Recognize The Art [on Flawed Wednesday]

The snow was too dry. My snowman fell apart when I put the head on. “It doesn’t have to look like a snowman to be a snowman,” Kerri said to cheer me up.

“Maybe it’s modern art!” I quipped, using my if-it’s-a-mess-call-it-art default statement. As I walked down the trail, away from my unsuccessful snowman, I wondered when incoherence had become included in my definition of art.

I am and have been these many months doing some soul searching and life review. Walking down our snowy trail I remembered working with a dying theatre company. The first step in restoring their health and vitality was to help them face a simple truth: that they made the “art” did not necessarily make the “art” good. In fact, the “art” could not be good until their criteria for “good” wasn’t about them.

The challenge with “art” in the modern era is that it is nearly impossible to define. For purely masochistic reasons I looked up the word ‘art’ in the dictionary and nearly fell asleep before I finished reading the definition. “A diverse range of human activities involving the creation of visual, auditory, or performing artifacts…” Artifacts? The last lap of the definition reads, “…intended to be appreciated primarily for their beauty or emotional power.”

Beauty. Emotional power.

Of course, the contemporary world is awash in conceptual art and I read in my dictionary that this form of art, dating back to Duchamp in 1917, “…abandoned beauty, rarity and skill as measures.” Bananas taped to the wall. Statements.

Beauty abandoned. No emotional power necessary. But still “art.”

Art is, I’m told by historians and other scholars, a mirror of society. It is reflective of the era in which the artist lived. What a society values is made apparent in their art. It’s true.

Art, I believe, has a power and purpose far beyond mere appreciation. It is more than a mirror. It generates identity. It pulls disparate individuals to a common center. It affirms connectivity. It awakens us – and provides access to – that which is greater than any single individual. It bonds. It affirms. It transforms.

I wonder if our art, often so unrecognizable, sometimes incomprehensible, dependent upon curatorial interpretation, not concerned with beauty or rarity or skill or any other discernible measure, is not the perfect reflection of us. Narcissistic. Statements. Each day I am, like you, met by a tsunami of stories in the daily news revealing our collective confusion, our collapse of values, a commons at war with itself fueled by leaders stoking division for personal gain. Bananas taped to the wall. It is – we are – in our daily tales – so conceptual – so void of beauty or rarity or recognizable skill or measure – that it requires an anchor/curator to tell us why it – or we – might have meaning.

And then, just when I wonder if we are hopelessly lost, Amanda Gorman stepped up to the mic. The one true test of artistry is that we know it when we see it. No curator necessary. We are, we were, for a moment, bonded together in a way that no politician, no historian, no concept will ever understand or achieve.

I see it alive in Mike, and David, and Mark, and Chris. It glistens every time Kerri sits at the piano or composes a poem. It is not a mess though sometimes skill meets a happy-accident and, like penicillin, something healing emerges.

When we are washed away into the annals of time, what will be our art-love-letter to the future? What legacy – and art is a legacy – will we leave behind? What will I leave behind?

read Kerri’s blog post about SNOWMAN

for kicks, Kerri made a Snowman mug. Go here to get it

Turn Around And Look [on KS Friday]

When we were at the other end of life, Roger and I often discussed the “bodies” of artists’ work. The overview of their lifetime of work and what it revealed. We speculated about what our bodies of work might someday reveal. He is, and always has been, singular, a director of plays, certain of his path. His body of work would be – and has become – the plays he’s directed and the actors that he’s instructed. It’s an impressive body of work. I am, as Horatio calls me, a polymath. My body of work has never been certain. As Roger knew with clarity the destination of his path, I knew with curiosity that I would be a wanderer. The path was and continues to be my destination.

In other words, I’m all over the map. It’s visible in my paintings. I dare anyone to make linear sense of my resume.

Tom Mck hired me because, in his words, I was a “Johnny Appleseed.” When he was old, he told me that he turned me loose in the schools to see what I’d stir up and also what I’d plant. It was one of my favorite “jobs” because it came without a description. I followed the fires. I found the need. I brought art and stories to hearts and minds grown arid from the pursuit of dusty answers.

Tom was a brilliant theatre artist and teacher. His body of work was immense. I was surprised, at the end of his life, when he told me that he rarely thought of the plays he’d directed. He believed his best work, the work that he most loved and defined him – his real body of work – was at the very beginning of his teaching career. He was assigned a 2nd grade class and had no idea what to do with them. So, his curriculum was to invent stories with them. They traveled the world as pirates, went on safari, designed and priced supply lists and mapped routes. Math and history and geography. For weeks they prepared for a day of being blind. What would they need to do to spend an entire day safely learning what it was to be without sight? Curiosity and discovery. Empathy. Inner and outer worlds. He ignited and followed their imaginations. Tom was a polymath, too. He was a Johnny Appleseed.

