Color It Red [David’s blog on Not So Flawed Wednesday]

Red is the color of anger. Unless it’s not. It’s also the color of Santa suits and fire trucks. It’s the color of embarrassed cheeks, burning bushes and carpet pathways for the glitterati when bubbling with the anticipation of receiving an award. Red is associated with the base chakra. It’s the lowest vibrating color-energy on the spectrum. It’s easy to see. Male cardinals want their perspective mates to see red.

Red is the color of fall. And orange. And yellow. We walk toward it on the trail. Sometimes it’s too much to comprehend.

Horatio just told me of a trip he took through Canyon de Chelly. Red Rocks. He told me that he always feels that something is “right” when he’s there. Like humans and this big universe belong together. Timeless. Ancient. Mystical. Impermanent. Not separate. Red is the color of belonging.

That’s how I felt standing before this sumac. A staghorn sumac on fire with the season. My only purpose: to appreciate. To witness. Red is the color of awe.

read Kerri’s blogpost about RED SUMAC

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Can You Imagine? [David’s blog on Not So Flawed Wednesday]

Like the leaves on a tree. We bud, grow green, vibrant and strong. We are not disconnected from the seasons. Colors change. We shine and become translucent. Brittle. And then, the strong wind blows.

I am not religious but I’ve had a life-long love of story so I’ve spent too much time walking among religious metaphor. Stories that are meant to guide us through the changing terrain of life somehow get lost-and-confused in a literal translation. A universal life-map is reduced to a territorial marker, us-and-them.

Spend enough time in many traditions – as Joseph Campbell did – and it becomes apparent that the characters in the stories might be different, but across cultures and systems of belief, “…all paths lead to the same destination.” [Bhagavad Gita…and others]

In the Christian tradition, today is All Saints Day. Tomorrow is All Souls Day. Though, the hinge word is “all.” They do not celebrate all; they celebrate only the saints and souls within the faith.

Standing beneath the luminous tree, the leaves lightly shaking in the cold autumn breeze, I wonder if it is possible for humanity to wake up – or progress – and celebrate the All. I’m an idealist so it’s not hard to suss out where I stand. Wouldn’t it be grand if for a day we could pause our many wars, put down made-up divisions, and celebrate all souls? Can you imagine? “Let’s fight again tomorrow, but, for today, I celebrate you, soul-to-soul-as-one-soul.”

All souls sacred. Like leaves on a tree.

read Kerri’s blogpost about THE LEAVES

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Mark The Way [David’s blog on KS Friday]

We are avid late-night-watchers of people hiking trails or climbing mountains. Some time ago it occurred to me that, even in the remote wilderness, there are known paths and helpful trail markers. The markers may be official park service trail signs or they might be cairns or sticks placed on the ground in the shape of an arrow. “Don’t be fooled,” the arrow signals, “The trail is this way.” People who came before helping the people who will come behind.

Most of the hikers and climbers also have help from satellites. They carry gps to illuminate the trail, provide elevation data, locate water sources, and weather information. It’s nothing less than remarkable the plethora of information available to someone strapping a pack on their back and stepping into an adventure. They are beholden to the people who came before who thought long and hard about ways to make the journey easier.

And, these same plugged in hikers pass it forward, mostly, through acts of courtesy toward people they will possibly never meet. They do their part to help the people who will come next. They cut brush from a trail. They re-stack the cairn stones. They pick up trash as they go. They reconstruct the arrow after the wind moved the pieces. They invent better markers, some from outer space.

I think we watch them because of the culture that has evolved on the trail or on the quest to scale the mountain. They give us a dose of hope for humankind. They know without doubt that they are stewards of the path and of those who walk the path. They live from a dedicated personal responsibility that is not in opposition to a group responsibility. They are their own and their brothers/sisters keeper.

There are trail angels that show up in unlikely locations with hot food. There are angels that leave water caches in the desert without which the traveler would not be able to reach their next destination. Their purpose is to make the passage easier for others because others have made the passage easier for them. It is not a difficult concept to grasp.

A culture of support. It’s why, at the end of each day, we check in with the people on the trail.

you hold me/this part of the journey © 1997/2000 kerri sherwood

Kerri’s albums are available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blog about TRAIL LEAVES

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Color It Orange [David’s blog on Two Artists Tuesday]

I’ve read that orange inspires creativity and provides a lift to people’s moods. I saw the orange-effect in action on the trail. The moment she saw the sun illuminating the orange leaves, she gasped, giggled and raced toward them with her camera. “Look!” she exclaimed. “They’re glowing!”

She wasn’t exaggerating. They were glowing. Brilliant and warm. They looked like sacred flame dancing on the end of the branch.

