Either Way [David’s blog on DR Thursday]

At this time of year, sleeping as we do with the window open, I have the impression that the birds sing the sun to rise. In the evening, they sing it to rest beneath the horizon. What happens between those two songs is always a surprise.

I recently read a quote by Aldous Huxley that struck a deep chord: “It’s dark because you are trying too hard. Lightly, child, lightly. Learn to do everything lightly. Yes, feel lightly, even though you’re feeling deeply…”

Dogga has been a great teacher. He is highly sensitive, keenly keyed into us. He feels everything I feel, we feel. If we start to take ourselves too seriously, he runs for his safe haven in the bathroom. At first his retreat to the safety of the bathroom brought us up short. It was like being slapped into consciousness. “We’re upsetting the dog.” We’d breathe, step back and change our tone. We’d lighten up. He’s become a barometer of whether or not we’re taking ourselves too seriously and we’ve learned to lighten up before he feels the need to retreat.

It’s possible: walking lightly through life can be learned.

“Look at the color of the sky!” she said, aiming her camera.

“It’s a Colorado sky,” I mused. The blue was intense against the new spring-green leaves.

We were slow-walking on one of our favorite trails, talking about the past decade, the seeming-forced peeling back of layers, the necessity of letting go of grievances and disappointments when she suddenly pulled her camera from her pocket. “Look at the color of the sky!” I smiled: evidence of not taking anything – especially ourselves – too seriously.

“So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and pity and despair. That’s why you must walk so lightly…”

It’s an ongoing life lesson. Feeling deeply need not be weighty. Especially now. There are, indeed, quicksands all around us, sucking at our feet. It’s always an option to disappear into the muck of fear and despair. As we have learned – and continue to learn – hopelessness is a heavy load. As is resentment. Regret is a guaranteed back-breaker. Denial is the heaviest bag of all. Our nation is currently learning this lesson.

The surprise between the birdsong? We can walk with the light astonishment of the new day or we can drag along yesterday’s heavy baggage. It’s our path, it’s our choice, either way.

[I just finished writing this post when Guitar Jim sent this gorgeous song by Darrell Scott. Serendipity, the song says it better than I ever will]:

read Kerri’s blogpost about TREES AND SKY

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An Invitation [David’s blog on Two Artists Tuesday]

“Love opens the door of ancient recognition. You enter. You come home to each other at last. As Euripides said, ‘Two friends, one soul.‘” ~ John O’Donohue, Anam Cara

For months I’ve been wrestling with Act 2 of a play. I start to write. I get lost in it. Even though I have a plot map, I lose my way. Act 1 is in good shape. It has been ready-to-go for a year. Why do I keep getting lost? I’ve learned, when perpetually lost, to let it sit, walk away, and the path will find me.

Last night I had a dream: The tension between animal nature and human nature. We are both. We have the capacity to be conscious of our animal nature. It is the reason we have codes of ethics. Standards of decency*. In the dream I learned why I am perpetually lost in Act 2. I did not yet understand what I was writing about. The problem was not in Act 2. There was something in me that knew I was not yet understanding the full scope of my topic. My map led to the wrong place. I now have a clear grasp of Act 2.

This is the reason I love artistry; the messy conversation I am capable of having with myself and the greater…universe.

We have matching salt lamps in our studios. Some say there are health benefits to salt lamps but that is not why we have them in our studios. We love the light. It’s calming. Each morning I go down to my basement studio and turn on my lamp. Each night I go down again and turn it off. I’ve decided my daily trip down the stairs is a ritual of invitation. For me, painting, like all things sacred, is a “joining”. An opening for something bigger to come through. Turning on my salt lamp is saying to that-greater-something, “I’m here. I am ready.”

*Standards of ethics. Codes of decency. Isn’t this what we witness as missing in our leadership? The complete abdication of consciousness; the absence of ancient recognition. The door closed on Love.

read Kerri’s blogpost about THE SALT LAMP

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Weather Beautifully [David’s blog on Merely A Thought Monday]

“…happiness, when pushed to an extreme, becomes calamity. Beauty, when overdone, becomes ugliness.” ~ Thomas Merton, The Way of Chuang Tzu

I am early in my slow-read of The Way of Chuang Tzu. I already love it. This morning I read these words by Thomas Merton slowly, again and again, tasting them like poetry: “…a system constructed on a theoretical and abstract principle of love ignores certain fundamental and mysterious realities, of which we cannot be fully conscious, and the price we pay for this inattention is that our ‘love’ in fact becomes hate.”

The abstract ideal contorts us. The “what is” always loses in a comparison to the “should be”. Thus, a world of nature’s beauty swirls down the drain.

