For Every Little Thing [David’s blog on Two Artists Tuesday]

If you came to our house over the holidays you’d find trees, trees, trees everywhere. Trees of all shapes and sizes. Some wrapped in lights. Some adorned by a single silver ornament. Some without adornment of any kind. The outside invited inside. Until recently, when we moved it to the back deck, a large tree-sized branch wrapped in happy lights dominated our living room, 24/7, 365 days a year.

It should not then come as a surprise that last year we moved the aging wooden glider from the deck into the living room. It now sports fuzzy white pillows. Dogga knows that when we say, “Let’s go to Minturn!” it means we are headed for the glider. He meets us there.

Our most recent outside-in addition is the chiminea. It was a wedding present and over the past decade we’ve loved it and used it often. Sitting on the deck one night this past summer, Kerri was eyeing the chiminea. “What?” I asked.

“In the fall, when the weather turns cold, I think we should move it inside,” she said.

And, so, we did. The chiminea now lives in our sun room with a plant sitting atop the chimney. Happy lights pop on within the burn chamber at sunset. Each evening at snack-time we sit at our bistro table and enjoy the warmth of the light glowing from within the natural clay.

20 recently said, ‘I hope you two appreciate each other.” We laughed and reassured him, we literally recounted for him, the many ways that we, each-and-every-day, express our appreciation for each other. She thanks me for making breakfast. I thank her for washing our clothes. We have, in our past lives, taken for granted the daily kindnesses that others offered us and that we offered to others. We’d somehow allowed the myriad tiny-generosities of our past relationships to lapse into the mundane. We learned from our mistake.

In this, life’s second chance, we take advantage of every opportunity to express our appreciation.

In fact, the idea behind our Minturn, the force that brought the chiminea inside, is the creation of opportunities for appreciation. They are spaces we create, places we stop so we can sit solidly in the moment, sharing a simple snack of bread and cheese, sipping a glass of wine, and feeling the full abundance of our lives. And, the greatest abundance of all is the conscious cultivation of appreciation for every-little-thing, especially cherishing the time we have together on this earth and the opportunity to fill each moment with appreciation for each other.

*****

about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.

read Kerri’s blogpost about THE CHIMINEA

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Expect Surprise [David’s blog on DR Thursday]

Hiding in the cornfield that currently grows beneath our bird feeder is a sweet morning glory. The pop of pale blue drew our attention. “Where did this come from?” I asked. “Maybe a morning glory seed was mixed in with the bird seed.”

Kerri rolled her eyes. “Maybe a bird brought it,” she said.

“A landscaping bird!” I reveled. “The blue accent does wonders for the corn.”

The surprise morning glory reminded me of the frogs that used to appear from nowhere in our little pond. There are very few routes to our pond that don’t include a ride on a bird or other form of critter transport. I can’t imagine the frogs made a dedicated pilgrimage to our pond though that’s not a bad idea for a children’s book. It’s been a few years since we had a surprise-frog-in-residence and we miss them.

Cultivate your surprise. It was among the teachable notions that the younger version of me used to peddle to clients. Cubicle sitting, rote learning, the daily grind…can dull your eyes and lead you to believe that today is just like yesterday. It’s not. Frogs appear in ponds. Pale blue calls from the corn. Insights come. People smile and offer a hand. Old friends appear from nowhere.

In one of the social streams I read that entering the day with a simple shift of language, from “today I have to” to “today I get to”, can change your world. The power of language is the power of perception. Decide what you see. Entering a mystery is much more fun than stepping into a rerun. The same idea bubbles beneath cultivating surprise. Expect each day to be filled with surprise. Look for it and you will find it. A pop of blue in the corn. A frog from nowhere. An opportunity knocking. Where will the next surprise come from?

I couldn’t help myself. This is Eve. 48x48IN, Acrylic on panel. A surprise apple;-)

read Kerri’s blogpost about MORNING GLORY

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Find Up [on KS Friday]

We almost turned around. From the path we could hear the large earth movers rolling up and down the beach. “They’re working,” she said. “Why are they working? It’s the weekend!” Beyond the beach, massive cranes plucked unthinkably large stones from barges and placed them onto the breakwater. We decided to take a look. Maybe we could find a quiet spot at the far end of the beach. The day was scorching. We needed to put our feet in the water.

We stepped around the “Stay Out! Under Construction” sign. Considering who we’d call if arrested, we climbed the hill through the brush and tall grasses before emerging onto the beach. We stopped and laughed at what we saw. The far end of the beach was packed with people. A party boat was anchored just off shore. Jet skis parked at the shoreline. A family hauled in a barbeque. A man threw balls into the surf for his Goldens to retrieve.

“I guess we won’t be alone in the jail.” Our rogue fantasy blushed and vanished.

After wading in the water we spread our towels in a shady spot just beneath the weathered trees. We watched the massive machines construct the breakwaters, a tug boat deftly spun a rock laden barge into the queue. I wondered how the tiny boat could possibly move the massive barge.