Today marks Kerri and my 156th week of consecutive posts. 3 years, 5 days a week. My wife is a poet and composer and pianist and teacher and singer/songwriter and recording artist and business owner and photographer and designer. A polymath. After breakfast each morning, we write. It occurred to me recently that my body of work, when all is said and done, will be my posts. I’ve directed many plays, performed many plays, written some really bad plays and a few good ones, consulted with corporations, performed stories at conferences and with symphonies, painted and shown paintings, written children’s books, taught and facilitated workshops and dug ditches and delivered warm bread to grocery stores. I started an experiential learning school, a diversity and inclusion training company, and coached people from all over the world. All of my wandering has provided a rich field of experiences to pull from, to ponder and reflect.

Sometimes (more times than I care to count) I ask myself, “How did I get here?” These days, in the pandemic era, I have plenty of time to look back on my road, on my body of work. “How” is a question that can only be answered after the fact. ‘How do we do it?” tops my list of most useless questions. How did I get here? What is my body of work? I turn around and look where I’ve traveled, where I’m from, and write myself into coherence.

where i’m from/blueprint for my soul is available on iTunes

read Kerri’s post about WHERE I’M FROM

where i’m from/blueprint for my soul ©️ 1997 kerri sherwood

Start Thinking [on DR Thursday]

“As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists, who are ever on the alert to oppose tyranny, ‘failed to take into account man’s almost infinite appetite for distractions.”‘ ~ Neil Postman, Amusing Ourselves To Death

Any day now I’m going to watch the 1976 movie, Network. It’s the film equivalent of a crystal ball to our current predicament. A veteran news anchorman loses it on air, threatens to kill himself, but instead goes on a full-blown rant. The network’s ratings skyrocket. An ambitious producer recognizes and exploits the opportunity by creating more and more outrageous programming. Fact falls prey to profitable fiction sold as truth. Ratings imperatives eclipse the north star of accuracy-in-reporting. Roger Ailes created his Fox News Network on the same premise; no veracity necessary. People like a good train wreck, just ask Jerry Springer. It is why the nation is so divided. The blues use news to sort out the lies; the reds use lies to siphon off the truth.

“Contrary to common belief even among the educated, Huxley [Brave New World] and Orwell [1984] did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley‘s vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.” ~Neil Postman, Amusing Ourselves To Death

Neil Postman wrote Amusing Ourselves To Death before Facebook and Twitter were glimmers in their inventors’ eyes, before the internet hit the personal computer, before multiple channels on cable networks. We have, as Postman wrote, an infinite appetite for distraction with nary a need for honesty. And, as we are witnessing, distraction has arrived in the halls of Congress. We’ve now a party in government that actively shuns verity and raises funds on peddling fallacy.

“When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience, and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility.” Neil Postman, Amusing Ourselves To Death.

We are a nation that finds itself at risk. In my post yesterday I wrote that I no longer wonder how a society can willingly and knowingly take itself down. We have front row seats. And yet, the road to our recovery is as simple (and as difficult) as a collective valuing of the truth over ratings or poll numbers or bubbles. We worship at the wrong altar. We are inundated with info-dross. We would be better off if ratings plummeted every time a pundit ranted, a politician bullied, or a commentator lied. We’d be better off if thinking, if fact-checking, was a prerequisite to posting or tweeting or speaking. We’d find ourselves in a shared center, a place of possibility built on a generous commitment to probity.

“For in the end, he [Huxley] was trying to tell us what afflicted the people in ‘Brave New World’ was not that they were laughing instead of thinking, but that they did not know what they were laughing about and why they had stopped thinking.” ~ Neil Postman, Amusing Ourselves To Death

read Kerri’s much more positive post on LEARNING FROM TV

Throw A Snowball At Poe [on Two Artists Tuesday]

With apologies to Edgar…

Read the real thing, THE RAVEN by Edgar Allan Poe

read Kerri’s blog post about THE SNOW CHAIR

Start Here [on Flawed Wednesday]

Let’s start here: a strange attractor. “Chaos has its own pattern, a peculiar kind of order.” This magical definition pairing chaos and order is from the good folks at Merriam-Webster. They provide definitions of words. Words are a collection of symbols, called “letters,” assigned to specific sounds which, when placed in a sequence, carry meaning. For instance, D-O-G points to something unique and different than, say C-A-T. A collection of words placed in a sequence carries even more complex meaning. Dogs chase cats.

