Unlearn And Step

Helping Hands.

Helping Hands.

I revisited an old journal this morning. I’ve been thinking much about power these past few days and I have a mountain of writing about power. This blog began as an exploration of personal power, the creation of power (power-with), confusing control with power (power-over), grasping power (fulfilling potential) or vampiring (drinking power from others).

Lately, I’ve been thinking that the question “how?” is a form of learned powerlessness. Most people (adults) are reticent to do something until they know how to do it. That’s backwards; no one knows how to do anything until they actually do it. Doing is a prerequisite of knowing how. As a coach I often hear the fear beneath the phrase, “But, I don’t know how…” Needing to know “how” stops all motion.

Children do not have this problem. The firewall-from-life called “how” is learned. Or, more accurately, it is installed. For instance, the other day when Craig and I walked passed the batting cages, he said, “Those things make me shudder. I totally, I have PTSD from those.” He was joking in the way that means, “I’m not joking.”  Shame is a lousy teacher. So is bullying. The message: there is a right way to do it and you better know the right way before you swing. Or else. Shame is a powerful action inhibitor. It is the tool of the powerless teacher. It develops in the student the necessity of knowing “how” prior to taking action. No one willingly steps toward shame or a bully.

The question, “How?” often functions as a form of premature cognitive commitment. It is how elephants are held captive by the weakest of strings. As infants, a strong chain is attached to one of the elephant’s legs and the other end of the chain is secured to a strong tree or stake in the ground. The young elephants pull and pull until they learn that pulling does no good. They stop testing the chain. They make a premature cognitive commitment to their restraint. They will never pull again. A simple string is all that is required to contain the elephant once it believes it has no power. The question, “How?” works just like the elephant’s premature cognitive commitment. Needing to know “how” before taking the step is a commitment to non-action. It is a belief in powerlessness.

On the other hand, to step without needing to know “how” is the equivalent of pulling on the chain. Pull, and see what happens. Transcending “how” is an act of power reclamation. The ability to step without knowing how is central to all vital artistic and, as it turns out, scientific, processes. Discovery precedes the necessity of “How?”

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Choose Your Path

A watercolor I call, "House On Fire." It's an unusual piece for me...

A watercolor I call, “House On Fire.” It’s an unusual piece for me…

I am still unpacking from my move. My sketchbooks and journals have been bound in plastic wrap since I hauled them across the country and then brought them into the house from the Budget truck in October. I cut the wrap this morning because I was looking for a sketch to give as a gift and during my hunt I found an old work journal. It was a gold mine!

I’m preparing to facilitate a workshop on The Art of Team and the notes I found were from a team I worked with a few years ago. This organization had a history of abusive leadership. There was a serious lack of trust within the group. It was a classic case of “everyone else is to blame and nothing is my fault.” Everything was territory that needed to be guarded and protected, especially personal value. Their individual worth as human beings was always in question.

Here are notes from our world-class conversation. This is what the team discovered as it waded into the swamp of its dysfunction:

The path of power splits, there is a fork in the road of power:

One path leads to the creation of power with others.

The other path leads to power over others; a path of taking from others.

The fork is defined by where each individual seeks their worth:

Seeking your worth based on others responses will take you down the path of needing power over others.

Finding your worth within yourself will open your way to creating power with others.

Here’s the point: it is impossible to change the group dynamic and create a cohesive team until you change yourself. Every dysfunction in a team can be traced back to this root.

In this sense, people never have problems, they have patterns (This is the first recognition from my book, The Seer):

Seeking your worth from others is a pattern.

Finding your worth within yourself is a pattern.

Seeking your worth from others patterns you to orient according to what you get from others.

Finding your worth within yourself patterns you to orient according to what you bring to others.

If you desire a functional team, cease seeking to solve your problem (seeking your worth in others eyes) and begin establishing a new pattern (find your worth within yourself).

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

 

Remember The Fire

this is the first painting in a triptych I did for The Creatures Of Prometheus, a performance I did with The Portland Chamber Orchestra. special kudos to Jen and Brad for housing these enormous paintings for me.

This is the first painting in a triptych I did for The Creatures Of Prometheus, a performance I did with The Portland Chamber Orchestra. Special kudos to Jen and Brad for housing these enormous paintings for me.

