Taste The Sound [on KS Friday]

To walk through the exhibit was like taking a stroll through time. For Kerri, it was a design-stroll through her ancestry. Scandinavian Design. Her roots reach into Finland and Norway. 20 and I tease her that when these un-united united states implode, she’s our ticket to Finland. “People are happy there!” 20 lobbies. I nod vigorously to no avail. She is proficient at ignoring our expat-fantasy appeals.

We rounded a corner and Kerri stopped, gobsmacked, as if suddenly in the presence of the holy grail. “Marimekko,” she whispered. On the far wall, hanging as a tapestry, was a large bolt of bold red Marimekko floral fabric. “I love Marimekko,” she sighed, approaching the bolt slowly, reverently.

“What’s Marimekko?” I whispered to 20.

‘Philistine!” 20 hissed in mock-disgust at my fabric-design-ignorance. He pointed at the bolt. He popped me on the head.

“Don’t you just love Marimekko,” Kerri turned to me and sighed. I nodded vigorously.

“I do. Yes, I do.” Apparently, vigorous nodding is one of my better skills. I made a mental note to add it to my highly ineffective resume.

“Hey!” 20 perked up as he read the placard, “Marimekko is Finnish!” Looking at Kerri he suggested, “If we moved to Finland, you could work for Marimekko. In Finland! You’d like that! Wouldn’t you like that?” he asked and looked to me for support.

I nodded vigorously to no avail. So, I turned my attention to the brilliant bold red bolt of fabric, seeing it for the first time. “Wow. That is cool.” I said, absorbing the color and design. “Plus, Marimekko is fun to say.”

20 and Kerri glanced at me and said in unison, “Philistine.”

Seizing the opportunity to nuance my newly discovered skill, I nodded vigorously, tasting the sound, “Mar-i-mekk-oooooo.”

these are the ties/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about MARIMEKKO

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See The Best Of Good Things [on KS Friday]

The world does not stand still for anyone. When Craig led us down into his studio I felt as if I was living a fable by Aesop. The same technology that essentially crashed Kerri’s career is now making Craig’s musical genius possible. Is it a good thing or a bad thing? “Well, that depends,” says the farmer to his fate.

I was witness to best of good things: the son, a consummate musician, sharing his artistry with his mother, a consummate musician. Craig showed Kerri how he creates EDM, electronic dance music. Layers upon layers of sound mixed and altered through digital magic. EDM is his passion. He comes alive when he talks about it.

EDM was not possible 20 years ago. Watching Kerri and Craig play in the studio together I remembered something that Kerri once said: “I feel like I was born 10 years too late.” Mourning the rapid change to the music industry, brought about by the advent of streaming services, she felt as if “her time”, the music that she most understands and resonates with, was the wave just in front of her. Analog. No acrobatics. Soulful. Her star was rising just as her business was washed away in the raging digital stream.

The music remains. It’s everywhere, available to anyone, anywhere. We regularly come across her pieces used in commercials or underscoring everything from tiktok moments to youtube tributes. She’s popular. She’s just not paid.

If she was born 10 years too late, then Craig was born right in his zone. Digital complexity. Fast-moving, multi-layered, the music of emoji attention spans. It’s thrilling, a sensory assault. Strategic and improvisational, both. Trance music for urban dwellers seeking a drumming-dance path to transcendence.

And, in the end, the essential eclipsed the gap of music styles and time: a mother who infused music into her son was elated as he, now a musician in his own right, immersed his mom into his music. It was thrilling to witness. A moment in rushing time. Ancient passage in a contemporary mask.

read Kerri’s blogpost about THE STUDIO

unfolding/as it is © 2004 kerri sherwood

Kerri’s albums are available at iTunes and streaming on Pandora and iHeart Radio

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Sail Anew [on KS Friday]

It’s hard to know what to believe. For instance, each day I cross paths with an advertisement showing me what to do if I experience tinnitus. The ad is muted so what I see is a smiling woman yanking repeatedly on her earlobes. And, each day, I think the same thing: this has to be some trickster-ish plot to get masses of people to pull on their ears. Invisible theatre worthy of the great Augusto Boal. I’m considering jumping on the city bus, taking a center seat, and without comment, begin tugging my lobes. I’ll either clear the bus, make friends or, in these United States, most likely be shot by an armed citizen whose only answer to the unknown is to shoot it. I suppose that sounds cynical but we citizens of the U.S.A. are living proof of the adage, “If a hammer is the only tool in your toolbox, then everything looks like a nail.” If a gun is your only solution, you’ll kill a teenager who accidentally pulled in your driveway or shoot someone who mistakenly knocked on your door. We read about it everyday. Every single day.

