Beautiful And Prickly [David’s blog on KS Friday]

Thriving in an unlikely and inhospitable place, this thistle served as a sign, a testimony to possibility, the rugged beauty available only through dogged perseverance. Stretching up through a tiny crack in a busy sidewalk outside aging buildings in a bustling city, these thistles stood nearly five feet tall. Their colorful flowering heads brought us to a full stop. We set down our knitted-brows and absorbed their vibrant pink and purple stick-to-it-ed-ness. “Gorgeous,” she said, reaching for her camera.

More than beauty-through-resilience, these hardy thistles spoke to me with the veracity of an oracle. As I watched Kerri take photographs, the oracle whispered in my ear “Both beautiful and prickly,” she said, “Her prickles protect her against herbivores and others.”

“Ahhh,” I sighed. A well-rounded plant, indeed. No shrinking violet could possibly survive in this environment, let alone thrive. Bloom.

For a moment I stood watching the passers-by. Few took notice of the gorgeous thistles. Some scurry-ers glanced sideways at Kerri cooing and snapping photos of what, I imagine, they thought of as weeds for someone else to pull. No time for beauty. No time for responsibility. On-to-the-next.

“I’ll bet those people think I’m crazy,” she said, tucking her camera inside her purse.

“Yep,” I agreed. “You are definitely more like the thistle than you are to the people passing-by.” She gave me a sideways glance but decided to accept the compliment.

I winked and whispered to the thistle-oracle. “All the time in the world for beauty. All the time in the world for responsibility. Nowhere else more important to be.” Beautiful and prickly. Resilient to the core.

Divine Intervention/Released From The Heart © 1995 Kerri Sherwood

Kerri’s music is available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THISTLES

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Arrive [David’s blog on KS Friday]

“You must understand the whole of life, not just one part of it. That is why you must read, that is why you must look at the skies, why you must sing, dance and write poems, and suffer, and understand, for all that is life.” ~ Krishnamurti, Think On These Things

The amaryllis is making a reach for the sky. The first time I saw it – a bulb encased in pink wax – I wondered what alien life form just entered our house. We had to ask the same questions we’d need to ask if it was an alien creature: How do we take care of it? How do we feed it? The answer was simple. Leave it alone. That answer confirmed my suspicion. It was an alien after all!

There is so much in this life that I do not understand. In fact, if I am honest, I think most of this life is beyond my capacity to comprehend. Last night, not ready yet for sleep, I watched a nine-minute youtube teaching by Thich Nhat Hahn. Stop Running. The title caught my eye because so much of life feels like running. Running to explain, Running to justify. Running to judgment. Running from fear. Running toward gain. I wanted to hear some thoughts about standing still. In that way, I might understand why there is so much running. In the end, his answer was beautifully simple: rather than run, arrive. Be home.

Rob made us laugh. He’s one of several people who lately reminded Kerri and me that we are not normal. “I didn’t mean for that to sound like it did!” he exclaimed. He’s helping us sort out our plan B. It’s true. Our “normal” in comparison to others is alien like the amaryllis. Rob is attempting to help us see what is special about how we are doing life. And, like everyone, we are mostly blind to ourselves. To our unique choices. To our “one wild and precious life.”

Between the alien amaryllis growing in our sunroom, conversations with Rob and a brief teaching by Thich Nhat Hahn, I am fully confident that I need to cease all attempts at understanding anything at all. Maybe it is time to arrive. Maybe it is time to arrive, to stand still and fully breathe-in all the possible awe teeming in this mysterious ungraspable universe.

Connected from Released From The Heart, The Best So Far © 1995, 1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about AMARYLLIS

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Life Spilling Out [David’s blog on KS Friday]

If this beautiful winter skeleton of Queen Anne’s Lace was a sculpture – my sculpture – it would be titled The Impossibility of Containment. Trying to hold on to the magic movement of life. It spills out in every direction.

I once had an espresso martini in Aspen, Colorado. It was the single best drink I’ve ever had. It was so good I did something I never do: I had two. I savored every sip. Occasionally since then, in other watering holes on earth that offer a drink by the same name, I’ve tried to replicate the past. To no avail. The bar in Aspen no longer exists so, like a good sand painting, my espresso martini revelry lives where it belongs, on the wind and in my yearning.

This week I completed another trip around the sun. I look in the mirror and am sometimes surprised by the face that stares back at me. My eyes remain consistent, yet what my eyes are capable of now seeing has changed dramatically. Although I occasionally yearn for my younger face, I would never exchange my current eyes for my former sight.

