It Takes Some Courage [David’s blog on Two Artists Tuesday]

I woke up this morning with this song running through my mind:

Her Majesty’s a pretty nice girl, but she doesn’t have a lot to say
Her Majesty’s a pretty nice girl, but she changes from day to day
I wanna tell her that I love her a lot, but I gotta get a belly full of wine
Her Majesty’s a pretty nice girl, someday, I’m gonna make her mine
Oh yeah, someday I’m gonna make her mine.

It’s the last track on the Beatles album, Abbey Road. A 23 second ditty. I haven’t listened to the album in a decade. So, why was Her Majesty running amok in my dream life? I don’t know. The rest of the dream faded so all context was lost. It’s enough to make me “gotta get a belly full of wine”.

Sense-making is a product of context. For instance, this photograph of the sun piercing the clouds is nice but becomes much more meaningful when placed in context: we were under a tornado warning when Kerri suddenly grabbed her camera and ran outside. “Hope!” she said in response to my puzzled stare. Now, this is and always will be a photograph of unlikely hope.

Context is everything. For instance, the election-was-stolen-lie only gains traction in the red hat community if the context is ignored. Context: 62 lawsuits were brought contesting the results of the election and nearly all were dismissed due to lack of evidence. Liars routinely attempt to insert a fabricated context in place of an actual context. “The election was stolen,” is on the same eye-rolling-level as “The dog ate my homework!”

It only takes a question or two to pop the wildest fabrication.

Of course, one must first want to pop the fabrication.

We are witness to the greatest pathological liar of our times spinning new and fantastic contexts for his question-free believers. If the actual truth doesn’t match their group-hallucination they cry in unison, “Fake News!” Fake news is a go-to context akin to “The dog ate my homework.” It covers a lot of missing homework. It stops the most basic questions. It’s intellectually and spiritually lazy.

We are under a metaphoric tornado warning. I hold a small hope that a few of the red hats might one day wrinkle their brow at the outrageous baseless assertions they are fed and wonder if the dross they are eating is actually true. In that moment, it’s possible that they might ask a question or two. It’s possible they might seek context beyond the group-lie.

It takes some courage to ask questions, especially when it is unpopular to ask them.

It’s never too late to pop the fabrication of a pathological liar. It’s never too late to come back to your senses. It’s never too late to ask yourself, “What was I thinking?” It’s never too late to find your courage. I imagine it would feel like the sun piercing through threatening clouds.

An unlikely hope.

read Kerri’s blogpost about SUN THROUGH CLOUDS

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The Abdication of Answers [David’s blog on Two Artists Tuesday]

“Truth is a pathless land.” ~ Jiddu Krishnamurti

I confess. I’ve spent an inordinate amount of my life looking for answers. Mostly, the answers I sought concerned questions like “Who am I?” or “What’s my purpose?” I sought the answers as if they actually existed. Somewhere out there. I thought I’d find it if I kept looking.

“The whole of life, from the moment you are born until the moment you die, is a process of learning.” ~ Jiddu Krishnamurti

It took a while but one of the later versions of myself quite suddenly understood that there was no answer to find. There was a life to be lived. I might arrive at answers – if I still needed answers – on check-out day. And even in that passing moment, my answers would most likely be a learning experience. A discovery.

“Freedom from the desire for an answer is essential to the understanding of a problem.” ~ Jiddu Krishnamurti

On hot humid days we walk along the shore in hopes of finding a cool breeze. Our hot-day-walks are slow, ambling. Kerri stops periodically to take a photograph: the bamboo growing beside the marina, cornflowers in the community garden, a seagull atop a light post. We talk about what matters and what does not. The quiet river running beneath our conversation is the abdication of answer-seeking. We revel in the birds splashing in the birdbath, the first sip of coffee in the morning, the smell of onion and garlic sautéing…slow walks on hot days. Noticing a kindness. Answers are nowhere to be found. Presence is everywhere.

