Look Again [on DR Thursday]

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It’s all a matter of context. As it stands, this is the seventh painting in a series I call Earth Interrupted. This piece would not exist today except Kerri stopped me from painting over it. She likes it. I find it dark. Foreboding. Of the seven paintings, it is the darkest piece in the series. When I painted it, I didn’t know how to place it – I didn’t know its reference point. It wasn’t and isn’t comfortable.

I pulled it out of the stacks last week. Now, in this time of pandemic, I know exactly what it represents. Everyday in the news I see a graphic of the virus. It is dark and foreboding.  Earth interrupted.

In an earlier version of myself I spent a great deal of time trying to educate educators to this simple truth: art is not supposed to be entertainment. It can’t always be comfortable. In fact, it holds diminished value if it doesn’t sometimes challenge, sometimes upset, sometimes confront, sometimes incite. Art is powerful because it confronts us, asks us to question what we see and think and believe.

And now, looking at this painting that makes me uncomfortable, I find it necessary to listen to that earlier version of me. This painting is beautiful, not because it makes me feel good or takes me away, it is vital because it upsets me. It lands me squarely into this inescapable moment in time.

 

read Kerri’s blog post about E.I. 7

 

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earth interrupted vii ©️ 2018 david robinson

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