With the spring the storms have come. Brilliant blinding flashes of lightning followed by thunder that rolls and rolls for minutes without ceasing. Joseph Campbell once posited that the voice of the thunder was humankind’s first experience of the godhead; as I listen now to the sky roil and rumble, watching Tripper-Dog-Dog-Dog look for a safe place to hide, I am grateful to be inside protected from the god’s displeasure.

Last week I learned that the phrase, “blinding flash of lightning” was more than poetry. Kerri and I were taking our usual late night stroll. There were distant rumbles of thunder, but nothing close or threatening. The crack and flash seemed to come from nowhere. I ducked. Kerri screamed. It felt like we were inside the lightning rather than beneath it. The ground rumbled in concert with the sky. For blocks around us, car alarms whooped and beeped like Chicken Little. I imagined the cars were as taken by surprise as Kerri and I. For several moments after the flash, I was literally blind.

We were already running when sight returned, we laughed and squealed and kept our heads down as if that would make a difference. It seemed as if the storm was far distant one moment and on top of us the next. The sky spit hail. It rained for a moment. And, as suddenly as it was on us, it was gone. We stood still in the wake of the storms departure. I wondered if I’d imagined it except the parked cars were still sounding their alarms.

Once, when I was in high school, I hiked with a friend to the top of a peak. We were above the timber line and although I knew enough to be off the mountain top before the afternoon storms rolled over the divide, the thunder clouds came fast and we were caught in a powerful storm in a meadow just beneath the peak. It seemed as if we were literally inside the cloud as the lightning made the hair on my head stand on end. We wedged ourselves in a sitting fetal position between some boulders, and reflexively closed our eyes and covered our heads. Each flash sent a jolt of fear through me. I’ve rarely been as frightened or exhilarated as I was that day. The storm roared over the mountain top and descended into the valley. It was gone as fast as it came. It was awesome.

In one of the versions of the Prometheus story, Zeus charges Prometheus with the task of creating creatures for the sole purpose of worshipping the gods. Zeus wants the new creatures to be crude and stupid. Prometheus, instead, creates something beautiful and smart: humans. From clay, he sculpts a female and male form. Knowing that Zeus will never give life to his beautiful creatures, Prometheus steals the immortal fire, the lightning, and sparks the human hearts to life. To punish Prometheus, to keep his beautiful creatures from knowing their own beauty, Zeus introduces them to warfare, both the internal and external variety; he makes them doubt. He infuses them with fear. He makes it easy for them to focus on their ugliness so that they might misdirect their awesome power and forget the creative fire burning in their hearts.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Unbridle Your Enthusiasm

Tripper Dog-Dog-Dog's trophy collection

Tripper Dog-Dog-Dog’s trophy collection

Tripper Dog-Dog-Dog is tough on toys. He does well with hard rubber Kongs and rawhide bones but the stuffed animal variety haven’t got a prayer. We long ago stopped buying them for him. Even as a small puppy he’d make short work of anything that squeaked or resembled a creature. More than once, moments after giving him a new toy, I found him sitting happy and content amidst a nest of fiberfill with the empty body-shaped sack of toy remnant clutched firmly between his paws. Dog-Dog has several admirers who are unaware of his destructive talents and bring him stuffed animals as gifts. Like offerings to a high priests in days of old, Tripper graciously accepts their offer and removes to the backroom for immediate slaughter. For reasons I can’t explain, we keep the heads from his sacrifices. We use the heads as sleeves for our knife set or as wine bottle covers; it’s our own little version of Game of Thrones.

I’m learning much from master Dog-Dog. Lately his lessons are about faith and exuberance for the sheer pleasure of being alive. For Tripper, every doorway is an opportunity for bounding, every fence an opportunity for discovery. Even if he hopped at the fence 30 seconds prior, his return to the same spot is no less enthusiastic. He does not assume that he knows what he will find there, in fact, he assumes that the world is new no matter which way he looks. He does not blunt himself with notions of knowing like we bipeds. He is a four-legged master of beginner’s mind. If he had an inner monologue I’m certain it would be, “Oh my god, oh my god, oh my god,…”

During our late night pre-bed visits to the backyard, Dog-Dog routinely stops and stands very still (unusual behavior for an Australian Shepherd), and for several moments he listens. He feels the breezes. He smells the air. He checks in with me to make sure that I am standing firmly rooted in the present moment. When he is certain that I am present with him in his quiet enthusiasm for life, that I have given up all of my stories and distractions from the day, that I, like him, am breathing in the miracle of existence, revels for a moment longer and then lets me know that I am ready for sleeping. He turns and prances toward the house, satisfied with my progress and exhausted by the sheer wonder of it all.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go to Amazon for hard copies and Kindle.