I see possibility spilling out in every direction. Simplicity. I see extraordinary friends all around. Each morning I open my eyes to the one face that fills my heart to bursting. I am, as Nietzsche suggests, loving my fate. Every pothole, every mountain-to-climb, every seeming obstacle, every frustration, a magic moment, a heart-seed leading to who-knows-where. Life spilling out in every direction.

I’m practicing the skill of opening wide my arms, welcoming the impossibility of containment.

Sweet Ballet/Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about QA LACE

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buymeacoffee is a possibility cast onto the winds of time.

Spot Her [on KS Friday]

We decided to go off trail. There was a stand of birch trees that she’s always wanted to photograph but getting to them meant crossing the marsh. An untenable task in the warm months, but since it was a cold day, below freezing, the grasses and ice made a step-selective pathway possible.

We zigged and zagged our way toward the birches, my eyes cast down, carefully choosing the next step. I hoped that she was following my path but inevitably the crunching and crackling behind me ceased. I knew I needed to stop and prepare myself for a rescue. Something caught her eye. To get the photo she’d forget about the marsh.

Every artist needs a spotter. The dangers may not be as readily apparent as a gymnast but they are no less real. My friend Albert used to pull me from my studio when I was there too long. He saved my life more than once. Artists are given to self-doubt that congeals into dark despair. I’ve learned to be ready to throw light into the cave just as Albert did for me.

Artists are also myopic when the muse grabs hold of them. Before I met her, Kerri, looking through the lens of her camera, stepped backward off a cliff. Her muse is powerful. Her capacity for instant-hyper-focus is unparalleled. My muse clutches me in safer places like a studio or on a stage. Kerri’s seizes her in marshes and on cliff side. I am her spotter.

“Isn’t this cool!” she giggles as the ice beneath her feet groans.

“Maybe take a step to the left onto the tall grass,” I say. She takes a brief look at her feet, adjusts to slightly safer footing and then returns to the camera. “Maybe one more step?” I suggest.

Later, when we return to the car, she asks in all seriousness, “Are your boots wet? Why are my boots wet and yours are dry?” She studies her soggy boots, indignant.

“I don’t know,” I shrug. “Show me your pictures,” I suggest, deflecting her focus from her wet feet and back toward the muse.

“Oh, you’re going to love this!” she sits next to me, flipping through the many close-up shots of cattails, narrating her experience getting the photographs. Her narration does not include cracking ice, sketchy edges and near missteps into knee deep water holes. “Don’t you just love it!”

“Yes,” I smile. “Yes, I do.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about CATTAILS

untitled interlude/released from the heart © 1995 kerri sherwood

Touch The Liminal [on KS Friday]

I did not know the word columbarium: a room or building with niches for funeral urns to be stored. Each niche, a life. Or two.

Bruce just sent an article from The Atlantic, The Eerie Comfort of Liminal Spaces. The article helped me put my finger on the feeling I had the day we interred Beaky’s ashes. Row after row after row of niches. I was oddly comforted standing in the Florida sun between the rows at the columbarium. I felt ancient and that feeling surprised me.

Liminal spaces are threshold places. I turned my face to the sun and appreciated how, in this liminal space, all the trials and tribulations of life fell away. The divisions dissipate. Sisyphus sits in the boat in the underworld and watches all the souls wander on the beach, believing that they are all alone, until they play out all the worries in their minds. Once their stories are “told”, they see each other, gravitate toward each other, and join together, becoming a single bank of mist. From one form into an other.

In this resting place, I felt the essence of the threshold. The comfort of a liminal space. The rows and columns are for those of us on this side of the veil. On the other side, the need to seek or tell or feel is suspended.

I reached and wrapped my fingers in Kerri’s hand. It was glorious, this capacity to feel, so under-appreciated every day. Here, I knew without doubt that touch is the ultimate liminal experience. Thich Nhat Hahn offered a meditation I appreciate (I can’t recall the book) that begins, “Darling, I am here with you.”

That sums it up.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about COLUMBARIUM

legacy/released from the heart © 1995 kerri sherwood

Stop At The Oasis [on KS Friday]

It was the end of a brutally hot day. The chipmunk peered over the edge of the deck, located the dog, and calculated the risk. It decided to go for it. Popping onto the deck, it raced along the wall, hopped onto the edge of Dogga’s metal watering bowl, reached down and took a hearty deep drink. Checking to see if Dogga remained oblivious, it took another long quaff, jumped down and raced to safety.