Yesterday I wrote about gratitude. Intentional gratitude as opposed to the spontaneous variety, though these days, the intentional and spontaneous are blending together like watercolor on wet paper. Sunset yellow and red mixing together to make mind-blowing orange against purple sky. Mood lifts. Creativity sparks.

I’ve come to view all art forms as expressions of gratitude. Kurt Vonnegut wrote, “Practicing an art, no matter how well or badly, is a way to make your soul grow.” I believe soul growth is the purpose of art and one cannot grow their soul without also experiencing intense gratitude.

Standing on the trail, watching the enthusiasm of Kerri’s flame-orange-photo-shoot, I decided the color of soul growth is most likely orange. She couldn’t see it, but the sun streaming through the leaves bathed her in vibrant shades of orange, making her part of the sacred-flame-dance.

Martha Graham would have loved this moment. “Soul growth,” she would have whispered enthusiastically, jumping to join Kerri in the ancient dance.

read Kerri’s blogpost about ORANGE

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Scratch The Soil [David’s blog on DR Thursday]

For some reason this photograph reminds me of Andrew Wyeth’s great painting, Christina’s World. The landscapes are not remotely the same. His Christina pulls herself through dry grasses on the coast of Maine. Kerri’s photo is of a cornfield in Wisconsin. But there’s something similar about the spirit. Maybe it’s the starkness? I feel it in my belly, an inner quality to the outer image.

There is something willful about corn. In the cliff houses of the Anasazi, archeologists found corn. We take it for granted. Since we can purchase butter lettuce grown hydroponically we forget that there was a time when cultivating food was a new experience. A new relationship with the mystery. It’s the reason people worshipped the corn. It’s like an old joke: it’s not the corn, stupid, the worship was with the relationship to the mystery. It’s never about the form. It’s always about the relationship. A lesson we moderns have yet to learn. The joke continues to be on us.

It’s the same lesson that every artist learns and relearns. It’s not about the painting, the final image. Andrew Wyeth’s painting was not about Christina. It is his reach into the mystery. He must have touched something because his painting opens the mystery to us.

Standing before a blank canvas is like the Anasazi scratching open the soil, the wonder of the seed. The planting of the corn. The promise of nourishment.

read Kerri’s blogpost about CORN

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Have Second Thoughts [David’s blog on DR Thursday]

A comment on how my brain works: I saw this photo and thought, “This is a record of a life path.” What? Where did that come from?

Note: I didn’t think “My life path.” My random reflection was in no way personal. Though, to be perfectly honest, I am only familiar with one life path and it is mine. This jumble of hose, running this way and that, lines running over and under, does vaguely resemble my movement in the world. Or a freeway interchange as seen from the air.

Note on the note: No life path is straight. Circumstance has a way of making lines into loops. Growth has a way of revealing side paths that surprisingly become main roads. Yes, I’m making the assertion that a straight life path indicates a boring-no-growth existence. It would be an excessively mean assertion except, to reiterate, no life path is straight. Loops and surprises. Forces beyond control, leading to the wild eye-and-heart-opening recognition that very little is under our control. Fantasies fall revealing a life that shimmers in its day-to-day-ness as it spirals uncontrollably through the universe.

My second thought: “This reminds me of a Jackson Pollock painting.”

Another comment on how my brain works like most other brains: Second thoughts usually make more sense than first thoughts. That’s the key to sense-making: second thoughts respond (or recoil) from the nonsense of first thoughts.

A note on first and second thoughts: It’s best not to give voice to first thoughts. Wait for the second, more sensical thought for show-and-tell. Editors are involved. You’ll have more friends that way. Also, the authorities won’t need to lock you up. So, forget what I said about life paths and selectively remember my second thought about Jackson Pollock.

Remember: I warned you. This is how my brain works.

[I wish you could see Kerri’s eye-roll as I read to her this post:-) ]

read Kerri’s blog post about THE HOSE

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Burst [David’s blog on KS Friday]

If there is a metaphor for Kerri and me, it is this. A seedpod filled to bursting, ready to release into the world an abundance of the new.

We write more than most people care to read. I’ve calculated that, at this point, we’ve written the equivalent of ten full length novels. We have readers all over the globe – yesterday someone in Mongolia showed up. “Why would someone in Mongolia want to read what we write?” we asked, delighted. No matter. It’s what happens when you love what you are doing.

Yesterday, in a fit of no-duh, I reformatted the Smack-dab page on our site so it might be readable (I’m not sure what took me so long…) and I was astounded at our output. I fell into it. Smack-dab joins the comic canon of Chicken Marsala, Flawed Cartoon, At the Door, Flip, and the KnowNow series.

We love to share what we love. Sometimes I see-just-for-a-moment that our ordinary is extraordinary.

