Take The Time [on Two Artists Tuesday]

20 plays a game with us. When we are on the road he takes care of our house and Dogga. He amuses himself by taking photos of obscure details in the house and then sends them to us. “What is it?” he asks. Kerri inevitably guesses correctly while I might get one in ten. He has a great artist’s eye and is masterful at finding curious patterns or unique views.

Kerri and 20 share an artistic similarity. They are both drawn to detail. The sublime found in the small. I walk through life mostly missing the minutiae so I appreciate being surrounded by two dedicated particularists. Because they torture me with the tiny I now – occasionally – find myself caught on a finer point. However, I will never be able to participate in their passionate conversations about kerning. I love their ardor for fonts but in serifs I have my limits.

The deep freeze over the holidays brought amazing ice formations on the pond. John O’Donohue wrote, “Take time to see the quiet miracles that seek no attention.” Bundled up with hands freezing outside of her glove to get the photo, Kerri snapped this marvel.

I’ve learned from 20 and Kerri that the quiet miracles are all around us. All we need do is take the time to see them.

read Kerri’s blogpost about THE POND

Remember This Vivid Moment [on Merely A Thought Monday]

When we first met, we sat on the living room carpet staring into the fire, and talked the night away. The sound of the birds at dawn surprised us. I remember the coming light and sweet birdsong like it was yesterday.

A few days ago we sat on the living room carpet in the sun, and talked the afternoon away. Our quiet conversation reminded me of that very first night. Our topic in the winter sun: letting go of too-tightly-held-ideals. “Truth will out,” wrote Master Shakespeare in his Merchant of Venice. Our truth was out in quiet voices that brought affirmations of better days.

A story I once loved to tell was The Crescent Moon Bear. The heroine, a young wife, must go on a journey. She must leave all that she knows in pursuit of her purpose. Leaving all that you know is easier said than done. It doesn’t happen in a moment; it requires some sweet visitation of the past. “What was” as launching pad to “What will be.”

Before I left my studio in Seattle, I had to touch the walls, run my fingers along the sill. I knew I would never be back. Even in that moment, all I could remember was the goodness I experienced in that space. The refuge. The sanctuary. The creative fulfillment. The hard times I’d known there dissipated like mist.

What was. Krishnamurti wrote, “You can only be afraid of what you think you know.” I marvel that the hardships of my past soften into pastel remembrance, translated into useful lessons, while my future fears are as sharp as broken glass, monsters around the corner. Acute imagination.

I marvel that the generosities heaped upon my life are vivid and bring tears to my eyes just as they did the day that I first experienced them. Keen remembrances.

Sitting on the carpet, the low afternoon sun warming us, I realize that I will always remember this vivid moment. The day we opened our hands and let fly illusions. We both took a deep breath. New air rushed into the open space, Not knowing where we might now go or what we might now do, we sat in the waning light, surprised that the sun was setting so soon.

read Kerri’s blogpost about REMEMBERING

Dream [on saturday morning smack-dab.]

Sleep is hit or miss in our house. If it’s a miss for one, it’s a miss for all. Synchronized sleeping is rare.

Last night, Kerri woke me at 12:45. “I’m-up-you-up?” We ate snacks. We talked. Our midnight conversation lasted until 4am. In case you’re wondering, important stuff arises when talking through the night.

The downside of world-class-deep-night-chat is that morning arrives and it’s brutal. Coffee is not a luxury. I immediately invoke the no-power-tools rule. It’s important, when sleep deprived, to stay away from sharp objects or motor-driven-blades.

It’s good thing I don’t work in construction. These days I’d get very little accomplished.

read Kerri’s blogpost about DREAMS

smack-dab. © 2023 kerrianddavid.com

Feel The Space [on KS Friday]

Georgia O’Keeffe might have painted it. The Light Cathedral is iconic and people approached it with veneration. It was as if the Cathedral pulled people into it. They stopped at the entrance to take it all in before stepping inside the light. Once inside, enthusiasm overtook reverence. Smiles erupted. Families posed for portraits made possible with the photo-help of strangers. I was overwhelmed by the crush of the crowd and my built-in-covid-response propelled me to the far side and out. I turned back to locate Kerri, smiling, patient with the slow moving mass, gazing up at the magic of it all.

I confess: I wanted it all to myself. I wanted to walk to the very center and close my eyes and feel it. I wanted to lay on my back and fall into the apex like so many stars. I wanted to slow-walk from portal to portal, free to turn and pause and spin. To linger inside this art space. A place created.

The lights transported me to another life: Barney took me to a fairy ring. A perfect circle scribed by towering redwood trees. He knew I could feel it and suggested I spend some time there. I meditated. I returned early the next morning to the ring and sat in the center of the circle. Time stopped. I felt rejuvenated. I felt ancient. I laughed because it felt good. A natural sacred space.

