Follow The Lines [David’s blog on DR Thursday]

“In the art world, lines are a fundamental element used to create a wide variety of effects. They can define shapes, create movement, guide the viewer’s eye…” ~A-I Overview to my inquiry about lines in art

I confess that I am having a hard time. I’m in the middle of a mini-moral crisis.

I’ve written this blog since 2010. I set out to write about positive things, affirmations and stories of the best of us. At the time I began writing I was traveling around the nation, working with incredible people everywhere I went, so I had a bucketful of stories to share, celebrating the best of the human spirit. Kerri and I began writing our Melange 382 weeks ago. We had so much art and music in our folios and files and we wanted to bring them into the light of day. Sharing the best of us – another way of celebrating the human spirit.

After all of these years I enjoy a small but enormously appreciated (by me) audience.

Lately, I am aware, that my daily writing and my focus is not about celebrating the best of us but has almost exclusively become about ringing an alarm against the worst of us. I am sometimes snarky. I am mostly horrified at how dulled we as a nation have become to the outrageous. I am alarmed at our normalization of the monstrous, the disappearance of Congress, the collapse of the system of checks and balances.

Each day I have a chat with myself about staying focused on the positive but I am lately finding that to be naive to the point of dangerous; it is akin to sticking my head in the sand or plugging my ears so I hear no evil.

Each day, more and more people are being swept off our streets. Each day, they are denied due process. This morning I’ve been reading – and verifying – accounts about the unnecessary death of a Haitian woman in one of our many overcrowded detention centers. The conditions are appalling. She is not the first. She will not be the last. Her crime: trying to escape abject poverty and enter the land of the free and the home of the brave.

90% of the people – human beings – are being held without due process in privately run detention centers that are by many accounts no better than concentration camps. Think about it: “privately run” means that they are detention-for-profit; the more people swept up and crammed into these camps the more money they make. Inhumanity with a profit incentive.

Which brings me to my moral crisis. I am both a visual and theatre artist. I know how to create movement that guides a viewer’s eye. I know how to make an audience see in a story what I want them to see. I also know how to prevent them from seeing what I don’t want them to see. It’s akin to the magician’s trick. Create a distraction so the mechanics of the trick go unnoticed. Our national media are masters of distraction. They make rather than report news.

We-the-people are being distracted. We are being pitted against each other so we do not look at the magic trick that is making our rights – and the rights of others – disappear. We are not supposed to see what is happening in the detention centers – we are not supposed to know how our taxes are being used, what we are paying for, what we are creating: a police state.

Follow the lines. It is not so hard to see what we are not supposed to see. It’s ugly. A president ignoring the law, exploiting brutal immigration sweeps to incite violence, manufacture an “insurrection” in order to turn the military against citizens. The suspension of elections will surely follow. The sweeps will include voices of opposition.

It is morally irresponsible to look the other way. It’s morally reprehensible to say, “There’s nothing we can do about it,” or “I didn’t vote for this,” or “I had no idea what was happening,” or “This doesn’t impact me.” It is fundamentally immoral to pretend that this is something that we “Can’t talk about.” It is depraved to roll along as if the current course of this nation is anything other than ethically bankrupt. People are dying, being held without due process in deplorable circumstances. And we-the-people are paying for it. We don’t like where the lines lead so we change the channel. We look the other way or swallow whole-cloth the media spin.

What is my responsibility to write? To paint? To draw? How can I celebrate the human spirit, the best of us, when the leaders of the nation are every day grinning at, applauding and investing in brutality, taking delight in human misery? And our tax dollars are making it possible.

a detail of Weeping Man.

read Kerri’s blogpost about LINES

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A Closer Look [David’s blog on KS Friday]

“Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

A closer look at the dandelion reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Listen to your inner monologue. It is the story that you tell yourself about yourself. Listen to the stories in the news or racing across your social media screen. They are the stories that society is telling itself about itself. Any good novelist or playwright will tell you that conflict is the motor of story. Note: conflict need not be violent. Longing is a conflict. Unrequited love is a conflict. A search for meaning is a conflict. A closer look at humanity reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Robert Olen Butler defined story this way: “When a yearning meets an obstacle.” I believe words matter. I have always appreciated Robert Olen Butler’s definition of story because it does not use the word “conflict”. It is the fractal of the human experience.