Marketing ideals and mirrors reflect theoretical and abstract principles. Constructed systems. They readily twist our natural love of self into a hatred of our bodies and faces. Is beauty really the exclusive province of the young? Jessica Tandy and Hume Cronyn grew more and more beautiful, more and more brilliant with age. Aging is among the “fundamental and mysterious realities” of which Thomas Merton wrote. There is profound beauty in aging, a mysterious reality that is not accessible to the young.

On Saturday we published a Smack-Dab cartoon about aging. We poked fun at my discovery of new wrinkles when looking in the mirror. Poking fun at ourselves is a good strategy for embracing the “fundamental and mysterious reality” of this beautiful life. There’s so much pressure to do otherwise, to resist, to deny, to pretend. Laughter is a great eye-cleanser.

We live in a society slathered with memes and messages of self-love while, at the same moment, we drown in messages to be other-than-what-we-are. Is it any wonder we are conflicted and seem incapable of sorting out what is real and what is not?

I know with certainty, like every other human that walked before me, I will disappear into time. Why spend another moment of my precious limited time on this earth resisting the gorgeous life that I enjoy? Why try to hide my age to match a manufactured ideal?

There is a reason the clothes I wore a decade ago no longer fit. There is a reason my beard is grey and the light in my eyes is less fierce than it was twenty years ago. I am different now. No more or less beautiful.

I said, squeezing her hand, “Let’s become apple-dolls together.” Her eyes welled with tears. What could possibly be more beautiful?

read Kerri’s blogpost about WEATHERED BEAUTY

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For A Moment [David’s blog on Merely A Thought Monday]

“The distinctive human problem from time immemorial has been the need to spiritualize human life, to lift it onto a special immortal plane, beyond the cycles of life and death that characterize all other organisms.” ~ Ernest Becker, The Denial of Death

We waited until the oppressive heat of the day passed to take our walk. The air was thick and still but it felt good to be outside, moving. Because the humidity teases forward every former injury, we talked about our ubiquitous aches and pains. My back. Her wrists and fingers.

Kerri stopped and said, “I get it now.” We laughed at the memory:

One day, years ago, Beaky looked in the mirror and declared, “I look like an old woman!”

Kerri said, “Momma, you’re 93! You are old.”

Beaky stared at herself in the mirror and added, “But I don’t feel old!”

“I get it now.”

As we walked we talked about feeling young in a body that hurts when it’s humid. A new experience on our path through life, a growing dissonance between body and spirit. The spirit steps a few feet away and looks back at the body, declaring, “What the heck! That’s not what I look like!” It is certainly not what I feel like.

There’s a surprising gift in the dissonance. Perhaps, like all good paradoxes, within the discord, the first real harmony of life becomes available. The “supposed-to-be” drops off. The social face is less useful and set aside. The striving to be somewhere-else-in-some-imagined-future-achievement ceases, becomes so much dust. Suddenly, the miracle of life is not somewhere else. It is found in the here-and-now. Flexing achy fingers. The evening sky made pastel by humidity.

The growing realization that this ride is limited makes it all the more precious. Grounded.

Life – spirituality – becomes uncomplicated. Unapologetic. Authentic. Spirituality that requires no cathedral or book of rules. No incense or intermediary. No searching or appealing prayer. Spirituality that is borne of the simple appreciation of the moment. Feet firmly planted on the ground. In the Buddhist tradition: joyful participation in the sorrows of the world. Here and now.

In joyful participation, holding hands with achy bodies on a humid evening, for a moment at least, we get it. We arrive at uncomplicated, unapologetic, and authentic.*

(*thanks to the Heggies Pizza truck for the post inspiration!)

read Kerri’s blogpost about UNCOMPLICATED, UNAPOLOGETIC, AND AUTHENTIC

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Connected As The Cattails [David’s blog on Not So Flawed Wednesday]

I read that cattails have been useful to humans for as long as…there have been humans. They are edible. Medicinal. Weave-able into baskets or clothing… The tidbit of information that I found most interesting is, that when harvesting them, it is best to leave the cattails on the perimeter intact. They are different than the cattails in the center. They serve a specific purpose facilitating the interdependent health and well-being of the cattail community. It begs an as-yet unanswerable plant-question: Do they know? How do they know?

“Knowing” implies consciousness. If you want to jump down an interesting rabbit hole, the “debate” surrounding plant consciousness is worthy of your time. There are plenty of studies with plenty of interpretations. Be forewarned: this rabbit hole may challenge the notion that we human-beings are above it all. It may suggest that we are much more interdependent than we believe.