Art spaces. Power places.

“What are you thinking about?” Kerri asked as she joined me outside the Light Cathedral, bringing me back to this life.

I smiled, “Two of my favorite things.”

[listen to the difference. One composition. Two variations. Art spaces. Power places.]

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about the LIGHT CATHEDRAL

always with us/always with us/as it is © 2004 kerri sherwood

Dance [on DR Thursday]

“The human race has spent several millennia developing a huge and robust set of observations about the world, in forms as varied as language, art and religion. Those observations in turn have withstood many – enormously many – tests. We stand heir to an unstatably large set of meanings.” ~ David Bayles & Ted Orland, Art & Fear

The little girl shrieked with delight, “You can stand in it!” She raced inside the dome, her little body so teeming with enthusiasm that she danced. The crowd burst into laughter.

Joy is contagious.

She reminded me of the children I saw dancing at the base of Christo’s Umbrellas. She transported me back to the very first time Kerri and I stepped off the stage after our performance of THE LOST BOY. We were euphoric, so overrun with relief and triumph that we jumped up and down in the backstage hallway, laughing and hugging. Dancing. We couldn’t help it.

I remember that moment when people ask me why I make art since art makes no money. I’ve learned to answer the question, not with words but with a smile.

Value is perceived.

I stepped into the dome repeating to myself, “You can stand in it.” A dome of light. A constellation of thought. The earth rotates around the sun. Joyful participation in the sorrows of the world. Do unto others. There is not one way, there are many paths up the mountain. Discovery is better than invention.

Meaning is made. It’s an ongoing relationship.

Sometime you know that you enter it. Sometimes you don’t know and the dome you discover evokes a joyous dance.

read Kerri’s blogpost about DOMES OF LIGHT

Iconic, 54x54IN, mixed media

[my site is down. A new site is in the works. New works are also in the works. Good things]

iconic © 2010 david robinson

Fill With Wonder [on Not So Flawed Wednesday]

Upon seeing the first tree at the entrance gate I asked a question that I repeated all night, “How did they do that?”

My question was rhetorical. I did not expect an answer. I might as well have exclaimed,”OMG!” or, “WOW!” or whispered, “Unbelievable!” Instead, my wide-eyed-awe expressed as a quiz-to-no-one.

Kerri sometimes quotes from Anne Lamott’s book, Help, Thanks, Wow: The Three Essential Prayers. I realized, walking through the Garden, astonished by the lights, that I was immersed in one of Anne’s prayers. I’m not a big prayer guy so it amused me that my enthusiastic WOW was voicing as a question. The images projected on the mist. The field of dancing firelight. The light cathedral. How-did-they-do-that-how-did-they-do-that-how-did-they-do-that?

As we left the Garden and wandered toward the car I was delighted not to have an answer. The lights moved me to tears. I laughed heartily. I was stunned to silence. I watched children and adults alike, dancing into the dome and running toward the many-colored fireflies. Knowing the “how” would have diminished a bit of the magic. The more important question was obvious: there is no better “why” than to fill people with wonder.

read Kerri’s blogpost about THE TREE

Immerse [on Two Artists Tuesday]

The bright green ring in the tree beckoned. A time portal. Climb the tree and slip through the hoop to another time. Another place. What will you find there? It was one of many awe-inspiring moments in the immersive light experience at the Chicago Botanical Gardens.

A few weeks ago Rob suggested that I consider producing immersive experiences and my walk through the Gardens started a thought-wander.

Immersive is a new word in town. Well, it’s an old verb sporting a new adjective meaning. It’s a tech term. Surrounding “the user” with a generated 3-D image. Wander around town and you’ll find Immersive Van Gogh or Immersive Monet or Frida Kahlo, also Immersive. Technically, escape rooms are immersive. So is Disney World. A 3-D created experience.

A walk in the woods cannot be considered immersive since no technology is involved.

Immersion, one step beyond immersive, is the “perception of being physically present in a non-physical world.” Virtual reality. Dreams might be considered immersive except, like nature, technology is absent so the experience cannot be considered virtual or immersion.

To immerse means to dunk yourself in liquid or to dive deeply into a passion. When I stand before my easel and brush color onto canvas, I leave the world as I know it. I immerse in my paintings, though viewers of my paintings are incapable of having an immersive experience with my less-than-3-D-paintings. Is paint a technology? When Kerri plays, she enters a transcendent place. She fills the room with energy and light and I am transported. Am I having an immersive experience? I believe so.

Rounding a bend the night we walked through the Garden we came upon a field of illuminated pillars, colors changing and hopping with the beat of the music. I told Kerri that I saw this very display 20 years ago in an art gallery, though the technology 20 years ago was new and not nearly as impressive as what flashed in the field in front of us. The pillar-field was alive and was both mesmerizing and familiar.

