The Right Season [David’s blog on DR Thursday]

The color of petals at the end of the season. An earthier shade of yellow made more vibrant relative to the purple-black. A kind of beauty that’s possible only in the right season.

I’ve been noodling on a composition-idea for years. Drawings of the theme pock my sketchbooks. I’ve started and erased canvases dozens of times. I don’t know why I’ve been so fixated on it for so long, though now it seems like it was prophetic. The time was not right until now. Polynices and Eteocles. The sons of Oedipus. As the story goes, after Oedipus abdicates his throne, his sons go to war for control of the kingdom. In their lust for power, they kill each other. Both lose. All lose.

How did we get here? Democrats and Republicans. Brothers, forgetting that they are servants of the people, go to war for power over the republic. Both lose. All lose.

It’s the right time to paint this painting. A kind of beauty, if you can call it that, possible only in the right season.

read Kerri’s blogpost about AUTUMN YELLOW

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Follow The Hummingbird [David’s blog on Not So Flawed Wednesday]

If you want to understand the power of story – if you care to discover how every cultural story is both universal and deeply personal, take the time to read and reread and reread Martín Prechtel’s small book, The Disobedience of the Daughter of the Sun. After telling the story, he peels back the layers of understanding, the story of the daughter’s disobedience is a roadmap to an intentional life. It is connective tissue to generational wisdom:

“…that though we as listeners have the illusion that we have jumped into the story, the story has actually jumped into us and uses our lives to tell out its story.”

Sitting in our backyard, the sun lowering in the sky, the hummingbird arrived. A hummingbird is featured prominently in the The Disobedience of the Daughter of the Sun and this little visitor brought the story to my mind. Like all deep-story-roots, it is a tale as relevant to us as it is to the Indigenous people who live it – to keep the story alive.

“This is a commentary on the inevitable human problem of tribalism and the tragic results of ethnocentricity. It reminds us that a preoccupation with purity is a sign that a people have lost their real stories, lost their place in history, lost their land and relationship with nature and in an effort to be “someone” they engineer mythologies that are rationalist inventions to corroborate a pure ancestry. This same rationalism probably killed their stories and their Indigenous relationship with the land to begin with.”

Have you ever read anything that so accurately describes our struggle in these un-United States? As we witness the scrubbing of DEI initiatives, the blatant and brutal whitewashing of our nation’s history in order to engineer and perpetuate a mythology of white male purity, a made-up tale planted in the shallow barren soil of nationalist Christianity…we see the undeniable sign that we have lost our real story.

As is true of all great storytellers, Martín guides us toward hope and renewal:

“The story of their cultural loss should be their story, and from that grief they could grow a new culture. If you go back far enough, all people are mixed no matter what they say, and that is no disgrace.”

There is a path. It begins with grieving our loss. Together. And then, there is this:

“The story also says that a peoples’ attachment to their homeland and customs is necessary, wonderful, and life-giving, but should never be allowed to fuel a destructive chauvinism that excludes the rest of the world’s love for its own life and land.”

These are just a few of the lessons carried within an ancient Mayan tale. They are relevant to us today. We need only care enough to open our hearts and listen. And listen again. And then simmer in the slow opportunity that avails itself in the land beyond “problem-solving”.

The promise of our crossroads nation: to grow a new culture. Isn’t that the heart of our matter? Out of many, one.

There’s a hummingbird that can show us the way.

read Kerri’s blogpost about THE HUMMINGBIRD

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What Of Kindness? [David’s blog on Flawed Wednesday]

Kindness is not difficult to share within a friend-group or inner-circle. Kindness is easy with the people that you know. It’s the reason I’ve never met a person that did not consider themself kind. It’s the reason I consider myself kind. I can point to examples.

But what of kindness to those outside of the circle-of-the-known?

Lately I wonder if we can consider ourselves kind when our kindness is reserved; selective; picky.

This morning I read of a farmer who voted for the despot. He is astonished. With the sudden loss of USAID, the elimination of his market, he is losing his family farm. My first thought was not compassionate. My first thought was not kind. “You’re the only one who’s surprised,” I spat. “Idiot”.

What of kindness?

The farmer has been the recipient of government subsidies. He has had FEMA support after natural disasters. He is a veteran with benefits. His parents are on social security and Medicare. He has friends receiving Medicaid. Now, he fears the loss of these programs. Before the election he wore his red hat, pumped his fist and voted for the end of government handouts. He saw no reason to support childcare for single mothers so they might go to work. He did not see himself as a receiver-of-help.

He didn’t want his taxes benefiting those who do not look like him. Those outside of his circle.

