Doubt It [on DR Thursday]

AtTheDoor13 jpeg copy 2

In our vast catalogue of projects-that-went-nowhere is a single panel cartoon proposal we called At The Door. A dog and a cat at the door. One wants to go out and explore the world. The other is content to stay forever inside in a known and predictable world. One dreams of adventure, the other dreams of lunch. The progressive instinct meets the conservative impulse.

Because it was largely existential and mostly not funny, we were certain that it would never gain traction. We developed it anyway. Why?

One of the great mysteries of an artist’s life is the Riddle Of Attraction. Why are some pieces popular and others are not? The crux of the riddle is this: what I consider my best work usually collects dust on the shelf while the pieces that I think inferior fly out the door. Kerri and I write everyday. We have a ritual call-and-response when we write something that we feel is meaningful or has real depth. I’ll say, “That’s a really good post.” She’ll reply, “That means no one will read it.” And, inevitably, it is true. The maddening moment comes when we post work that feels lacking and it is read widely across the globe.

There can be only one logical explanation: we must be the worst judges of our own artistic expression. We must have an inverted relationship with what has value and what does not when it comes to our own pieces. It must be true that artists are the last to objectively see their work. It’s a terrifying notion; if I think it is awful, it must be good. If I think it is good, it must be a delusion.

And so, we happily wrote and drew a cartoon with a dog and a cat at the door. Both critters looking out on the big world, one pulled to it while the other is repelled. It seemed like a bad idea so it just might have been good!

 

read Kerri’s blog post about AT THE DOOR

 

 

dogdog babycat paws touchingwebsite box copy

 

 

 

Love Your Language [on Not So Flawed Wednesday]

love greater than fear copy

You know the old joke: two priests are having an argument so they take their debate to the Pope. The first priest writes to the Pope and asks if it is okay to smoke while praying and the Pope answers “No!” The second priest writes and asks the question this way: is it okay to pray while smoking? The Pope responds, “Of course!”

Language matters. In our current world, inundated as we are with marketers and media – language packed with agenda – it seems we are especially dulled to the power of a few words [or the exclusion of a few details] to shape our actions and opinions. We are easily led. Easily divided. Easily provoked to Facebook frenzy.

The way we frame questions determines the possibilities we see or the possibilities we do not see. That is why it is a mistake for us to frame the questions of our troubled times as either/or questions. To defund the police or not defund the police?  Fear or faith? Us or them? Liberal or conservative? Which is it?

None of the questions we face are simplistic. None can be addressed – or should be approached – with black and white thinking. We’ll only see the poles and miss the million shades of gray in-between.

Leaders that divide-to-rule are especially fond of a rhetoric featuring only two options. They play angel/devil games: there are angels and there are devils and since everyone thinks they are the angel, it is an automatic role assignment to anyone with an opposing point of view. It doesn’t matter what side you are on, the agenda is division so mission accomplished! Language matters.

I’ve heard it said that the opposite of love is not hate. It is fear. Fear splits even the greatest hearts and minds like so much kindling. It creates enmity within and, therefore, enmity without. It reduces and makes the complex things – like listening to others – impossible. It demands that meaning be made before the experience is had – and so it is a rally of made-up monsters.

So,  the opposite of fear? It creates goodwill. Within and, therefore, without. It unites. It embraces and expands and includes. It makes no assumptions. It listens. It ultimately surrounds fear and makes meaning after having the experience and, in that way, relieves the troubled mind of its monsters. It has the capacity to hold a full spectrum of color and options (sometimes known as possibilities). It knows that there is more to this universe than angels and devils can allow. And so, just to be clear in my use of language: the opposite of fear has no opposites. That’s precisely what makes it much harder to grasp than fear. Fear is easy to achieve. Love is an ongoing relationship and has no end.

Language matters. The genius of our system, as it was once imagined, was to allow for opposing points of view to come together in an action called “compromise.” It was designed with complexity in mind. It was intended to pull all perspectives toward a common center, a middle way. An idealist might call that – a common center – something akin to love.