Alarmed at the idea of thirsty chipmunks, Kerri leapt to her feet. “We have to put water in safe places!” she chirped and ran into the house. 20 and I reminisced about the Ely chipmunk she’d trained to sit on her lap and take peanuts from her hand. We named it Humpy because of the large hump on its back. Ever since Kerri bonded with Humpy, all chipmunks are related to Humpy. They are family.

She returned with a deep plate, something that held plenty of water but, unlike the dog’s water bowl, didn’t put them in danger of drowning. “I wouldn’t have thought of that,” said 20, “You?”

“Nope,” I replied. “I’d have found a chipmunk swimming pool. They can swim, right?” 20 shrugged. Kerri narrowed her eyes so we hastily sipped our wine.

We watch their travels every day so know the chipmunk trails through the yard. The chipmunk highway runs beneath the potting bench and there’s a gate that prevents Dogga from getting in. The new chipmunk watering plate went there. “It’ll keep the sun off, too,” she said.

A chipmunk oasis. Roadside chipmunk assistance. First, we gave them Hotel Barney (the piano) for shelter that also provides high ground to mock Dogga while also enjoying pilfered bird seed in relative peace and comfort. Now, a safe watering hole.

“Do you suppose they’ll write an email to Humpy” 20 quipped. “He should know how well you’re taking care of his kin.”

“I hope so!” I said as Kerri gave us the evil eye for a second time. “Do you need a refill?” I chirped, suddenly feeling a kinship with the chipmunks. I scoped Kerri’s location, grabbed 20’s glass from his hand, and raced for the relative safety of the house.

read Kerri’s blogpost about CHIPMUNKS

Kerri’s albums are available on iTunes & streaming on Pandora

sweet ballet/released from the heart © 1995 kerri sherwood

Make It To Last [on KS Friday]

I’ve watched master carpenters work. They consider the wood, the grain, the feel. Joinery as artistry. When John volunteered in the scene shop I teased him that furniture made for plays need not survive the apocalypse. No matter. He built tables and chairs for plays that will be at auction 100 years from now. He cared about his work, not his circumstance. The future hosts of Antiques Road Show will speculate about the mysterious origins of the unique and fine furniture found in the old prop house.

Standing in the old firehouse I was taken by the floors. They were not mass produced, engineered in a factory, or pre-cut to fit a template. They were planed by hand. Individually cut. They were pegged into place. The human touch was everywhere apparent. Someone, now long gone, cared about the job. Rough carpenter, solid sturdy work. Unlike the contemporary version of flooring, this was made to last. It was meant to outlive the artisan and the artisan took pride in that.

I recently learned that our refrigerator was engineered to breakdown in seven years. “It’s not a good business model to make things to last,” the salesman explained. Years ago, when I bought my truck, Rob told me it would start having trouble at 90,000 miles. It would be junk by 130,000. He was spot on. “They’re made to fall apart,” he said.

It is true, we do things fast. And, there’s a host of praises to be sung about our capacity to produce, the speed at which we invent and adapt. However, I wonder what the person at the factory assembling my destructible refrigerator thinks of their work. It must just be work. What about the engineer and designers? Made to fail? And what about me? A consumer of goods, an easy discarder-of-things.

Standing on the floor of the firehouse, I couldn’t help myself: systems do what they are designed to do. I wondered, in this age of easy discards, what kind of community conversation we would entertain if the business model – if the community model – the leadership model – considered the pride of workmanship, if human hands and hearts were more apparent in the process. Pride in workmanship. What if we made things to last rather than to discard? Would we see each other through different eyes?

read Kerri’s blog post about the FLOOR

Kerri’s albums are available on iTunes & streaming on Pandora

untitled interlude/released from the heart ©️ 1995 kerri sherwood

Live Life At The Pace Of A Letter [on KS Friday]

“…what we feel is always larger than our means to express it.” ~ Declan Donnellan

Ruby, like Columbus is winding down. The forwarded-email let me know that she enjoyed my letter but also that she was not getting out of bed. Over the weekend she did not want to eat or drink. Pete is in hospice care.

I’ve not heard from Mike in months. Like Ruby, she is in her 90’s and I often wonder how she is doing. She is made of sturdy stuff and has a curious mind but even those powerful forces are no match for the running sands.