The Buddhists teach that desire is the cause of suffering. I giggle every time I consider that marketing is essentially the creation of desire so it follows that it is the engine of suffering. The peace found in possession is fleeting. My Buddhist cartoon: retail therapy is but a single stop on a continuous cycle of suffering. If I was a teacher of story-writing I’d send my students to the outlet mall to study shoppers. My bet is that they’d eventually recognize themselves in the shoppers; then they’d have something essential to write about.

Picasso said, “Every painting is a self-portrait.” His sentiment is a fractal. We watch movies to see ourselves. We attend concerts to transcend ourselves – to lose and then find ourselves in the music.

A closer look at us reveals a fractal. We are both the yearning and the obstacle. A repeat of the same or similar pattern no matter the level or the scale.

Fistful of Dandelions © 1999 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora

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The Fire That Sustains [David’s blog on Two Artists Tuesday]

It’s funny what a photo invokes. A contrail and the sun:

When he was young Beethoven wrote a ballet called The Creatures of Prometheus. It is too big for modern ballet companies to produce and symphonies have a difficult time adding it to their program because – well – it’s a ballet and the music needs something to tie it together. I had the great good fortune to develop a story based on original program notes and perform The Creatures of Prometheus with The Portland Chamber Orchestra, conducted by Yaki Bergman, in 2008.

It is a story of the creation of human beings. It is the story of jealous Zeus forcing the newly created humans to accept him as their god rather than their true creator, Prometheus. Zeus is an irrational bully. The other gods on Olympus go along with his brutality because they, like the humans, fear him. Apollo the sun god, the god of reason and light, despises Zeus and plants the seed of reason in the creatures in the hope that, one day, they would awaken to their true nature, they would recognize the old god Prometheus as their true creator.

At the height of the Black Lives Matter protests Yaki contacted me and asked me to rewrite the script to make it relevant to the events of the day. We were to perform the new piece, entitled The Last of the Old Gods, in the spring of 2023. There was a contract snag delay. Yaki was diagnosed with an aggressive cancer and passed before we could perform it. I grieve him. He was a great artist with a big vision and even bigger laughter.

Art is meant to carry the conscience of a community. It is meant to express and explore the values of society. And, since society is mostly blind to itself, It is meant to be a mirror, a mechanism for people to see themselves. Yes, it needs to entertain but entertainment is the warmth that draws the community to the hearth fire. Art is the fire that sustains.

It is enough to say that we are currently living in a time of a false bully who would-be god. He must lie and fearmonger to achieve his desire, just like Zeus in the ballet. In re-reading both of my versions of the script I was struck how they are now more relevant than when I wrote them. The Last of the Old Gods will live in my files. It will, I hope, someday, find its light-of-day.

Here is a segment of text from The Last of the Old Gods, the final bit of story that leads into the musical Finale:

In an instant, Apollo sent a tiny spark, a thread of sun that wove through the spell of Thalia’s masks, that opened a possibility of release. A chance at remembering. As the creatures circled each other in their dance, one reaching, the other rejecting, like a drowning man, one pressing the other down to elevate itself, Apollo whispered into their souls a possibility, a pathway home.

His thread of sun ignited the seed Prometheus planted.

If someday, they could turn and face their fear, see through the false division, let go of the lust for power and belief in dominance and division, if one day these creatures could take a chance and reach toward the other, it might remember itself. Thalia’s masks would fall. The seesaw game would collapse. And the creatures’ natural iridescence would be restored. 

It might, someday, look in the eyes of the other, and remember itself. Whole. Prometheus’ touch would finally reach them. The last old god, Prometheus, and his creation would be free.” 

read Kerri’s blogpost about THE SUN AND CONTRAIL

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With Abandon [David’s blog on KS Friday]

It was my favorite paradox-quote of the week: “The discipline is free association,” he said. Horatio was describing his daily Wordle addiction and extended it to a metaphor for deeper art processes. Horatio is a poet, a writer, a painter, a filmmaker…Like all artists, he understands the necessity of left-brain discipline: technique and function. Color theory. Story structure. Yet, the ultimate discipline, the doorway to flow, is through the right-brain and requires the exercise of letting go of the left-brain-everything-you-think-you-know.

