Steep! [David’s blog on Not So Flawed Wednesday]

“The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image.” ~ Thomas Merton, The Way of Chuang Tzu

After I finish reading my latest book, The Denial of Death by Ernest Becker, I have decided to steep myself in life-affirming reading, the likes of John O’Donohue, Philip Gulley, Pema Chödrön, Mary Oliver, Krishnamurti, Rilke, Rumi, Thomas Merton…I meditate on what I read -whether I want to or not – and in our angry chaotic times I’m feeling the need to wrap myself in the warmth of poets and other lovers of life. People who’ve transcended their small lives and looked into deeper space. I will begin my steeping with Thomas Merton’s The Way of Chuang Tzu – a Catholic Monk translating the voice of the Tao.

I read the quote above and wanted to alter it slightly: “The beginning of self-love is the will to let ourselves be perfectly who we are, the resolution not to twist ourselves to fit into another’s image of who we are supposed-to-be.”

The real challenge in letting ourselves be perfectly who we are is that most of us have no idea who we are. Few of us fit into a box called “me.” Who we are is dynamic and ever-changing. Self-discovery is a life-long affair and we are most fortunate if it is a life-long love affair.

Kerri says that we don’t really-really change as we move through life, we just become more of who we are. The outer layers of illusion and social concoction drop off until the core is revealed. I don’t know if I agree but I love the image. And, I confess that these past few years have felt like a ferocious layer-stripping. If she is right then I have to be…we have to be…close to the core.

In the wake of the layer-stripping I’m finding that the simple things in this life bring me great satisfaction. We found the old sun-tea jug in the cupboard. With the mint growing in the yard and slice or two of lemon, each day we smile and drink the summer sun from a jelly jar. We tell stories of sun-tea from the past.

It’s the sensual things, like the taste of tea brewed from the sun. On a hot humid day, the sudden shift of cool wind off the lake. The sound of cicadas. Fireflies. Laughter at dinner. The taste of good wine. The stuff of poets. The witnesses of “the eternal now.”

It’s as simple as sun tea, this desire to steep my thoughts in the awe-of-life (as opposed to the awful). And, as the ancient saying goes, as I continue the quest to discover myself: where I place my thoughts my life-energy will follow.

read Kerri’s blog about SUN TEA

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Return To The Origin [David’s blog on Two Artists Tuesday]

On the way home from Minnesota we drove the river road. We pulled over several times to gape with awe at the Mississippi River. We marveled at the bluffs and searched the sky for eagles.

It was more than a scenic choice. It was an intentional return to our origin story. When we packed up my life in Seattle and moved it to Wisconsin, we entered the state through the river road. Kerri wanted it to be the portal to my new home. We stopped in the little town of Stockholm just as we had eleven years ago. We visited the same shop that caught our eye on that day in the past. The shop has since passed on to the owner’s daughter. She’s making it her own. She told us that the metal sculptors we’d admired, the reason we originally stopped, were retiring. It was getting too hard for their hands to do the work.

Just beyond Stockholm we pulled off the road to get some photos of Farmer Don’s place. Tripper-Dog-Dog-Dog’s birthplace. We hoped there’d still be a sign for “Aussie Pups” so we could stop and tell Farmer Don how much we love our Dogga. There was no sign and it looked as if the farm had changed owners. The driveway into the farm and the white fences were the same. We took photos. We sat in the car and recounted the story of the day we got a dog when we didn’t mean to get a dog. We whispered a quiet “thank you” to Farmer Don.

We pulled off the road a few minutes later to get another view of the Mississippi River. Timeless. I imagined I heard the voice of the river. It was akin to the low rumble of a didgeridoo.

The stores have changed hands. Old buildings are restored and new shops are constructed. Farmer Don is most likely no longer with us. He was older and not in good health that day in the past, when he needed to find a good home for a puppy that no one wanted, and two strangers driving a Budget truck saw his sign and decided to stop. I suspect he knew that stop would change their lives.

The names on the political signs lining the outskirts of the villages are different. We are different after eleven years. So much life, or so it seems. So much water under the bridge. A blink of an eye to the river.

The opportunity to return and relish our origin story. To travel through time. For us it was as simple as taking a drive along the road runs beside the mighty river.

read Kerri’s blog about THE RIVER

The day we met Dogga

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Infinity Squeeze [David’s blog on Merely A Thought Monday]

When Dogga comes back into the house he always gets a “thanks for not running away” treat. It’s a serious sentiment. In this life he was strapped with herding two artists. We have not been the easiest to contain. Each day we are glad that he chooses love over the easier path.

