Smile [on Two Artists Tuesday]

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When we started our Two Artists Tuesday designs, our subtitle was “Making Stuff for Humans.” We used the word “stuff” loosely. The idea was to bring smiles. we were rooted in whimsy (something I constantly need to practice…).

Over the course of Studio Melange, our idea has morphed. The “stuff” we bring is not only our designs but our experiences as well. And, our latest experience was a riot of fun and the first of many Sip-N-Strums. What could be better than a beginner’s lesson with wine. It makes a good house party, a killer corporate event (we can teach anything through this magical instrument), as well as a fun night out. Whimsy, whimsy, whimsy in a world of whipped up division, ugly partisan fighting and a dedicated focus on the dark things. The ukulele is good medicine.

The ukulele is smile producing. It is impossible to pick it up without feeling playful. Even if you are being forced to play, as one unsuspecting husband was when he came to the Iron Depot Winery with his wife, only to discover that he’d stepped into a ukulele trap. He was in stage-one-full-resistance-mode until he picked up that little green ukulele. Once he wrapped his big bear paws around that little instrument it was all sip-n-smiles from that moment forward.

The quote on our site captures it best. “The ukulele is a portal through which only happy people can pass.” I’d offer this thought as well: the ukulele is a portal through which grumpy people enter their happy place. It is good stuff for humans.

 

 

read Kerri’s blog post about SIP-N-STRUM

 

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Proof It [on Merely A Thought Monday]

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We take a short break from our regular programming to bring you this important public service message. Check your grammar, spelling, morphology, phonology, and semantics. You are being watched.

Inside Kerri’s brain there rides a relentless posse of grammar police. Red pens in their holsters, disbelief in their bellies. They draw emphatic circles. They slash arrows across previously spotless pages. They show no mercy, even to a husband [eh-hem] that means well, writes often, but still asks about the use of possessive apostrophes. The posse hangs their collective head in shame as they once again have to instruct the man with theTeflon brain.

Above all, educators and copy editors are subject to extra scrutiny and derision. “How could they not see that!” Kerri exclaims, waving the paper emphatically for me, DogDog, and BabyCat to see and share in her grammar scorn. “It’s their job! Unbelievable!” she cries as the posse gallops through the vast range of newsprint, seeking the next offender.

DogDog looks at me with puzzled eyes. “I’d have misspelled it, too,” I whisper. BabyCat is nowhere to be found. Coward.

 

read Kerri’s blog post about EDUCATIONAL PROGRAMING

 

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Do A Rough Draft [on DR Thursday]

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the field in early october: a morsel

I love seeing artists’ rough drafts. One of my all time favorite art exhibits was the hundreds of drawings and sketches John Singer Sargent executed en route to his painting, El Jaleo.

I’m more interested in the process than the final piece. I’m more captivated by the search than the find. That includes my own work as well. For me, the final painting is less a finished piece and more of a pause in the conversation.

It bothers me when a curator tells people what a painting is about or what the artist intended. I’ve squirmed many times during openings of shows when the gallery curator, introducing my work, tells people what my paintings mean. It locks people out. It prevents them from having THEIR relationship with my painting. I squirm equally when the work is not mine. I want a more pure experience.

To me, art is a doorway to the sacred, to the deeper things that words often cannot reach. It is a passage back to the beginning, to the fingerpainter, the child freely playing – prior to the time when a judge is planted between the painter and the piece, the painting and the viewer. That is where the riches are. And in that place it is all a rough draft.

 

read Kerri’s blog post about THE FIELD IN EARLY OCTOBER

 

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a field in early october/morsel ©️ 2018 david robinson & kerri sherwood

 

Appraise It [on Flawed Wednesday]

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The first time we visited Hippie Tom’s Serendipity Farm, Kerri said, “It’s like being inside someone’s disease.” The farm is a hoarder’s dream. Stuff piled upon stuff. Stuff packed into corners, hung from rafters, tucked under shelves. Most of the stuff is exposed to the heat and cold, rain and snow. Having the stuff is more important than the caring for the stuff, a 3-D philosophical statement. Certainly there are treasures to be found, curiosities that are heartier than the mildew and rust or perhaps have not yet been on the farm for a cycle of seasons.

In the barn there is a room for chairs. Chairs stacked to the ceiling though I use the term ‘stacked” loosely. Piled, perhaps. It reminds me a scene post tsunami, what remains after the waters have retreated. The artifacts of lives-now-gone. It would be a brilliant set for a play, metaphors abound. The sickness of acquisition. Or, perhaps it is not sickness so much as the inevitable destination of stuff after the story connection is lost.

The power of story. The value is never in the stuff, it is in the shared narrative invested into it. A diamond has no value without people to appraise it.

Once, I visited Georgia O’Keeffe’s home and studio in Abiquiu, New Mexico. It was spartan. And I loved it. A few chairs. And, oh-my-god the paintings. The view and vibrant connection to the natural world. It was like being inside someone’s happiness. So many years after her passing it felt alive – a place of life. That’s my appraisal.

