Go Empty [David’s blog on Two Artists Tuesday]

Among my vast archives of good-advice-received is a gem from Karola. I’ve often written about her wisdom: “Let yourself go empty,” she said. She laughed knowing that “going empty” would be a struggle for me. There is nothing more vulnerable or frightening for a young artist than to admit that their well is dry. What if the muse never comes back? “Going empty” at that phase of my life was akin to abandoning my identity. It felt like a step into the void.

As it turns out going empty was among the best things I ever did for myself. It stands among the greatest lessons I’ve ever learned. Spring requires winter. All budding artists eventually learn that artistry is not what you do – it is who you are. Going empty is the path to learning it. Karola knew exactly what I needed to hear and when I needed to hear it.

Have you not, at one time or another, been left in awe at an insight that comes from a confluence of seeming random experiences? Pieces of a puzzle coming together in what might seem arbitrary but is, in fact, a magic key that unlocks the door to deeper understanding? Last week, after wrestling for months with a play, I decided to leave it alone for awhile. In truth, after wrestling for months, I finally wrote a section that had merit – and when I saved the file it simply disappeared. Poof! After several attempts to find and retrieve the file, my computer insisted that the file was corrupted. I took it as a sign. Give it some space. Leave it alone.

Just as I’d decided to let the project go, we received a message from a man who wanted to buy the remains of my rocking chair. This chair has lived in every studio I’ve ever occupied. Except for my easel it is the only piece of furniture I’ve carried through my nomadic life. In our most recent basement flood a pipe burst directly above the chair, blasting the caning and destroyed the seat, damaging the finish and annihilating a hardcover sketchbook resting on the arm. I decided my chair deserved a better place-in-the-world. It deserved to be with someone who could properly restore it and take better care of it. The message from a buyer sent me reeling. I, of course, denied it. Kerri saw my distress and helped me see it. Every single painting I’ve created in my adult life was rocked into existence in that chair. It’s history was my history. We told the buyer that the chair was already spoken for.

I sat for several minutes with the remains of my chair. There was no one on earth who could better care for it because there was no one on earth who cared more about it than me.We’ll find someone who does caning. We’ll find an upholsterer who can repair the damage and replace the seat or we’ll do it ourselves.

I turned all my canvases to the wall, turned off the salt lamp and climbed the stairs. I met Kerri in the sunroom where we ate Munchos, drank wine, and debriefed the day. I confessed my revelation: I was going to sell my chair because I did not feel worthy of it – which, of course, is a statement not at all about the chair. It was a jolt akin to the discovery of a secret passageway that leads to a hidden chamber of secrets. A lingering question of worth.

Later it felt like opening the window and bringing fresh air to rush into a long-sealed dark and stale room.

I felt exhausted. I felt relieved. I felt as if I could breathe.

“It’s time to go empty.” I heard Kerri say. I heard Karola laughing. Jump into the void. This time, no timid stepping: jump. Really jump. Clear space for a worthy abundant spring.

read Kerri’s blog about the MUNCHO HEART

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Come In Empty [David’s blog on KS Friday]

“In emptiness alone can there be creation.” ~ Krishnamurti

Horatio reminded me of a fundamental lesson in actor training: come in empty.

The great actor/director James Edmondson once told me that the art of acting is the art of presence. What is presence if not full availability, without need to achieve or to force action or to manipulate anything? Stand empty in a moment, open to all possibilities.

Saul the tai-chi master taught his students to look beyond the “obstacle” and place their eyes in the field of all possibilities. No resistance. No story. No need. More than once he said to me, “Let the energy move you.” Don’t fight. Don’t push. Relax. Empty.

We are cleaning out our home, emptying closets and shelves, and have more than once affirmed to each other that we are opening space to “allow the new to come in”.

Our candlelight walk through the woods was transformative. I stepped onto the path with a very busy, very distressed mind. As we walked my anxiety slipped away. The stars became more important than the thoughts raging in my mind. I quieted. We quieted. The woods came alive – or we – I – came alive in the woods. When I stepped onto the path I was tired. As we completed our second loop, leaving the path, I felt rejuvenated. Enlivened. Empty mind.

As we came around the corner of the Pringle Center on our way back to the car, a row of pine trees caught us. They were glowing. The light cast from the center combined with a crystal clear night made them shimmer. They beckoned. Kerri took their portrait saying, “Photographs can’t capture the light. They don’t do them justice.” She put away the camera and we stood for a moment agog at the glow, enthralled by what we’d passed-by merely an hour before, unnoticed.