My teachers in theatre school often said on opening night, “Now, all you need do is let go and trust your work.” Let go of listening to yourself. Let go of your internal editor. Let go of self-judgement. Let go of your need to control. Open your heart. Dance the dance without inhibition. Dance the dance with abandon.

Leave your big ole brain behind.

The discipline of free association. It is a practice with layers. Like all life-practices it has no end; it has nothing at all to do with achievement. It’s a discipline like mindfulness is a discipline (a misnomer: mindfulness should be called sense-fullness). The practice becomes a way of living.

Approaching the park she stopped suddenly. I learned early in our life together that walks with Kerri are exercises in seeing. She sees a world that is mostly invisible to me because I am most often lost in my thoughts. She allows her eyes to roam without presupposition. Now, when she stops, before she shows me her photograph, I play the game of trying to see what grabbed her attention, what captured her eye. Inevitably, I am surprised by what she shows me. Her open focus is receptive. She doesn’t predict. She doesn’t seek. She responds. She sees composition beyond what she thinks-is-there. A tree. The lake. A strip of green.

She illuminates for me the extraordinary in the ordinary.

“How did you see that?” I ask.

She shrugs and says, “I don’t know. It was right there.”

To free associate one needs first to be free of preconception. To step on the stage, having done all the work and still be able to say, “Let’s see what happens.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TREE

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A Refresher [David’s blog on DR Thursday]

Jim E guided us – actors and directors – through an exercise he called The Spirit of Play. He was a master teacher. Afterward I made copious notes so I, too, might lead others to their spirit of play.

Through my time in the theatre I guided many groups through the sequence. Later, in the corporate world, finally understanding the essence beyond the progression of steps, I led lawyers, business folk, teachers, coaches, consultants…through variations of Jim’s original workshop, all meant to bring people back to themselves, back to their spirit of play. It was my north star, “People just want to play,” I assured my doubtful collaborators.

Play is an umbrella big enough to safely contain the serious stuff. The serious stuff by itself is too small a container to allow for play. The inspiration-well will always run dry if play is banished from consideration. Unfettered imagination, freedom of exploration and expression, so natural as a child, is shackled when the spirit of play is burdened by a purpose called win or lose.

I recently reminded myself that cloud gazing feels good and requires no other purpose for doing it.

Clearly needing a refresher for my own spirit of play, I went into the studio, pulled out eight canvases, mixed a bucket of paint, grabbed several big tools, scrapers and rags, and to the tunes of Jerry’s jazz band, I spattered, pulled, rolled, scraped, smeared. No thought was allowed, not goal was considered. Nothing serious was entertained. I dropped my very-important-role of “artist” and laughed and laughed.

KDot & DDot See An Owl, 24″x48″, acrylic

read Kerri’s blogpost about CLOUDS

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Small Things [David’s blog on KS Friday]

We took a break and sat outside, soaking up the sun. Had we continued working we’d have missed the hummingbird, the first of the season. You’d have thought by our reaction to the hummingbird sighting that we just scored the winning goal in the World Cup finals. It’s what I love about how we are walking through the world. Small things are cause for big celebration.

We moved the bags of leaves to the curb for pick-up. The bags were sitting on the driveway beneath the bird feeder. After we removed the bags, Kerri spotted some wriggling worms. “It’s not a good thing to be a worm wriggling beneath a bird feeder,” she remarked, lifting them one-by-one and gently placing them in the grass away from the feeder. Small things. Big empathy.

It seems in a single day Breck’s many buds popped open as leaves. They are yet teeny-tiny but perfectly shaped aspen leaves, ready for quaking. They catch the evening light and literally glow. “You go, Breck!” we cheer our hardy aspen tree. For us, Breck is a symbol of perseverance. If at first you don’t succeed…Those new leaves are very small things but they invoke in us big, ancient hope.

We ask, “What we can possibly do in the face of the assault-from-within on our democracy?” Small things.

In the past two days I’ve seen pleas for support from several small arts organizations. The current administration has eliminated their grant money. Their survival is now tenuous at best. They are small things that could use our big support. “Theater, in particular, invites us to imagine another’s perspective, to reckon with injustice, and to practice compassion in real time. To defund it is to silence one of the sacred spaces where we learn to be human together.” ~ Chris Domig, Artistic Director, Sea Dog Theater.

