Approach The Question [on DR Thursday]

a watercolor sketch circa 2002

Looking at the sketch, Kerri said, “I think that’s how a lot of people feel right now.” I asked her what she would name it. After a moment she sighed, “Collective Exhaustion.”

Horatio and I spoke this morning. He began our conversation with this: “The real deficit today,” he said, “is in truth-telling.” He just ran for local office and experienced the truth-telling deficit firsthand.

Horatio is reflecting on these past several months and, in the absence of truth-telling, asked, “What’s the point?” It is a great question and perhaps the single question we-the-people ought to be asking. What, exactly, is the point?

Is the point to win at any cost? To lie, slander, obstruct? To enable? Get-your-own-way? To keep your seat no matter the cost? To make profit?

Or, is to participate with honesty in the hotly collaborative process otherwise known as ‘democracy’?

Managing civilization through the necessary debate of differing points of view is, historically speaking, a relatively new aspiration. One that requires good intention and a commitment to shared values like…truth-telling.

Democracy as we understand it is a nascent experiment. Whether or not the experiment succeeds or fails, to a certain extent, teeters on Horatio’s question. In our recent national dedicated-rejection of truth-telling and embarrassing romper-room-enabling, we have no alternative but to ask, “What is the point?”

That we even need to ask the question is exhausting. That we need to answer it is essential.

read Kerri’s blog post about COLLECTIVE EXHAUSTION

collective exhaustion ©️ 2002 david robinson

Try, Try Again [on DR Thursday]

shared fatherhood

This morning, as I looked through my stacks, I could find no more relevant painting for this day, for our times.

Ironically, I made two runs at this painting. Both times it evolved into something else. It started in violence and ended in shared fatherhood. In the final paintings, you cannot see is the inception, the original impulse, the story that made me pick up my brushes. Polynices and Eteocles. Brothers fighting for the control of the kingdom. Both die. They kill each other rather than share.

The story is ancient. Like all Greek stories, it’s a cautionary tale. It’s a story of fate. Oedipus’ children. An original sin playing to its inevitable conclusion. It’s been one of my metaphors for these now-ridiculous-united-states. Brothers fighting for control, forgetting that they are brothers. It’s a lose/lose story. Hubris kills all.

The mystery to me is why – in both attempts – did my if-wishes-were-fishes subconscious kick-in and transform this horror story into something positive? Out of the fire, I argue in the naive recesses of my being, we will forge a union.

I’ve always known that I am an idealist but, this morning, listening to the trickster fox whip its gullible crowd into an election fruit-smoothie, amplifying the bloviated rants of a shyster, creating fraud-fantasies from thin air, I recognize that I am perhaps the most foolish of all, the blue ribbon winner of witless. Perhaps not.

I will make a third go of this painting. I have the drawings. This time, my realist might punch through the wall of hopeful idealism. The tale is cautionary. It is ancient. It is worth telling. To look with clear eyes at “what is” does service to “what might be.”

Kerri just reminded me that, on our walk yesterday, I waxed poetic about how what we focus on matters. It’s true. Possibility needs to be firmly rooted in reality.

Bubbles always burst.

The brothers kill each other rather than share a kingdom. Is it their fate [our fate]? Is it inevitable – human nature – to be so blinded by the lust for control that we plug our ears to possibility, that we refuse to see the promise we lose in our petty penny struggle? Do people always need to sacrifice the greater for the lesser en route to waking up?

The pandemic rages. The Fox feeds lies to hungry-angry listeners. The brothers fight over something as silly as a mask. The map sprouts virus-red. The populace dies in the struggle.

Is this merely a chapter in the story of becoming? I guess we’ll see.

read Kerri’s blog post about SHARED FATHERHOOD. With any luck, her thoughts will be more hopeful.

this is my second run at my subject. Shared Fatherhood 2

shared fatherhood 1 & 2 ©️ 2017 david robinson

Wander Room To Room [on DR Thursday]

As a dedicated introvert who requires a great deal of personal space, it is one of the great surprises of my life that Kerri and I spend 24 hours a day, 7 days a week together. And I like it. No, check that. I love it. We work together. We write together. We cook together. We create together. We walk together. We read together.

We didn’t plan or force our constant contact. We didn’t evolve into it. Hand-in-hand has been our way since the moment we met and skipped our way through the airport.

DogDog and BabyCat have, of course, grown accustomed to our togetherness. They are patterned to it and find it deeply unsettling if we are apart. So it was unnerving when Kerri flew to Colorado to visit Kirsten.

