Open Your Eyes

a detail from the painting on the chopping block. It's called "The Stillness Must Be Immense."

a detail from the painting on the chopping block. It’s called “The Stillness Must Be Immense.”

There is a debate raging in my house. Yesterday I was about to wipe a painting off my canvas and begin anew when Kerri intervened. “I love it!” she declared. “I hate it,” I replied. “Truly,” she said, “I love it.” When I wrinkled my brow she restated, “I love it.”

Many years ago I was stepping toward a canvas to wipe it clean. The painting wasn’t working for me and I’d given up. I wanted to start anew. My landlady, Kathleen, came into the studio at just that moment and hurled herself in front of the canvas. “You can’t erase it!” she declared! “This is one of my favorites!” She had the look of a desperate woman begging for the life of her child. I relented. I couldn’t wipe it clean. She confessed to coming into the studio the previous evening and admiring the painting. “I spent a long time with it!” I made a deal with her. I promised to show the painting – to include it in one show – and let the public decide. If it was roundly reviled, as I KNEW it would be (as I was actively roundly reviling it), I’d paint over it without drama or interference. If it was appreciated by anyone, by a single person, Kathleen could say, “I told you so,” and I’d never paint over it.

the painting Kathleen saved

the painting Kathleen saved.

A few months later I hung the painting in my solo show at Rock/Dement studio gallery in

Seattle. At the opening a woman came into the gallery, stood before the painting, and burst into tears. She looked at me with tears rolling down her face and said, “I love it.” Kathleen waited a few days before allowing words to break through her smug smile, “Well,” she sighed, “I told you so.”

That painting is the reason I made the same deal with Kerri yesterday. I will let it remain long enough to show one time. If it is roundly reviled and ignored, then I will paint over the canvas without protest. If a single person likes it or expresses appreciation for it, she can bury me in a mountain of, “I told you so,” and the painting will live on long after I’m gone.

The Stillness Must Be Immense.

The Stillness Must Be Immense.

This morning I posted an image, a print that reads, “CROSS THE BOUNDARY OF ELEMENTS.” In the short blurb associated with the image I wrote that sometimes we have to stand in other people’s shoes. We have to see what they see. I am an artist and am convinced that artistry is all about opening new visions for others. It is about helping people see what is there, not what they think is there – and I’m certain that I fall into a thought eddy while painting. It is, perhaps impossible for me to see what others see in my paintings. What I judge to be worthless has often proven to be magnetic to others. And so, I am willing to make this bet, I delight in the moments when my understanding of life turns back on me, flings itself in front of me and screams, “Open your eyes!”

another detail of the painting.

another detail of the painting.

Cross The Boundary Of Elements

TODAY’S FEATURED IDEA FOR HUMANS

Cross The Boundary

In a world of right and wrong, yours and mine, red states and blue, crossing the elements means relinquishing the idea that “I know,” or that “I’m right.” My “normal” may not be your “normal;” it’s a good bet that my perspective is not your perspective. Cross the boundary of elements and stand for a moment in other people’s shoes; swim in their element.  Reach across the known to see what they see. Find the middle way.

 FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE.

Embrace The Bump

photoArt stores are dangerous places. We entered the store with a short list: vine charcoal and titanium white paint. We left with a suspiciously large bag – Kerri found the pen and pencil aisle and got “that look” in her eyes. I found her sitting amidst a vast circle of pen possibilities making marks on a pad of paper. “Ooooooooooo,” she cooed, feeling the latest pen for weight and suitability for her hand. “I looooooove this one,” she said to herself. Her pile of “I love this one” selections was formidable. Art stores are like opium dens.

20 (aka John) was with us. He regularly incites us to riot and misbehavior. He was little help extracting Kerri from her pen-nest. 20 impacts us like a snout-full of laughing gas. He has a way of making the darkest day bright. 20 is, in fact, a bringer of light; he has developed this capacity because, like all bringers of light, he knows well the other side. One day in early summer, we sat on the deck drinking coffee and made our belly buttons talk, giving voice to the things we think but cannot say in polite society. We laughed so hard that I had to run inside the house; I couldn’t breathe. Twenty’s belly button had a lot to say.

After escaping the art store, Kerri hefted her bag of supplies to the car while 20 and I waited on the corner. That’s when we saw the sign. It was something Sartre might have provided had he been a traffic engineer. It was existential. 20 and I jumped at the chance to make a selfie with the sign-philosophical. It simply read, BUMP.

photo-1As we snapped our selfies, laughing all the way, I couldn’t help but recognize that life – a good life – is riddled with bumps. In my consulting days I used to work with people to embrace the bumps rather than try to remove them. There is a pervasive notion that smooth sailing makes a good life. A bump-free life is a recipe for disaster. All of life’s lessons are found within the bumps. A life without bumps is a life without challenges is a life that is boring. And, in truth, people create bumps if they don’t already exist. They’re called a hobby or gossip or a complaint or drama. In story language, bumps (called ‘conflict’) drive the story; without bumps there is no movement. Yearning is a bump. So is desire. Unrequited love is a bump. Loss is a bump. Wondering what is beyond the horizon is a great bump.