Consider helping the many, many sacred art spaces in this country to survive – and perhaps thrive – in this time of silencing voices.* For them, our support is no small thing [My short list: Sea Dog Theater Company. Seven Devils New Play Foundary. Changing Faces Theater Company. Your local companies – museums, galleries, dance companies, writer’s retreats, symphonies…the storytellers, the tradition-keepers, the mirrors to power – all depend upon grants and donations. All are in danger of disappearing. Help them in any small way if you can].

We are very small things but no less capable than Breck, or the hummingbird, or the worms of inspiring hope, evoking empathy for otherness, of celebrating all that makes us human.

We are, by ourselves, small things but united we are capable of a big, loud, unified voice – we are capable to sending a potent message to those who fear and would silence the power of the arts, those who would shutter the spaces where we learn to be human together.

*non-profits, like your local food banks or social service organizations…are also under threat. Find them. Help them in any small way that you can.

Nurture Me on the album Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

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The Question Of Orbs [David’s blog on DR Thursday]

“Find a place inside where there’s joy, and the joy will burn out the pain.” ~ Joseph Campbell

She told me this photograph was for me. My paintings often include orbs. I wasn’t aware of my orb-inclusion until the day many years ago that I showed Jim E. my paintings. He asked, “What’s up with the orbs?” Confused, I examined my own paintings. It was a hysterical moment of self-discovery.

At first I liked to think of the orbs as spirits. Guardians or messengers. I am an intuitive painter so I assigned some Glenda-the-good-witch sensibility to my ever-present orbs. Later, I imagined they represented unhatched possibilities or germinating ideas. I loved the idea that we are surrounded by bubbles of potential. Now, I have no story at all for them. I like them. They are there. They make me happy. They make compositional sense.

Last night we discussed our broken road path to each other. If this or that had changed, would we have found each other? Would we be living entirely different lives? From this vantage point, our meeting was all but impossible. At the time, what seemed like the worst possible thing – life collapsed in both of our stories – nudged us to somehow bump into each other. Two bubbles in a vast universe.

Now, joy is burning out the pain.

Perhaps my orbs are homage to the wonder of bubbles in the universe? A nod to the unanswerable question of my life path – ours or any life path: is it random or is it destiny?

“Whatever your fate is, whatever the hell happens, you say, ‘This is what I need.’ It may look like a wreck, but go at it as though it were an opportunity, a challenge. If you bring love to that moment–not discouragement–you will find the strength is there…” ~ Joseph Campbell

Meditation, 48″x48″, mixed media

JOY, 50″x56″, mixed media

read Kerri’s blogpost about ORBS


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This Storm [David’s blog on DR Thursday]

It seems our weather forecast is regularly filled with dire warnings. Violent thunderstorms. Hail. Tornadoes. We watch the radar as the angry colors move across the map, headed in our direction. So far we’ve been fortunate. In the final approach, the irate clouds veer to the north or break to the south. Sometimes they split and go around us. We catch the margins of the storm, the distant booms, the lesser winds.

After dinner we sat on the deck with 20. Earlier in the evening it was too cold to sit outside, the temperature by the lake was 10 degrees cooler than inland. When I stepped out the back door to cover the grill I was taken aback. It was warm and humid. We relocated outside and marveled at the odd shape and weird color of the clouds. We knew a storm was on the way, the warnings were apocalyptic, but our radar watch confirmed that, once again, it would mostly miss us. Kerri took photographs. 20 and I giggled, lapsing into middle-school-boy humor.

The weather forecast mirrors the augury of our nation. Climate change. Culture change. Waves of anger roll across the land in phallic-shaped storm clouds. We hunker down and monitor the radar. We watch the day’s news for the latest devastation, the senseless chaos, the mean-spirit that blows away our democracy.

Sitting on the deck, we acknowledged that we are collectively holding our breath. We know that there is no avoiding this retribution storm, this oligarchic money-grab. The fight that’s coming will not veer. The fight is already here. The fascist winds have arrived. We stock up as we do for any swelling tempest. We prepare our go-bag as we did during the recent riots. We reassure each other that sense and sensibility will ultimately win the day. Decency will return. And, in the meantime, the warning sirens blare. We do what we can to fight the rising autocracy. We do what artists do.