They wandered room to room looking for her. They’d periodically stop at my drafting table and look to me for an explanation. Nothing I said brought solace. I decided to wander with them. We cycled through the rooms of the house, looking, looking, looking. “Where is she? Where’s momma?” I’d ask after each loop and we’d make another pass through the house. Their hope never flagged. This time we will find her!

I’d like to report that, in her absence, we drank beer, ate pizza, played our music way-too-loud, and basically tore up the joint. Boys will be boys. But, we didn’t. We walked many miles, searching. We made a book chronicling our experiences of missing her, a gift for her return.

I had a call with Arnie this week. As we talked I watched DogDog circle the yard, clearing it of marauding squirrels and other potential threats to our safety. I listened to BabyCat’s way-too-loud snoring. Kerri was on a Zoom call in the other room. I wondered aloud about how much of my life I’ve tossed away at the idea that anything I-ever-achieve really matters or will matter. How many of my todays have I lost in pursuit of an imagined tomorrow?

Despite the lost jobs, the broken wrists, the out-of-reach healthcare, the pandemic,…all is right in the world right now. I know it because DogDog, BabyCat and I are not wandering room to room.

read Kerri’s blog post about THE MEETING OF THE MINDS

Split The Symbol [on DR Thursday]

One of the great pleasures of having a bevy of cartoons-that-went-nowhere is to pull them out and see them anew through the lens of changing times. Space Invader – which begged for the addition of a mask – has taken on a whole new meaning in these days of COVID-19.

It’s funny and it’s not. Each week we hear stories of the collision of mask wearers and pandemic-deniers. Each week we are witness to the aggressive posturing of the mask-free.

This little piece of fabric has become a split symbol: for those of us who believe in science, a mask saves or could save lives. To wear it is to care for the well-being of others. For those who deny the science and gorge on the rhetoric, wearing a mask has come to represent an affront to their personal freedom. To ignore it is to care only for themselves. Space invading is now a bellicose statement.

These once-united-states has 4% of the world’s population and boasts over 20% of the world’s deaths. This is not an accident. It is utterly predictable. When the simple science of mask wearing and social distancing is whipped into a fruit-smoothie-of-controversy, a dividing line for division, more people will die. More people are dying.

The split-symbol goes further. It has come to represent America-the-Ridiculous. My pals in other nations shake their heads in disbelief at our mask-wrangling. They express sadness for our plight but a river of incredulity runs beneath their concern. Were Americans this superficial all along?

My imaginary future professor, preparing his notes for the seminar, “2016-2020 – What Were They Thinking,” will no doubt utilize the mask as symbol for our collapse. The symbol of the divide. The marker of how shallow, glib, and selfish we came to hold our notion of freedom.

The original. From the time when space invasion couldn’t kill you.

read Kerri’s blog post about SPACE INVADER

space invader/flawed cartoon ©️ 2016 david robinson, kerri sherwood, john kruse

Climb The Mountain [on DR Thursday]

motherdaughter, mixed media, 20 x 25.5IN

Double – Haiku from the road:

A mother daughter

relationship is complex.

It’s Push-me/Pull-you.

Steep hike up a hill,

She extends her hand, support.

High mountains of love.

The era of roadtrip hotel posts is almost at an end. You will miss these moments of brevity. Thanks to my ‘given’ daughter Kirsten for taking us on a high mountain hike to Lower Lost Man Lake. I’m still shaking my head at the beauty, and the care you gave your mother (and me) during the ascent.

read Kerri’s blog post about MOTHERDAUGHTER

motherdaughter ©️ 2019 david robinson

Study Opposites [on DR Thursday]

a haiku for today.

study opposites,

we reach forward, move backward.

life is a yoga!

read Kerri’s FORWARD BACK haiku

forward back ©️ 2012 david robinson

Listen To The Crows [on DR Thursday]

“Sculpture,” they said. “We think you need to do some sculpture.” They were pushing me to get out of my painter-comfort-zone. It was our agreement as an artist collective: help each other grow. Our group shows were driven by a clear intention. Challenge the art-wheels to exit the art-rut.

All of my life I’ve had a special relationship with birds. Owls show up at auspicious moments. Hawks visit when I need to step back and take the long view. The surprise turkey on our roof, harbinger of good things to come. At the time of my sculpture challenge, I was, each and every day, assaulted by crows.