Awe. Ever present and available when coming in empty.

HOPE on the album THIS SEASON © 1998 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE TREES

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Conscience Totems [David’s blog on Not So Flawed Wednesday]

In a roiling stream of consciousness, the limbs at sunset evoked a memory of watching a master of ink and brush, a fluid stroke, a guided hand that for some reason pitched me into Robert Motherwell. I scrolled through selections of his work and was taken by how many of his pieces are direct descendants of Henri Matisse. I was taken by how many times he returned to a theme Elegy To The Spanish Republic. The atrocities of war.

We heard the phrase “conscious avoidance” but thought we heard “conscience avoidance”. The confusion was fantastic! If I someday paint a series of pieces about the un-United States during these authoritarian years I will name the series Conscience Avoidance. Pam Bondi refusing to look at the Epstein survivors. The republican congress emasculating itself, refusing to deal with the obvious truth. The conservative members of the Supreme Court refusing to look at the Constitution. The Constitution stares, mouth agape, at the justices who try not to look at it. My massive canvases will be pocked with oppressive black strokes. Soul holes. Void.

There will, of course, be a parallel series. Conscience Totems. An homage to the people who take to the streets. Keepers of the promise and the light. Bright swaths of vibrant color evoking guide stars and torches and courage. The fluid strokes mimicking a master of ink and brush, a hand guided by something grander than self-serving-money-lust or personal-political-gain. The living branches of a tree reaching one to the other, interlaced and interconnected, reflective of their roots, drinking deeply from the earth so it might touch the sky. A celebration of those unafraid to look power in the eye and ask, “What happened to you?”

read Kerri’s blogpost about THE TREE SILHOUETTE

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Hitched To Everything [David’s blog on DR Thursday]

If you are not paying attention you could walk right by them and never know that they are there. They are experts of stillness. They are masters of vanishing.

“Keep close to Nature’s heart… and break clear away, once in awhile, and climb a mountain or spend a week in the woods. Wash your spirit clean.” ~ John Muir

We quietly hoped we’d see them. It was a special day and we desired an affirmation of all things good. The trail was both muddy and icy, hard to navigate. We were on the verge of turning back but decided to go just a bit further. Had we turned back we would not have seen them.

Our messengers from another world did not disappoint. They leapt, white tails flashing in the sun, making certain we did not miss them. And then they were still. Watching us watching them.

“I understood at a very early age that in nature, I felt everything I should feel in church but never did. Walking in the woods, I felt in touch with the universe and with the spirit of the universe.” ~ Alice Walker

They are teachers of presence. It is no wonder that they have come to symbolize spiritual renewal. In my stillness, in my presence, all the roiling troubles of the troubled-human-world dropped away. I think it is what John Muir meant: my spirit was washed clean.

“When we try to pick out anything by itself, we find it hitched to everything else in the Universe.” ~ John Muir

After they delivered their message and leapt toward the river, I recognized that what is accessible in the woods is also available in my studio. Presence. My brushes hitch me to everything else in the Universe. It is one reason why I am so extraordinarily lucky. If I do not go to nature to wash clean my spirit, nature comes to find me in my work.

read Kerri’s blogpost about DEER


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The Real World [David’s blog on Two Artists Tuesday]

It’s only been in the past year that I’ve regularly doubted what I write. More than once over these several months I have questioned the worth of my words – and then pulled my post. The scrubbed posts are political rants about injustice or hypocrisy or my disdain for the enablers of rising authoritarianism. It feels good to spew bile when being force fed so much toxic waste from the rancid remnants of the grand old party. But do I need to share it? After a bit of time and reflection I realize that my need was to rant, to get it out of my mind – but that does not mean you-out-there need to swallow yet another dose of toxin from me.

We started writing ahead because it gave us time to refine and edit. It gave us time to develop our ideas. We’ve found that there is a danger of writing a week in advance: the assault on our nation by our government is happening so fast that our reflections are yesterday’s news by the time that they are published.

Kerri listened to my latest struggle. I had written yet another rant and felt that this particular thought-vomit had merit. I wrestled with my desire to post it. She quietly brought me back to the ground. She acknowledged the darkness, both within me and in the world, and reminded me that my walk on this earth is a pilgrimage toward the light. She asked me to consider whether or not my words were better spent helping others in this time of darkness to also step toward the light. I dumped my post. I felt relieved.