For years the farmer has been misled by the fox. And yet, I can’t help but acknowledge that he has participated in his ignorance. He could have asked a question. He could have changed the channel. The despot made no attempt to hide his plan. He was not a stealth candidate. Did the farmer not understand the word “tariff”? Did he not read Project 2025 and the cuts it promised? He lives in the age of readily available and easily accessed information.

Was he too lazy to care? Was he truly blinded by a campaign of foxy-lies? He’s certainly been steeped in an ugly boogeyman of US and THEM. He’s been choked on fear-tales, encouraged to paint himself as a victim of diversity-equity-inclusion. Might he have challenged what he was being force-fed? Yes. But he didn’t. He agreed with it.

Now, he will pay the piper for his choice. We all will. He voted for it. He chose it. Now he will experience it.

What of kindness?

As he discovers his folly, as he meets the stark truth of his choice, does he really deserve to lose his family farm?

What of taking responsibility for the consequences of his choices and actions? He voted for hatred. He voted for indecency and amorality. He voted for misogyny and bigotry. It was not hidden from him. He posted signs on his fence proclaiming his proud allegiance to the despot.

Now, he and his family must rely on the social safety net that he has demonized as socialist. He voted for the safety net to be removed. Now that he needs it he has changed his tune. Soon, he fears, there will be nothing to break his fall.

Hopefully, he will learn – as will we all – that THEM is US. Before we are conservative or progressive, we are citizens of this nation. Together. WE. And we are a diverse community.

Friendly. Generous. Considerate. Descriptors of kindness. Perhaps, through his revelation, when he understands he is – and has been – the recipient of kindness, when helping hands (again) reach and assist him to stand, to survive, he will be more willing and able to extend kindness to others, to people who do not look like him.

Perhaps he will understand that a government is capable of helping all people to rise just as it is now crippling the majority for the sake of a few.

Perhaps in the future he will vote for kindness and equity that extends beyond his inner-circle. Kindness, he will learn, is a crop that is planted and cultivated. To reap the harvest, to experience it, one must first vote for it. One must first choose it. And then pass it on.

read Kerri’s blogpost about KINDNESS

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Come Home [David’s blog on Two Artists Tuesday]

I don’t know why but this photograph reminds me of a song by Dan Fogelberg:

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.
Yellows and grays
Paint the sad skies today
And I wonder when
You’re coming home…

Old Tennessee from the album Captured Angel. I played this album – this song – over and over again when I was painting. I could sing loud in my studio because no one could hear me. So, permission to sing horribly and with gusto. My fantasy musician fulfilled!

Woke up one morning
The wind through the window
Reminded me Winter
Was just ’round the bend.
Somehow I just didn’t
See it was coming

It took me by surprise again.

It was present with me the moment she took the picture and showed it to me. “Lookit!” she said. “It looks like a glimmer wand!” A glimmer wand. A wish ready to be granted. And the lyrics began running through my mind. A song of loneliness. A song of yearning.

End of October
The sleepy brown woods seem to
Nod down their heads to the Winter.

Yellows and gray
Paint the sad skies today
And I wonder when
You’re coming home
I wonder when you’re coming home.

Later, looking at the photograph, I realized that we – Kerri and I – are singing a song of yearning. We are awaiting the glimmer wand, the wish to be granted. A coming home. A return to ourselves. Lost jobs, broken wrists, all wrapped up in a global pandemic…Artistry as we knew it went missing. The life that we knew was lost.

For awhile we waited in silence. And then we went looking. And now, we know better. There is and never will be a return to what was. It cannot be found. Rather than seek for what was lost, we realized that it’s time to get acquainted with what is. Not artistry as it was but as it is. As it will be. Learning anew who we are. Now.

This life! As Kerri would say (in her cartoon self): “Sheesh!”

Somehow I just didn’t
See it was coming

It took me by surprise again.

read Kerri’s blog post about GLIMMER WAND

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Take The Back Road [David’s blog on KS Friday]

Even in our race to Milwaukee to meet a deadline, we decided to take the back roads. We’ve learned that the time difference between the freeway and the less-stressful-backroads is often only 15 minutes. I’m finding that getting-there-faster is generally an illusion that always produces heightened stress. We have enough stress as it is so we look for ways to feed-the-calm. To reinforce presence. 15 minutes seems like a fair trade for less angst. Even in a race.

We’re regularly passed on the road by a car-in-a-hurry. We inevitably catch them at the next light. All the aggression, all of the get-out-of-my-way, achieves a car length of advantage. I try and keep that in mind in our age of more/faster, a by-product of information inundation. Aggressive drivers have become something of a metaphor. It takes time to process information. It takes time to suss out relevance. Very little is actually gained by going faster to go faster. Except more stress. It is an un-win-able race.

