on top of detail in her storytelling of the world. And, she assures me that she is nothing compared to her brother, Wayne. His detail of details had details. An engineer’s mind. An inventor’s heart. An epic storyteller.

In the past few weeks we’ve had more than one reminder of life’s fragility. Dear ones wading through sudden, momentous and scary health challenges. A cousin passing. News of a friend too soon gone. More candle-days.

There’s the stereotype, old folks sitting on the porch recollecting days gone by. When I was younger I thought rocking chair reminiscence was inertia, life winding down. Nothing else to do. I had it all wrong. It turns out that elders tell stories of the past because they are verbally lighting a candle. They are keeping alive the memory of someone they loved. They are feeding the river of life. They are passing love forward.

Thirty one years ago. Today we light a candle. Today we tell stories of Wayne.

[a rough iPhone recording of the song Kerri wrote for her brother: You’re The Wind. © 2005 Kerri Sherwood]

read Kerri’s blogpost about WAYNE

[Bonus track]

Angel You Are © 2002 Kerri Sherwood [Note: this song is not jazz nor does Rumblefish own any portion of the copyright or publishing rights of this song]

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Light Ten Candles [on Two Artists Tuesday]

I never tire of telling this story. 4th of July, 2013, Kerri and I walked through the festival booths and carnival rides, we avoided the stages where bands were covering well-known tunes, we passed the pie-eating contest, and stopped at the jumping dog competition. Dogs running and leaping through the air into a big pool of water. Doggie long jump.

While we watched the antics, we talked of someday having a dog of our own. We dreamed that our dog would be black – only a black dog for us – and we’d name it Earl. Or Erle. It is our shared middle name so it seemed only natural to give the pup the family name. Little did we know, on that day, I imagine at that precise moment, our Tripper-Dog-Dog-Dog was born. Dogga is a 4th of July pooch.

Three months later, driving the moving van loaded with my worldly possessions across the country, just after entering Wisconsin, we passed a sign that said, “Aussie pups.” We weren’t ready for a dog. I told Kerri that I thought it would be safe to look since Aussies are never black. We flipped the van around, drove up the long farm driveway, jumped out and greeted farmer Don. “We’d love to see the puppies!’ we chimed in unison.

“Well, I only have one left,” he said, “And no one wants him because he’s black.”

I think it was the first time that Kerri punched my shoulder and gave me that look.

And, although we weren’t ready, I can’t imagine life without our black dog that refused to answer to the name Earle. He’s as quirky and complex as we are, more sensitive if that is possible. He taught us what to call him, the first on a long list of lessons he’s had to teach us.

Today we light ten candles on the Dogga cake. We celebrate the best u-turn we ever made. We toast our willingness to take the leap before being ready. Our life together is made infinitely richer for it. Now, who wants cake?

read Kerri’s blogpost about DOGGA BIRTHDAY

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Show Us The Way [on Not So Flawed Wednesday]

Our Sweet Boy is getting older. A few night’s ago, for the first time, I watched him struggle to stand up; for a moment his back legs refused to cooperate. I felt a hot rush of panic, Kerri caught my eye to acknowledge that she saw it too. And then, in a miracle moment of instant transformation, he caught sight of Boris-the-cat next door and all signs of decrepitude vanished in his hot-dogga-dogga-rush to bark at the window. Crazy Boy was back.

He’s always had two distinct personalities: Crazy Boy in the daylight hours and Sweet Boy after the sunset. Each evening, Crazy Boy herds us to the living room. Once we are settled safely into the couch, the signal that his duties for the day are done, he collapses on the floor between the living room and dining room. When next he raises his head, Crazy Boy is gone. The spirit of Sweet Boy fills his furry being. Our now gentle dog checks in for a head-pet, and nestles in beneath our feet.

It’s the ratio that is pulling at my heart. Once, Crazy Boy dominated the hours of the day, wearing deep circle-paths in the backyard in his exuberant patrol. In the past year, there is a new more-equal balance of Sweet Boy and Crazy Boy hours. His ebullient patrol still wreaks havoc with the backyard flora and fauna, just not so often. He’s become more content to observe his vast territories from the cool of the deck rather than continually clear the yard of marauders. Now he sleeps more of the day away.

When we are away on errands he sleeps in the sunroom by the backdoor but is joyful and bouncing by the time we get the key in the lock. He is the world’s best welcoming committee. Yesterday, we were completely inside the house before he was aware that we were home. “Some watchdog!” we quipped. Once again he struggled to get up. Kerri knelt by his side, ruffling his ears, she said, “Don’t worry, Dogga, our joints hurt, too.”