There’s another ad I appreciate appealing to people to check-the-facts before forwarding or liking what they read. “We are awash in misinformation…” it warns. “Amen, advertisement!” I cheer, “What took you so long?” With so much mis-info-noise ringing in our ears, we either need to regularly check what we hear or smile and yank our earlobes. My theory is that yanking our lobes will occupy our fingers so we can’t like or forward info-dreck. By-the-way, the statistics on gun deaths are easy to check. No one is making up the story of neighbors killing neighbors rather than talking to them. Of course, in one horrific case, a neighbor killed his neighbors because they talked to him. Sometimes the factual stuff is so disturbing it’s better to yank on your ears than consider how out of control it’s all become. Our elected officials are certainly yanking on their ears to make our noise go away.

My hope? My fantasy? We are trying to bust out of our cocoon. A caterpillar transformed can’t know it has become a different critter until it breaks out of its hard protective shell. Escape from a cocoon is not an easy process. It looks ugly. It’s not meant to be easy. The difficult cocoon-exit is essential for the next stage of butterfly survival and thriving. An arduous rebirth is necessary for the caterpillar to fulfill its transformation. Flight, an utter impossibility prior to the protective cocoon, the next part of the story. The fulfillment of possibility beyond imagining. Maturity. Wings dry while the butterfly catches its breath following the struggle. And then, the newly-minted butterfly takes its first step off the branch, releasing the old story, and sails anew into the world. Or, sails into a new world.

A new world. People protecting each other as civilized people are meant to do. All grown up. Listening. A bag full of tools for every situation. No guns needed. No longer a necessity to yank on its ears.

taking stock/right now © 2010 kerri sherwood

Kerri’s albums can be found at iTunes or streaming on Pandora or iHeart Radio

read kerri’s blogpost about BUTTERFLIES

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Tip The Cup [on KS Friday]

“We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.” ~ Ray Bradbury

My grandmother famously hid a horse in her kitchen when the truck from the glue factory showed up to take it away. What makes that story remarkable to me is that my grandmother was 4’7″ tall when she stood on her tiptoes. Although her physical size was diminutive, her spirit was grande.

Another detail of the story that confounds me: from the backdoor, there were stairs up into her kitchen. And then a hard left turn. It was no small feat getting a horse into the kitchen. Sometimes I ponder what it must have looked like, watching this teeny-tiny woman hurriedly coaxing a big-big horse through the backdoor, up the stairs and into the kitchen. I wonder if she shushed it as she peeked out the kitchen window, waiting for the truck to drive away. I can’t help but laugh heartily every time I imagine the scene.

Once, she and my mom drove me to college in Santa Fe. On the way we stopped to have lunch. I was grateful for their efforts, driving me several hours to school, so I reached to pick up the check and my grandma pinned my hand to the table with her fork. We burst out laughing. She was fast and left no room for debate.

The sun streaming into the farmhouse brought grandma to mind. Standing in the kitchen, looking at all the food we’d prepared, the mountain of snacks and beverages Kate and Jerry hauled from Minnesota, the bins of cookies and sweets, I thought, “This place is just like grandma’s purse.” Her purse looked like a punching bag and she could produce anything you needed at anytime from that bag. Screwdriver? Yep. Saltines? Yep. Duct tape. Of course! Water? How much do you need? It was the clown car of purses. Were I to be lost in the desert and had one precious wish to be granted, I’d wish for my grandma’s purse.

Tiny woman. Endless supply of love and support. She knew how to fill our cups. She knew how to tip herself over so all the beautiful stuff could rush out.

where i’m from/blueprint for my soul © 1997 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora & iHeart Radio

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Let Go And Breathe [on KS Friday]

We have been slow to reenter life at home. We were only gone for a few days but it feels like months. There is life before the farmhouse and life after. The time away serves as a hard line of distinction. And, because there is now a before, we are finding our reentry a bit disorienting. Nothing is the same yet everything is the same. Unrecognizable because it is familiar.