 

read Kerri’s blog post about LOVE>Fear

 

southport sand heart website box psd copy

 

Expect The Magic [on Two Artists Tuesday]

pando copyIt reads like a quirky children’s book. One day the frog appeared in our little pond. It was fully grown. This was no pollywog-becoming-a-frog, it did not originate in our pond. It sprang forth fully frogged.

Kerri named it Pando for the year of the pandemic. I thought it sounded like a Commedia character but it seemed to like its name so it stuck. Pando feasted on the local cuisine. It sat still and let Kerri pet it on the head. It had a deep basso voice.

Truth be told, Pando was not our first frog visitation. Most years since we dug our little pond, fully mature frogs one day appear. Once we had twins. Where do they come from? We speculate endlessly, making up stories of adventure or wrong frog turns that somehow lead to our backyard. Apparently, Mr Toad’s wild ride passes through our pond. Mostly, they’ve become for us a sign of hope, of good things coming or an affirmation of good things already here.

Most of our frog visitors check in for a season. Pando was different. A few days after he appeared, Kerri went out to check on him and he was gone. Vanished. But, on the stone path that leads to the pond, she found a copper Jefferson nickel.

“Look what Pando left us,” she said, showing me the nickel, “He isn’t there anymore.”

Clearly it must be a talisman. It must have magic powers. What else could it be? A frog with a deep bass voice mysteriously appears. The frog just as mysteriously disappears but leaves behind a strange coin that betrays its inner alloy. It must be magic! Or, I suppose it could just be the story we want to tell.

It is, after all, what I love about us: we like to tell stories that include surprises, the impossible, and magical happenings. Life is better like that, when we allow ourselves to entertain the full spectrum of vibrant color. In any case, we can’t wait to discover what the frog magic brings.

 

read Kerri’s blog post about PANDO

 

sunsetonisland website box copy

 

 

Become More [on Merely A Thought Monday]

what now bcat copy

“Whoever cannot seek the unforeseen sees nothing, for the known way is an impasse.” ~ Heraclitus

It’s funny how the smallest thing can set a mind off in a different direction entirely. For instance, it seems the entire nation is asking “What now?” Some are asking the question filled with hope. Some are asking it filled with fear. I had some thoughts to share about what now and before I began to write, I checked my email. There was a note from my mother.

She found him this morning standing on the patio weeping. He couldn’t see the water coming from the sprinkler. He wanted to help her take care of the yard but simply could not see. My father has the double challenge of going blind while also slipping into dementia. He’s pretty far along in both. She wrote that “she is amazed that he is not perpetually angry.” Instead of being angry, he is unbearably kind. He just wants to help. He cries, not because he cannot see, he cries because he cannot see the water. He can’t remember what to do. He cannot help and, somewhere in his increasing darkness, he knows my mother needs his help .

Kerri believes that people don’t change over time, they simply become more of who they’ve been all along. Age reveals our character. I can only hope, as I age, that the character revealed as my control drops away, is as beautiful as my father’s. He is kind. He is kind. He is kind. Each day he steps further into the darkness and he is kind.

What now?

 

read Kerri’s blog post about WHAT NOW?

 

? website box copy

 

Face Them [on KS Friday]

hope copy

The dream was vivid. I was being chased by a pack of very large demons. Terrified, I was becoming exhausted when I saw a door into a warehouse. I quickly jumped through the door, looking for a place to hide. To my chagrin, the warehouse was empty. Swept clean. No walls. A vast, open and exposed floor. The demons came through the door behind me. There was no other door. No way out. My only option was to turn and face them. So, I did.

They rushed me. But, to my surprise, as I stood my ground, facing them, as they raced snarling toward me, they began to shrink. The closer they came, the smaller they got. By the time they reached me they were no larger than ants. They had no power over me at all.

All along, all I needed to do was stop running from them. All I ever needed to do was to turn and face them. To see what they were, not what I feared they were.