Coming Up For Air (sketch), mixed media on canvas

read Kerri’s blogpost about the STORM CLOUDS

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The Spirit Of Play [David’s blog on DR Thursday]

In a fit of serendipity, while awash with an overwhelming feeling of loneliness, this morning I opened The Marginalian and found musings about loneliness:

“Jungian analyst Robert A. Johnson groups all the possible lonelinesses into the three core kinds that pulsate beneath our daily lives and govern our search for love: the past-oriented loneliness of missing what once was and never again will be, the future-oriented loneliness of longing for what could be but has not come to pass, and what he calls “the profound loneliness of being close to God… The first two lonelinesses are rooted in time…The third kind of loneliness deals not with the temporal but with the eternal; it exists outside of time — like music, like wonder, like love.“[Maria Popova, The Marginalian, April 20, 2025]

Yearning for the past. Fear of the future. Disappearing into the now.

I’ve spent my entire life standing in front of an easel. The younger me was trying to get to something behind the eyes. He was reaching into the mystery to try to understand it. Paint was the means to get there. I miss that man. A later version of me became burdened with trying to get eyes to see what I had painted. He was trying to reconcile the inner pursuit of the mystery with the outer necessity of paying the bills. His valuation became wonky, sometimes confusing personal worth with sales of his paintings. His intention split. He questioned the price of pursuing the mystery. When the acknowledgment finally set in that he would never have pieces in museums or coffee table books written about his work, he struggled but soon realized his struggle was akin to a butterfly breaking free and shedding a cocoon.

Two kinds of loneliness. No one can go with you when you gaze into the past; sense-making what-was is a solo journey. Similarly, no one can accompany you into the cocoon or know what lies beyond.

I loved this phrase in the article: “…the existential disorientation of feeling your transience press against the edge of the eternal, your smallness press against the immensity…” That perfectly describes how I now feel standing before my easel: small.

Kerri sat with me in the studio. I have two tiny canvases sitting on the easel. As I was describing what I was intending she stopped me and challenged me to do something new. She challenged me to let go of what I know. She asked me to step beyond my comfortable place into the mystery. I knew she was right. I know it is the only way forward. That is why I miss terribly the younger version of me who didn’t know any better. He threw paint with enthusiasm because he didn’t know any other way. He lived each day on a new trail; exploring.

I heard Horatio in my head: “Paint crap!” he said, howling, a laughing Buddha. “Paint lots and lots of crap.” Stepping onto a new trail is lonely. And, that’s the point. There’s nothing like not knowing what’s ahead to open the eyes (and heart) to the greater mystery (read: possibility), to fill-up withwonder, to resurrect the spirit of play.

from the archives: LAUGH, 18″x24″ oil on canvas (the collection of Marian Jacobs)

read Kerri’s blogpost about THE FENCE

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It Is Something [David’s blog on Merely A Thought Monday]

Dogga yawned, stretched and rolled accidentally off the bed. He landed on his back and we knew he was hurt. All the news of the day, the stresses of our life, our list of to-do’s…flew out the window. Nothing else mattered but to care for our aging, crazy Aussie pup.

20 needs to have a surgery that requires a lengthy recovery. We are his support team. When we found out, everything on the calendar was instantly less important and was easily erased. Nothing else mattered.

This summer Craig will headline both Milwaukee and Chicago Pride. Nothing on earth will stop us from being in the audience. Kerri and I have both performed – we are artists, performers – we know to our bones the power of family support. We also know the hole created by the absence of family support.

Priority. It is instantly recognizable when necessity pierces foggy self-importance. Love is the light that instantly dissipates the fog. A truly undefinable word. Love. But isn’t it immediately recognizable? Beyond debate?

I marvel at how much of my time on this earth has been consumed by the pursuit of what I might achieve. Somewhere out there. While, all along, the only thing I’ve ever actually needed was – and is – immediately recognizable, always here, when circumstance shakes me from my hazy focus, when necessity peels back the superficial and exposes the essential.

I can bring nothing more potent than my presence. My love. My attention. And, presence, love – I am learning – is not something I attain or get. It is not a pursuit. It is something I offer. A helping hand. A hug when there is hurt. A cheering witness to courage (as all true artistry is frighteningly vulnerable).

It is something that has always been there, something that will just be there. Always.

read Kerri’s blogpost about THE SKY

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