I was thoroughly admonished by my “weekly statistics”. Of particular concern to the algorithm-police was the rapid decline in my amount of screen time. It’s way down. It’s true. I am spending less and less time hurtling down the social media causeway. I am finding that alternate reality mind-numbing and increasingly less healthy. After all, the point is to keep me hooked. I am aware of the constant wash of anger and anxiety, the designer drug called fear-of-missing-out.

Every time we hit the trail, every time I turn off my phone, I feel as if I slowly come back to my senses. I re-enter the world of actual importance. I re-enter the world of living breathing 3-D humans instead of the flat-Stanley world of screen-names tossing bombs or affirmation at each other. We pass real people on the trail. We feel their presence. We say, “Hello”.

We stopped in awe when the winter sun electrified the pine needles. Just for a moment we entered timeless space, the place beyond the noisy insanity and manufactured division. Awash in the warmth of winter light we knew – beyond all doubt – that all everything we needed was right there, waiting for us in the natural order of the real world.

read Kerri’s blogpost about PINE NEEDLES

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Come See This! [David’s blog on DR Thursday]

about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.

The theme uniting this week’s Melange photo-prompts is light. My response to the prompts are surprisingly (to me) amalgamated: the illumination discovered through differing points of view. A birds-eye-view versus the view from the ground; inviting the outside furniture inside the house, and vice-versa. We have a chiminea in our sunroom and a piano in our backyard.

What opens our eyes to new possibilities? What opens our eyes to what is unseen and right in front of us?

“You have to come see this!” she exclaimed. We stood on the front porch in the bitter cold and watched the full roll-call of winter sunset colors, from vivid to pastel. Warm-cold.

A new year. A year gone by. What do I hope will happen? What did I learn from what just happened? What do I think I can control that I cannot? What can I control that I do not?

What is important now that Dogga is growing old? What is he helping me to see?

What is important now that I am aging? What do I fundamentally understand about importance that I did not understand even three years ago? Has importance changed or have I? The smallest things now seem the most profound. They call me to life, fill me with light. Not so long ago I overlooked the small things in pursuit of lofty dreams. What a waste!

Can I share what calls me to life? Beyond reporting or narrating? Can I be like the sunset, calling others out of their locked doors to marvel at the roll-call of life’s colors?

read Kerri’s blogpost about THE SUNSET

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Drop Into The Moment [David’s blog on Two Artists Tuesday]

In the summer months the deer trails are difficult to spot. In the winter, the opposite is true. With the absence of foliage and a clean canvas of snow, while the deer remain elusive, their well-traveled pathways are easy to see.

In mythology, deer are often messengers or guides. They call us to kindness, presence and remind us to trust our instincts. I especially appreciate the call to presence since it is there that kindness and the purity of instinct can be found.

Retribution is about past grievance. Fear is a monster born of an imagined future. Both retribution and fear would have us turn our backs on the present moment. They would have us ignore the deer because they cannot survive in the present moment. The present is, after all, the only place that is actually real, substantial. It is in the realm-of-the-real that kindness abounds; it is the only place that the quiet voice of intuition can be heard.

It never fails. When we see a deer on the trail our laundry list of woes immediately evaporates. The deer calls us into the present. We stop all movement just as the deer has stopped. It models presence for us. We drop into the moment with it. We feel. We listen. We meet its eyes. It senses us and we sense it. There is no past grievance or future fear. There is nothing more important to do or a place more compelling to be. Time suspends. We fill ourselves with the awe of the relationship-of-the-moment.

And then, just as quickly, the deer leaps and is gone. It releases us. We reenter time. Refreshed. Giddy. Light of spirit. Reminded once again of the power of living in the present.

In the presence of the deer we are no longer lost in our minds. That is its message to us, its encouragement for how to best live our lives.

In the summer months we convince ourselves that they are rare, hard to spot. In the winter months, we are reminded by their tracks that, although we may not see them, these guides are all around us. Their message to us is always available. Always.

read Kerri’s blogpost about THE DEER

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A Fragile Thing [David’s blog on Two Artists Tuesday]

“A new idea is delicate. It can be killed by a sneer or a yawn; it can be stabbed to death by a quip and worried to death by a frown on the right man’s brow.” ~ Ovid

I continue to replay in my mind the moment that the young man, the expectant father, told us that he intended to home school his child. He said that he didn’t want his child’s mind filled with the wild ideas peddled in public schools. He wanted his child to know-only-the-facts. Just the facts. I’ve previously written about this so it clearly continues to bother me.