This dream – so many years ago – helped me understand hope – a word that is both a verb and a noun, a thing and an action. A wish and a want. Hope, like happiness, ensues. It is not found up front, it follows. It is meaning that becomes available when a choice is made.

This nation, running so long from its demons, is once again, standing in a vast empty warehouse. There is no place to hide. When we recognize that all we can do is turn and face our demons, our racially divided path, the inequity-demons plaguing us may grow smaller. They may lose their power over us entirely.

The choice to stop running and turn. The choice to face the demons. In that moment, hope will arise.

 

HOPE on the album THIS SEASON is available on iTunes

 

read Kerri’s blog post about HOPE

 

smidgefeetonroadwebsite box copy

 

 

 

hope/this season ©️ 2005 kerri sherwood

pray now ©️ 2010 david robinson

Don’t Go Home [on DR Thursday]

House On Fire copy

House on Fire. 2004-ish. Watercolor. And, yes, I was all over copying Guernica.

“The continual retreat from the discomfort of authentic racial engagement in a culture infused with racial disparity limits the ability to form authentic connections across racial lines, and results in a perpetual cycle that works to hold racism in place.” ~ Robin DiAngelo, White Fragility

I confess to rewriting this post. What I wrote initially was pedantic and preachy. So, this is a second go-round.

We’ve been hearing this question much in these past days: why don’t things ever change? Here’s an answer I learned in school: a society is a living system and, like all living things, it will fight to the death when threatened with change. Why we can’t seem to “solve” our problem with racial disparity and the dehumanization of black people? It’s built into our system. The system, a complex and living thing, will fight to the death to keep the injustice securely in place.

That’s a heady answer and somewhat hopeless. Its abstraction makes it a safe and somewhat antiseptic response.

I lived in Los Angeles in 1992. My apartment was in the hills so I had a good vantage point to watch the rioting and the city burn. When it felt too unsafe, I fled the city. I had a safe place to go.

A few years later, working with a school district, the head of the Black Student Union asked me to come in and work with her students. MLK day was fast approaching and the students, preparing presentations for the day, were in rebellion. They were mad. They didn’t want to read speeches about peace and justice when those ideals were nowhere on their horizon. I thought it was my job to help them give voice to what they wanted to say. It was my first conscious lesson in my white-blindness. The frightened parents of the students descended. I’ll never forget the mother and father that pulled me aside, saying to me, “You don’t understand. If they say what they want to say they’ll be killed.” Their terror was real. They had to teach their children a lesson that was the opposite of what my parents taught me.

To call it a problem is to reduce it to the level of mechanics. It is to pretend (or hope) that a few changes in the law or better policing will do the trick.  To treat it like a problem guarantees that we’ll recreate it. This is not a problem, this is a pattern. It is a cycle. It is a relationship.

The pattern is currently in our faces. The pattern is not only the death of another black person. The pattern is also what white America chooses to do – or not do-  with the knowledge of it. What is the story we tell ourselves about ourselves that makes it possible to stand in the fire with people of color during the protests but walk-on once the fire subsides? It is simply this: I get to go home. I get to drive out of LA when things feel too unsafe. I have someplace to go. I get to go home when the officer is prosecuted or a law is changed or a commission empaneled, dust off my hands, and say that I did my part.

Why don’t things ever change?

I was stunned when those parents pulled me aside. At first, I couldn’t believe that they were going to silence their children when their children had something so important to say. It made my head spin. And then I went home. And then I realized that they couldn’t go home. There was no place in this “living system” where they were safe. That was what they were trying to tell me. It was what Martin Luther King was trying to tell us. It is what the protesters in the streets today are trying to get us to see/admit/realize. We are watching a living system built on racial division and inequality fight to the death because change is knocking.

What if we realized that we cannot simply go home and forget about it?