“When I understand myself, I understand you, and out of that understanding comes love.” ~ Jiddu Krishnamurti

Lately Kerri says, “I’m not all that. We’re not all that.” There is freedom found when perspective arrives, an undeniable truth in a vast, vast universe. We are passing through. Nothing more, nothing less. How we treat each other is on the list of what matters. Do we help or hurt others in the time we share together on our passage?

read Kerri’s blogpost about BAMBOO

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All But One [David’s blog on Two Artists Tuesday]

Is it about the subject, the seagull feather, or the overall composition? It’s a more relevant question than you might imagine.

Of note: another word for ‘composition’ is ‘constitution’. Framework. Anatomy.

Begin here: the Supreme Court just ruled on a question of presidential immunity. Was their ruling about the subject (presidential immunity) or the constitution (the framework that fundamentally defines our national identity)?

Hint: In school we learned to speak The Pledge of Allegiance. “…with liberty and justice for all.” With this ruling, with hands over hearts, the words spoken daily by children and adults alike must now be, “…with liberty and justice for all, but one.

In taking up the question of presidential immunity -a puzzling choice on their part at the outset since the answer to the question of immunity is already deeply imbedded in something sacred that every American school child recites by rote at the beginning of each school day – the Supremes altered the composition of our picture. The very constitution of our democracy. All, but one.

In his weekly newsletter, artist Nicholas Wilton writes that we must see our work as telling our story. With this ruling, the work of the Supremes, on our behalf, set course for a much different story. A fundamentally different composition.

When was the last time that you read and considered the power and import of the Preamble to The Constitution? “We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.”

We the People (the composition). All, but one (the subject). The Supremes reversed the subject and the composition: All but one is now the composition. Where does that leave we the people? It’s a more relevant question than you might imagine.

Hold your nose and say it with me: I pledge allegiance to the Flag of the United States of America, and to the Republic for which it stands, one Nation under God, indivisible, with liberty and justice for all but one?

read Kerri’s blog on Two Artists Tuesday

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Joy All The Way Around [David’s blog on Two Artists Tuesday]

Although he is mostly black, our Australian Shepherd, like most Aussie’s, is tricolor. In addition to black, he sports rich copper and white fur patches. His eyes are auburn, lively and penetrating. Again, like most Aussies, he makes great eye contact because is always on the look-out to be one-step-ahead of our next move.

One step ahead.

I grew frustrated when he was a puppy and we were attempting to train him to walk with us. He could not, would not, walk by our side. Instead, he pulled-like-a-sled-dog to be in front of us. He seemed impossible to train. And then, one day, on a walk in a forest preserve, we let him off the leash and he raced ten paces ahead of us. He was delighted and kept exactly ten paces ahead of us. The penny dropped in my slow-on-the-uptake-mind. His job, his very reason for being, is to clear our way. To keep us safe. It’s not something he thinks about or intends, it’s in his DNA.

It has become a source of great joy to open the backdoor and watch his delight, racing out in front of me to clear the yard of potential marauders. Taking out the trash has become one of my favorite things. My Dogga has my back. He has our backs. Being one step ahead of us is his job, his purpose, his reason for being. Our well-being is his well-spring of joy.

It’s funny to me now, how he has become one of my great teachers in the art of non-resistance. I thought I was trying to teach him to walk-on-a-leash and, in truth, he was trying to teach me how to better walk in life. How to get off my leash and out of my tug-of-war. How much better is life once I ceased trying to bend him to my will and learned to listen to and lean into his gifts!

This is what I’ve learned from Dogga’s teaching: there is joy all the way around.

read Kerri’s blogpost about DOGGA PAW

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Exactly The Point [David’s blog on Two Artists Tuesday]

Chris wrote that he was taking a break from Facebook. “I’ve spent too much time in this space.”

I told Kerri that after I was finished with my slow re-read of Amusing Ourselves to Death, for a while I was only going to read books that filled me with light. “I’ve had too much of darkness,” I said.

Walter Lippmann posited that “…distorted information was inherent in the human mind. People make up their minds before they define the facts…” In other words, we are more gullible and impressionable than we care to admit, and are too soon planting our belief-flags in the sand. In other-other words, fact checking is not a human forté. Gossip mongering is.

