A Sculpture Worth Making [David’s blog on Two Artists Tuesday]

The question floated across my screen, something I’d asked a group many years ago. I don’t remember the moment so it was a blast from the past of a former me: apparently I asked, “What if no one else has your answers?”

The timing was interesting since I am currently without answers. Well, more accurately – more honestly – I’m standing still surveying the wreckage.

I appreciated my blast from the past because now, at this point in my life-journey, were I working with a group, I’d flip the equation and ask, “What if no one else has your questions?” I’m no longer a big believer in answers.

We stopped in the long hallway leading to the contemporary art collection to admire the lens. I didn’t note the title or the name of the artist so I cannot give credit where credit is due. I’ve looked at the piece before but never with the same appreciation. Never from this moment in time. It was suddenly, intensely relevant. All points bend toward a common center. A point of view that generates circles. A single intersection.

“It’s an ego,” I thought. It believes it’s the center of everything that’s happening. It made me laugh. It brought to mind the ubiquitous lesson from Quinn: “There are six billion people on this planet and you are the only one that cares what you think.” Or feel. Or see.

No one else has your questions. No one else has your answers.

Standing before the sculpture I imagined flipping the script and reversing the circle: what would it look like to genuinely care what other people think. Or feel. Or see. With no need to understand it or change it or control it. Only care about it. About them. There’s a common center available in that paradigm, too.

Now, how do I make that lens? That’s a question worth asking, a sculpture worth making.

read Kerri’s blogpost about THE LENS

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Come Down And Look [David’s blog on Not So Flawed Wednesday]

“There is love enough in this world for everybody, if people will just look.” ~ Kurt Vonnegut

There is another, a quote from the Gospel of Thomas: “The kingdom of heaven is spread out over the earth and people do not see it.” If people will just look.

Love. Heaven. Two words that carry the same meaning.

Years ago I understood (finally) that anything that calls itself spiritual but separates is man-made. It’s become a rule of thumb. It’s common sense. Unity, that which transcends boundaries and rules and fears and distinctions, is the aim. Poetry will get you there. A sunset. The quiet of a snowfall. Someone holding your hand.

I regularly disappear from time and space and enter something bigger when I paint. It’s the reason why I paint. When Kerri and I hike a trail I often leave my troubles and little mind behind. The birdsong takes me, the hawk that hovers, the wind through the cattails, the frog chorus, the buds pressing forth from the tree limbs. “I” am just passing through.

During our latest midnight conversation, she said, “I realized that I am not all-that.” Followed by, “When you understand that you are not all-that, you finally get out of the cage.” She is wise. It’s hard to try and be what you are not. Separate. Above. Better than. From such a lofty ego, the most important things are missed. Unity. Love. Heaven on earth. If people (like me) will just come down and look.

read Kerri’s blogpost about HEART

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Cranky, Earnest, Docile [David’s blog on KS Friday]

I can’t help it. I see animated characters in these spiky thistle-balls. Three spiny stooges who are sharp, sharp, sharp on the outside with nary a thought on the inside. Bullies all.

Look closely and you’ll see that each has a different character. There’s a leader who has no idea where he’s going. There is the faithful number 2 who follows the leader without question. This thistle has no idea that he’s lost. And then there’s the character I love the most: the butt of every joke, the low-man-on-the-totem-pole. The follower. This thistle is just happy to belong. He doesn’t care where he goes as long as he’s with the pack. A directionless devotee.

What I adore about my budding animated-thistle-story is that each character is defined by their relationship with the other two. Leaders cannot lead without willing followers. Likewise, the role of faithful servant, blind follower, the second in command, only knows himself relative to number one. Number two puffs up on hot air borrowed from of the boss. And the low man, the thistle picked last for the team, will take any bone thrown his way. The other two are careful not to throw too many bones. Status games are like that: high status leaders need grovelers on the bottom rung. Mo, Larry, Curly.

Cranky, Earnest, Docile.

Cranky, the thistle leader, is ego-driven. He can do no wrong so, being directionless, he is constantly proclaiming himself a victim. “The forest is out to get me!” Earnest works hard to validate Cranky’s reality. If Cranky says it is true, it must be true! “The forest has it in for Cranky!” Docile, in turn, will perform any task without question. Docile will march in the streets, break windows, lie, hide documents…all to be one of the gang and, by association, feel one-rung-above. Docile is dutiful. The noticeable absence of question or thought is what makes Docile such a rich character. He is a lemming in thistle-clothes.

The absence of direction or thought or moral compass is what makes these three spiky stooges so utterly comical. So utterly frightening. So utterly close to home out here in the real world. Animation. Our poor thoughtless cartoon nation.

Boundaries/Right Now © 2010 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blog about THISTLES

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buymeacoffee is a thumbs-up for thinking, a nod of approval for curiosity and questions.

Unbridle Your Enthusiasm [David’s blog on Two Artists Tuesday]

In our house, no single question evokes more genuine excitement than, “Do you want to go on errands?” Vertical jumps. Full body wags. Circle zoomies. Finally, a “sit” so we can clip on the small leash that we call his necktie. He gets gussied-up for errands.