Twenty four hours before we were to hit the road and travel to their house for a short visit, we wrote Kate and Jerry that we were so excited that “we were already sitting in the car waiting for morning.” It was only a small exaggeration. We were THAT excited. Kate suggested that we go back in the house because we were making the neighbors nervous. I assured her that we always make the neighbors nervous. “I would not have expected less of you…” she wrote. Banter is one of my favorite love languages.

I yelled at Braden. He was three years old and started running toward the busy street. When I yelled at him he stopped in his tracks and burst into tears. There was authority in my voice – more than I knew I possessed. Love sometimes sounds like an alarm. It booms.

We drive into the city late at night to find the club where Craig is performing. It is waaaay past our bedtime but we are giddy each time we go. We are the oldest people in the club and everyone affectionately makes fun of how we dance. Old bones do not move like young bones. The first time we saw him perform he gave us earplugs. “You’re gonna need these,” he said, smiling. Sometimes love looks like earplugs, funny dancing-delight and a foray into the unknown.

One of the greatest gifts Kerri has given me (and me to her) is the understanding of how to fight. I did not know how to do that before we met. Dogga hears the coming storm and slinks into the bathroom to get out of the way. Great love sometimes requires a mighty tempest. A heart-cleansing rain. Sometimes choosing love sounds like thunder.

It’s why we give Dogga a treat every-single-time he comes back in the house.

Our love-of-life is a full color palette, banter-filled, adventurous and many-textured. Life lessons: sometimes love is very loud. It rarely looks like a Hallmark card. Always it is a choice to support, to help, to nurture, to guide, to recognize, to acknowledge and appreciate this very complex infinity squeezed into a tiny four letter word. It’s worth the choice every single time.

[“Choose Love” flag is from Penzeys Spices, one of our favorite shops and Bill Penzey, a favorite positive voice trying to make the world a better place]

read Kerri’s blogpost about CHOOSE LOVE

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Load The Snacks! [David’s blog on saturday morning smack-dab.]

We wrote a play entitled The Roadtrip. It is comprised of the many months of emails we wrote to each other before we actually met. Like Love Letters only with a happy ending. In it, as is true-to-life, Kerri is the wise character and I am the character without a clue. Note: the best part of being clueless is that you don’t know it.

If we were to write a sequel there would be less words and many more snacks. As the audience, you’d have to watch us eat. Kerri is a Twizzlers girl and I am a peanut M&M man. The snacking begins before we hit the end of the driveway. It doesn’t end until we arrive at our destination – and even that is a momentary pause.

There’s usually plenty of room in Little Baby Scion but you’ll not be surprised to learn that when we pack for a road trip, after the snacks are in the car, there’s barely any room for our clothes, which is a good thing because after all those snacks we can’t fit into our clothes.

Let’s just say that we have our priorities straight.

read Kerri’s blogpost about ROAD SNACKS

smack-dab © 2024 kerrianddavid.com

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Pioneers [David’s blog on KS Friday]

Never in my wildest dreams did the younger version of me imagine that I would someday research fun facts about wildflowers. But, because Kerri has a camera attached to her right hand and because we walk trails surrounded by meadows and because we use many of Kerri’s photos as prompts for our Melange, wildflowers and not-so-wild flowers have caught my attention.

Inevitably, one tidbit of information captures my imagination and today’s tidbit about Daisy Fleabane is this: it’s considered a pioneer species which means it is among the first plants to move into an area that has been disturbed – by natural disasters like fire or man-made like plowing or construction. They improve the ecosystem by accumulating nutrients and breaking up compacted soil, opening the way for other less hardy species to follow. Sub tidbit: because they are the first, some people treat pioneer species as weeds, invaders.

It is never easy to be the first. Ask Rosa Parks or Jackie Robinson.

Ask Barack. Ask Kamala.

People who know what they are doing, people attempting to restore health to devastated ecosystems, purposefully introduce pioneer species into a devastated landscape. They know the value of the pioneer in preparing the foundation for healing, breaking up hard-packed-minds and closed-angry-hearts. They know the necessity of the first, of the pioneer, to rehabilitate and nurture a healthy, unified ecosystem.

Ask Joe.

Grateful on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

Bonus and fitting for new beginnings. This is the song Kerri wrote and performed for our wedding. It makes me cry every time I hear it:

And Now © 2015 Kerri Sherwood

read Kerri’s blogpost about DAISY FLEABANE

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Arrive Again [David’s blog on DR Thursday]

Deadheading the day lilies, the afternoon sun pouring through the branches, I realized that I’ve walked a circle and arrived again at the starting point. After fourteen years, I’ve returned to the origin-thought of this blog.