I read that crows have facial recognition so I told myself the daily assault was a case of mistaken identity. I’d never done harm to a crow. Yet, everyday during my walk, I was dive-bombed. Once, a crow was so relentless that I took refuge in a coffeehouse.

The worst was the day, lost in thought as I approached the door to my studio, at the last moment, I saw a baby crow perched on the door step. I heard them before I saw them. An entire murder of crows came to the baby’s defense. I leapt over the baby and into the studio. They pounded the door and pecked at the windows. They circled my studio for hours. Angry cawing. It was a scene straight out of Alfred Hitchcock.

Crows seemed like the obvious subject matter for my first stab at sculpture.

I decided to use found objects: wood, wire hangers, newspaper, string, a plastic clamp. India ink and glue.

Creating my sculptures became something of a meditation. As I bent the wire and glued the paper it occurred to me that perhaps the crows weren’t confusing me with someone else. Perhaps their attacks were meant for me. Perhaps I needed to listen. In some traditions, crows are the keeper of sacred law. They are heralds of consciousness change, shape-shifting. They thump you on the head when you need to wake up, when you are not living in alignment with your best interests. That was certainly true of me at the time. The crows were literally hitting me on the head.

I loved making my sculptures. I love what they brought me to understand. My artist-friends were more right than they knew; I needed to do some sculpture. I needed to exit my rut and step into a scary void and, in that way, invite new seeing, new forms, and finally, a new way of being.

read Kerri’s blog post about CROW

crow ©️ 2010 david robinson

Play A New Game [on DR Thursday]

“To know what is right and not do it is the worst cowardice.” ~ Confucius

When I do not know what to do or say about the state of the world, I draw pictures. That’s been true all of my life. Apparently, when I was very young, I was in a constant state of not knowing what to do or say. I repeatedly drew an imaginary cabin in the woods. It was a place of peace and solitude. I came into this world with a bit of Thoreau imprinted on my soul.

I know things are bad when my drawings lapse into caricature. These sketches might look like nasty-grams to Mitch McConnell but they are, in truth, ruminations on our system. Last night the streets were again alive with protest. Yet another black American was murdered (in her home) and the system turned its head and looked away. A very long trail of tears. I feel like I need to climb to the top of the mountain and scream, “OUR SYSTEM IS DOING WHAT IT WAS DESIGNED TO DO!”

Suppressing black Americans, as designed into our system, is the same action as elevating white Americans. It’s a mechanism, a single action. A seesaw. This is not the first era in which citizens took to the streets to protest the inequities between black and white America. The protests are immediate and necessary but they do not come close to touching the system.

Legislation will not touch it (a system never assaults itself). Police reform will not change it as systems are great shape-shifters; a new form of suppression/elevation will arise. A system has to be acknowledged before it can be addressed and the acknowledgment can’t come from the angry people in the streets – it must come from the people in suits-and-ties who deny systemic racism exists, the ones who fear the loss of their supremacy. [Isn’t it remarkable that leaders in a country founded on slavery, celebrated lynching with picture postcards in a Jim Crow era, while a terrific battle was being fought en route to civil rights legislation were rigging tax codes and redlining and on and on and on, can deny the existence of racism? That IS the system talking].

The system is dancing right in front of our eyes. While the streets are alive with BLM protests demanding justice and equal rule of law, Mitch McConnell, awash in hypocrisy, is doing what he wants to do with no regard to precedent, rule, or ethic. The system is Lindsey Graham and his fellow red senators following their leader without shame. Laws are made of words – so are creeds and constitutions – as are ethics and morality. Words have no meaning when they are so easily discounted.

We’ve built our crumbling castle on a foundation of Manifest Destiny. A chosen people who believe they can do what they want to do to whomever stands in their way. Native Americans will tell you that government treaties were made to be broken. Words mean nothing when winning-at-all-cost is the name of the game. Laws are made of words – so are creeds and constitutions.

Winning at all cost IS the name of the game. It is the system. It is a game that cares not for who is thrust through the meat grinder. To watch Mitch is to see the system.

Winning at all cost is not governance. Undermining elections is not governance. Gerrymandering electoral maps is not governance. Suppressing voters is not governance. Whipping up fantasies about voter fraud is not governance. How is it possible that the people occupying the seats of a representative government do not believe in the democratic process?

It’s not new. It’s the system.

Our constitution and creeds will matter when our words matter, when we can say what we mean and mean what we say. Black lives will matter when the words written into our creeds and constitution guide us rather than disguise us. In the meantime, we will take another step on the road of cowardice, all the while pretending to be righteous.