We are moving slow. We are noise averse. We are reticent to go to the store or drive on a busy road. Too much stimulus fries our wires. It’s as if we are walking through the life we know – we knew – as witnesses. There is a silent accounting: what stays, what we will let go.

Transformation is like that. Snakes shed old skin. Trees drop their leaves. People clean their closets. Letting go creates necessary space for a new rhythm and new rhythms emerge slowly over time.

Sitting on the back deck this morning, the air was still and warm. The birds were singing, the chippies foraged beneath the feeder for discarded seed, Kerri said, “This is the level of sound that I can tolerate right now.” I nodded.

Long ago, when I facilitated retreats, on the last day someone would usually ask, “How do we take what we’ve learned back into our normal lives?” They were changed by their experiences at the retreat but the circumstance of their daily lives remained unaltered. The real question was “How do I bring this feeling of openness and expansion from the protection of the retreat center to the squeeze and turmoil of the realities of life?” There isn’t a single answer to the question. In fact, there isn’t an answer. There’s a practice. There are decisions. What might fall off the list of to-dos? Spaciousness is not magic. Openness is often the result of generosity-to-self. One must slow down to see and hear and taste. Touch takes time. Positive thought takes intention and letting go of grudges. Forgiveness is a choice made again and again and again.

The first day back we walked our trail. We talked of the changes we want to make. The clearing of old baggage. Making space. Kerri stopped to photograph the honeysuckle. I took a deep breath of the sweet fragrance. Nothing more. Nothing less.

old friends revisited © 1995 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora or iHeart Radio

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Foster Appreciation [on KS Friday]

In addition to the bunny nest in our yard, I discovered some abandoned nests behind the tall grasses that line the fence. Elegant and intricate constructions meant to protect new life.

The distinction is in the words “meant to”. The critters creating the nests are not necessarily concerned with the aesthetics. Their concern is function. We two-legged critters can’t stroll down a beach without stacking stones, organizing driftwood, or picking the most interesting rock to nestle into the curious pocket found in the wood. Our action is purely to communicate. To leave a trace. To make a mark. To convey something beautiful.

I suppose it’s the same reason that critters make nests. They can’t help it. Nature demands their construction. New life is coming.

We can’t help it, either. Our nature demands playing with possibility. Function need not be a part or party to our frolic. Our creative impulse needs expression. Our active imagination, our spontaneous recognition of opportunity, an intrinsic curiosity and hands-with-thumbs make even the most mundane stroll a canvas-for-the-painting.

We have friends who tell me that they lack creativity. I know better. I’ve walked with them through the woods, across frozen lakes, and strolled down beaches. Rocks are stacked. Flowers gathered. Wood is spontaneously arranged. Not because a nest is necessary. No. Their gathering of texture and color and curiosity is meant to foster appreciation. Inside and out. The function is enjoyment.

No other reason is necessary. No other reason is more essential to us two-legged critters. Nothing better defines us than our innate desire-to-play with the great “What if…”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about STONE AND WOOD

dawn at crab meadow/blueprint for my soul © 1997 kerri sherwood

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Appreciate The Glee [on KS Friday]

My “word-of-the-day” is bedight. Adorned. It seems most appropriate that this adverb popped in my box on this day of Forsythia. The trail was bedight in Forsythia. A sudden explosion of vibrant yellow.

I always look forward to the first Forsythia sighting. It’s the day Kerri dances in delight, chanting, “They’re back! They’re back!” Her relationship with Forsythia reaches into her childhood and has deep love-roots. My association is more recent: it’s the flower that makes Kerri dance. She runs to the vibrant petals to take a close-up. I stand back and appreciate the glee.

Dogga acts as if we are Forsythia. When we return home from errands – even if we’ve only been gone a few minutes – he jumps vertically at the backdoor, so excited is he to see us. Sometimes I like to go on errands just so I can come home to such a glorious welcome. Who doesn’t want to be greeted with out-of-control enthusiasm!