We’ve joked that Dogga had a tough assignment with us. A hyper sensitive dog with two overly sensitive artists. He’s been part weather vane – I know when Kerri or I are about to storm because Dogga looks at us and heads to the bathroom, his quiet space. We’ve averted many-a-storm because Dogga turns and slinks toward his sanctuary. “It’s okay!” we call after him. Not wanting to upset the dog has taught us how to not upset each other.

“I guess we’re learning how to grow old together,” Kerri said.

And Dogga – as always – is showing us the way.

read Kerri’s blogpost about CRAZY SWEET BOY

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Tip The Cup [on KS Friday]

“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.” ~ Ray Bradbury

My grandmother famously hid a horse in her kitchen when the truck from the glue factory showed up to take it away. What makes that story remarkable to me is that my grandmother was 4’7″ tall when she stood on her tiptoes. Although her physical size was diminutive, her spirit was grande.

Another detail of the story that confounds me: from the backdoor, there were stairs up into her kitchen. And then a hard left turn. It was no small feat getting a horse into the kitchen. Sometimes I ponder what it must have looked like, watching this teeny-tiny woman hurriedly coaxing a big-big horse through the backdoor, up the stairs and into the kitchen. I wonder if she shushed it as she peeked out the kitchen window, waiting for the truck to drive away. I can’t help but laugh heartily every time I imagine the scene.

Once, she and my mom drove me to college in Santa Fe. On the way we stopped to have lunch. I was grateful for their efforts, driving me several hours to school, so I reached to pick up the check and my grandma pinned my hand to the table with her fork. We burst out laughing. She was fast and left no room for debate.

The sun streaming into the farmhouse brought grandma to mind. Standing in the kitchen, looking at all the food we’d prepared, the mountain of snacks and beverages Kate and Jerry hauled from Minnesota, the bins of cookies and sweets, I thought, “This place is just like grandma’s purse.” Her purse looked like a punching bag and she could produce anything you needed at anytime from that bag. Screwdriver? Yep. Saltines? Yep. Duct tape. Of course! Water? How much do you need? It was the clown car of purses. Were I to be lost in the desert and had one precious wish to be granted, I’d wish for my grandma’s purse.

Tiny woman. Endless supply of love and support. She knew how to fill our cups. She knew how to tip herself over so all the beautiful stuff could rush out.

where i’m from/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora & iHeart Radio

read Kerri’s blogpost about SUN IN THE FARMHOUSE

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Keep The Connection [on DR Thursday]

A Haiku: Sun bathes the hilltop/Green grass, stones etched, dates with names/Here, we meet again.

Carvings in stone. I’ve read that among the first evidence of human-made-art is associated with funerary rituals. Send the soul on their journey with the proper talismans. There are petroglyphs, too. Scratches in stone. A message? A journal? A reach to the “beyond”? A handprint on the wall of a cave.

The earliest Greek theatre was a religious ceremony. A portal for the gods to come through and speak. Can you imagine the role and responsibility of the playwright?

I watched a Rangda ritual in Bali that shook my world. Priests with knives ran at the Rangda, stabbing and stabbing. The knives bent, the Rangda taunted. One of the priests fell into a trance and began channeling a voice from beyond. The entire community leapt to surround the priest and hear the ancestor’s message. As introduction to the ritual, the only English speaker in the village told us something akin to: “What we have of value to share is our art.”

Can you imagine? An entire community that held their art and artists as sacred. Valuable. As the means to connect to their ancestors. It was so profoundly moving that I couldn’t sleep that night. What I had known and experienced personally was, in this place, alive in the public heart. I mourned the art-poverty of my nation and community. We tape bananas to the wall and lose ourselves in a made-up-maze of the conceptual.

I was taken aback in the pioneer cemetery. Most of the headstones were homemade, a red-brown sandy-cement with shells or rocks pressed in; a name scratched in the surface with a stick. Families doing their best not to lose their kin. Moving forward in time, we found a few stones made of marble and decorated by a stone carver. More substantial, perhaps, but the purpose remained the same. Keeping connected to what has come and gone. Attending to the ancestors. The story of us etched in stone.

shaman. 36x48IN. Oil on canvas. nfs.

read Kerri’s blogpost about THE CARVING

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Accept The Gift [on Not So Flawed Wednesday]

Years ago Tom gave me a bit of career-advice that I’m still trying to take: “Unlike most people,” he ominously said, “your path will never be about plugging into life. Rather, you must find how life can best plug into you.”

Joyce, a healer and mystic, got that look in her eyes, and told me that I was never going to pursue a single profession. Mine-to-do was to see into hearts; mine was to guide people to their truths.