It’s enough to make me return to drawing pictures of my cabin in the woods.

read Kerri’s blog post about MITCH

Leave The Studio [on DR Thursday]

Kerri calls this snippet REACH

One day at the farmer’s market we saw a little girl chasing an enormous soap bubble. She was gleeful, squealing with delight. Looking at the faces of the adults watching the little girl, it was clear that they wished they were also racing across the grass, gleefully chasing bubbles. It was clear that they yearned to feel that carefree. In some distant place, they remembered.

These days I occasionally sit in my studio but I do not touch my brushes. There is a canvas on the easel. It’s good and worn and chunky just as I like them. It is waiting. I am waiting.

I believe, as Tom McK. taught me, that “a writer writes and a painter paints.” There is no magic to it. Well, that’s a lie. There’s plenty of magic when the painting begins, when the artist disappears. But first, the paint has to hit the canvas. Before disappearing the artist has to show up.

Yesterday, Skip sent me this lovely reminder. It’s from a tweet:

“I believe it was John Cage who once told me, ‘When you start working, everybody is in your studio – the past, your friends, your enemies, the art world, and above all, you own ideas – all are there. But as you continue painting, they start leaving, one-by-one, and you are left completely alone. Then, if you are lucky, even you leave.'”

That little girl chasing bubbles, her glee, is what happens when “even you leave.” All of the ideas of who you are or what you need to do or achieve, the expectations, the burdens and worries, the pandemic, the politics, the notions of success and failure, all leave the room. That’s when the bubble chasing begins. That’s when there is ample space for glee and delight.

Kerri chose this morsel for today and I’m so glad she did. “I want to do another version of this painting,” I said. That little girl, so long ago chasing an enormous soap bubble at a farmer’s market, is calling me back to my easel, she’s pointing to the studio door and asking me to leave.

Chasing Bubbles, mixed media, 33.25 x 48IN

read Kerri’s blog post about REACH

reach/chasing bubbles ©️ 2019 david robinson

Honor The Line [on DR Thursday]

“We often need to lose sight of our priorities in order to see them.” ~ John Irving

Walking down the trail a few days ago, Kerri and I had a hysterical conversation. If you could go back in time, who would you tell to f**k off? There was a long list and some seriously funny stories of misplaced tolerance. We laughed at the moments when younger versions of ourselves were silent, when we should have spoken. We groaned at the moments that we let someone run over us. When we should have held a boundary but did not.

“Why didn’t I say something?” We chortled. Grace comes with time. What was years ago a violation is now head-shaking-story.

The next day, about to enter the local corner market, someone called Kerri’s name. Before she could stop it, in the middle of this pandemic, a time when we’ve been religious about social distancing, a woman threw open her arms and locked Kerri in an embrace. It was an awkward and short-lived hug; Kerri was like a stone cold post, her hand that was rising for protection was squished in the unwelcome clutch. The woman shrunk and retreated. We ducked into the store.

“Why didn’t I stop her?” Kerri asked as we walked home. There was no time. “Doesn’t she know there’s a pandemic?” A space violation.

Context is everything.

I was delighted when Kerri chose this snippet of a painting for the Melange. For her, it represented the moment that she could have interrupted the unwanted hug. She named this little morsel “Back Up!”

For me it is something entirely different. This full painting is called Pieta With Paparazzi. I’d mostly forgotten about this painting since I only showed it one time and that was over a decade ago. It is more relevant today than it was when I painted it. It is about the flattening of importance, the loss of perspective. It is about how – even a decade ago – everything seemed to be a media event. Mary contemplates the body of her dead son while the media circus swirls around her.

The shorthand phrase for our time: nothing is sacred. The line between a simple truth and a manufactured event has been blurred, perhaps irreparably. Lies are celebrated and vehemently defended. Truths discarded. Boundaries crossed. Hugs taken. Shots fired. The other day I heard someone say, “People say things on Facebook that they’d never say in person.” Too true. Social discourse and public policy are tragedies enacted on a social platform for a ready-made audience. All the world’s a stage.

In time, we might ask ourselves, “Why didn’t we do something?” or “What were we thinking?” Perhaps, in time, we’ll have the distance and the grace to see why we should have stepped back and stopped this incessant crossing of boundaries, this white house media circus. Perhaps, in losing sight of our priorities, they will someday come back into focus and we will see them again.

pieta with paparazzi

read Kerri’s blog post about BACK UP!

pieta with paparazzi ©️ 2010 david robinson