On our back road drive to Milwaukee we marveled at the clarity of the storm cloud’s line of demarcation. It was as if a giant X-Acto knife cut the clouds exposing a swatch of blue-blue that extended to the horizon. We literally drove under the line. In a moment we moved from shadow to sun. In a moment, the gloom and weight of the stormy day transformed to warmth and rejuvenation. In a moment.

I wondered if the angry driver swerving through traffic, speeding toward a destination, even noticed the line. I wondered if the warmth and rejuvenation we experienced was available amidst the dedicated hurry-hurry. I wonder at the ubiquitous story of needing-to-get-there-faster, getting there first. What is actually gained? What is actually lost?

It takes time to suss out relevance. It takes time to notice the warmth and welcome rejuvenation when it becomes available. It takes time to actually see – to see – another human being on the road to somewhere. It takes time – and taking time, as it turns out, is nothing more or less than a choice, something as simple as taking the back road.

Holding Steadfast/Blueprint for My Soul © 1997 Kerri Sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE LINE

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Learn About Silence [David’s blog on KS Friday]

Sometimes an action is not what it seems. For instance: she decided to sell her cello. It sounds so simple, doesn’t it?

When she broke both of her wrists in the same fall, she worried that she’d lose the ability to play her many instruments. To bow a cello requires a flexible and strong wrist. It healed and she recovered. Bowing the cello was not a problem. And then there was the second fall. A newly mopped floor with no signage. Her first words, laying on the wet linoleum, writhing in pain, holding her right wrist: Oh God! Oh, god, I can’t believe it!”

She lost degrees of movement in the second fall. It sounds mathematical, doesn’t it? Simple math. On a good day she has half the degrees of movement that she had before she met the wet floor. Enough to open a door but far short of bowing a cello.

After three years and countless hours learning about degrees of silence, she decided to sell the cello. “It needs to be played,” she said. “It deserves to be with someone who can play it.”

A simple action. A very complicated story. A heartbreaking moment when the luthier handed her a check. She touched her cello, turned, head down so the man could not see her tears, and walked away.

Last I Saw You/This Part of the Journey © 1997/2000 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE CELLO

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Welcome The Surprise [David’s blog on Merely A Thought Monday]

“I would love to live like the river flows, carried by the surprise of its own unfolding.” ~ John O’Donohue

Day one. A mimosa. A special breakfast. A question: what will this year bring? In truth, it’s the umbrella question to the question we ask each morning. What will today bring?

Kerri keeps a calendar. Each day of the year she records special events, bills paid, meals made, important phone calls. She records the sacred and mundane. On the last night of the year or the first morning of the new year, we read her calendar. Each review is chock-a-block with surprises. “I forgot about that!” we exclaim.

And, with each calendar review, comes a ritual final summation: the year past was nothing like we anticipated. What was thought to be solid exploded. What was thought to be predictable was volatile. It was a rolling ball of surprises. It was defined by the unforeseeable.

It is always a rolling ball of surprises. Births and deaths. The losses leaving holes in our hearts yet making new space for love’s expansion. New trails discovered and old friends found. New friends, too. The obstacles that jumped in front of our path. The obstacles that suddenly and without warning disappeared. Old fears roaring to be heard. New fears sending us running in one particular direction: away. Then, the deep well of laughter that bubbles to the surface when we realize (as we always do) that our fears are mostly made-up. Tiny monsters. Shadow puppets.

As we read the calendar we are surprised by our courage in some moments and our cowardice in others. We are particularly amused – or not – when our cowardice appeared to be courage and vice-versa. There are days when the only notation in the calendar is an unhappy face, a dark day when together we completely lost our sense of humor. Gratefully, those days are few and far between.

The river flows with no regard of our notation. The trick, we learn again and again, is to welcome the surprise of its unfolding. Rather than try to swim upstream against the current-of-time in an always fruitless attempt to control, to reach for the imagined safety of the known, the lesson learned on every day-one is to give over to the mystery of the unfolding. To relax and choose to be in the flow. To welcome the surprises in all their iterations, the rapids, the rocks, the waterfalls and those rare and cherished stretches of calm.

read Kerri’s blogpost about LOVE

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Discover The Miracle [David’s blog on Two Artists Tuesday]

The wide strip dividing the parking areas hosted a vast colony of Shaggy Mane mushrooms. From a distance they looked like an epic creation of Andy Goldsworthy. There were so many, made stark white in the sun, that they begged a closer look. “What is that?” she asked. I had no idea.