The Gardens themselves, sans lights and music, are immersive. Groomed and created, meant to transport us from our everyday lives. We oooh and aaaah every time we visit. An explosion of color in a petal. The shape of a leaf. The quiet of the grove.

I loved the lights, the heightened immersive experience. We’ll make it a tradition. I’m excited to immerse in Van Gogh or thrill my way through Cirque du Soleil. As for producing immersive experiences, I am content to smear color on canvas or fall head-long into a story. Or, best of all, walk our path through the woods. There is no greater transporter of time-and-space than to suddenly find myself eye-to-eye with a fox crossing the trail.

read Kerri’s blogpost about HOOPS

Ask A Better Question [on Merely A Thought Monday]

I just erased the post I’d written for today. We often write a few days ahead so we have time to reflect on or edit what we’ve written. We’ve learned that it’s a good practice to consider what you are about to spill into the world.

It’s a good practice because it affords us the opportunity to ask, “Is this what I mean to say? Is this what I really want to say?” The post that I’d initially written was bothering me. A lot. Sipping coffee, I confessed my discomfort to my chief editor and life-collaborator (Kerri) and we followed the trail until we found the source of my chagrin.

There is a question, a much more important question, behind and beyond clarifying what I really want to say. It is this: “Is this who I want to be?” My post was making me uncomfortable because it was the opposite of what I profess to be. It was the opposite of who I understand myself to be. Of who I want to be.

I’ve often written and taught about “the spaces between.” Relationship. Intuition. Heart. Facts and data require interpretation and live on the spectrum at the farthest point away from wisdom. Focus on the spaces between, the movement rather than the noun, and an entirely different life opens. Wisdom is more like water than stone.

Most cliches touch a truth-root and today that is the case for me: We teach what we most need to learn. Thank goodness my editor was around to gently slap open my eyes and help me ask myself a better question.

read Kerri’s blogpost about THE SPACES

Write That Down [on saturday morning smack-dab.]

It’s a fractal. A cartoon inside of a cartoon inside of our life. We delight in poking fun at ourselves each week in this cartoon.

If you look carefully at the image pinned to the wall, the characters are laughing. It’s an accurate depiction of our life. We laugh. We crack ourselves up on a daily basis with the ridiculous things we think and say, with the outrageous circumstances we find ourselves in. There is more fodder for humor than I care to admit.

Of course, the panel preceding the laughter is a drawing of how we take ourselves too seriously. Knitted brows. Bunched jammies. Chasing our own tail. The banana peels we step on over and over again with the same result. The real stuff of life, the reason we find ourselves laughing.

“That was stupid,” I say after doing something completely idiotic. Kerri looks the other way to hide her smirk. “It’s not funny!” I exclaim as we burst into gales of laughter.

“Write that down,” she says, “It’ll make a great Smack-Dab.”

read Kerri’s blogpost on this saturday morning smack-dab.

smack-dab. © 2023 kerrianddavid.com

Look-At-Me-Look-At-You [on KS Friday]

Crossing the soggy path, the deer left hoofprints pressed deep into the mud. “Those weren’t here before,” she said. It was our second loop around the yellow trail.

A half a mile down the path she suddenly stopped, grabbing my arm in the way that let me know to stand silent and still. She pointed into the woods. The deer stood frozen, looking at us. It’s ears twitched, deciding that we were not a threat. It flicked its tail, a shock of white, and walked a few steps, stopping again to scrutinize us. We stood that way for several minutes. Look-at-me-look-at-you. Boundaries dissolved.

And then, as if released from a spell, we walked on, filled with delight at our communion with the deer. “They’re usually not out this early,” she said. We encounter them at sunset but rarely in the late morning. We decided it was a gift, a sighting of encouragement. We embraced the deer-symbol of life’s regeneration. Moving with grace through obstacles, having a fresh perspective on old impediments. Good perspectives to carry into the new year.

We rounded the corner and crossed to the middle of the bridge. A week ago during the polar freeze we imagined the river was solid ice. Now, it stirred into motion, puddles atop frozen sheets, the current pulling below. The sky and trees reflected on speckled patterns of ice in transformation. It looked like a grey whale swam in for a rest.

Once again we found ourselves under a spell with the river. Moving in an ancient dance with water and sky. Look-at-me-look-at-you. Our stinging fingers brought us back. Time to go home. Warm up. Sip a glass of wine, and revel that deer-spell and river-magic would make it on the list of our Daily Gorgeous.

[this piece of Kerri’s breaks my heart every time I listen]

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about THE RIVER

last i saw you/this part of the journey © 1998 kerri sherwood