Although we live in the age of email and text, fast communication, these dear ones are solidly old school. A letter. A stamp. A mailbox. News comes at a different pace.

Ruby wrote a letter. It was dated last October and was mailed sometime in April. She typed it because she feared that I would not be able to decipher her handwriting. I typed my reply because I knew for certain that she would not be able to read my scribbles. Although it was lost on my young ears, time is different when you age. Both more meaningful and less. I’m living my way into hearing the simple wisdom of elders.

Tom Mck and I used to sit on his porch and watch the sunset over the fields. One evening he told the story of a letter mailed to his great-grandfather Lak. The pony express took six years to deliver the letter. It had to come all the way across the country. It was from his siblings telling of his mother’s passing. Although six years in the past, the news was fresh to Lak. His grief, therefore, was timeless.

It is always a time of transition but, sometimes, it is simply more apparent than others. This is one of those times. There is a pandemic. There is civil unrest. Moral upheaval in the nation. I feel none of that as acutely or potently as I do Columbus taking a labored breath or Ruby no longer interested in eating. It is the reason we sit on the back deck each night, light the lamps, and, often in silence, we enjoy the evening as it wanes. Living life at the pace of a letter.

It’s not that there is nothing to be said, it’s that no words – no matter how quickly delivered or slow – can properly capture the enormity of this time, this inevitable rolling transition.

all of kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blog post about THE FLAME

in transition/released from the heart ©️ 1995 kerri sherwood

Weave With Intention [on KS Friday]

I have on my studio altar Demarcus’ paint box. Sitting atop the box is the nutcracker my grandfather used. He kept it next to the pool table. The nutcracker rests on a batik that Judy gave me. There is a laughing Buddha, a dancing Shiva, a sturdy White Buffalo. There is a woven braid of palm from Bali. Special rocks.

Dots that connect me to my heritage, to the people that inspire me. To ideas that open me and remind me to see the universal, the metaphoric.

I wrote a post this morning about history as events and history as interpretation. I tossed it because I lost my way, I lost what I really wanted to say in a forest of complexity. What I wanted to say is simple and that is why I lost it. What I wanted to say was this: I weave my history through the dots I connect, as do you. My history is not pre-wrapped. I crawl into bed each night and assign a story to the events of my day. Was it a good day or bad? Meaningful or insignificant?

There are events. DeMarcus and my grandfather have been gone a very long time. Yet, they are with me everyday. Encouraging me to play and discover. Crack nuts. Open my paint box. Feed the connection. Judy’s batik, a reminder to see the beauty. It’s all around if we care to see it. Connect the dots. Laugh. Dance. Stand sturdy. Weave the story. Weave with intention. Connected.

kerri’s albums are available on iTunes

read Kerri’s blog post about CONNECTED

connected/released from the heart ©️ 1995 kerri sherwood

Pace The Loss [on KS Friday]

The loss of BabyCat will be forever linked with my father’s disappearance into dementia. I was away from home, helping my mother move my father into memory care, when Kerri called about BabyCat. One loss was sudden. The other loss is glacially slow.

The pace of loss.

I read once that we don’t lose our beloveds all at once. No matter what, sudden or slow, it happens in stages, the heartbreak comes in pieces. Missing daily rituals. Holidays. Last night, as has been my practice these many years, I peeked over the couch to see if BabyCat was going to “check into the hotel” (sleep on the couch) or spend the night with us. And then I remembered.

When I saw him in Colorado, I thought I had grown accustomed to my dad not being able to recognize me. I wasn’t. The tidal wave of loss nearly knocked me off of my feet. Empty eyes.

It’s been several weeks since Kerri chose a piece of her music for our melange. Both of us have, for reasons we cannot articulate, lately eschewed using our artistry in the melange – my paintings, her compositions. I’ve sorely missed diving into her chosen piece of music when preparing our KS Friday posts. When she decided this morning to use her piece, MISSING, I was strangely relieved. A bit of normalcy returned. As I listened, I found myself lingering in the comfort of her composition, the warm yearning of her solo piano, sun through shades, the promise of spring. I closed my eyes and breathed deeply. The comforting refuge of memory evoked in Kerri’s MISSING. A sweet-bitter pathway through this forest of loss.

kerri’s albums are available on iTunes

read Kerri’s blog post about MISSING

missing/released from the heart ©️ 1995 kerri sherwood