Look Again [on DR Thursday]

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It’s all a matter of context. As it stands, this is the seventh painting in a series I call Earth Interrupted. This piece would not exist today except Kerri stopped me from painting over it. She likes it. I find it dark. Foreboding. Of the seven paintings, it is the darkest piece in the series. When I painted it, I didn’t know how to place it – I didn’t know its reference point. It wasn’t and isn’t comfortable.

I pulled it out of the stacks last week. Now, in this time of pandemic, I know exactly what it represents. Everyday in the news I see a graphic of the virus. It is dark and foreboding.  Earth interrupted.

In an earlier version of myself I spent a great deal of time trying to educate educators to this simple truth: art is not supposed to be entertainment. It can’t always be comfortable. In fact, it holds diminished value if it doesn’t sometimes challenge, sometimes upset, sometimes confront, sometimes incite. Art is powerful because it confronts us, asks us to question what we see and think and believe.

And now, looking at this painting that makes me uncomfortable, I find it necessary to listen to that earlier version of me. This painting is beautiful, not because it makes me feel good or takes me away, it is vital because it upsets me. It lands me squarely into this inescapable moment in time.

 

read Kerri’s blog post about E.I. 7

 

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earth interrupted vii ©️ 2018 david robinson

Add A Stone [on Not So Flawed Wednesday]

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I am fond of a labyrinth tucked into the woods at The Whidbey Institute. I’ve spent many a sunrise and sunset walking the meditation path to its center and back again. After each trip into the labyrinth, I’d add a small stone to the cairn that stood adjacent to the entry point. A ritual to mark my passage. A location stone.

I hadn’t thought of the labyrinth for years.

Last week, on a stormy day, we took a long walk through our neighborhood and emerged on to the beach at Southport.  We were stopped in our tracks by what we found there. A field of cairns. Someone – or many someones – had created dozens of stacked stones. Each unique. Some playful. Some sorrowful giants. Markers of the way home? Funeral stones? Sculpture merely? The intention didn’t really matter. They brought us peace.

We approached silently just as I used to approach the labyrinth at Whidbey. We entered the field with a reverence that surprised me. We wandered through them, spent time with them. Some were massive, towering over us. Some very small, a few stones stacked at our feet.

Pebble and red brick trails ran like crazy lines connecting the cairns, a mixed up maze that begged us to follow, to make sense of the impossible. This labyrinth had no center. This meditation maze led nowhere specific, looping back, a dead end here, a path to the water, and over there, a line that stopped at a heart made of rock, a spiral. A wish. A message. An inspiration.

I could imagine no better monument to this pandemic. A shattered labyrinth. Burial monuments. A field of markers standing ready for the day when we might find our way out. A quiet reverent place where we are called to add a stone, a simple gesture to remember our passage through.

 

read Kerri’s blog post about CAIRNS

 

 

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Greet The Sentinel [on Two Artists Tuesday]

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On the backside of Bristol Wood, on the winding green trail, there stands a new sentinel. Dedicated to her role, she watches over the path, guarding the safety of all walkers.

Similar to the Queen’s Guard at Buckingham Palace, try as you might, you can mock, make faces, do silly dances,… this guardian will not flinch. This guardian will not break from her duty [note: I’m only supposing. Kerri and I DID NOT do silly dances on the green trail at Bristol Wood! Ridiculous! Who would do such a thing?].

I am comforted by her presence. I find solace in the dichotomy between her serious role and her whimsical uniform. In a time of too much seriousness, I feel encouraged in her dedication to bringing smiles to strollers as part of her mission as sentry of safe passage.

Each time we pass her, I think, this watchwoman has much to teach us in the time of pandemic, in the time of fear and isolation. We can, each and everyone of us, keep the trail safe, take our role of guardian-of-the-other very seriously while, at the same time, inspire smiles and silly dances [note: okay, truth? Kerri MIGHT have done an abbreviated silly dance before the Guardian but I held my integrity intact and showed the utmost respect for the difficult job of the Guardian. Really.].

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Read Kerri’s blog post about THE BRISTOL GUARDIAN

 

 

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Rise [on Merely A Thought Monday]

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Signs of the the times. 1) The salutation in almost very email I send, every email I receive, is this: Stay safe. Stay well.  2) The most common response to”How are you?” is some variation of this: Staying more or less sane.

More or less sanity.