Step Into The Pool

From my children’s book, “Lucy & The Waterfox.” This is what Lucy looks like when she gives up her dream.

Do you remember this phrase from Richard Bach: Argue for your limitations, and sure enough they are yours. I am a notorious eavesdropper and today, listening to the conversations, I think all of life is one long argument for limitations.

The wicked thing about arguing for limitations (I think to myself while eavesdropping) is that we rarely recognize that we are doing it. For instance, blaming others for our misery is actually an argument for limitation. Blaming is an abdication of responsibility, an investment in the notion that, “I can do nothing about that which bothers me.” Blame is an assignment of potency to everyone but your self.

I think all things worth knowing are paradoxical. Arguments for limitation are double-edged because they often also mark the boundary between safe and not safe. An argument for a limitation often looks on the surface to be a defense of the perimeter or an argument for safety. The fulfillment of a dream usually requires a step or two beyond the perimeter and who hasn’t dipped their toe into the pool of their big dream only to pull it back and refuse to wade into it. The shore is safe and known. Stepping into the dream pool never feels safe because the depth of the water is always unknown – and no one ever knows how to swim in the dream pool until they jump in. Staying safely ensconced in Plan B is a great disguised argument for limitation. It is a disguise that will always make sense; self-imposed limitations always make rational sense.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Stand Rooted

I awoke this morning with this phrase hanging in my dream space: you can’t control your circumstance but you have infinite control over who you are within your circumstance. It is a well-worn phrase for me, like an old sweater, relevant to much of the teaching, coaching and facilitation I’ve done. It is useful to remember when the hurricane hits or the job disappears or life seems to be a festival of obstacles. The ability to discern between circumstance and personal center is of great value. It is a skill that lives atop of Maslow’s hierarchy.

A work in progress: K.Dot & D.Dot See An Owl

A work in progress: K.Dot & D.Dot See An Owl

We have these words in our canon of health: centered, grounded, rooted, conscious, present…. They are all terrific metaphors, earthy with eyes wide open. Flip them over and you get a good sense of what happens when you confuse your self with your circumstance: off center, uprooted, ungrounded, unconscious, not here; up in the air with eyes squeezed shut.

There is a Buddhist phrase that I appreciate: joyful participation in the sorrows of the world. It is necessary to know the difference between self and circumstance to really grasp the meaning of this phrase. Life is going to bring you trials, tribulations, and lessons. You can never know what is just around the corner. As Kerri often reminds me, it is what you don’t know that makes you grow. So, when the storm comes, participate. Stand in it. Love life in all of its forms and textures.

So many times when working with business clients I’ve had to say, “Don’t eliminate the wolf from your story.” In the story of Little Red Riding Hood, the wolf moves the story forward. In fact, without the wolf, there is no story. In business as in life we attempt to protect ourselves from the wolf. We resist the very thing that can bring growth and renewal. Circumstance is often the wolf. The storm comes. The relationship suffocates. The wolf always creates movement where the energy is stuck. It is uncomfortable. It hurts. It is scary. Yes. So, participate. Engage. Be-with-it. Within the circumstance, within the storm, learn to stand rooted, centered: earthy with eyes wide open.

The circumstance will pass and you will remain. You will know more. You will have grown. This simple understanding, that you are separate from your circumstance, allows for the joyful part of participation. Joy lives at the choice point. The world is and always will have plenty of sorrows to help you grow. Things happen. The question is, “How do you choose to participate?”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

 

Smile In Secret

Taking the Sealy for a  test drive.

Taking the Sealy for a test drive.

I never had children so there are certain ritual passages that I’ve never experienced. In my life I’ve ushered a legion of other people’s children through various thresholds so it was surprising how Craig’s Facebook post today struck me. I saw him just last week. We had a late night dinner in Nashville, Indiana and I spent much of the evening secretly smiling. He was different. He’d made the passage and was standing firmly in his independence.

In his post today he wrote, “ And with that final, I’m officially a college senior.”

His passage, like all worthy passages, did not come easily. Nothing worthwhile ever does.

Last August, I helped him move to a new university. We packed the truck and drove out of state. Together, along with Josh, we carried his enormous couch and all the other stuff in the truck into Craig’s first-ever apartment. We helped him set things up and then he needed Kerri and me to go. He needed to be on his own. He needed to step into the unknown places and get lost.

