The Essentials [David’s blog on Merely A Thought Monday]

The interviewer asked me to name three things I love and three things that piss me off. “Ah, here’s the trick question,” I thought. Tom Mck once told me that, when conducting interviews for teaching positions, he’d ask a trick question, “Tell me about your experiences with a bad student?” If the interviewee answered the question, he would not hire them. “There is no such thing as a bad student,” he said. I knew better than to answer the interviewer’s question but I did anyway: “I can’t see my dad anymore and sometimes that really pisses me off.” Of course, I did not get the job.

I read The Little Prince, first to myself and then aloud to Kerri. As I turned the last page I saw that she was silently crying. “I forgot how it ended,” she said. So had I. In the book, after the Little Prince is bitten by the yellow snake and dies, the narrator searches the sand but cannot find his body. The author, Antoine de Saint-Exupery, a year after he wrote the book, crashed his plane over the Mediterranean Sea. It was 1944. His plane was later found but not his body.

Neil Postman wrote Amusing Ourselves to Death in 1985. It is more relevant today than when it was written. He predicted our indifference to lies. It’s not that we cannot discern fact from fiction, it is that we do not care to. It’s much more entertaining to spew self-righteous bile and shared discord within the confines of the social-bubble. A free press, the mechanism meant to function as society’s lie-detector, has collapsed and become a terrific magnifier of falsehood. Entertainment. That which can be seen with the eyes but is nowhere detectable with the heart. Wild lies, outrageous claims and blame, blame, blame, blame, blame are much more captivating than essential truth. It’s about numbers: grotesque behavior attracts more audience than genuine discourse so completely dominates the info-stream.

The body politic fragments, like pieces of an airplane tumbling from the sky.

Lately, I hear often – and speak – this common refrain: “I just can’t understand how people don’t see it.”

“Oh, people do see it,” whispers The Little Prince, sweeping clean his volcano, adding, “With their eyes.”. He winks, “Closed hearts are not concerned with the essentials.”

The wind shifted so we sat outside and enjoyed the evening cool after a hot day. Just like my dad used to do. Now, when I close my eyes, I can see him. We made dinner with 20 and ate under the waning light in the sky. It was the solstice. The stars made their slow entrance. Gazing up, I wondered if perhaps Antoine de Saint-Exupery found a way to join The Little Prince on his planet so together they might attend to the vanity of the rose. I hope so. For a moment, we sat in silence and appreciated all that our open hearts could see.

read Kerri’s blogpost about SEEING CLEARLY

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Share The Symbols [David’s blog on KS Friday]

When I was a wee-turnip I found a textbook on the shelf from a course my dad took in college. Comparative religions. It’s a big-big book full of many-many comparisons. It now resides on my shelf. This book sparked a life-long fascination for me. The universal nature of myth and story across individual cultures and how these stories and symbols are, over time, pulled and twisted like taffy, co-opted, integrated and sometimes claimed as the private property of religion x or y.

Today, as I write this, we sit squarely on the solstice. I thought a few tidbits of story-symbol might be fun to visit so, together, we might taste the taffy.

In Italian tradition, La Befana is the goddess of the solstice. She rides a broom through the skies leaving candy and presents to the good little boys and girls. As a broom-riding pagan goddess, she predates Saint Nick by more than a few centuries. The Christian tradition snagged her and after a bit of twisting, she became a character in the Magi story. On a cold, cold night she gave shelter to those three wise-men but declined to join them on their quest because she had unfinished chores. After they left she had a change of heart but couldn’t find the manger on her own so she gave the gifts she had in tow to the nice children she met during her manger-search.

On the solstice, the goddess Isis gave birth to her son Horus, the sun god. Leta gave birth to Apollo on the solstice. The Persian god of light, Mithra, was born on the solstice. These births were technically virgin births since the conception in every case was immaculate. Egyptian. Greek. Persian. These stories predate the Christian story by centuries. It’s a ripple across time and culture of the same human impulse: after a long dark season to celebrate the return of the light.

We lose more than we know when we – to borrow a great term from Joseph Campbell – concretize a symbol. The stories and myths are meant to open us to greater unity with each other and the world we share. They are not meant to be taken or understood literally. Holding them literally slams the door on their greater meaning and unifying power. It renders them a possession, a plot point on a map.

On this winter solstice I can imagine no greater gift to this divided world than to recognize we are, through our unique symbols and characters, telling the same story, yearning for the same possibilities, sharing the same ideals whether they soar through the air on a broomstick or in a sleigh, both rides brimming with toys for good girls and boys. We borrow each others best ideas and ideals, rewriting them to fit our unique audience. From Isis and Horus to Mary and Jesus, it’s time once again to celebrate the rich warm return of the light through our myriad forms and cultural traditions, to feel the push and pull of something ancient and deeply human. Together.

this season/this season © 1998 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE HOME IN THE TREE

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buymeacoffee is a surgically implanted intention, a medicinal tradition stretching back eons to a time when beauty and analytics held hands and shared meals. together.

Celebrate The Pivot [on saturday morning smack-dab.]