I expect a revival of Salvador Dali, a new wave of surrealism. What was solid melts and drips. What was fluid is frozen. None of the rules of normality apply. “So this is what pandemic feels like,” Chris wrote.

The hat we call “normal” has been knocked off our heads. Nothing is normal. Or is it? In our house we have an ongoing socio/political conversation about whether things have always been this way and, in the severity of the moment, we are now seeing it. The ugly politics. The gaping disparity. Or, is this madness new?  Are we more or less sane now?

We’re taking our afternoon walks in the cemetery at the end of the street. It is the only place we can walk without having to be constantly vigilant about bumping into other people. “It’s weird that, in the midst of a pandemic, we have to go to a cemetery to safely walk.” Kerri noted.

Yes. It is weird. Is it more or less sane? The only thing we can know is that all measuring sticks are broken, all of the old navigation points have gone missing. We are standing solidly in the midst of the unknown. What will be true next week? Anything is possible.

And, that is the point. The sword of possibility cuts both ways. Right now, anything is possible. If we get caught in the sticky notion that our circumstance defines us, then we are hurled to the side of less sanity. Panic. Chaos. Fear. Every man/woman for themselves. If we hold fast the notion that we are creators and are experiencing but not defined by the present pandemic fire, then renewal and re-imagination pull us in the direction of sanity. We stay centered in the midst of the fury. People helping people to survive, to thrive. The best rises in us. Brother’s/Sister’s keeper, and all of that. More sane. Not less.

 

read Kerri’s blog post about MORE OR LESS SANE

 

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may you….[be healed]

Count Six [on KS Friday]

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“I am bound to everyone on this planet by a trail of six people.” ~John Guare, Six Degrees of Separation

Six degrees of separation: the notion that all people on earth are only six – or fewer – social connections away from each other. A swelling world population. A shrinking world. Has there ever been a time in which our interconnectivity was more apparent?

Six feet: the distance we are told is generally safe enough to keep my breath from entering your body and vice versa. Distance slows but in no way interrupts our interconnectivity.

The number six in numerology symbolizes the caretaker. It is also known as the motherhood number: caring, healing, sacrificing, protecting. I find it oddly comforting that distance and separation in measures of six are associated – at least symbolically – with caring, protecting, sacrificing for others. Six is other-focused. Six, I just read, is the glue that keeps a community together.

Last night we sat on the deck in silence. Listening. Earlier, during our walk, we spoke little. We mostly listened to the creaking of the trees, the sounds of the birds, the chorus of frogs. In a pandemic, we are learning, there is very little to say that isn’t rooted in  fear. So, we say very little. We hold silence, a vigil of sorts. The silence turns our minds toward listening, toward living. Caring.

This is the warm quiet ripple that rolls through Kerri’s SILENT DAYS: caring. The number of motherhood. A symbolic six. A turn toward living. Inextricably bound together.

 

SILENT DAYS on the album BLUEPRINT FOR MY SOUL is available in iTunes

 

read Kerri’s blog post about SILENT DAYS

 

 

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silent days/blueprint for my soul ©️ 1996 kerri sherwood

Look For The Manatee [on DR Thursday]

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This has never been Kerri’s favorite painting. When I chose it for this week’s melange I asked her why she didn’t like it. She said, “Because there’s a manatee in it.”

“A manatee?”

“Keep in mind,” she said, “that I’m inkblot challenged.”

Wait. What?

Responding to the blank look in my eyes, she added, “I could never see Jesus in the pancake. Stuff like that.”

“The pancake?” My synapse fell short of the hoop. She Googled inkblots to demonstrate her disability.

“See (she pointed to an inkblot on the screen)! There’s Florida and I’m supposed to see Jesus. Wait. Oh. There he is. Wait! There’s a lot of stuff in there!” she marveled, squinting at the blot.

Blink. Blink.

“Oh! Maybe it’s that I see too much stuff in the inkblot!

I pulled up the image of the painting. “It’s called Canopy,” I said. I enlarged the image.

She looked close. “Wait. That’s not a manatee!” she exclaimed. “That’s a person’s leg!” She looked closer. “Hmmm.”

It is, after all, what I love about art: It is never complete. It emerges anew with each new look, each new performance. What I intend has very little to do with what is perceived and in that space between artist and audience, a new creation, a new conversation arises. Imagination is like that. It opens worlds of surprising possibilities. It projects itself into the known, into the painting, and magically transforms it.