 

 

read Kerri’s blog post about HOUSE ON FIRE

 

 

black box copy

 

 

 

Check The Acorn [on VERY Flawed Wednesday]

voter freud copy

Apparently Sigmund Freud has a dangerous and ill-intended descendant named Voter. Splashed all over the conservative Henny Penny is a frenzied warning: watch out for Voter Freud! He is running rampant! Threatening the nation! Goosey Loosey, Ducky Lucky, and the entire cast of hysterics-with-microphones are gathering other like-minded fowl to amplify the message of a would-be king. Voter Freud is on the loose and if not stopped, he will corrupt your Drakey Lakey!

This is why I adore stories. Even the simplest folk tale has the ominous capacity to reveal us to ourselves. And, if we are wise, we listen to what they might teach us. Variations of the Chicken Little story have been around for centuries.

Times have changed but human nature is surprisingly consistent. Henny Penny was hit on the head by an acorn and thought the sky was falling. Hysterical, she decides to sound the alarm of imminent disaster and clucks away to tell the king before it is too late. Along the way she whips other unquestioning fowl into a panic and they join in her frantic chorus. Depending upon the ending – there are many – but mostly, she and her gaggle are eaten – each and everyone – by the fox [I take pause here for a moment of reflection so the uncanny closeness of the story to our times might sink in].

The multiple screeching voices currently re-enacting the Henny Penny story did not intend to invent Sigmund’s evil descendant. It is only through the magic of spelling errors that voter fraud donned the villainous persona of Voter Freud. And, I confess, I love the character!

All good stories have a moral and that is true for the tale of Henny Penny: traditionally, the moral is to not be a “chicken” but to have courage. Hysterical chickens get eaten by Foxes. The current moral-of-the-story might go something like this: be wary of acorns dropped on your noggin. It is not a falling sky. It is a set up. A modicum of research will spare the entire hen house of yet another hysterical outburst.  In the United States of America, voter fraud is very rare. The current fox guarding the hen house would like all the fowl to cluck with fear of Voter Freud. The purpose, of course, is to make it harder for many citizens to vote. Or, stated another way: keeping the chickens hysterical serves the fox; voters exercising their right to vote does not.

Voter Freud is made up. So is voter fraud.

 

read Kerri’s blog post on Voter Freud

 

banana copy

 

Stand Still And Listen [on Two Artists Tuesday]

ferns copy

Screen Shot 2020-06-01 at 11.24.58 AM

~Beloved by Sam Magill, from his collection of poems, Fully Human

Today my thoughts return again and again to Sam, a secret poet, a bard, a believer in the goodness of humanity. Sam knows that a wound, when properly honored, can lead to something far greater than mere healing.

He would look, as we do, with awe at the ferns. He would giggle at how quickly they change color with the light. He would delight in the frog that magically took up residence in our pond. He loves, as we do, the things of this life that live beyond explanation.

If you asked Sam what we need do as our cities burn, as a pandemic rages, as leadership fails and the face of inequity stands naked and unmasked, he might tell us to do nothing. To stand still and listen. “The hard crusty soil is cracking open,” he might say, “there is new growth struggling to push through.”

 

read Kerri’s blog post about FERNS

 

prayerflags pastel website box copy

 

 

Exit Stage Left [on Merely A Thought Monday]

exit copy

This is a love story. This is how the love story began:

I knew the moment Kerri looked up from her computer that we were in trouble. She had THAT look in her eyes. She spun her computer around so I could see: a photograph of a performing arts space on a little island up north. They were looking for a managing director. “We could do this together,” she said.

I was opposed to the idea. I’ve run theatres and theatre companies. For an entire era in my life, I seemed called to restore them when they were on the verge of collapse. This felt like a step backward. It would be the smallest company I’d ever worked with. It had obvious and ominous warning signs of rip tides and undertows.

However, I’ve seen THAT look in Kerri’s eyes a few times and I’ve learned that it is best to either get on the train or get out of the way. We interviewed. We visited. The first time we stepped into the theatre I saw something – beyond words – return to Kerri. She walked the auditorium like it was sacred space. She stepped onto the stage and fell deep into imagining. Life rushed into her. How could I oppose that?