Over the year I was witness to how he got lost, met a multitude of fears and frustrations head on, and how he stood in the fire with all of it. It shouldn’t have surprised me that it transformed him. I know how transformation works and yet this time I was somehow too close to fully see.

Over the year I’ve talked with Craig through the night and into the wee hours about socialism and the difference between a plan A and a plan B. We talked about sarcasm and life without having to push other people under water to feel powerful. We’ve talked about true power. We celebrated Thanksgiving and Christmas. On a freezing cold day in December we tromped through a farm and picked out a Christmas tree that I dubbed Satan because the needles were like daggers. I’m still finding those needles in my socks. We smoked cigars and he made a mixed drink for me called something I can’t remember (a testament to the potency of the concoction); it was awful. We laughed and drank it anyway.

I learned to play Apples to Apples when he came home for a surprise visit. We sat around the table into the wee hours with Pierre and Kirsten and Josh and laughed about anything and everything.

He inspired a week of posts when he asked me a single question and I suspect it will not be the last time.

Last week when he met us for dinner at Uncle Bill and Aunt Linda’s house in the woods of Indiana, I couldn’t believe the chatty, funny, informed, strategic, considerate man sitting across the table was the same boy I drove to college in August.

Craig’s post came on the day after I lost one of my champions: Bob. He was a man who made his own destiny and I think Craig will do the same. I wished that the new college senior had met the man who ushered me through so many of my life’s passages. They are cut from the same cloth. I wanted to write Craig and tell him, “You have no idea how many people are cheering for you.” I wanted to welcome him to the other side.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary,title_page Seeker, Learner, Leader, Creator…You.

Go here for hard copies.

 

Give Yourself Some Advice (3)

A younger version of myself rehearsing for The Creatures of Prometheus. The tats are fake!

A younger version of me rehearsing for The Creatures of Prometheus with The Portland Chamber Orchestra. The tattoos are fake!

[continued from GIVE YOURSELF SOME ADVICE (2)]

Here’s the third and final section of Horatio’s Advice To Myself. He sent it to me in an email last week. Horatio is one of my dear companions in art and artistry and I was so moved by his words that I asked him if I might post his thoughts. Were I still teaching young artists, this would be required reading:

Do not make work that attempts to control others. That is only advertising or propaganda and sustains no one. Make work that connects to others. That is sustaining. 

Do not make work that exalts yourself alone. That separates you from others.

Walking is good for you. Eating and sleeping are good for you. Loving is good for you. All those things sustain and heal you. Make your work like those other things. That kind of work is good for you, and for everyone.

Bragging is not good for you, or for anyone.

Never work in order to be famous or get rich. Never confuse your work with either one of those false goals, even though either or both may come your way.

Fame and riches are burdens and require a whole set of tools and abilities not at all related to the work that may have brought you fame and riches. No one but a very small minority of the rich and famous and a few visionary souls who are not rich or famous understand this. It may be the greatest false idol of human self-fulfillment of all time.

Time is the only asset that really matters. Value and prioritize it. You also need enough food and shelter, which usually means money. But enough is enough. That’s all that matters.

Having enough money for food and shelter is a necessity of doing good work. You have no choice but to figure something out. There are many paths. 

You will make bad choices. Learn from them. Forgive yourself so you can make other choices. Keep pursuing the real work.

You will waste effort and time. You will do work you don’t like. Everyone does. Try again.

All good work contains a discovery, something necessary for human life, even if it’s only that you need to drink water. 

All good work shows how we are all human, both you and your audience, that you connect, that you are the same.

All good work shows that it matters that we are all the same.

[to learn more about Horatio’s films or to read the complete Advice, visit www.Fidalgofilms.com]

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

 

Give Yourself Some Advice

Horatio as a young man

Horatio as a young man

A few days ago I received an email from Horatio. He is an amazing filmmaker and gifted visual artist. We’ve wiled hours and days away talking about art and acting. He’s a treasure. His email was advice that he wrote to himself, the artist (what a great idea!) and with his permission, over the next three days, I will share it in segments. If you are impatient and want to read ahead, visit his blog or take a gander at his work at www.fidalgofilms.com. Here’s his email with the first portion of his Advice To Myself:

The evening after screening The Bath at Taos Shortz Film Festival in March, 2014, a very adept interviewer with the wonderful name Tamara Stackpoole (straight from Downton Abbey or Jane Austen?) asked if I had any advice to emerging filmmakers. My answer, as I recall:

“Let your teachers go. Just tell your own truth. Learn the craft – setup and payoff, three-act structure, and so on – and learn it well. But then let it go and tell your own truth, your vision. You’ll know it when you see it.”