“So, you don’t like manatees?” I tease.

“I love manatees!” she huffs. “Just not in your paintings.”

 

read Kerri’s blog post on CANOPY

 

 

 

 

 

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canopy ©️ 2009 david robinson

Observe The Rituals [on Flawed Wednesday]

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Like you, we are practicing new rituals that two months ago would have seemed like so much science fiction. We wash and disinfect all the food we buy. Dry goods stay in food-quarantine for 48 hours before they are allowed in the house. The mail is disinfected and banished to in a safe spot for two days before we open it.  Rituals of safeguarding. Rituals of necessity.

All are rituals of distance.

Rituals of cooperation. We walk everyday. We have always walked everyday but in these days we cross to the other side of the street if someone is coming our way. Or they cross to the other side. At first, this who-will-cross-first ritual was negotiated, awkward. Uncomfortable. In just a few short weeks it has become conventional, intuitive. In the time before the pandemic, it would have been a statement of rejection to avoid contact. Now, it is a statement of participation. We cannot safely visit our neighbors yet we daily street waltz with strangers. The world is upside-down.

Rituals of obfuscation. I read this quote this morning: The whole concern of an intelligent person is to see the facts and understand the problem – which is not to think in terms of succeeding or failing [Krishnamurti, Think On These Things]. In these days of pandemic, the President holds a jaw-dropping daily ritual to whip-up a counter-narrative to the facts of his inept leadership, to shut down his experts, to shout down or otherwise maul questions that do not support his pathological lie.  It makes for great TV ratings but lousy governance. And, a substantial number of people are so distracted by the clown that they do not grasp the reality of the fire raging outside of the circus tent.

Rituals of revelation. Marie Antoinette famously said of her starving citizens, “Let them eat cake!” I told Kerri that each week of this pandemic has brought me an understanding beyond the abstract of a specific episode in history. Today, the courts in our state, the Supreme Court of the nation and the Republican party of Wisconsin are essentially blocking the citizens’ capacity to safely vote. They are either gobsmackingly ignorant or astonishingly cruel. The choice: gather and vote in the midst of pandemic or vote not at all.  So few of those trusted with representing the will of the people of this nation are actually concerned with the will or the safety of the people.  It’s a win/lose game played by the privileged few in which the people are disposable. Let them eat cake. I now understand in my gut the moral outrage of the starving citizens of 18th century France.

We wash our fruit. We cross the road when others approach. We try and get out everyday, seeking places that  others have not yet found. We watch the numbers of deaths climb exponentially everyday. We shake our heads in disbelief at our bloviating leader. We call our friends. We now routinely say, “Webex” and “Facetime” and “Google hangout” when we used to say  “get together.” New rituals born of distance. New rituals born of separation in an era of gaping divides. Surely, one day, the pendulum will swing back the other way, the circus will pack up and the clown will go down the road. We will come out of our houses, greet our neighbors and remember what it was like to bridge divides and begin embracing the rituals shared on common ground.

 

read Kerri’s blog post about WASHING FRUIT

 

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Let It Spin [on Two Artists Tuesday]

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The answer to “Who Am I?” is mostly a matter of perspective [or concoction, depending upon your perspective ;-)]. As much as we might want it to be, who-am-I is not a fixed state of affairs. Thankfully, we are not as narrowly defined as we want to believe.

We constellate together some identity-fixed points (son, father, banker, artist, gardener…) that give general shape to the who-am-I inquiry.  Mix in a few subsets: competitive, passive, rich, poor, successful, homeless, handy, all-thumbs… and there’s some nice variation giving color to the primary fixed points.

For some real fun, factor in the changes of identity that happen over the course of a lifetime. Who did you understand yourself to be at 10? At 20? At 30? Dear friends just became grandparents; their entire universe is spinning. Who are they now?

I have had moments of triumph that turned to dust in my mouth. What looked like fulfillment was, in fact, an empty sack. Once, thinking I was looking good, I walked headlong into a glass door. Instant fool. Identity is much more fluid than fixed.

In the Buddhist tradition there is a “Big Dipper” exercise. From our perspective on the earth, there is a constellation of stars that form a big dipper in the sky. But, travel toward that constellation, the image of ‘big dipper’ starts to warp and then falls apart altogether. The position of the stars does not change. Our perspective does. The constellation is nothing more than an illusion. Mostly, my constellation of fixed identity points is nothing more than an illusion.

