For some reason this photograph reminds me of Andrew Wyeth’s great painting, Christina’s World. The landscapes are not remotely the same. His Christina pulls herself through dry grasses on the coast of Maine. Kerri’s photo is of a cornfield in Wisconsin. But there’s something similar about the spirit. Maybe it’s the starkness? I feel it in my belly, an inner quality to the outer image.
There is something willful about corn. In the cliff houses of the Anasazi, archeologists found corn. We take it for granted. Since we can purchase butter lettuce grown hydroponically we forget that there was a time when cultivating food was a new experience. A new relationship with the mystery. It’s the reason people worshipped the corn. It’s like an old joke: it’s not the corn, stupid, the worship was with the relationship to the mystery. It’s never about the form. It’s always about the relationship. A lesson we moderns have yet to learn. The joke continues to be on us.
It’s the same lesson that every artist learns and relearns. It’s not about the painting, the final image. Andrew Wyeth’s painting was not about Christina. It is his reach into the mystery. He must have touched something because his painting opens the mystery to us.
Standing before a blank canvas is like the Anasazi scratching open the soil, the wonder of the seed. The planting of the corn. The promise of nourishment.
read Kerri’s blogpost about CORN
like. share. support. comment. it’s like scratching the soil. we appreciate it
Filed under: Art, Creativity, DR Thursday, Metaphor | Tagged: anasazi, andrew wyeth, artistry, Christina's world, cliff houses, corn, david robinson, davidrobinsoncreative.com, Kerri Sherwood, kerri sherwood itunes, kerrianddavid.com, kerrisherwood.com, mystery, nourish, nourishment, relationship, spirit, story, studio melange, the melange, wonder, worship | 1 Comment »