Consciousness: the state of being awake and aware of one’s surroundings.

The consciousness of interdependence. It is what the red hats fear the most. The loss of privilege. Popping the illusion of elite-exclusion. Not being above it all.

We live in a vibrant diverse nation. A nation of immigrants. A place where people from different cultural backgrounds have for centuries mixed together, worked together, fought together, loved together, to grow into a more perfect union. In this nation, the ideal, the intention, is to embrace differences. Not to stratify them. We are above all an intentional crossroads, a meeting place of the many, optimal for the sharing of new ideas borne from divergent perspectives. A celebration of interconnected diversity.

Interdependence. We are as deeply connected as the cattails. Like the cattails, our network of connection may not be readily visible on the surface but our very survival is reliant on each varied other. Thriving is the result of healthy, conscious interdependence.

read Kerri’s blogpost about CATTAILS

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Accept The Invitation [David’s blog on Merely A Thought Monday]

Master Marsh once asked me why I was compelled to run and jump off every edge I found. His question was rhetorical which was a good thing since I had no answer. I wasn’t really aware of the compulsion he was asking me to consider. I knew I was a restless soul. Most of my life I felt as if I was a suffocating man in a desperate search for air to breath. His question served to slap some consciousness into my wandering nature. His question introduced the idea that I might actually catch my breath if, instead of moving, moving, moving…, I sat down and took a breather.

Edges are invitations into the unknown.

Paintings, writing plays or this blog- any creative process – is an invitation into the unknown. To see what is as yet unseen. To open to something beyond. I’ve come to understand that opening-to-the-unknown is the essential practice of an artist. It is air-to-breathe. And the opportunity presents itself every single day, on the move or sitting still.

I thought of Master Marsh and his question the moment we stepped beyond the caution sign into the water. After so much rain the river spilled out of its banks and onto the floodplain, it overwhelmed portions of the trail. We could have turned around and returned to the car. We could have kept our feet dry. We’d walked this trail many times and could see that the water crossings were not dangerous. Calf deep with a smidge of current. And so we looked at each other, smiled a “why not” smile, and stepped.

I thought of Master Marsh and his question because this trail was known to us and, on this day, was completely unknown. We saw it again for the first time. Master Marsh is a great steward and studier of nature. His drawing of plants and trees and rivers and birds and…are first class. They’d make John Muir proud. For many years he cared for a stretch of the Calaveras River. Each day there was something new. Something previously unknown discovered.

The water crossings, I counted six of them, made us feel remote. Distant from civilization. We saw fish swim across the trail, heard sounds we’d never before encountered. The meadows exploded with color. A lone deer watched us and then disappeared like Merlin.

Edges come in many forms. On this day, it looked like water spilling over the trail. It was a welcome bonus to step beyond the sign, to spend some time in an unknown-known and have a quiet memory-walk with one of my favorite people.

read Kerri’s blogpsot about WATER ON THE TRAIL

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How Utterly Good [David’s blog on KS Friday]

I’ve been pondering something Horatio said during our call yesterday. “Circumstances change but that doesn’t change how you have to live.” he added, “You still have to live a good life.”

It is not a new concept. How many times have I said to groups, as if I knew what I was talking about, “You are not your circumstance.” In the school of hysterical irony, I am constantly catching myself teaching what I most need to learn. I heard in Horatio’s comment something often spoken but discerned for the first time: You still have to live a good life.

What does it mean to live a good life? What does it mean to me? To you?

In a broad sense we were discussing the many changes we’ve experienced over the past decade. Decades. Aging. Climate. Loss of loved ones. Pandemic. The politics/division of our times. Technology. A flurry of fast moving circumstance. What seemed so important a decade ago is now barely a shadow memory. Aptly, an illusion.

You still have to live a good life.

Horatio spoke of going into his studio. “Immersing in the tangible,” he said. Painty fingers. Music. Charcoal dust. The smell of coffee and conté crayons. Exiting the noise and inhabiting the now. That’s a good life. I recognize that place.

Inhabiting the now. Kerri and I walk the trail arm in arm until she spots the next photo-op. “Lookit!” she chimes, showing me her new image-capture. “Green on green,” spoken with the enthusiasm of a five year old. Our walks are immersions in the tangible. We’ve had so much rain lately, there is an explosion of green in our world. We walk slowly so we might see it. Sense it. The shapes are as extraordinary as the many shades of green.

Horatio’s comment struck an ancient chord in me.