20 is a great teacher of how to address bumps: Laugh. Make a selfie. Alter the word to something even more outrageously appropriate. Look for the next opportunity. Let your belly button talk.

photo-2

Reach To The Light

TODAY’S FEATURED IDEA FOR HUMANS

Reach To The Light

FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE.

Reverse The Direction Of The Pull

TODAY’S FEATURED IDEA FOR HUMANS

Reverse The Direction

FOR TODAY’S FEATURED IDEA FOR HUMANS, GO HERE.

Everyone Has Their Heaven

TODAY’S FEATURED PRINT FOR HUMANS

everyone has their heaven

FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE.

Make Your Own Adventure

TODAY’S FEATURED PRINT FOR HUMANS

make your own adventure

FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE.

Obstacles Make Life

TODAY’S FEATURED PRINT FOR HUMANS

Obstacles Make Life

FOR TODAY’S FEATURED PRINT FOR HUMANS, GO HERE.

Be Mortal

a detail from my painting, John's Secret

It was after 2am and, at first, I thought the screams were human. I was writing at the kitchen table and the screams brought me to the front door. My neighbor’s light came on. Faces peeked out of the window. They thought the screams were human, too. Kerri was suddenly standing behind me. “It’s a rabbit,” she whispered. “They scream like that when they are being killed.” She was quiet for a moment and added, “It’s awful. It’s the sound they make when they are trying to hold onto life.” The screams stopped. The neighbor’s light flicked off. They recognized the sound, too, and went back to sleep.

Kerri returned to her call. She was on the phone with a friend in distress. I remained at the door and stared into the dark night. It was silent. It was as if all of nature had stopped to listen to the screaming. Even the wind was still.

The fox pranced from the darkness into the center of the street. It was vibrant, sated. It stopped and was immediately still when it realized it was being watched. It stared at me and I stared at it. I’ve rarely looked for so long into the eyes of something so wild. Neither of us moved for several seconds. And then, as quickly as it had emerged from the darkness, it bolted and vanished.

My only thought came like a mantra: it knows that it is mortal and I do not.

Earlier in the day I’d read a passage from Tales of Power by Carlos Castaneda. I’m completing my once-a-decade rereading of his first three books. I’m reading them very slowly this time, bit-by-bit, and sitting with what I read. The passage that rang my bell this day was this [I’m made some cuts for brevity]:

“Your reason is telling you again that you are immortal,” he said.

“What do you mean by that, Don Juan?”

“An immortal being has all the time in the world for doubts and bewilderments and fears. A warrior…knows for a fact that the totality of himself has but a little time on this earth.”

…”But, Don Juan, my point is that I’m always under the impression that I’m doing my best, and obviously I’m not.”

“It’s not as complicated as you make it appear. The key to all these matters of impeccability is the sense of having or not having time. As a rule of thumb, when you feel and act like an immortal being that has all the time in the world you are not impeccable; at those times you should turn, look around, and then you will realize that your feeling of having time is an idiocy. There are no survivors on this earth!”

Staring into the eyes of the fox I was shocked out of my immortality. Acting like an immortal being, having all the time in the world to indulge my doubts and fears or dream of greener pastures knocks me out of presence. Staring into the eyes of the fox I, for a brief moment, understood that being fully present in my life had nothing to do with achievement. Presence is not something to strive for and attain like a new car. It is not a study and the path to it cannot be found in a book. Presence is what we are. It is something we forget when we think we have all the time in the world.

The fox does not know time. The fox does not know judgment or indulge in doubt or entitlement. It literally has no time for that. It does not need to story its actions. It lives with what is, not with what it imagines.

Stay Open

Illustration from Play-to-Play

Illustration from Play-to-Play

It’s very late. I was deep asleep and am suddenly wide awake. That is happening often these days. My inner light switch is tripped and there is no going back to sleep.

I woke up thinking about something Judy told me yesterday during our phone call. Judy is wise. She told me that she believes the real work in a life is never achieving a goal or arriving at a destination. It is not something with a direction. The real work is to learn to stay open. Stay open to possibility. Stay open to choices. Stay open to feeling. Stay open to changes. Stay open to experiences. Stay open to surprises.

It is not the kind of advice that children generally get in school but it is exactly the kind of advice an elder might impart if asked – and only if asked. Learn to stay open. Life has a way of making us want to close, to armor up, to dull our selves, to turn our backs and whisper, “There’s nothing I can do.”

It sounds too simple, “Stay open to life.” It’s not. What is simple is sinking into the easy chair and falling asleep in front of the television. Simple seems like a good idea until you realize you’ve been doing it for years. That is, of course, the point of the easy chair. The easy chair is a destination. It is a direction.

Staying open is a practice. Turning toward life and facing it with all of its force, heat, and pressure is not simple. Opening to the grief as well as the joy, feeling the pain as well as the pleasure, requires intention. Opening to the full spectrum of living engenders liveliness. Life begets life.

In a recent post I included a quote from Carlos Castaneda that just popped to mind:

“Oppressors and oppressed meet at the end, and the only thing that prevails is that life was altogether too short for both.” Carlos Castaneda, A Separate Reality