Yesterday, after a particularly arduous slog through the day, Kerri sat on my lap and declared, “We are successful at nothing!” We burst into laughter. Zero. Nil. Nada. Zip. Bupkis. Nought. Naught. And Zilch. And, into that vast nothing, we pour our good laughter and heart until our nada-cup runneth over.

She did not say that we are unsuccessful. Our particular form of success, apparently, is no-thing. Like Glee. Or enthusiasm. Or music. Or beauty. They are hard to wrap your fingers around. They are even harder to assign concrete monetary value. What is our work worth? What – exactly – is our work? Beyond no-thing?

Yesterday I asked Arnie the to ponder the same question I’ve asked many of my wise-eyes pals: why would people support us? Financially? Beyond caring for us or liking us (trust me, we are wildly abundant in love and friendship), why would someone – anyone who doesn’t know us – support our work? What do we bring of value to the community? For us it’s confusing. Approximately 1,500,000 people listen to Kerri’s music every year through streaming services and she receives nearly-nada. Our blogs and cartoon have reached people in over 80 countries. We love to write together. We love to share what we create. Is there concrete value to what we offer? No-thing? If so, what is it called? What could it be? What shape is graspable? We are sitting on the mountain so we cannot see it. What are we missing?

Mostly, we hope to bedight the life-trail – yours and ours – with the vibrant yellow that lives beyond words and evokes spontaneous dancing. Mostly, if it doesn’t make you dance, we hope it helps you stand back and, like me, appreciate the glee.

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about FORSYTHIA

the way home/this part of the journey © 1998 kerri sherwood

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Follow Your North Star [on KS Friday]

We are on a hummingbird watch. There’s an app that plots their migration. They’ve been spotted to the north of us.The little hummingbird symbols on the map show a veritable cavalry of hummingbirds approaching from the south. Our hummingbird feeders are poised and ready, filled with sugar water. Gay, Jay, and Kerri have an agreement: the first to spot a hummingbird in their yard gets a celebratory margarita.

One of my heroes, my great-aunt Dorothy, had multiple hummingbird feeders on her mountaintop yard. I remember sitting in the sun watching the hummingbird posse dart from feeder to feeder. Dorothy’s little plot of grass was a magical place. Blue bottles caught the sun, special rocks glittered, Poncho the dog lazed in the shade, Del’s old army jeep teetered on the edge of the abyss. A ride in the jeep was certain to take us up the mountain into wild, unimaginable adventure.

They did not live in the world of hurry-up and get-there. Their world was the opposite. They were not trying to be-somewhere-else. They designed their lives on experiencing the here-and-now. Their intention was to appreciate-the-fullness-of-this-moment. It was the only place in my childhood, other than my studio/bedroom, that made sense, though it’s taken me a lifetime to recognize why.

They didn’t split themselves. They chose simple living over anxious striving. When I was young I often looked at Dorothy and wanted to know what she knew, wanted to live as she lived. I loved taking walks through the mountain trails with her. I’ve only recently recognized that Kerri and I walk as Dorothy walked. Slowly. Open to what crosses our path and calls our attention. We are capable of walking the same trail each day and experiencing it anew each time.

My north star has been there all along, even in the times when I jumped into the race because it was what I thought I was supposed to do. Yesterday, I went into my upstairs office, sat at my drafting table, and drew cartoons, modifying scripts generated from chatGPT. “I can’t continue to just apply for positions,” I told myself, “I have to do something different as well.” Cartoons.

I laughed. I was full-to-overflowing with ideas. I’ve not been so happy in weeks. Something different; something sane. Something now.

This morning, while I washed dishes, I gazed out the kitchen window, watching for the hummingbirds. I remembered something Susan said to us at breakfast last week: your yard is a sanctuary. She told us that she makes a pilgrimage to our yard each year to recharge. Our yard is like Del and Dorothy’s mountaintop, not by accident, but through intention. It is the place we sit-in-the-here-and-now. To rejuvenate. To enjoy the chipmunk colony living in Barney-the-piano, the chatter of the squirrels, that flash of the cardinals. To await with great anticipation the arrival of the first hummingbird.