When I woke the next morning, I realized that I had a lot more to say, and that it amounted to advice to myself. It follows:

You only can control yourself, which means your choices. You cannot control anything else.

Choose ethically, you will regret anything else.

The foundation of ethics is to respect others. Treat others as you wish to be treated. Be humble. Pride is the foundation of all the deadly sins, according to Dante and his mentor Virgil.

Your work is the essential ingredient of your life, an expression of your choices, your ethics. 

Connection to others is the essential mechanism of ethics.

A reciprocal connection of human to human (parent/child, student/teacher, artist/audience, friend/friend, or lover/lover) is the basic means to give yourself to others and to receive from them, to further yourself and others.

You will always be learning and practicing that kind of connection. You will never be finished. 

[to be continued]

Prompted by Horatio’s inspiration, I’ve started writing my version of Advice To Myself. It’s a great exercise and amounts to yanking the blankets on what matters to you. It begs the question: what will be your legacy? What might you write to yourself?

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

Let’s Dance

from my cartoon series, FLUB

from my cartoon series, FLUB

[This is a response to my dear friend who believes he will someday be worthy to call himself “artist.”]:

There is a trap that every artist must negotiate: the mistaken notion that “artist” is something you achieve. “Artist” is something that you are (and every child is an artist, wouldn’t you agree?). Art is an exploration of life. Some of the greatest artists in history had no training and no experience. They, like you, enjoy playing with various colors and never followed a textbook or a guideline because art doesn’t happen in textbooks and the only guideline that ultimately matters is in the heart of each individual artist. Art is an exploration. It is a relationship with the mystery.  It is not a prescription. There isn’t A WAY to do it. There is your way. And my way.

Art is an engagement with something intangible and if it is life giving to you, that is all that matters. It gives you life and you bring it to life and that dance of giving and bringing life is the work of the artist. The viewer will never see what you see because they do not have your eyes or your life experience or your heart. They will see what they see and interpret it according to their life-filters. Some people will love your work, some will hate it, most will be indifferent – and that has nothing to do with you. You can’t (nor should you) determine what they see. A painting or photograph is like a doorway: the viewer can step through or not. They can choose to engage or not to engage and you have no power over what they  do or see or feel or think. And, it is vital that you understand that because the notion that you can control what they think is the very thing that leads you to believe that you must pass some credibility test to be deemed and artist. When a viewer engages with a work of art they cease to be a viewer and themselves become an artist. Engagement with art is never passive; it is creative. They enter their own dance of creation. They become creators. Yours is to offer the doorway, not to push people through it.

In truth, the shadow side for the artist in trying to control what other people think is that they give away the essential thing: what they think. Why assign to other people the responsibility for your identity as “artist.” If they like your work then you are an artist? If they hate your work then you are not? You can either serve your heart (art) or please other people but you cannot do both.

I’ve coached a legion of people who set up great studio space for themselves and then never go into it. People are great at creating separation from what they want. They can get close to it (set up the studio) but fear stepping into it (picking up the paint brush) because the act of making art is the act of releasing control. It is to offer without condition. It can be a scary thing to give voice to what you see. It is vulnerable to show your heart to the world. It is only scary until you own it and get out of the trap of valuing other people’s point of view over your own.

Another form of separation is to say, “I will be an artist when I sell my work.” Selling your work does not make you an artist. Making art is what makes you an artist. Acceptance does not make you an artist. Making art is what makes you an artist. 10,000 hours in the studio will make you better and better (meaning freer and freer to express) but it will not make you an artist. You are an artist in the first hour and an artist in the 10,000th hour because you are exploring your relationship with life. You might have better mastery of the tools in the 10,000th hour but “master of tool” and “artist” are two distinctly different things. The  artist uses the tool, the tool does not define the artist.

You have the courage to go to your studio and get lost in an exploration of life through image and color. You lose all sense of time because your relationship with the mystery is pure. And, in the end of the day, who cares if anyone sees you as an “artist;” who cares if you see yourself as an “artist.” All that matters is that you enter that sacred studio place and open yourself to the mystery and say, “Let’s dance.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies and Kindle (Amazon)