Last week Kerri wrote that our bar of contentment is low. It’s true. We don’t need much to feel fulfilled. A walk in the sun. A good cup of coffee. Cooking together. Laughter with friends. Life reduced to the moment.

We recently had a significant-morning-conversation about our egos. We discussed how these past few years have lowered the bar on our self-images. “I’m not all that,” she said, summing it up.

Quinn used to say that, “There are six billion people on this planet and you’re the only one that gives a damn about what you think.” Or how you look. Or what you feel. The other five-billion-nine-hundred-ninety-nine-million…are more concerned with how they look and what they think and feel. You are not the star in their movie. He was a terrific perspective-giver.

It’s a powerful day when you realize that you are not all that. It’s a powerful day when you realize that you are the single steward of your gifts and like any other gift they are meant to be given with no regard to how they are received. Your job is to give your gift. It’s an especially powerful day when you realize that your gift is no better or worse than any other person’s gift. It is just uniquely yours. It is not better-or-worse-than.

When the measurement falls off, when the ego takes a much needed belly punch, then the fun really begins. Flow. Love of what you do and who you are. A giddy return to child-eyes. A low bar of contentment means more and more contentment. Paint to paint. Play to play. Unbridled enthusiasm at the simplest of things. Like full body joy when going on errands.

read Kerri’s blog about ERRANDS

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buymeacoffee is a low bar of contentment offered to the artists tilting at the rowdy windmills of ego.

Appreciate The Marks [on DR Thursday]

Life leaves marks. When I look in the mirror these days, I see my grandfather staring back at me. Or, to be more accurate, I see aspects of both of them, all akimbo in a variation that I now recognize as “me.” The topography of DNA, crafted by my unique life, now sketched into my mask.

Quinn left marks in me. So did Tom. And Doug. And Kathy. I could go on. The list of amazing humans who had a hand in shaping my perception, molding my thinking, in informing my walk through this world, is lengthy. They are my fortune, the gold in my pocket. Their marks serve as my credo, define my intentions. Their marks have become the scale upon which I weigh value and importance. Laughter, according to their marks, carries enormous weight.

As we carried boxes out of the house, I couldn’t help but notice marks on the walls, scuffs on the floor. Each marked a memory. When the movers lifted the couch, its impression in the carpet was deep. It had sat in the same spot for years. In its absence, the entire space reeled. Soon it would find a new equilibrium as another family sculpted the now empty space. They will, no doubt, remove the carpet. The impression is too deep, the placement and accompanying memories are not theirs. Erasure is the necessary first act of new inhabitants. Eliminate the marks. Paint. Sand. Demo. And freshen. Clean the palette.

Leigh is an authority on rock art. Cave painting. The marks left by humans. Prophesy and map. Ritual and graffiti. Not all cultures are obsessed with leaving marks. Many try not to. My relationship to my marks, my paintings, changed the day I helped carry Duke’s brilliant paintings out of his basement. He’d passed and now the question was, “What do we do with all of his paintings?” I knew, someday, someone would ask the same question of my paintings. Carrying his paintings up the stairs and stacking them in the truck, I became less invested in the notion that my paintings, my marks, need matter. They no longer need to transcend me. They are immediate, fulfilling for me and perhaps me alone. That is enough. Bits of ego easily fall off when the perspective of age comes calling, when the marks are undeniable.

Marks fade. Life is what is happening now. A cliche’ that could not be more relevant. The couch, seemingly so permanent, will someday be hauled out. The marks will remain for a while. Only a while. And new life will move in and fill the old space, as it should.

read Kerri’s beautiful blog post on IMPRESSIONS

Study It [on DR Thursday]

Although this news will come as a blow to my ego, I am not a genius. My work is not opening new and exciting doors in the trajectory of western art. My boyhood fantasy of becoming the next Picasso has evolved into the happy reality of becoming the only…me. I love to paint. That is more than enough. Becoming, with no end in sight.

I rarely do studies or rough drafts. Only when a painting is giving me fits do I stop and study it. And, if I actually stop to do a study, the next step is to wipe the painting off the canvas. You might say that the act of doing a study is a warning to the elusive painting. “Last chance, dude.”

FACE THE SUN began as a study, a warning to CHASING BUBBLES. I was ready to wipe it away. In fact, I was cackling at the satisfaction a fresh start would bring. Kerri intervened. She has an uncanny sense for knowing when I am about to wipe away a painting. More than once, at the very moment my hand is reaching to annihilate the trouble-maker-painting, she rushes in to plead its case. I knit my brow. “You’re kidding, right?”

CHASING BUBBLES lived to see another day. Cleaning the studio, I saw the study that saved the painting. I liked it so I finished it and called it FACE THE SUN. Kerri came into the studio and said, “That painting makes my neck hurt.”

“What?! You’re kidding, right?”

She smiled her “gotcha” smile. Not only am I not the next Picasso but the painter that is becoming me is gullible. I am not a genius but I am an easy mark.

 

read Kerri’s blog post about FACE THE SUN

 

 

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face the sun/chasing bubbles ©️ 2019 david robinson