Rob and his family celebrate the solstice. Arnie and his family celebrate Hanukkah. My sister and her clan observe Christmas. The earth travels. There is a moment when the tide of retreating light tips and returns. A touch more light than dark. Minimum declination pivots and slow walks, minute by precious minute, toward maximum. For eons, humans have celebrated, personified, and symbolized the moment of light’s return.

The best story. The fewest words.

[in preparing for a cantata, she wrinkled her brow and said, ‘I need another piece!” She noodled for a few minutes on the out-of-tune church piano, pulled a few phrases from the imagination-sphere, and then sang this song. It sprang into earth fully formed. Thank goodness I had my old iPhone at the ready to capture it. We didn’t record the performance. I tell her, again and again, that she needs a proper recording of this beautiful song. She says, “Someday. And maybe with a cello line…” In our own way, we await the return of the light]

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2022 kerrianddavid.com

Await The Return [on KS Friday]

This time of year I do a lot of staring into the night sky, pondering vastness. Reflecting on the year. It’s what we’re hard-wired to do as we approach the darkest night of the year. And, along with the darkest night of the year, comes the turning point. The return of light. This fact of earth’s orbit has spawned ritual, religious metaphor, and all manner of contemplation, letting go, setting new intentions, since humans first started, as I did last night, looking into the sky. We feel our smallness looking into the face of starry infinity.

This year there’s a delightful serendipity associated with the solstice. We cross the line from darkest night to return of the light on December 21. On December 22nd, as we creep our way back into light, the James Webb telescope will be launched into space and, when it unfurls and points its lens into other star systems, it will be looking for life on other planets. It will be looking for other beings staring into the night sky who might also be pondering their relationship with the universe. I look at you, you look at me.

We are candle people. We light them all the time for various reasons, marking auspicious occasions or simply to lift our spirits. We bought a menorah this fall. Kerri’s clan is religiously complex and we wanted to celebrate Hanukkah with her cousins. I read a bit since I am fond of finding the roots of rituals. I learned that the menorahs with seven branches, among other things, represent the five visible planets plus the sun and the moon. The rounded shape of the branches represents their trajectories across the sky. We lit the candles each night, singing poorly but with love and conviction the prayers. Connecting with her cousins, connecting with the light and pondering our place in a spinning universe.

Sitting at my desk, upstairs, too long staring at a computer screen, I heard her at the piano. I crept halfway down the stairs not wanting to break the spell. She played a carol, quietly. It’s rare these days that she plays. Broken wrists. Resistant fingers. Bruised heart. Yet, the piano calls. The lighting of the candles, the quiet pondering of “what’s it all about”, has made a crack in the darkness. There is a vast inner universe, too. We shoot telescopes into our selves. I look at you, you look at me. Smiling on the steps, I realized that I am anxiously awaiting the return of the light.

read Kerri’s blog post about LIGHT

Wait [on KS Friday]

waitingsongbox copy

Here in the northern hemisphere, these are the dark days. It is cold. We go inside (literally) for warmth and we go inside (metaphorically) for reflection. We wait. We look toward the solstice. We have faith in the light’s return.

The return of the light. In the sweep of the cycle of the seasons there is a time for waiting. A time to stop all pursuit. A time to pull the cloak tighter, to conserve. To hibernate. To light candles and fires. To sit with friends and make soup. To appreciate. To warm the core.

Rest and appreciation go hand in hand. After the harvest and after the festival it is appropriate to stop, to let the deeper work happen. To rejuvenate the root.

Reflection IS movement. Rejuvenation IS growth. It is necessary. It is beautiful. It happens slowly in the dark. And, as Kerri’s quiet composition suggests, it feels like hope, like WAITING.

 

WAITING on JOY! A CHRISTMAS ALBUM is available on iTunes & CDBaby

 

read Kerri’s blog post about WAITING

 

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waiting/joy! a christmas album ©️ 2004 kerri sherwood

Love The Melt [on Not So Flawed Wednesday]

snowman copy

This melty fellow reminded me of my favorite Flawed Cartoon. It was among the first in my Flawed Cartoon canon and makes me smile every time I revisit it. Becoming meets Being. Hopes and dreams always come with realities attached and they can be very funny (especially when the attachments are someone else’s).

Tis the season of existential pondering and life review. In the past month, I’ve repeatedly heard the old and wizened caution the young and ambitious that time passes quickly. Your kids will be grown before you know it. Be careful what you wish for. Appreciate your moments. You are your choices. One minute you are a snowflake with possibilities….

Winter solstice. This season when darkest night gives way to the slow return of light. Isn’t that the epicenter of hope? It’s good news for you and me. Not so much for those men and women made of snow. As is true with all things, humor is relative. It’s only funny when it happens to someone else. Of course, with enough cycles, the sun will make puddles of us all (just kidding. Well, okay, not really. But don’t you think this puddle thing would have made a very funny Flawed Cartoon? Why are my ears growing? I think the sunless days are making my mind sag…).

 

SNOWMAN BIG COPY Master

 

read Kerri’s blog post about the SNOWMAN

 

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Flawed Cartoons/products ©️ 2016 david robinson & kerri sherwood