Thought. Expression. It’s nothing short of miraculous if you think about it. And, if you are thinking about it, you, too, are a carrier of meaning. The symbols and their sequence are useless without me and you, reaching to each other, agreeing on the general meaning of the sequence of sounds. And, more to the point, we not only carry but we create meaning. With our magical sounds-in-sequence we are capable of generating the high art of story, the supreme gift of understanding each other. We can reach each other, touch each other, move each other. We can find each other with our words. We shape each other with our words.

From the chaos of all-possible-sound, to the pattern of word and alphabet, to the order of sentence, to the power of story. Anyone who tells you that they are not creative is missing the point of their existence.

I suspect the power of story is infinitely more powerful than we might realize. We take it for granted, this extraordinary capacity, this glorious gift. You’d think we’d have more appreciation for our high art of language, our transcendent ability of speech. You’d think we might honor and protect truth and fact. They are the compass, the map through the forest of all possible tales. You’d think we might use our most powerful accomplishment to find, or better yet, to create shared ground. Common good is an intention, a creation.

You’d think.

There’s a vast difference between disagreement, conflicting points of view, and lie.

The point of a disagreement is to find agreement. After all, single-point-perspective begins from two disparate points of view. It is a “coming together.”

The point of a lie is to mislead. To deceive. To create false impression. False ideals. To foster disagreement. It is a tool for exploitation. It is meant to render apart.

Because we so easily sequence our words, pattern our thoughts, we are capable of using our magic, our ordered language to create…order. We are also capable of using it to create chaos. Disorder.

To help. To hurt. To accomplish. To disrupt. It’s a matter of intention. The direction of intention. How do you intend to use your precious gift?

The real power comes when we learn to think beyond our belief. To question. To ask.

The first rule of education, an essential rule in shaping precious words into thoughts, into actions, is simple: check your sources. Make sure the story you’re embracing, the piper you are following, arises from a well spring of good intention. That it has an ethical center. Check that it seeks to clarify and reach rather than obscure and demonize. Check that your thought-house is not built on a lie.

Check your sources. Of information. You, too, are a source of information, so…check your sources.

With our most powerful capacity to pattern, to create, to think in words and sentences and stories, we can be a carrier of the lie-virus or we can be part of the cure. Reach or reject. It is our choice, through how we use our miracle words and language, what we agree to create together.

Let’s start here.

read Kerri’s blog post on AGREE

Feel The Change [on DR Thursday]

And, in one day, a single day, it’s changed.

In general, we like to write our posts a day or two ahead. This week, we knew that we wouldn’t be able to write Wednesday’s post until after the inauguration. The Capitol was a military zone. There were looming threats of attack and violence. In recent months, the chaos-of-the-day often left us feeling that we wish we’d have written something different.

And, that is precisely what changed. Mayhem flew south and stability was sworn into office. Good intention (with a recognizable plan) took the helm. It’s as if a cleansing wind blew through and, in a moment, swept away the dark corruption. The adults are back in charge. Poetry stood strong and tall and spoke directly into the heart of the matter. Suddenly, after years of numbing reduction, words mattered again. Vocabulary was restored.

As we reviewed the day I told Kerri that there is only one thing more powerful than a dark wizard and that is a good man. A good person. Good people (side note: I confess to blubbering a bit when Kamala Harris was sworn in. Sometimes change is very hard to see and sometimes – like yesterday – it is impossible to miss).

This morning, for the first time in years, I did not dread to read the news. The sun was shining. BabyCat found a good spot and crawled into the warmth and purred. DogDog chewed contentedly on his bone. We sat in bed sipping coffee.

“You can feel it, can’t you,” Kerri said. “It’s palpable.”

Yes. Yes I can.

read Kerri’s blog post about THE SUN

at the door ©️ 2016 david robinson & kerri sherwood

at day at the beach ©️ 2017 david robinson

Line Up Behind “They” [on Merely A Thought Monday]

When the world is just too much to ponder, one of our favorite bits of escapism is to catch an episode of Highway Thru Hell. Heavy rescue tow trucks working miracles clearing the highways of impossible wrecks. Flipping large semi-tractor-trailers, pulling them off of icy bridges and out of ditches. The physics of their work is mind-bending. Angles of lift, leverage, and thrust. Marvels of nuance in heavy metal. It is a symphony of paradox: crude meets delicate, tender masculinity.