I started writing the direction-of-intention after a conversation I co-facilitated. It was a day exploring and discussing diversity, equity, and inclusion. The group’s conversation veered into questions about power. That day I realized that I had an overabundance of thoughts and questions that I needed to study. My very first post was almost a thesis statement; it was an attempt to capture the essence of what I shared with the group: power-over others is not power at all. It is control. Power, real power, is something that is created with others. Control over. Power with.

I did not return to the beginning without help. The current political reality has drawn me like a moth to a flame back to the topic of power. Our two parties live on opposite sides of the line. The red hats are a case study in Control-Over. The Democrats operate on the principle of Power-With.

Control-Over is distinct in the necessity to blame. It is a victim’s game. It is an abdication of responsibility. It demands lock-step adherence and fears counter-point-perspectives. It evades giant swatches of its history. It pretends to hold all the answers and doesn’t tolerate questions.

Power-With is distinct in the necessity to choose. It seeks responsibility and participation. It thrives on counter-point-perspectives and demands collaboration and compromise. It needs to consider and reconcile with its full history, the good and the bad. It asks many questions and eschews the notion of a single answer.

Control-Over is essentially hierarchical. Caste. Fixed. Rule by one.

Power-With is essentially egalitarian. Relational. Fluid. Rule by the many.

It turns out there’s never been a better time to return to the root of my original inspiration. It is, I’ve learned the original root of our nation’s nearly 250 year conversation. The essence of the democratic ideal.

Today we stand squarely at the crossroads:

One choice continues to follow the complex path of power-with.

The other is a hard right onto the powerless path of control-over, not a step back in time as it pretends.

It’s our choice. It is our direction-of-intention.

read Kerri’s blogpost about SUN THROUGH TREES

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Connected As The Cattails [David’s blog on Not So Flawed Wednesday]

I read that cattails have been useful to humans for as long as…there have been humans. They are edible. Medicinal. Weave-able into baskets or clothing… The tidbit of information that I found most interesting is, that when harvesting them, it is best to leave the cattails on the perimeter intact. They are different than the cattails in the center. They serve a specific purpose facilitating the interdependent health and well-being of the cattail community. It begs an as-yet unanswerable plant-question: Do they know? How do they know?

“Knowing” implies consciousness. If you want to jump down an interesting rabbit hole, the “debate” surrounding plant consciousness is worthy of your time. There are plenty of studies with plenty of interpretations. Be forewarned: this rabbit hole may challenge the notion that we human-beings are above it all. It may suggest that we are much more interdependent than we believe.

Consciousness: the state of being awake and aware of one’s surroundings.

The consciousness of interdependence. It is what the red hats fear the most. The loss of privilege. Popping the illusion of elite-exclusion. Not being above it all.

We live in a vibrant diverse nation. A nation of immigrants. A place where people from different cultural backgrounds have for centuries mixed together, worked together, fought together, loved together, to grow into a more perfect union. In this nation, the ideal, the intention, is to embrace differences. Not to stratify them. We are above all an intentional crossroads, a meeting place of the many, optimal for the sharing of new ideas borne from divergent perspectives. A celebration of interconnected diversity.

Interdependence. We are as deeply connected as the cattails. Like the cattails, our network of connection may not be readily visible on the surface but our very survival is reliant on each varied other. Thriving is the result of healthy, conscious interdependence.

read Kerri’s blogpost about CATTAILS

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It Takes Some Courage [David’s blog on Two Artists Tuesday]

I woke up this morning with this song running through my mind:

Her Majesty’s a pretty nice girl, but she doesn’t have a lot to say
Her Majesty’s a pretty nice girl, but she changes from day to day
I wanna tell her that I love her a lot, but I gotta get a belly full of wine
Her Majesty’s a pretty nice girl, someday, I’m gonna make her mine
Oh yeah, someday I’m gonna make her mine.

It’s the last track on the Beatles album, Abbey Road. A 23 second ditty. I haven’t listened to the album in a decade. So, why was Her Majesty running amok in my dream life? I don’t know. The rest of the dream faded so all context was lost. It’s enough to make me “gotta get a belly full of wine”.

Sense-making is a product of context. For instance, this photograph of the sun piercing the clouds is nice but becomes much more meaningful when placed in context: we were under a tornado warning when Kerri suddenly grabbed her camera and ran outside. “Hope!” she said in response to my puzzled stare. Now, this is and always will be a photograph of unlikely hope.