These days I’m thinking much about my illusion and attachment to my fixed points. My move to Wisconsin came with career death and I spent more than a few years grasping for the lost stars in my constellation. New stars appeared. I became a husband. I have two ‘given’ children. My beard has become grey. Yesterday, to my utter amusement, I found myself concerned with fallen leaves staining the patio and had thoughts of immediate raking. What has become of me? In the past week, I’ve awakened more than once with this thought: What if the painting on my easel is to be my last. It’s not finished and it’s an utter mess! I want to leave a better last impression! I have more work to do!

And then, I wondered, what if, as I travel out beyond the constellation, this image of myself, this part of me that I call ‘artist,’ matters not at all? Fluid, not fixed.

And so, my perspective spins, more anchor points fall away and the entire universe opens.

 

read Kerri’s blog post about PERSPECTIVE

 

 

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Stand In Their Shoes [on Merely A Thought Monday]

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Belief in tomorrow. Appreciation of today. No small thoughts even in the best of times, though, in the best of times they sound like platitudes. In these times, in the span of a few months, platitudes are revealed as precious.

20 has severe asthma so has self quarantined these many weeks. We occasionally see his face electronically. We hear his voice each night when we call. We laugh. We recount and appreciate the day. We miss our weekly Thursday night and Sunday night dinners with 20. They were ritual. Now, we think of them like a garden. They will return. Belief in tomorrow.

There are those who think this virus is an inconvenience. To 20, and others that we love, it is a death sentence. Apparently, to those who will not be inconvenienced, pictures no longer speak a thousand words. Data slides off Fox-coated-minds like so much Teflon. To truly understand the severity of the pandemic requires fully stepping into the shoes of another and, so, the most individualistic nation in the world wrestles mightily with putting the needs of others over self.

For 20 and millions like him with chronic health concerns, for all the people in health care or care-of-others in any capacity (hint: that would be all of us), belief in tomorrow is intimately linked to our capacity to step into his shoes and recognize that we stay home, wear masks, honor social distance not only for our sake, but for his. For theirs. And, if you follow the logic, his sake, “their” sake, is intimately linked to our sake. Your sake.

Recognizing that, through the lens of a pandemic, there is no Us or Them. Putting the needs of others over self is the best way to protect yourself. Both/And.

This is how we prepare the soil. This is the way to appreciate the day. It is the only way to invite belief in tomorrow.

[note: here’s my argument for those too ugly voices claiming we must accept certain loss of life to reboot the economy. Please put the face of your brother, your child, your mother or father in the place of “acceptable loss.” The loss of life is much less acceptable when it is personal, when it is one of your loved ones. This is, by-the-way, the same argument for social distancing, staying home, etc. When the life that is lost is one of “yours” it will seem much more necessary to stand in the shoes of another and help them stay alive] 

 

read Kerri’s blog post on BELIEF IN TOMORROW

 

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Hope [on KS Friday]

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Chris wrote, “So this is what a pandemic feels like.” He is a brilliant actor, the artistic force behind Sea Dog Theater, living with his wife and two children in New York City. I was worried about him and his family. “Overall, we are okay and grateful. It’s scary. And when we aren’t thinking of just our family, we are trying to help artists who’ve lost everything; creative gigs and day job wise.” Artists generally live on a thinner margin than most people.

It is what I most love about the people who populate my world: they think of the needs of others. They seek meaningful ways to help, to support their community. It is, when all is reduced to the essence, what makes an artist an artist. It is what makes a human being a human being.

We were on the raft choosing the images and music for this week’s melange. Kerri asked, “What about HOPE?” I laughed at the double entendre. Yes. What is most needed in these times of pandemic?

Kerri’s HOPE – like the yearning it reflects – enters the world quietly. It is a sturdy force that warms the heart but does not call attention to itself.  It will lift your eyes beyond the scary and refocus them on possibilities. Ways to help. Hope.

Chris added, “We are healthy and together, which is most important.”

From our seclusion, healthy and together, to yours, Kerri offers her HOPE.

 

HOPE from the album THIS SEASON is available in iTunes

 

read Kerri’s blog post about HOPE

 

 

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hope/this season ©️ 2005 kerri sherwood