I wanted to tell him that democracy is not a fact. It is an idea. It bothers me that I didn’t say what I was thinking. I wanted to tell him that he was being fooled by leaders who want to keep his child – and all people – ignorant. Learning – education – is about the pursuit of questions and active engagement with ideas. It is not about the-facts-in-isolation.

I wanted to tell him that the quickest way to numb a mind is to steep it in isolated facts. Solving difficult problems, facing complex challenges, is predicated upon the capacity to entertain ideas. It’s not so easy to gaslight a populace that regularly exercises their power to question. Gaslighting is a snap with people who’ve been schooled to rely on just-the-facts, especially when the “facts” are crafted by the wily fox. Facts-in-isolation permit folks to wield words like “socialism” like a weapon with no real understanding of the sword that they swing. It’s been a useful Republican scare-word since the 1950’s because very few who brandish the word understand what it actually represents. Understanding requires the ability to ask questions, to compare, to contrast, to consider. To doubt.

Ideas are dynamic. Facts are static. Minds are dynamic but can too easily be made static.

“Democracy’s a very fragile thing. You have to take care of democracy. As soon as you stop being responsible to it and allow it to turn into scare tactics, it’s no longer democracy, is it? It’s something else. It may be an inch away from totalitarianism.” ~ Sam Shepard

Relative to the history of the world, democracy is a new idea. Like a new-born, it is delicate and requires nurturing and constant attention. It requires the constant feeding and stimulus of a curious mind. Today, we find ourselves, the stewards of democracy, an inch away from totalitarianism. We are witness to the realization of a Republican dream: the dismantling of the Department of Education, a war against our colleges and universities waged to eliminate the pursuit of ideas in favor of the state-approved facts.

Democracy is a fragile thing. It’s a new idea and the new idea is delicate. Its genius is to question, to compare and debate. It renews itself through collaboration and compromise. It pursues a more perfect union knowing that it can never arrive there since it is an idea, not a place or achievement. Democracy, like all vital ideas, is a relationship that requires tending.

It haunts me, what I wanted to say to the new father but did not: it is no small choice to stifle a questioning mind in favor of a pre-approved fact. This might be a good time to question what you think.

read Kerri’s blog post about A FRAGILE THING

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Clepe Incredible [David’s blog on KS Friday]

This is the time of year that color in nature becomes shocking. It is the consequence of nature’s contrast principle: the greys and browns of oncoming winter meet the vibrant yellow, orange and red of the leaves-last-stand. Last week, while walking Dogga, I stood for several minutes beneath a tree made electric by the morning light. I felt as if I had entered another reality.

Contrast principle is really about how comparison shapes perception. I only know that I’m having a bad day because I believe that I’ve had good days. Last night I watched Anderson Cooper interview Tig Nataro for his series exploring grief. Tig Nataro recently lost her friend, poet Andrea Gibson. The love of life comes clear in the moment of the loss of life. The appreciation of life sharpens when the end rolls into view. Contrast principle.

I bumbled into an archaic word that is new to me: clepe. It means to give someone or something a specified name. To name. I was cleped David. As my end rolls into view I am more and more resisting the impulse to clepe my days. Why should my days be labeled either good or bad? On my last day, what will I be willing to give to have one more moment of this life? Why not clepe incredible each and every moment that I am fortunate enough to experience?

LAST I SAW YOU on the album THIS PART OF THE JOURNEY © 1997 Kerri Sherwood

Kerri’s heart is available for sharing on iTunes and streaming on Pandora

read Kerri’s blogpost about THE VIBRANT LEAVES

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This [David’s blog on Not So Flawed Wednesday]

Emerging from the grocery store the sky literally stopped us in our tracks. We weren’t the only ones; harried shoppers racing their full carts to their cars were paralyzed by the beauty. Perfect strangers actually spoke to each other. “Can you believe it?”

“Unbelievable.”

We joined the sky paparazzi and snapped photos, ohhing and ahhing with every click. “You just can’t capture it.”

People joined in beauty. For a few precious moments, people dropped their hurry and their politics, their worries and their angst, and united in awe beneath the fiery performance in the sky. The abstractions dropped away. The performance pulled us together. Pure art.

The moment passed. We can only give so much time to awe. The spell was broken and we each jumped back into our busy lists and went our separate ways. I imagine – or it is my hope – that we left the parking lot knowing that it only takes a wee-bit-o-beauty to pull us from our harried, divided and lonely minds and remind us that – in truth – we walk this miracle earth together.

read Kerri’s blogpost about THE SKY

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