On the surface, it seems an odd choice of wellsprings to refill our faith in humanity. But, every time we indulge in our flight from the news-of-the-day, I find myself whispering, “Unbelievable.” Not only do they willingly wade into impossible messes, they do it with a singular and clear understanding: they are serving a greater good. They are trying to open or keep open a highway. Connectivity. Commerce. Community. Like any doctor removing a blockage, they are servants to communal flow. I think that is why we visit them on the highway.

At the shop, they work out their pecking order. There is no lack of flexing muscles and man-drama. But, once they are called to a crash, all the “I” flees the scene. There are police, and flag people. There is traffic backed up for miles; each and every car and truck a person with a place to be. And the tow truck operators know it. They talk about it. Their service outruns their egos. They do not hesitate to call for help. They make choices based on the needs of others. The fantasy-world of “I” dissolves into the hard reality of “Us.”

In that hard reality of “Us,” you’d be hard-pressed to find a more thankless job. They work long hours in extreme weather. The conditions are dangerous and dirty. They clear the wreck, get back into their trucks, and move onto the next, with little or no thanks from the community they serve. Yet, they show up everyday. They take extreme pride in doing their work. There is a mastery that they acknowledge in the older drivers and strive to achieve it themselves. They learn from each other. They mentor each other. They celebrate each other.

They.

When Kevin, one of the tow truck operators, driving away from an exhausting job that took many people and many hours to complete, said with tired satisfaction, “There’s no ‘I’ in team,” I thought, that’s exactly why I escape from my highway thru hell to this Highway Thru Hell.

These Highway Thru Hell guys are plugged into the simple reality of existence. They know unequivocally that no one walks this earth alone. They know that their work on this earth, amidst the mess and chaos and dirt, is about keeping the flow going, and that requires an “I” that lines up behind service to “They.”

read Kerri’s blog post about NO I IN TEAM

Adapt Or Not [on Merely A Thought Monday]

One of Kerri’s 2020 photo series is of discarded masks. I thought it odd the very first time we saw a mask tangled in the weeds on the side of the trail. I also thought it odd that Kerri jumped to take a picture of it. “Things you never thought you’d see!” she proclaimed after capturing her image.

Over these past several months her collection of images has grown exponentially. She adds to it almost daily. Masks in gutters. Masks on sidewalks. Masks in parking lots. Trail side masks left dangling from branches. Masks in aisle 9 near the peanut butter. What was peculiar a few months ago has become normalized. “Another mask!” she says and kneels to take a snap. I barely notice.

A new normal.

I’ve read that homo sapiens are a successful species because of our ability to adapt to changing environments. I’ve also read that entire cultures have vanished off the face of the planet because of their (our) ability to habituate the extreme – that is, adapt – to behaviors that collapse their (our) environment. Frogs in a pot. Just watch what happens to a cohesive community when the well runs dry or the fuel source is exhausted. Just watch what happens as the planet warms and weather-weirding becomes more dire. Fire season never ends. Hurricane season stretches on and on – we adapt our system for counting them because there are too many for the old system to contain.

We are not the first homo sapiens to deny what is right in front of our eyes. Denial, after all, is a cousin to adaptation.

Pandemics rage. People travel en masse for the holidays with no regard to the appeals of healthcare workers or the pleas of the CDC. Individual rights exercised at the expense of neighbors lives. Homo sapiens are capable of denying that they are a social animal. It’s romantic, this illusion of cowboys going it alone. An intentional snub of greater responsibility. Peeing in the pool.

It-is what-it-is. A new normal.

Each day we pass people on the trail. There are two distinct groups. Those with masks who pull them up when they encounter others. And, those without. “People who don’t give a sh*t,” Kerri whispers. The dividing line couldn’t be more apparent.

“Things I never thought I’d see,” I say. After a moment, I add, “You should take out your camera and start a new series. People incapable of adaptation!”

“We’d have to get releases, we’d have to get their permission” she says, always the practical one. Then, cutting to the heart of the matter, she said, “Besides, they’re not that interesting. People who don’t care are sooooo much less interesting than people who do care.”

Adapting to new circumstances – wearing a mask – is an act of caring. “Yes,” I sigh, suddenly understanding her mask photo series. Lost or discarded caring. It’s ubiquitous. It’s normalized.

