Happily Blank [David’s blog on Two Artists Tuesday]

Rob gave us the perfect word to describe our passage through COVID. He called it stubborn. It does not easily let go. Fortunately, we’ve been having brilliant autumn days so we entertain our stubborn guest by sitting in the sunshine. We have the energy for sitting and not much else.

Sitting in the sun for days on end has afforded ample time for reflection and random rumination. My thought-trail returns again and again to our southwest trip-COVID combination and how it feels like the end of a chapter. A portal into the new. I recently wrote about the number 9 – spurred by our 9th anniversary – as a significant number of completion. Our anniversary came the day after we returned home and neither of us remember it because we were both fevered, achy, and miserable.

Life passages are often marked by liminal spaces. Neither here nor there; in-between places. My favorite words associated with liminal spaces are uncertain, insecure, unsettling. They can be dreamlike. All are perfect descriptions for how we feel in our seeming eternal COVID zone. Life has stopped. I can no longer remember if I once served a purpose or not. It all seems made-up. The fever zone was preceded by a journey into sacred land, dreamscapes. I dare anyone to visit Goblin Valley and not feel as if they’ve entered another dimension.

A younger me would have tried hard to get grounded, to force a move beyond the discomfort of disorientation – essentially reaching backward to grab hold of what was known. This older version understands the wisdom of insecurity. It is a mistake to reject the liminal. Any significant step into the “new” chapter requires a loss of the known. An open hand, a blank slate, is sometimes uncomfortable.

Holding on to what is no longer useful will in the long run prove to be much more uncomfortable; this amazing universe is in no hurry to deliver its lessons and is quite capable of amping up the discomfort until letting go is recognized as less painful than holding on.

We’re moving on to the next…and, from our chairs in the sun, with achy bodies and no energy to speak of, we have not the first clue what will be written in the next chapter. For now, we do not need to know. In fact, we need to not-know. For now, the blank page will remain happily – if uncomfortably – blank.

read Kerri’s blogpost about TUNNEL ARCH

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Nothing More Beautiful [David’s blog on Two Artists Tuesday]

I make it a practice to take notes when I have calls with Horatio. He says the most extraordinary things. This morning I search-and-rescued this Horatio comment about aging: he said, “It only felt like an ambush because I hadn’t been paying attention.”

I went looking for Horatio’s quote because Kerri and I had a spontaneous-hysterical-conversation about the abrupt changes in our bodies over the past five years. “Look at this!” she bellowed, “It just happened!” Of course, I was too invested in horror at my own creeping-decrepitude to notice what part of her body she was disparaging. “It never used to be this way!” she muttered, spinning slowly so her disdain was a full 360°.

I made the rookie mistake of asking what age she was comparing herself with. Because her glare signaled that I was about to spend the rest of the day in the doghouse, I quickly added, “I don’t look like I did when I was thirty, either.” Rookie mistake number 2. Dumb. Stupid. Brainless. Dense. Not to mention dangerous. Had she killed me in that moment, no jury in the land would have found her guilty; “Her act…,” the jury foreman would report to the judge, “…was justified”.

We make a practice of paying attention. It’s why we often choose to walk slowly. Rather than walk through the woods, we try to be in them. To notice. The consistent miracle when walking slowly is that there is always something new to discover, something that we’ve never before seen. For instance, the portal in the ancient tree. We’ve walked past and admired this tree a hundred times. We’ve placed painted rocks in its nooks. Kerri’s photographed it dozens of times; age has made it beautiful. Photogenic. And, today, for the very first time, we noticed the portal, a peek through the tree to the other side. “How did we miss that?” we exclaimed.

“It only felt like an ambush because I hadn’t been paying attention.”

Horatio, of course, is right. There is no ambush. The river keeps flowing and somehow we are surprised to find ourselves in places we’ve never before imagined. New stages of life. All the time I tell Kerri that she is beautiful. She cannot hear me because she expects herself to be in another part of the river entirely. I am guilty of the same false expectation.

Looking backward in life is like looking through the tiny portal in the ancient tree. The view is blurry and limited. Ask me if I would like to go back to the time when my body was thirty and I will howl with laughter, “No way!” This day, this moment, as hard as it can sometimes be, is the best time of my life. I am learning to appreciate my aches and pains, my ever-changing-body, to pay attention to where I am and not where I imagine I should be.