Initially, we turned the job down because it made no financial sense. It made even less practical sense; we’d have to move on island for six months every year, take unpaid sabbaticals from other work. Kerri grieved. Literally. I could not understand the depth of her loss. To me it was yet another job with yet another non-profit that was cracking below the water line, which meant too many hours for too little pay featuring a bottomless to-do list and a board of directors resistant to patching the holes, let alone reconstructing a seaworthy vessel. Standard fare, par for the course, yada-yada.

Kerri wept. What was this about? The image of her walking through the auditorium, hands brushing the seats like they were magic blossoms, haunted me. “They’ll come back to us,” I told her, “no one else is crazy enough to consider this job.”

A month later they came back with an improved offer, still impossible but closer to feasible. They could find no one else that was crazy enough to consider the position. Love is a kind of insanity.

We took the job. That is how this love story began.

Yesterday was our final day on the job. Today is the day the story ends. In many ways it was exactly as my crystal ball predicted: a non-profit that was cracking below the water line, too many hours for too little pay featuring a bottomless to-do list and a board of directors resistant to patching the holes, let alone reconstructing a seaworthy vessel. I am a systems guy; the organizational system behaved like all systems behave. In our first 3 months we had 3 different board presidents. Big battles. No surprises.

Yet, my crystal ball missed the prediction in one very important aspect. The most important aspect. This was not merely standard fare. It was a love story. The incredible people we met, the adventures we shared, the mountains we moved, the dark starry nights, the ominous power of the lake, the deer, many lessons we learned…Kerri stood on the stage and fell into deep imagining. Everyday. Life rushed into her. Everyday.  This may be the day the relationship ends but we leave, she leaves, filled with new imaginings, her heart breaking, full of love for this magic space, brimming with life.

 

[Kerri made this as a parting note for TPAC]

 

 

read Kerri’s blog post about EXIT

 

 

sunsetonisland website box copy

 

 

 

Unfettered copy

 

 

Lose The Argument [on KS Friday]

in a split second copy

I’m losing the argument and it just became nearly impossible for me to make my case. My loss goes like this:

In the school of great ironies comes this latest and greatest entry: recently when Kerri posts her music to Facebook, the platform often pulls it down with a copyright claim.

Don’t yet see the irony? Let me unpack it. She composed the music. Recorded it. She formed a holding company to protect the rights of her music. No matter how you spin the legal rubik’s cube, she owns the rights to her artistry (as it should be). A social media platform is blocking her from using her music for copyright infringement on music that she holds the copyright. There is no customer service person to pick up the phone. All appeals go into the black hole of “email us and we’ll get back to you.” There is a bot with nary a mind in its matter or care in the world.

Wait. There’s more. We have, since we met, spent entire evenings surfing the web to find the millions of people who use her music (royalty free) to play beneath their home movies, their nature videos, their wedding collages, their graduation montages, the news stories, the documentary previews, moving baby albums. It seems anyone has been able to pull down and use her music without nod or consideration to copyright or royalty.

Over the course of her career, entities like Napster and Spotify and Pandora and Apple Music sprang fully grown from Zeus’ head. They play her music – paying her – dare I call it a royalty – of .000079 of penny for every play (that’s documented). She has well over a million listeners each year (that are documented). Had she any form of royalty and copyright protection -any at all – she’d be a very wealthy artist, indeed.

The argument that I lost? I’ve been nagging her incessantly to record the pieces that now grow yellow in her composition book. Some of her best work. Her generic answer is, “Why bother.” In the past year, my campaign was gaining ground! She was considering it. And then, in a split second, the last avenue where she could exercise a modicum of control over her artistry – locked her out from sharing her own music.

Irony. In a split second.

 

IN A SPLIT SECOND on the album AS SURE AS THE SUN  is available on iTunes or you can, like so many, get it almost anywhere you look (that’s facetious).

 

read Kerri’s blog post on IN A SPLIT SECOND

 

? website box copy

 

in a split second/as sure as the sun ©️ (though you’d never know it) 2002 kerri sherwood