We’ve all seen pop-up memorials, a sea of markers or flags placed in a field to represent the number of people lost. From far away the colony appeared to be one of those. Human made. A tiny-yet-vast shrine. A passing car stopped abruptly. The driver jumped out with his camera. We were not alone in our curiosity.

They did not come into focus until we were right on top of them. “Mushrooms” she gasped and reached for her camera. My head spun. Not human but nature made! The shock of realization made me laugh. I was almost relieved that, in these times, we’d discovered a miracle of abundant life and not a memorial to unimaginable loss.

The thought gave me pause.

I turned to face the sun and closed my eyes. I listened to the rustling leaves and her care-full excitement at capturing images without damaging the colony. I smelled the crisp air and wished to be nowhere else. Miracles of abundant life.

read Kerri’s blogpost about MUSHROOMS

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Take Another Step [on Merely A Thought Monday]

At the end of the Everest documentary, The Fatal Game, Mark Whetu says, “It’s not that you are alive for such a short period of time, it’s that you are dead for so long.” It’s a film about waking up on the other side of grief. It’s a film about choosing to live.

Grief is one of the many colors on life’s palette. Had I bothered to read the small print in my handbook-for-living I suspect I’d have found a surprising number of references to suffering, sorrow, loss and fear. Colors on the palette necessary for an open heart. Essential colors for the full experience of living in the small window of time called “life”.

Last week I threw up my hands and sat down in defeat. “Lots of energy out. Nothing back!” I pouted, “What’s the point?” My self-pity lasted for an hour and then I stood up, realizing there was nothing to be done but take another step. It simply doesn’t matter how old I am or what I’ve done or haven’t done. It doesn’t matter what title I staple on top of my identity or what story I tell myself. My circumstance simply does not matter. The task remains the same. This day, I reasoned, is just as vibrant either way so, rather than bury my head in darkness, I might as well breathe deeply and enjoy the sun on my face.

Sometimes the only point is to take another step.

I am – apparently – a non-stick learner. I learn lessons over and over again. I am particularly gifted at allowing life’s lessons to slide off. I have been known to teach that the actions we need to take are rarely difficult; the stories we wrap around the actions can make any step seem impossible. Dialing the phone is easy until the mind rages with the tale, “I don’t want to look stupid.”

Effortless action is a Buddhist concept. It is a practice of acting without story. Know your target. Act. Respond.

Send a resume. Write a cover letter. Submit. Take another step.

Mix the color. Choose the brush. Spatter. Take another step.

baby steps/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart radio

read Kerri’s blogpost about ONE MORE STEP

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Light A Candle [on Merely A Thought Monday]

Often, when archiving her photographs, Kerri gives them a title. This one she named Delicate. “Like life,” she said.

Today we light a candle. We light them when we are commemorating an anniversary of loss, the passing of someone we love. The light of remembrance. “He’s been gone 31 years,” she sighed as we placed the candle in the jar, touched fire to the wick. Today we remember her big brother Wayne.

Our remembrance is rarely maudlin. We tell stories. We laugh. I’m particularly grateful for this candle-day because I never met Wayne. He was gone years before I arrived on the scene. But I feel as if I knew him because Kerri’s stories of her brother are rich in memory-texture. Visceral. Deeply rooted. And all roads lead to his love of coffee ice cream so I’m certain he and I would have been great pals.

As I’ve written in the past, the first words that Kerri spoke to me were “I don’t do nutshells.” It’s true. If you desire brevity you’ve come to the wrong place. She layers detail on top of detail in her storytelling of the world. And, she assures me that she is nothing compared to her brother, Wayne. His detail of details had details. An engineer’s mind. An inventor’s heart. An epic storyteller.

In the past few weeks we’ve had more than one reminder of life’s fragility. Dear ones wading through sudden, momentous and scary health challenges. A cousin passing. News of a friend too soon gone. More candle-days.

There’s the stereotype, old folks sitting on the porch recollecting days gone by. When I was younger I thought rocking chair reminiscence was inertia, life winding down. Nothing else to do. I had it all wrong. It turns out that elders tell stories of the past because they are verbally lighting a candle. They are keeping alive the memory of someone they loved. They are feeding the river of life. They are passing love forward.

Thirty one years ago. Today we light a candle. Today we tell stories of Wayne.

[a rough iPhone recording of the song Kerri wrote for her brother: You’re The Wind. © 2005 Kerri Sherwood]

read Kerri’s blogpost about WAYNE

[Bonus track]

Angel You Are © 2002 Kerri Sherwood [Note: this song is not jazz nor does Rumblefish own any portion of the copyright or publishing rights of this song]

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