Here and now. There is nothing more beautiful.

read Kerri’s blogpost about THE PORTAL

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How To Harmonize [David’s blog on Not So Flawed Wednesday]

“Nature, in the intimate and in the vast, is not designed. It is designing. Our own nature confirms it.” ~ N.J. Berrill, You and the Universe (via The Marginalian)

 In one of our famous conversations, Horatio suggested I read Ernest Becker’s Pulitzer Prize winning book, The Denial of Death. So, I did. Horatio has never led me astray. Boiled down to an essence, as a unifying principle for religion and science, it unpacks the human dilemma of being a finite animal with an unlimited imagination. We are unique among creatures because we know we will die yet we have the capacity to imagine ourselves infinite. And so, to live beyond the veil, we think we must leave a mark, to serve a greater purpose. We must seek or give meaning to our limited time. No other animal carries so great a burden, this split-dance of separation and unity.

It is an understatement to suggest that it has set me to thinking. It is the ultimate in creative tension.

For ages, artists have painted the Danse Macabre. Some are a painting a warning: it’s coming so be ready! Some are painting an appeal: it’s precious so live every moment of it!

And this is what Horatio’s recommendation has me thinking: It’s a cycle of movement, like the tides or the cycle of the seasons, the movement of the earth, spinning around the sun…It is movement. Life is movement.

I was hired at the software start-up, not because I know anything about technology or coding, but because I see movement. Dynamic whole systems. In my brief foray into the start-up, I learned that, in order to be successful, software has no end. It is never finished. It must constantly iterate. It must never assume a completion. It is, in that way, like a human being, constantly becoming, cycling through periods of stability and periods of chaos, through lostness and found-ness, each generation supporting the cycle of the next generation.

We confuse ourselves by seeking an answer to our end, as if the design is finished. As if we are complete. That is a statement of our denial. We are movement. Relationship. Cycle. Never complete.

She knelt to take a photograph of the daisies, each at various points in their life cycle. A perfect visual for the single question-with-no-answer at the core of our short season on earth:

“…how to harmonize our cosmic smallness with the immensity of our creaturely experience…” ~ N.J. Berrill

read Kerri’s blogpost about DAISIES

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Layer Up! [David’s blog on Merely A Thought Monday]

20 and I are smack-dab in the middle of our annual winter competition: who requires the most layers to stay warm. I don’t mean to brag but I usually win. Okay, I always win. And, since we are just emerging from a polar blast, I believe that, in the past week, I might have layer-lapped him. It’ll be almost impossible for him to catch me now.

In truth, I have an unfair advantage. Kerri is the keeper of the heat in our house and she keeps it just above the frost line. That means, in addition to my base layer, I generally sport two additional shirt layers and a vest. And, that’s inside the house. Sometimes, when sitting relative to the back door, I pull on a fifth layer. Thick socks, Uggs, and my latest discovery – the Buff – assure my victory over 20. He has yet to discover Buffs. Also, he has issues with wearing gloves inside the house. Sissy. He is the keeper of heat in his own house and believes in higher numbers. That simple fact will guarantee my unbroken string of layer-victories.

I’m a skinny guy so I justify my clothing archeology by whipping up the belief that my many layers make me appear beefy. Muscled. Kerri assures me that this fantasy exists only in my mind and offers a different take: I look like the Michelin Man only with a pin head. So much for my shot at macho. I can tell that 20 agrees. When he comes over to dinner he often greets my padded machismo with a slap on the back, laughter and a question: “Are you in there?” he asks.

20 also has a handicap that he’s aware of but for some reason refuses to set aside. He has heated seats in his car. Both of our vehicles are from another era, from the time of the Flintstones. In the winter months, our seats are made of stone and require many, many more layers. That loser is dedicated to his heated seats. He has the gall to mock me and brag about the pleasure and comfort of driving to-and-fro snuggled in electric warmth. He actually sheds layers!

Sometimes I think he forgets that we’re competing! What am I missing?

read Kerri’s blogpost about WARMTH

share. like. support. comment. shivering? me, too.

buymeacoffee is like a toasty electric blanket for an artist on the verge of frostbite. It could be a lifesaver.

Trance Dance [David’s blog on KS Friday]

Our son is an artist. He composes EDM – electronic dance music. The proper term is “DJ” but that doesn’t begin to describe the art form. He does more than select tunes and spin discs. He builds layer-upon-layer of sound to create new and uniquely styled pieces. A surprise weave of repetition and pounding rhythm; it is a master class of tension-and-release. Improvisation meeting intention. Storytelling in sound.

His artistry is a pure root reaching into trance traditions, ancient impulse colliding with modern technology. To me, it is an invocation of ecstatic dance, freeing human bodies of their inhibitions so they might give over to the rolling wave of music. It is an invitation to ecstasy. It invites full-body surrender allowing the music to shake free the spirit. Earplugs are the only requirement.