Kerri and I often walk arm and arm along the waterfront, an old-world evening constitutional, a stroll taken slowly enough to notice, an opportunity to say “Hello,” when passing neighbors and friends. More and more I think it an essential to regularly set aside those little screens that dominate our viewpoints, and clear our minds. Every painter knows that perspective is gained by stepping back. I can read streams of opinions all day long but nothing beats the affirmation of real community than a hot summer night, people sitting on porches and a neighborhood mosey.

Families filled the park. The cool breeze off the lake drew them to the shore. Barbecues. Children chasing balls and each other. A feeling of respite was pervasive. Laughter. Shared space. We passed two teenage girls sitting on a bench with a bucket of colored pencils between them, coloring their books and chatting.

The sky morphed from orange and blue to purple and pink. A single bird arced across the sky. “What are you thinking?” I asked.

“Nothing. Nothing at all.” she said. “I’m just enjoying the moment.”

I smiled, thinking, “Yes. And isn’t that exactly the point?”

read Kerri’s blog post about THE PINK SKY

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Yes. It’s Like That [David’s blog on Two Artists Tuesday]

I used to wonder how Emily Dickinson, living most of her life in the isolation of her family home, could write poetry so soul-expansive. Her world of experience was impossibly narrow yet her view into the human heart so broad and deep. I am no longer confused about the limitlessness available in a tiny garden. There is more life teeming in our small backyard than I can possibly comprehend.

It had been years since we gathered with the Up-North gang in our home. They commented that our yard was “zen”. It’s true. We’ve come to think of it as our sanctuary. A creation borne of Covid isolation, of necessity during the pandemic, we brought our full attention to the only place in the world that seemed safe. Our yard. Over long winter months, sitting at the black table in our sunroom, we stared into the backyard. We watched the patterns of the birds and discovered the nests of bunnies and chipmunks. We watched with awe the subtle changes of seasons and the play of light. We wondered how we could make our safe space more comfortable for us and amenable to the plants and animals. We dreamed. And slowly, throughout our isolation and beyond, we carefully attended to our peace-of-heart. Is it no wonder that we now adore sitting in our yard, daily trying to comprehend the abounding life within our eyesight?

Emily Dickinson wrote her poems from just such an expansive place. Lately I feel an affinity with her. More than once, lost in wonder, I have thought, “How can I possibly describe what I’m seeing and feeling?” I understand, like Emily, it’s not possible to capture, but isn’t that the artist’s job, the poet’s errand, to somehow express that which is beyond our capacity to grasp? To bring hearts and minds together through a poem or play or a composition, so we might together whisper, “Yes. It’s like that.”

read Kerri’s blogpost about THE ORB

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Turtle-Slapped [David’s blog on Two Artists Tuesday]

A turtle appeared on the path at just the right moment. As I like to say, our “jammies were in a bunch” and we were about to go over the edge and fall into a dark abyss of circumstance-dissatisfaction. We rounded the bend as our discontent began spiraling out of control, and then we saw the turtle.

Everything changed in an instant.

She cooed, knelt, and stroked the turtle’s shell. Not expecting a tsunami of affection, the turtle retreated into its fortress. But after a moment, realizing that this assault was indeed loving, it peeked and then poked its head out into the light. It slowly pivoted so she might get a better angle for her photoshoot. The turtle was a patient model and didn’t seem to mind her multiple-broken-promises of “Only one more, I swear,” as she continued snapping photographs.

We admired the orange markings, outlined in black, set in the field of green. “Gorgeous,” she whispered, tracing the markings with her finger.

After an appropriate visit, we left it to return to the marsh, and continued on our way. “What were we talking about?” I asked.

“I can’t remember,” she said, her prior frustration having completely dissipated. Mine, too.

In truth, we both remembered but no longer needed to grouse about what we could not control. We probably didn’t need to spin frustration tales to begin with. Thankfully, we were turtle-slapped into the recognition that what we needed most in our dedicated-exasperation was to slow down and appreciate our walk.