Kerri’s albums are available on iTunes & streaming on Pandora

read Kerri’s blogpost about TINY FEATHERS

i didn’t know/this part of the journey © 1998 kerri sherwood

Restore The Heart [on KS Friday]

Last night I sat on the floor in the corner of the bathroom. It was very late and I couldn’t sleep. I said to no one, “Something, sometime, some way, has to tip in our favor.” I was disheartened after a day of exceptionally discouraging news.

“Disheartened” is an interesting word. Heart removal. An empty cavity where the energy should be. The thought made me laugh and laughter is always good for the disheartened. My laughter brought me back to my senses. I sat on the floor, shifted my focus from woe-is-me and placed it squarely on all that I am thankful for. The list is long and runs through creature comforts like hot showers and electric light to soul-comforts like a crazy Aussie dog to heart-comforts like an incredible wife. Also, there is wine on the deck. Walks in nature which imply good health, walks through imagination which imply an artistic spirit, walks with awe which imply an insatiable curiosity. Through the right lens, my life-view from the bathroom floor is remarkable.

My empty cavity filled to overflowing.

I find it’s a good practice, when fresh from a bout with self-pity, to wander the house slowly. To intentionally touch the stories that live in the furniture or the glasses or the plants. To step out of the fear-mongering and into the riches of the present moment. Laying on our dining room table is a bundle of branches Kerri gathered from a fallen pussy willow. The furry catkins glowed silver and caught my attention. They warmed me with a memory. A walk with dear friends on ground so muddy that we laughed and hopped in search of solid footing. It was cold. Trees were down; the day before the wind and rain was brutal. Finding the pussy willow branch on the ground made both Kerri and Jen giggle with delight. A treasure! So simple. Their excitement turned toward possibilities. Vases or ribbon?

Enhearten: to restore strength and courage to a saddened spirit. The memory was good medicine and sent me to bed where I fell into a deep sleep, paradoxically enlivened and peaceful. Heart restored.

Kerri’s music is available on iTunes or streaming on Pandora

read Kerri’s blogpost about PUSSYWILLOWS

watershed/as it is © 2004 kerri sherwood

See The Awesome [on KS Friday]

Our favorite Wander Women posted the next installment of their through-hike on the Arizona trail. They are 300 miles in and passed through a burn zone that impacted a Saguaro cactus forest. Some of the giant cactus had perished. Many were burned yet somehow, survived. New growth pushed through the top of the blackened resilient plants. I was awestruck.

A decade or so ago, when life was hard, when I least believed in human kindness, I set out each day on my walk across the city determined to count acts of generosity. The acts of benevolence were everywhere and by far outnumbered the aggressive honkers and the impatience of frustrated commuters. By the time I reached my studio I wondered how there could be so much kindness, so much benevolence in the world, unseen. I wondered why our shared story was of a scary-angry-world rather than a world of munificence. The evidence did not support the narrative.

Looking for kindness in others inspired acts of kindness in me. Sometimes, after I witnessed a generosity, I approached the person who gave of themselves and acknowledged their act. I essentially said, ‘I saw that and it was awesome.” You may or may not be surprised to learn how impactful a simple acknowledgement can be. People smiled and blushed. People waved it off as if it was nothing.

Kindness is everything.

My walks across the city were more than a decade ago. The shared narrative of scary-angry-world is louder now than ever yet I wonder if I took a walk across my city-of-yore would I see a different result or the same? Kindness flies mostly under the radar, people wave it off as small gestures; it doesn’t pull high ratings like bullying or blood or scandal. We live within the narrative we feed.

I suspect kindness is as pervasive as fear-mongering but kindness doesn’t care if it gets the headline.

A sentinel stands on our trail. A tall stump, long ago burned by fire, perhaps a lightning strike. Perhaps its blackened scars are from a controlled burn. It reminds me of Shel Silverstein’s The Giving Tree. The birds use it for perching. The squirrels burrow at its base. Life teems around and because of the blackened stump. It always captures our attention. I imagine it is kind since so many creatures and living things find support in its watchful presence. New growth will never push through the top of this stump. It is no longer self-generating. It is, however, like a standing nurse log, new life teems around, on top of, and through it. A silent giver. I am always tempted to step off the path and whisper, “I saw that and it was awesome.”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE STUMP

transience/right now © 2010 kerri sherwood