Somehow, I manage to find her mask series hopeful. Some truths, like kindness – like caring, are universal. The lost masks are evidence. The litter of caring is everywhere.

The ancient norms eventually float to the top. The heat of the fire always – eventually – wakes us up or brings us together. Or we boil. We collapse. We persevere. We divide. We unite. We take a new form. We evolve.

Everything is different now. Nothing new.

read Kerri’s blog post about BECAUSE

Story Your Light [on Two Artists Tuesday]

“A difficulty is a light; an insurmountable difficulty is the sun.” ~ Paul Valery

A newsflash from Captain Obvious: this has been a very difficult year. We’ve revoked permission to ask, “What else could happen?” because, in this year, something else always happens; something else climbs on the pile of the already insurmountable mountain of difficulties.

Robert Olen Butler wrote that a story is what happens when a yearning meets an obstacle. We humans love a good story of difficulties surmounted. There is great satisfaction when Luke Skywalker finally trusts the force, when Frodo returns the ring to the lava, when the underdog wins the race. We cheer when the skinny girl punches the bully, when the peasants rise and vanquish the brutal king.

The difficulty, the obstacle, evokes character. The difficulty also reveals character. This year of difficulty has revealed much about the character – and the lack of character – of our nation. Both/And. Healthcare workers run into the fiery jaws of this dragon-virus every day. With hospitals overrun, with numbers of infections skyrocketing, many of us ignore the pleas of healthcare workers to stay put, to avoid gathering, and fly off to play at Disneyland. Both/And.

In the arc of every great story there must be a loss. The difficulty has to win-for-a-moment in order to evoke the light. The obstacle serves as the catalyst for discovery. The discovery serves as the introduction to the next obstacle. Let’s face it, a life without difficulty is flat and void of tales. It’s a cycle of life.

It is tempting, when sitting in the belly of the whale, to think that the belly is the end of the story. It never is. It is the moment to weep. Yes. It is the moment to sit still and wonder what to do. Yes. It is the moment to run around in a last ditch effort to create enough belly-havoc that the whale burps you to the surface and spits you out to face the next obstacle, the next difficulty, that will someday become the story of ‘I didn’t know I had it in me.” The moment of greatest creativity. The Hail-Mary pass.

The story of your light – of our light – and how it came into the world.

read Kerri’s blog post about LIGHTS

Walk To The Fence [on Merely A Thought Monday]

“When people disliked each other or wanted to damage each other, they often did it through destroying the person’s harvest. This is the world of pisreoga.” ~ John O’Donohue, Anam Cara

Pisreoga is a Celtic term and lives beyond the reach of Google. It is ancient. The desire to do damage to others who are different or disliked is also ancient. Destroy their harvest. Define them as less than human. Erect obstacles to their participation or power. Starve them.

It’s exhausting.

In Rolling Stone, Wade Davis wrote these words in early August: “In a dark season of pestilence, COVID has reduced to tatters the illusion of American exceptionalism. At the height of the crisis, with more than 2,000 dying each day, Americans found themselves members of a failed state, ruled by a dysfunctional and incompetent government largely responsible for death rates that added a tragic coda to America’s claim to supremacy in the world.”

Four months on, now more than 3,000 Americans are dying everyday. Our death rates and infection rates soar while our government proves itself again and again to be dysfunctional and incompetent each and every day. Our citizenry is divided with several million growing fat on a diet of delusion and misinformation. Our insatiable hunger for misinformation – to believe the worst with nary a fact check or thought-stop – is our nation’s Achilles’ Heel. It poisons our harvest. Our gullibility poisons us.

What is going on? The world of pisreoga.

It’s a precarious community in which neighbors, out of vindictiveness, destroy each other’s harvest. No one thrives when no one can be trusted. Poisoning the neighbor’s harvest eventually – and always – blows back. All are poisoned. The harvest of a poisoned community is its unraveling.

That is what is going on. An emperor with no clothes. Red-hatted-screamers riding the Titanic of party loyalty all the way to the bottom; a nation goes with it. Oaths-of-office that mean absolutely nothing. Sowing the seeds of doubt and misinformation as a tactic to retain power. Useful idiots signing on to garbage lawsuits, undermining the very harvest they were sworn to protect, cheering for a bloated naked ego.

Pisreoga. A failed state. To obstruct. To do damage. To destroy the harvest rather than deal with the realities, rather than walk to the neighbor’s fence and say, “We have a problem. Can we talk?”

read Kerri’s blog post about WHAT IS GOING ON?