I love the juxtaposition, the music composed by the mother and the music composed by the son. Kerri’s piano compositions are meditative, they turn the eye inward. They slow the pace like a rich memory. She eschews vocal acrobatics preferring a simple line. Craig’s EDM compositions thump every thought from the noggin, assault the senses, accelerate the pace, tossing bodies into the movement of the moment in a fête of complexity. Both mother and son induce a type of trance; one gently, the other with ferocity.

I’ve watched him watch her play. I’ve watched her watch him play. There is wild respect both ways. On the surface it would appear that their artistry – their music – is worlds apart but, like all things, surface impressions miss the greater depth of the human spirit. There is harmony in their appreciation. There is a shared center in their impulse to make music.

I am the lucky bystander. The proud husband and father. I am in awe no matter which way I look.

figure it out/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

Listen to Craig’s music here or visit his site here

read Kerri’s blogpost about EDM

like it. share it. comment on it. support it. no matter what, we appreciate your dance with it.

buymeacoffee is a full body ecstatic dance of appreciation for the artists who get you there;-)

Breathe Again [David’s blog on DR Thursday]

To say I sobbed is a bit of an overstatement. I’d been raking leaves all morning. It was clear and crisp. I’d just finished stuffing the last green bio-bag in the front yard and hauled it to the curb for pick-up. All that remained was to collect the bags from the backyard and move them to the curb. That’s when I heard her playing the piano. I couldn’t believe it! I slipped beneath her studio window and listened. This was no small moment.

She played after she fell and broke both her wrists. She couldn’t open a doorknob or button her shirt but, somehow, she found a way to play. She had to. The pandemic had already taken one of our jobs. Her bosses could not find the heart or moral compass to afford her time off to heal. One hand in a cast. One hand in a splint. Nine useful fingers and an immobilized thumb. She played. Nine months later, nearing complete healing, she fell again. A wet floor. No signs. This time, the injury was debilitating. The depression that followed was a deep dark crevasse. She stopped playing altogether. She sometimes stood at the door of her studio but rarely entered.

These past few years I can count on one hand – well, two fingers – the times she played. When Rob visited I asked her to play for him. She chose a few pieces. Rob was moved to tears. I could tell it hurt her. She was asked by an old friend to play for a transgender memorial service. With her brace she was able to play the two 15 minute sections.

Sitting beneath her studio window, listening, the pain and loss, the weight of the past few years flowed out of my eyes. A flood of relief. She was playing. For herself. For no other reason than to feel the muse. It was a step forward. A step toward. A step back into the light. A moment of possibility.

I felt as if I’d been holding my breath these many years. Now, perhaps, on this crisp fall day, it was time to breathe again.

read Kerri’s blogpost about LEAVES

like. share. support. comment. sit beneath the window, sigh and smile.

buymeacoffee is a moment of possibility, a sigh of relief at the continued creation of the artists you value.

Sense The Air [on DR Thursday]

In the summer, it is a place of frogs and turtles perched on rocks, drinking in the sun. We stop and watch until the wary turtles slip into the murky water, the frogs halt their croak-symphony. Respectfully, we move on. Behind us, the symphony resumes.

In winter, it is a different scene. Sienna and ochre rather than a million shades of green. Silent, the musicians are on hiatus. The turtles sleep, having disappeared beneath the earth some months ago. They will return in several weeks without fanfare. Without formal announcement we will spy them on a log. Kerri always marks the first sighting in her calendar. “Turtles!” Some winter days we cross the long bridge and look into the river at their usual spot. We know it is too soon but such is the way with hope.

I’m getting a taste of the life my grandfather lived. One place. He lived in one town his whole life. My dad’s dad. I was with him one bright sunny day in the park when he stopped, sensed the air, and said, “We’d better get in. A storm is coming.” I thought he’d lost his mind. There wasn’t a cloud in the sky.

The clouds rolled in. Thirty minutes later, safe inside, we watched the heavens open and dump buckets of rain. Somedays on this trail we love, I sense the air. I know what’s coming. Having lived so many places, until now, I never understood the power of place, the relationship with the reeds, yearning for the symphony, knowing in my bones that the sun is not quite right for the turtle’s return.

read Kerri’s blogpost about THE MARSH

Feel The Rain, 24x24IN, mixed media

feel the rain © 2020 david robinson

Stay On The Root [on KS Friday]

“Energy cannot be created or destroyed; it can only be changed from one form to another.” ~ Albert Einstein

Saul’s words have been ringing in my memory: “Stay on the root.” He was a tai chi master.