We have the third of Beaky’s books to produce. Kerri’s written a children’s book that someday she will allow me to illustrate. I have new ideas every day that get written on slips of paper and tossed in a bin called Someday.

Our Roadtrip is ready to roll and join The Lost Boy in our canon of plays performed together. I am working on a draft of a new play that I’ve been thinking about for years. I allow myself an hour of space away from the job hunt to write or work on a scene. One scene a week. I’m awaiting the decision whether or not my Last of the Old Gods will be rescheduled into the PCO season. It’s a timely story. It needs performing and I need to perform it.

Kerri stares at her piano. There is so much more music to make. I know it. She knows it. I can personally attest to the fact that some of her best vocal pieces have yet to be recorded. I am the sole recipient of such riches.

Each day I stand in my studio and close my eyes and feel the pulse. There are so many more paintings to paint.

Years ago, Joyce, staring wide-eyed into my future, said to me: You express what is true. You reach people through their hearts. You help them to believe.

It’s not a career. It’s an imperative. Seedpods. Ready to burst.

That Morning Someday/The Best So Far © 1995/1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SEEDPOD

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Let It Run [David’s blog on DR Thursday]

Following the heavy rains, the mushrooms appeared. They came in all shapes and sizes with colors ranging across the spectrum, yellows and reds, taupe and black.

There’s something other-worldly about the mushrooms. They seem like alien creatures. Like cicadas, living deep in the soil until one auspicious day, when the conditions are just right or their inner imperative whispers, “Now,” they step into the moist air, appearing as if from nowhere.

Some look like a colony of creatures on the march. Some look like gnome condos. Some take impossible architectural shapes, sound receivers listening to the pulse of deep space. Some form a perfect circle, a commons of strange beings.

Mysterious and intelligent, ancient and earthy, they appear magically and disappear just as mysteriously. Fungi,”…genetically more closely related to animals than plants.”

“What is that?” she exclaimed, pointing at the huge orb reaching above the grasses. “It’s a mushroom,” she gasped. “Can you believe it?”

Imagination runs wild.

Earth Interrupted III, 48x36IN, mixed media

read Kerri’s blogpost about MUSHROOMS

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See The Bounty [David’s blog on Not So Flawed Wednesday]

I doubt that our bird feeder experience is different than most people. The chipmunks and the squirrels get most of the bounty and the birds play clean-up.

In another life, were I to aspire to be an acrobat or gymnast, I’d study the amazing antics of chippies and squirrels. They scale the impossible pole. They leap the impossible leap. And then they fill their cheeks to bursting, kick gobs of seed to the ground, and fling themselves – fully loaded – into space and somehow catch a limb or bit of fence and escape into the great unknown. They are fearless.

The birds alight on the feeder, too, but mostly they find their fortune on the ground.

Over the summer, directly beneath the feeder, corn plants appeared. We let them grow for a while. I confess, the corn made us smile. “We have corn!” we’d giggle at the absurdity even though the origin was obvious. Apparently we are easily amused.

And then the corn plants sprouted across the yard. A stalk grew right next to Breck-the-Aspen-Tree. And then we found a few lively plants pressing through the tall grasses in the front yard. We’d unintentionally set into motion a small-sample-experiment of corn migration as carried by birds and mini-beasts.

Across many cultures, corn has long been a symbol of prosperity and representative of the cycle of life. It’s easy to understand why. The fields are magical places. In our film mythos, baseball teams of yore emerged from the corn, bringing good fortune to the family that built a field on their farm. Giver of dreams. Fulfiller of hope. Ancestors return to the corn.

In addition to the summer of the bunny and the surprise frog-named-Hope, this is the summer of corn-on-the-move. As the leaves begin to turn, as the harvest comes in, we take comfort knowing that we are surrounded by so many symbols of plenty.

read Kerri’s blogpost about CORN

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Lay On Your Side [David’s blog on Not So Flawed Wednesday]

“We are fragile creatures, and it is from this weakness, not despite it, that we discover the possibility of true joy.” ~ Desmond Tutu, The Book of Joy

The heart-leaf lay on its side. Light peaked through its cracking surface. I was afraid to touch it lest it crumble in my fingers.

Only a few short months ago it was vibrant green, connected, durable. It’s destiny was -and is – as certain as mine. My surface is beginning to crack. Only a short time ago I felt myself vibrant. I thought of myself as indestructible. I am, and always have been, on my way to brittle.

It is this very fact that reminds me to slow down, to turn and feel the sun on my face. It is my limited time on earth that prompts me to lay on my side on warm grass so I might see the full beauty of the delicate tilted heart. To feel the warm hand that squeezes mine.

read Kerri’s blogpost about HEART

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