Context is everything. For instance, the election-was-stolen-lie only gains traction in the red hat community if the context is ignored. Context: 62 lawsuits were brought contesting the results of the election and nearly all were dismissed due to lack of evidence. Liars routinely attempt to insert a fabricated context in place of an actual context. “The election was stolen,” is on the same eye-rolling-level as “The dog ate my homework!”

It only takes a question or two to pop the wildest fabrication.

Of course, one must first want to pop the fabrication.

We are witness to the greatest pathological liar of our times spinning new and fantastic contexts for his question-free believers. If the actual truth doesn’t match their group-hallucination they cry in unison, “Fake News!” Fake news is a go-to context akin to “The dog ate my homework.” It covers a lot of missing homework. It stops the most basic questions. It’s intellectually and spiritually lazy.

We are under a metaphoric tornado warning. I hold a small hope that a few of the red hats might one day wrinkle their brow at the outrageous baseless assertions they are fed and wonder if the dross they are eating is actually true. In that moment, it’s possible that they might ask a question or two. It’s possible they might seek context beyond the group-lie.

It takes some courage to ask questions, especially when it is unpopular to ask them.

It’s never too late to pop the fabrication of a pathological liar. It’s never too late to come back to your senses. It’s never too late to ask yourself, “What was I thinking?” It’s never too late to find your courage. I imagine it would feel like the sun piercing through threatening clouds.

An unlikely hope.

read Kerri’s blogpost about SUN THROUGH CLOUDS

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Accept The Invitation [David’s blog on Merely A Thought Monday]

Master Marsh once asked me why I was compelled to run and jump off every edge I found. His question was rhetorical which was a good thing since I had no answer. I wasn’t really aware of the compulsion he was asking me to consider. I knew I was a restless soul. Most of my life I felt as if I was a suffocating man in a desperate search for air to breath. His question served to slap some consciousness into my wandering nature. His question introduced the idea that I might actually catch my breath if, instead of moving, moving, moving…, I sat down and took a breather.

Edges are invitations into the unknown.

Paintings, writing plays or this blog- any creative process – is an invitation into the unknown. To see what is as yet unseen. To open to something beyond. I’ve come to understand that opening-to-the-unknown is the essential practice of an artist. It is air-to-breathe. And the opportunity presents itself every single day, on the move or sitting still.

I thought of Master Marsh and his question the moment we stepped beyond the caution sign into the water. After so much rain the river spilled out of its banks and onto the floodplain, it overwhelmed portions of the trail. We could have turned around and returned to the car. We could have kept our feet dry. We’d walked this trail many times and could see that the water crossings were not dangerous. Calf deep with a smidge of current. And so we looked at each other, smiled a “why not” smile, and stepped.

I thought of Master Marsh and his question because this trail was known to us and, on this day, was completely unknown. We saw it again for the first time. Master Marsh is a great steward and studier of nature. His drawing of plants and trees and rivers and birds and…are first class. They’d make John Muir proud. For many years he cared for a stretch of the Calaveras River. Each day there was something new. Something previously unknown discovered.

The water crossings, I counted six of them, made us feel remote. Distant from civilization. We saw fish swim across the trail, heard sounds we’d never before encountered. The meadows exploded with color. A lone deer watched us and then disappeared like Merlin.

Edges come in many forms. On this day, it looked like water spilling over the trail. It was a welcome bonus to step beyond the sign, to spend some time in an unknown-known and have a quiet memory-walk with one of my favorite people.

read Kerri’s blogpsot about WATER ON THE TRAIL

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Ash On The Sills [David’s blog on saturday morning smack-dab]

I was excited when I learned that David Neiwert was living near me in Seattle. I was preparing to direct a play, a docudrama by Steven Dietz called God’s Country. The play explores the rise of the white supremacist movement in the USA. David is a journalist and has authored several books on domestic terrorism – one entitled In God’s Country. That’s how I became aware of him. He was generous with his time, asked many questions to better help serve me as I shaped my thoughts on the production. He was not only a valuable source of information, he was deeply caring, kind – a guide. I believe David, through his work, was-and-is trying to sound an alarm for the nightmare in which we now find ourselves.

One of his images has stayed with me. Ash on the sills. I hope you take the time to read it – if only the introduction that tells the story of the image. It will stay with you, too. It may prompt you to respond – with your vote for democracy and against white nationalism – to the alarm that David has been ringing for a long time. At least I hope so.

read Kerri’s blogpost about THE NIGHTMARE

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