Sitting in our stream in the mountains of Colorado, Kerri and I talked about the next phase of our lives. A intentional creation. “The Sweet Phase,” she called it. It is inaccurate to suggest that we will create The Sweet Phase as much as we will inhabit it. The tangible. The now. Just like entering the studio. We’ve already started. Our practice is to not get swept into the swirling drama of circumstance. “…that doesn’t change how you have to live.”

It’s a question of recognizing it. Regardless of the circumstance, how utterly good living life really is.

I Didn’t Know/This Part of the Journey © 1997, 2000, Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about GREEN ON GREEN

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Experience It [David’s blog on saturday morning smack-dab]

“In a Google world, we are all experts for a moment,” she said. Somewhere out there, in the ethers, I heard Marshall McLuhan applauding. I heard Neil Postman guffawing. It was the perfect statement encapsulating our times. The medium of our message. Knowledge need not stick. No need to remember. Teflon brains.

And, because I had no idea what it was. And, because I suddenly needed to make a statement to myself about living, I ordered it. I happily mispronounced it. So I might experience it firsthand with no intermediary. No curator. Unprotected. So I could have the experience first – before my machine made meaning of it for me.

All the way around, the experience was mysterious and delicious. Unforgettable.

read Kerri’s blogpost about GOOGLE KNOWING

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Wine Shadow [David’s blog on DR Thursday]

And with no warning, Cat Stevens was suddenly holding a concert in my head: Oh, I’m being followed by a wine-shadow, wine-shadow, wine-shadow. A leapin’ and hoppin’ on a wine-shadow, wine-shadow, wine-shadow…

Carl Jung wrote that “Everyone carries a shadow,…” I suspect Carl chose his verb carefully. Rather than being followed by it, everyone carries their shadow. The absolute weight of weightlessness. The next part of his thought goes like this: “…and the less it is embodied in the individual’s conscious life, the blacker and denser it is.” The moral of his story: get to know your shadow.

I had a long talk with a high priest in Bali. He explained that, according to their belief, they see no need to run from the dark as we do. They strive to make peace with the dark. Keep in mind that their construct is not built upon the hard rock of heaven-or-hell. For them, there is dark energy and light energy. The two dance and balance each other. They are necessary to each other. Our work, he suggested, is to walk between them, hold them both as meaningful and sacred. Getting to know the shadow is about having a relationship with the light.

“Don’t sit down!” she said, jumping up, camera in hand.

“What? What?” I asked looking around. She rarely jumps up like that. Only in the presence of bees.

She pointed enthusiastically at my chair. “Shadow! Shadow!” she whispered, as if her voice would scare the shadow away. She focused her camera on the weighty-weightless.

“It’s beautiful,” I whispered, just in case she was right. I’ve ruined a shot or two in the past by using my outdoor voice. I didn’t want to get “the look” if I caused the shadow to flee before she could snap the picture.

It was during her photoshoot that Cat Stevens popped in. And Carl Jung, not wanting to be out-sung, offered his quote.

“I look forward to getting to know this shadow,” I said.

“What?” she whispered, aiming and re-aiming.

“Never mind,” I smiled.

Did it take long to find me?
I asked the faithful light
Oh, did it take long to find me?
And are you gonna stay the night?
” [Moonshadow, Cat Stevens]

read Kerri’s blogpost about WINE SHADOW

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Animate! [David’s blog on Merely A Thought Monday]

Hydro: relating to water.

Hydra: a problematic many-headed serpent in Greek mythology. The problem: every time some hero tried to cut off one of its heads, the old head was replaced by two. The original myth behind compounding interest. Hercules finally rid the world of the monster. You’ll have to read the myth to find out how. I don’t want to spoil it for you.

Hydra lived in Hydro. Water serpent. In the 18th century Linnaeus named a water critter after the mythic serpent because, when severed, the critter regenerates a new part. Language is an amazing thing, drawing connections in many directions across eons of time. All words, like all people, have origin stories.

And this brings me to the flask. My first flask, pocket-sized, was a gift for participation in a wedding. It was often filled with spirits. To be clear, the spirits my flask contained were distilled and not ghost-ish or soul-like, though both the distilled and the ethereal notions are capable of the same outcome: animation.

This flask, my Hydro Flask, is reserved for coffee exclusively. Coffee is also a source of animation. It brings me to consciousness each morning.

Anima. From the latin: life or soul.

Coffee. From the pot: life-giving. Soul restoring.

My flask keeps my morning soul-juice hot for a long, long time. It’s small but it’s mighty. Herculean, one might say.

read Kerri’s blogpost about HYDRO FLASK

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buymeacoffee is an opportunity for you to support the work of non-linear thinkers. It is cleverly disguised as a water feature, though in truth it is a soul restorer.