Hippie Tom loves his farm, I’m sure. As for me, I think I’d rather walk the path with Georgia. Less stuff. More life.

 

read Kerri’s blog post about STUFF

 

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Measure The Distance [on Two Artists Tuesday]

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I am surrounded by reminders of how quickly this life passes – or, perhaps, how much has changed in the span of my life.  Joseph Campbell told the story of, as a boy, seeing one of the first flights of a new invention, an air-o-plane. “It was like a flying bicycle,” he said. He finished his remembrance by remarking, “My God, now we are on the moon.” We are among the first human beings to measure our lives according to the blazing changes brought by technological advancement.

What is the distance between three channels, rabbit ears on a black and white television, and HULU available on all of our “devices?” Last night we watched the Barbara Streisand, Kris Kristofferson version of A Star Is Born and laughed heartily at the eight track tape players and telephones attached by cords to the wall. What is the distance between Stars Being Born in 1976 and those about to be Born in 2018?

Kerri and I like to poke around antique stores. It is common for us to stop and point at something, saying, “Hey, we had that.” Or, the more amusing variation, “Hey, those are our mixing bowls!” When a ten year old computer is considered a dinosaur, a 20 year old mixing bowl becomes an antique. “They’d put our stove in a museum,” Kerri quips. And what about those tv trays, Swanson frozen dinners (what was really in that Salisbury steak and those “mashed potatoes?”), the Carol Burnett show, and Gilligan’s Island?

Seems like yesterday. Seems like so long ago.

 

read Kerri’s blog post about TV TRAYS

 

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Follow The Trail [on Merely A Thought Monday]

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Max Ehrmann died. His poem, Desiderata, was mostly unknown. He did not write it for fame and few poets, unless they are delusional, write for fortune. Desiderata found its way to the light because it struck a chord, people shared it. Today it is known and treasured all over the world.

Vincent Van Gogh died. His paintings were mostly unknown. They were mostly rejected. Only one of his paintings sold in his lifetime.  He did not paint them to increase his fame and few painters, unless they are delusional, paint for fortune. His paintings found their way to the light because they struck a chord, people sought them out. Today, they are known and treasured all over the world.

No one knows the impact of their work. No one controls the ripples that they send. Everyone knows the truth of their intention, the source from which they act. Max Ehrmann wrote his poems during a life that spanned world wars. Vincent Van Gogh endured a lifetime of intense internal warfare and painted in response. Amidst the intensity of chaos they reached for more eternal things.

John told me that my job was to paint the paintings, not to determine how they are seen or received. In this age in which the arts have been detached from all things sacred, I sometimes feel our poems, our music, our dance, our paintings serve as a popcorn trail that point, not in the direction of personal gain or achievement, but to the soul’s home. That place where we sit together and experience the bigger things that live beyond words or names, beyond the nonsense and power games. The popcorn trail reminds us amidst the fighting to stand back and remember that neither side in any fight wins. Not really. The oppressed becomes the oppressor. Ripples and time.

For perspective, look to the stars at night. Poets and painters try to touch the vastness. The popcorn trail reminds us not to forget the center.

 

read Kerri’s blog post on DESIDERATA

 

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Look For The Exit [on Flawed Wednesday]

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Two decades ago, living in Los Angeles, on a beautiful crystal clear morning, I walked to the corner market to buy a Sunday newspaper and milk for coffee. With my milk and newspaper in hand, I circled the store pretending to shop with the rest of my fellow shoppers. We delayed checking out because another customer, enraged, was having a heated argument with the cashier.  We were afraid and unwilling to step in the way of an escalating confrontation. When the angry man slapped the counter, the rest of us – the entire group of shoppers – spontaneously hit the deck. We thought it was a gun shot. Laying on the tile floor looking at the panicked faces, I had a realization. I must be afraid all of the time; low-grade fear. Gun violence was so prevalent that it was my first thought, my first expectation, not the last.  And then, the most remarkable thing happened. We slowly stood up, brushed ourselves off, picked up our items from the floor and put them back into our baskets – and never said a word to each other. We paid for our purchases. We pretended it didn’t happen. Fear is like that.

“California is ten years ahead of the rest of the nation.” At the time I heard this sentiment often. “If it’s happening here it will be happening in the rest of the nation within a decade.”

I am now twenty years beyond my corner market floor dive. I routinely look for the exits when I enter a movie theatre. We avoided attending open air concerts after Las Vegas. School shootings and workplace massacres are more common than not. There is training offered by experts on what to do if you are caught in a mass shooting. The palaver rolling out of Congress is like a dusty old play. We know the script and it goes nowhere.

“There’s been another one,” we say and shake our heads, upset that a few weeks ago we’d walked the street where the latest young man was killed. He was going to the store. A student who needed to buy hangers. “It could have been us.” And, so, once again, we pick ourselves up, brush ourselves off, put the items of our day back into our basket, realizing, not too late, that it did happen. It is happening to us.