These days, their words ring loudly in my ears. In the past 24 weeks, since the start-up collapsed, I’ve applied to over 100 positions. Each morning I open my email and find the latest thanks-but-no-thanks. And, each morning I ask myself the same question: How do I – this time – once again – at this stage in my life – find how life might plug into me? I’ve received plenty of ideas-for-jobs and more than a heaping spoonful of advice. “Seeing into hearts” and “Guiding people to their truths” is not stellar resume fodder, even when it includes owning businesses and fixing businesses and coaching people all over the world and painting paintings and directing plays and repairing broken theatre companies. Those “ways” feel finished.

I’m working very hard to find ways to plug into life.

It was a great relief to unplug from the fruitless pursuit for a few days. To gather with my family, to say good-bye to my dad, to eat and drink and play at a farmhouse that will forever represent the time and place an era ended and a new age began. Sitting on the porch in the morning sun I felt spacious for the first time in many months. Standing in the yard watching the sunset, I was quiet inside. Rooted. Easy.

I hadn’t realized how compressed I’d become. How air-less. The farmhouse served as a gift from my father: take a deep breath. Nothing more. Nothing less. This life is quickly passing. Relax. It will find you.

I stepped into the morning sun and practiced my tai-chi. These words from the Buddha came to mind: “Joyful participation with the sorrows of the world,” The accent is on the word “joyful.”

read Kerri’s blogpost about FARM SUNSET

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Forward The Story [on Merely A Thought Monday]

A Haiku

A new era dawns./A chapter closes, fresh earth/forwards the story.

Bellaruth Naperstack often ends her meditations with the phrase, “…and so you are.” As cousin Kate guided us through the forgotten cemetery on the other side of town, she led us to the gravesite of my great, great, great, great grandfather and grandmother. The writing on the stone was nearly washed away with time. As Kate read their obituaries, Bellaruth’s phrase popped up in my mind. The summation of a life, punctuated by the survivors. The children and grandchildren. The next generation. And the next and the next.

It took me by surprise, this meditation on life. The phrase popping into my head was not a reference to the end of the lives of distant grandparents, but to me. “These are your people. This is your root.” They lead to me. I am the next chapter, the continuation of the story.

“And so you are.”

read Kerri’s blogpost about AND SO YOU ARE

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Practice Letting Go [on KS Friday]

“We need, in love, to practice only this: letting each other go. For holding on comes easily; we do not need to learn it.” ~ Rainier Maria Rilke

Kathy Bates has a great line in the movie P.S. I Love You: “The thing to remember is…if we’re all alone, then we’re all together in that, too.”

It’s our aloneness that propels us to reach. Our aloneness can drive us to grab. To hold on with all of our might.

Mothers learn the lesson of letting go. Fathers, too. Children would suffocate otherwise. In time, children must also learn the lesson of letting go of their parents. It’s not an easy lesson. It’s counterintuitive.

Couples learn this lesson if they are lucky. They recognize the line between reaching and clutching. Growth is always a process of opening. Open hands. Open minds. Open hearts. Growing a relationship never comes from controlling it. And, don’t we all know the feeling when a hug lasts a bit too long?

And then there are memories. Slippery devils, they tend to fade. Even in this era of ubiquitous photos, the feel, taste, touch, sound, sight flattens and dims. Three dimensions becomes two. I grab at the memory. My hands close around air. Ephemeral-something.

Tonight I will look into the night sky and make my peace. Alone together. Together alone. I will sit on the porch, grateful beyond words to reach and hold Kerri’s hand. Together in this, too.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about BARNEY-TWO-NAILS

the box/blueprint for my soul © 1997 kerri sherwood

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Swim Upstream [on DR Thursday]

Today we travel. Family, like salmon swimming upstream to a place of origin. We’ll meet at the farmhouse. We’ll eat dinner. We’ll discuss what to do tomorrow at the inurnment. I think he mostly would have enjoyed our gathering together. Food and laughter. That is the ritual he would have appreciated.

The Great White Trillium produces “a single showy white flower atop a whorl of three leaves.” The flower opens late spring to early summer. Right now. They are abundant on our trail.

Whorl: a pattern of spirals or concentric circles.

Five years ago we strolled with him through the cemetery. He told stories of his friends. We will, I am certain, tell stories about him.

Kerri and I walked our trail on the ten-year-anniversary of our first meeting. We talked about how we’ve changed in the decade since I stepped off the plane. “I’m more connected to the impermanence,” she said. I nodded my head. Me, too.

Impermanence. A short season. Generations, a whorl. Patterns. Concentric circles. We tell stories and then we join the story.

Today we travel, like salmon swimming upstream.

rest now, 24×24″, mixed media (sold)

read Kerri’s blogpost about GREAT WHITE TRILLIUM

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rest now © circa 2016 david robinson