Kerri lay back and shot photos of the clouds. She captured our sentinel tree in a few shots. One shot immediately brought to mind an early Georgia O’Keeffee painting. The Lawerence Tree. Georgia stayed at DH Lawerence’s ranch on a visit to New Mexico. At night she’d lay back on a bench beneath a huge pine tree. She painted what she saw. Google the painting and you’ll learn that there’s some confusion: what is the top of the painting? I prefer the trunk of the tree coming from “the top,” just as in Kerri’s photograph.

In the archive I have a few of those confusions. One painting in particular, Earth Interrupted VI, Kerri suggests that I painted it upside-down. “Green at the bottom. Blue at the top.” It’s not a unique problem. Many great masterworks spent decades on their heads before someone noticed and flipped them.

“It’s nice,” I said of her photograph. It perfectly captured the theme of the day. Upside-down. Expect solitude and find a crowd – yet in the shade we found sweet solitude. Believe you are going rogue only to discover you are merely one of the pack. The plan for the day fell apart and led us to the beach and this moment of rolling upside-down surprises. “I’m glad we did this,” I smiled, laying back to see what she saw, to wonder if I have ever really known which way is up.

each new day/right now © 2010 kerri sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE TREE & SKY

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Labor For Surprise [on DR Thursday]

I designed the set using a David-Hockey color palette. Rich and vibrant. A gifted scenic artist brought my renderings to life. I was concerned. Sometimes what looks good on paper does not scale well. Sometimes scaling up fulfills the promise. Dreams are that way, too. You can’t possibly know a good idea is genuinely good until you give it a try.

I moved from California to Seattle. When I first arrived in Seattle I took my paintings to many, many galleries hoping to find representation. I was excited to be in a city with a mature art scene. I was ready to scale up my career. The response was unanimous: my paintings were too vibrant. Too much color. As a kindness, one gallery owner suggested that my paintings were appropriate for a California audience but would never sell in Seattle. Apparently the cloudy skies and reputation for rain dampened en masse the local appreciation of color.

I was deflated but undeterred.

After a season or two in Seattle my color palette was noticeably different, toned down. The ubiquitous rain naturally muted my spectrum of color. There’s no telling what will happen when lofty dreams hit the hard work of reality. It’s unpredictable. The labor of surprise. Once I was sufficiently color-muted, everyday, every-single-day for 15 years, I showed paintings in galleries, in coffeehouses, in theatre lobbies, in studios, in pop-up shows…

I left Seattle when I met Kerri. I knew immediately that she was The One. Early on, before I actually moved, as we were driving around town, I wondered if my art-life would survive in this new place. I wondered if it was time for me to scale down. The same rule that applies to scaling up also applies to the opposite direction. It was new territory. My dream had never included the idea of trimming. From this vantage point I can safely say that I had no idea how hard it would be and no idea of the abundant changes – that brought simple abundance – this move would bring.

Yesterday Jen asked, if we had life to live over again, and money wasn’t an option, would we make the same choices. Kerri and I laughed heartily at the money-part. This path has been hard – so far, money hasn’t been an option – but we were unanimous and immediate in our response: I wouldn’t – we wouldn’t – change a thing. This dream was and continues to be a genuinely good idea, regardless of scale, filled to the brim with vibrant color and the hard labor of surprise.

cloud watchers, acrylic on canvas, 20×49.5IN, © circa 2002

My still-as-yet-unfinished-because-I’m debating-the-how-what-and-why-of-my-life-website

read Kerri’s blogpost about PEONY RAIN

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Look Closer [on KS Friday]

As the cowboy rode passed us he asked if we’d noticed the Mayapples. We laughed. This same cowboy, a few years ago, taught us about the Mayapples. He’d forgotten but seemed pleased when we reminded him. “That cowboy loves his Mayapples,” I said as he rode on down the trail.

We see each other through soda straws. A few brief encounters, a man on a horse dressed as if he just rode in from Wyoming, a lover of Mayapples. I really know nothing of his story or the realities of his life. I thought about him as we continued our walk. He might be a surgeon or a professor of botany. He might be an apparition. I doubt that “cowboy, lover of Mayapples” is the totality of his identity. I have many story-possibilities rolling for the cowboy, yet, my bet is that I’d be surprised if I had more than a straw’s view into his life.

Most of our judgments about others is a result of the straw’s view. We are master storytellers and only require the slightest prompt to spin a full tale. We see a 30 second news spot and believe we have the complete story of someone’s life. I suspect most of what we fear about other people is mostly soda-straw concoction. Laura Blumenfeld’s book, Revenge, is a great reminder of what is possible when the soda-straw view, the assigned role, expands into a full human portrait. A closer look always reveals a richer human story.

Later down the trail I howled with laughter. We’ve been fans of the Mayapple since our first encounter with the cowboy yet never knew there was a blossom hidden beneath the canopy of leaves. “Oh, my god!” Kerri exclaimed, lifting the broad leaf, exposing the white bloom. We lifted a few more leaves, each hiding a surprise flower. “I had no idea!” we chirped in unison.

“Have you noticed the Mayapples?” asked the cowboy. Apparently not.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about MAYAPPLES

nurture me/released from the heart © 1995 kerri sherwood