 

read Kerri’s blog post about ROGER’S PARK

 

 

See What’s There [on Two Artists Tuesday]

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On this Two Artists Tuesday we give a nod to all the special people who are willing to help – even when it makes no sense. They are everywhere though, because they eschew drama, they remain largely unseen. They put down what they are carrying to open doors for complete strangers. Late for a meeting, they slow their pace and cross the busy intersection, an invisible shield for an elderly crosser. Sometimes, at night, they are servers at restaurants, kind and patient with everyone, even after a long day working their first job. They make soup for hungry people they’ve never met. They leave fifty dollar tips for ten dollar tabs. They step into the street to shield a dog-on-the-loose from oncoming traffic. They walk into the wind and rain to deliver packages and junk mail. They carry a snowboard out to a car to reassure a mother that her daughter’s snowboard will, indeed, fit in the back.

Kindness. Paying attention. Little acts, big ripples. It’s breathtaking. It’s everywhere.

read Kerri’s blog post about THE THINGS PEOPLE DO

 

 

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Bring A Little Hope [on Merely A Thought Monday]

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“Multiculturalism asserts that people with different roots can co-exist, that they can learn to read the image-banks of others, that they can and should look across frontiers of race, language, gender and age without prejudice or illusion, and learn to think against this background of a hybridized society. It proposed – modestly enough – that some of the most interesting things in history and culture happen at the interface between cultures. It wants to study border situations, not only because they are fascinating in themselves, but because understanding them may bring with it a little hope for the world.” ~ Robert Hughes

I read in my newspaper that tribalism is the new normal [insert eye roll here]. There’s nothing new in tribalism. Fear-full people lost in a very small Us-N-Them tale is as old as the old gods. It’s pulled out and paraded about when power structures are shifting.

I marveled at the utter absurdity of it. No one can deny that our airwaves and e-waves are choked with noisy proclamations of division and fear.  However, it only takes a quick scan through the rest of my newspaper to grasp the undeniable reality of our situation: global markets, global economies, populations on the move, United Nations, NATO, WTO, multinational corporations, Bitcoin, international space stations, satellites, not to mention some of our greatest challenges like global warming, and invasive plant and insect species (made possible through global shipping and the necessity of sharing/exploiting resources). Take a stroll down the aisle of your local supermarket and educate yourself on the scope, depth and breadth of your food sources. Count the countries represented on the shelves.

Tribalism is not new. It was normal a few centuries ago. Nowadays it is a construct, an old dry log to toss on a fire to stoke divisions and create distractions.  It’s a headline to sell newspapers. Division sells. Good theatre requires hot conflict. People are easier to control when divided. There’s nothing new there, either.

There is a truism in change processes: people hold on tightest to what they know just before releasing their fear and walking into the unknown future. They take a step back, temporarily entrench, before answering the call of growth and change. Call that tribalism if you must, or denial, or the conservative impulse. It’s a process step. “Age and stage,” as 20 likes to say.

What’s actually new? All the world is now a crossroads. People with different roots ARE coexisting – that, after all, IS the great experiment and central promise of these United States. Looking across the frontiers of race, language, gender and age – without prejudice or illusion – is the hope in our emergence. It is the cathedral we are building.

The other direction can only bring our decrease. And, as history has taught us again and again, that’s an ugly path. There’s nothing new in that, either.

 

read Kerri’s blog post on EMERGING HUMANS EMERGING

 

 

Know [on KS Friday]

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There is much an artist cannot know about their own work. They sit on the mountain so they cannot see it. But, in their general blindness, there is one thing they do know: there is a difference between the bulk of their work that is good and the few shining pieces that are great.

Kerri is evasive when talking about her work. I imagine somewhere back in the nether-times of her artistic formation, Beaky taught her a definition of ‘humble’ that now precludes her from speaking kindly of her compositions. I’ve learned that there is a chink in her armor. If you want truth, piss her off. In her anger she just might let slip what lives behind the humble-fortress. Recently, red-in-the-face mad at my provocation, she glared at me and said, “My work is good but This Part Of The Journey is great! It is world class!”

It is. She knows like only an artist can know. It’s her best album. And, the pity of it is – to me, at least – she is now – 20 years later – capable of better. Her artistry has grown. By far. Her unrecorded songs and compositions live in a notebook. They will never be recorded. “Why bother,” she says, each time she opens her BMI statement, looks despairingly at the enclosed $47.00 check while perusing the report that shows well over a million people listened to her music last year.

If you want to hear her play, the route is the same as the path to her truth. Piss her off. I secretly look forward to the day the BMI statement comes. On BMI day, in a fury, she sits at her mostly ignored piano and plays. You can’t imagine how beautiful heart-pain can sound. You can’t imagine how much music is in her. On BMI day, I get to hear her best work.

You can say, “I didn’t know.” I cannot. I do. I know. And, I suppose, more to the point, she is not alone. Kerri is only one of thousands of musicians whose music makes millions for streaming services but are paid virtually nothing for it. Perhaps you should grieve -as I do – that I am the only person on earth who has – or will have – the opportunity to hear her greatest compositions. That should piss you off.

 

I DIDN’T KNOW on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about I DIDN’T KNOW

 

i didn’t know/this part of the journey ©️ 1998 kerri sherwood