He might have said, “Stay grounded,” but his reference to “the root” is more dynamic. When on “the root” there is absolutely no resistance to circumstance. Nothing can knock you off center. You are solid, rooted; not for resistance or fight but for flow. No kinks in the energy-hose.

Presence is a requirement of being on “the root.” If your mind jumps into fear-of-the-future it will pull you off center. If your heart dives into regret of the past, it will yank you off balance. Saul might remind us that our bodies are always present. What else? Our minds story us into stress and, mostly, the horror stories we tell ourselves never actually occur. Or did occur.

Here’s the most important part of his instruction: when staying firmly on”the root,” a place of no-resistance, flow is possible. In fact, anything is possible. That may, to some, sound like new-age nonsense but it is actually age-old wisdom. It’s a practice of getting out of your own way. Assume nothing. Lilies-of-the-field, etc. There’s a timeless fable about a farmer and a horse…

A week ago we walked our trail and the leaves were vibrant with color, electric. Now, they are mostly on the ground. Transforming. Nutrient for the soil. I doubt the leaves felt fear of falling or spent an ounce of life-energy in regret.

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE LEAF

figure it out/right now © 2010 kerri sherwood

Have A Constitutional [on Two Artists Tuesday]

“Have you not noticed that love is silence? It may be while holding the hand of another, or looking lovingly at a child, or taking in the beauty of an evening. Love has no past or future, and so it is with this extraordinary state of silence.” ~ Jiddu Krishnamurti

As the evening cools the heat of the day, we look at each other, no words need be said, stand, hold hands and walk out the gate. In another era, they called this kind of evening stroll a “constitutional.” Walking at days end is good for your constitution, your health.

I’ve learned it’s good for my mental health. All of the energy swirling around inside my brain channels down and out through my feet. Fifteen minutes into our stroll, I take a deep breath. I sigh. The last swirl spirals out. With a clear mind, I relax. I squeeze Kerri’s hand. The beauty of the evening flows in. I can see beyond what I think.

We walk a loop through the neighborhood that winds toward the shore, past the beach house where we held our wedding reception. We follow the path through the park, emerging onto First Avenue along the row of houses overlooking the lake, by Jim and Linda’s old house. Echos of laughter. Good times gone by.

Sometimes we talk. Sometimes not.

The other night, as we strolled in silence, I smiled at how much of my life I spent trying to “get somewhere.” Trying to “achieve” or “obtain” some imagined thing. Always separate from my moment. It made my constitutional that much sweeter, knowing I had no where else I wanted to be. No imagined place, racing around my mind, pulling me from the lapping water, the cooling evening air, my wife’s hand, the sound of our slow walking.

read Kerri’s blogpost about EVENING

Go Roman [on Merely A Thought Monday]

Today we begin the Whole 30. The first time, we did it because Kerri’s system had run amok. The only way to find the culprit of her system’s craziness was to eliminate all the suspects, rebalance her system, and then slowly reintroduce foods. That’s the idea behind the Whole 30. It worked like magic.

This time, Kerri and her nieces are doing it together. They’ve made a pact. I am going along for the ride.

There’s a distinct difference between the days before our first experience and our run up to beginning today. Last time we were desperate. We needed to find something that would help her system. This time, we went full-Roman. We ate everything, even things we normally would not have thought to eat. We’ve made a full-on-food-assault on both our systems. “Since we can’t have wine for a month, I think we should have another glass,” I said…every day last week.

It’s human, isn’t it? To pretend that what you are about to do is nigh-on-impossible, so, the strategy to make it possible is to front-load the rewards. It’s the thought behind Lent. It’s the reason diets fail. It’s the story of “We deserve this…”

We created our own personal Mardi Gras.

I knew we’d given up all pretense the night Kerri looked at me and said, “When was the last time we had a Hostess cupcake?”

“We’ve never had a Hostess cupcake,” I said. “I used to eat them when I was a kid but you and I have never had one.”

“What!” I saw the wild cupcake intention in her eyes. It was late in the evening. “We have to have one!” she exclaimed jumping up. “Hurry! Ann’s is about to close!” Ann owns the local corner market. She carries cupcakes. And wine. And ice. And has a terrific deli. Kerri grabbed my arm. We ran-walked to Ann’s. Roman, Roman, Roman.

None of this would have happened without the looming Whole 30.

It’s not yet 8:00 in the morning, day one, and Kerri’s already asked me, “Do you remember the cupcake?”

Truth: I do. And my second thought? Cupcakes are better with red wine.

Human, human, human.

read Kerri’s blogpost about CUPCAKES