The wisdom of distraction. A turtle suddenly appears on the path at just the right moment…

read Kerri’s blogpost about THE TURTLE

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The Way Home [David’s blog on Two Artists Tuesday]

This peony-perspective begs to be the inciting image of a children’s book. I imagine the main character comes from a world where people are smaller than flowers. Where bumblebees are happy Ubers delivering their small human riders to distant neighborhoods when they need a lift. Where nature is magical, playful and esteemed.

Not all ideas make it to the final draft so it’s important to stack up the ideas and have fun with the images. The main character sleeps inside the peony. The Uber bees are chaotic fliers and one never knows where they land; in this world, destination is always a surprise. Spontaneity is the norm.

In this world where people look up to flowers, “Home” is everywhere for everyone – so people, unacquainted with ownership or territory, have evolved as intrinsically helpful. Generosity of spirit is a highly prized character trait. Survival is not of the fittest but of the kindest.

Hummingbirds know the secret of finding sweet treats, caterpillars know the secret of patience.

Since this storybook is evolving as a sweet utopia, it begs the question, “What’s the conflict?” Stories do not work without obstacles. The bigger the better. What is the lesson our main character must learn? What gets lost that must be found? Maybe our little person, like Adam and Eve, falls out of their garden? Perhaps an Uber bee unwittingly flies our hero/heroine through a magic portal, to a place where people are bigger than flowers? In a world that seems sad and upside-down, the question becomes, how does our little person, lost in the land of big, find their way home?

read Kerri’s blogpost about PEONY PERSPECTIVE

Bonus! Perhaps this amazing composition will be the theme for the animated version of the story book once it garners a world-wide audience!

The Way Home/This Part of the Journey © 1997/2000 Kerri Sherwood

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One And The Same [David’s blog on Two Artists Tuesday]

[Embrace of Life by Mimi Webster in the John Denver Sanctuary]

She shared a video posted by a friend: elephants drinking from a watering hole. The opportunity of a lifetime to see it. Yet, it is something that happens everyday if you live in that part of the world. The ordinary and the miraculous, one-and-the-same.

He wrote that he was helping his granddaughter move from college for summer break. His love was palpable. The task was nothing more or less than an opportunity for shared time. Time shared, nothing better.

We took a walk along the lake, my dear-friend, long lost and newly found. We were catching-up on missed chapters and yet talked as if we were picking up a conversation that we started yesterday, as if no time passed between our last meeting and today. In the telling we consciously wove together the rich tapestry of our friendship-story, the necessary sharing of triumphs and tragedies. All important colors on the palette.

“When was the last time we were here?” she asked as we crossed the bridge into the sanctuary. More than a few years. “So much has happened,” she whispered. So much. We are different than the couple who held hands and crossed this bridge in the past. We no longer swim against the current. The wisdom of exhaustion. She saw the sculpture, Embrace of Life, turned and threw open her arms, mimicking the pose and said, “Yes!”

read Kerri’s blogpost about EMBRACE OF LIFE

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Then And Now [David’s blog on Two Artists Tuesday]

Then and now.

The moment we knew we were going to Aspen, we looked at each other and said, “John Denver Sanctuary”. It is a special place. A place of peace and quiet in an angry noisy world.

We first visited The Sanctuary In 2016, the year after we were married. John Denver has always been an inspiration to Kerri. Simple. Straight forward. Positive. A bard who dreamed of a better world. In music. We found the monument stone that carried his lyrics to Annie’s Song, – a special wedding song for us -crawled onto the stone and Kirsten took our picture. That was then.

Nearly a decade later, a wedding brought us back to Aspen and to The Sanctuary. In the middle of May we walked the paths and stepped over the streams all by ourselves. No one else was there. We found Annie’s Song, set the timer on the camera, and scurried to the stone to get into the frame. Now.

We lingered there, talking of all that had happened in the decade between the two photos. So many stories! So much life! Who we were then. Who we are now. Who we are becoming.

And, as is always the case, remembering that the sanctuary isn’t just a place, it is also a way of being. We always have the option of bringing the sanctuary with us – being it. That’s what we hope for our becoming. In our artistry. It’s what we’ve always hoped for – then and now.

read Kerri’s blogpost about THE SANCTUARY

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