Check Your Reaction [David’s blog on KS Friday]

I confess to being disconcerted. At lunch, Kerri asked me a question about my blog so I typed “the direction of intention” into Google. The top slots were a prayer, rather, a type of prayer originated by Saint Francis de Sales. “Oh, No!” I thought. I don’t want my blog to be associated in any way with any church or any religion. “I hope people know that I am not that,” I said, surprising myself with the vehemence of my sentiment.

We’d just finished reading and discussing a Washington Post opinion piece, I Left The Church And Now Long For ‘A Church For The Nones.’ “… I couldn’t ignore how the word Christian was becoming a synonym for rabidly pro-Trump White people who argued that his and their meanness and intolerance were somehow justified and in some ways required to defend our faith.” So Perry Bacon, Jr.’s very interesting opinion piece was fresh in my mind.

So, too, was a passage I’d read earlier in the day from Vāclav Havel‘s book, Disturbing The Peace. The interviewer asked him to define “absurd theatre” (Havel wrote absurdist plays). He responded that absurdist theatre “demonstrates humanity in a ‘state of crisis’…it shows man having lost his fundamental metaphysical certainty, the experience of the absolute, his relationship to eternity…, in other words, having lost the ground under his feet.” In my mind, he could not have written a more prophetic or accurate description of our times. We are untethered without a functioning moral compass. We are awash in a flood of content mostly bereft of shared context.

I attended a Catholic college. I am not Catholic. I have never identified as Christian or Buddhist or Hindu…Yet, I am not an atheist. One of my favorite memories of my college years are the many conversations I had with Father Lauren sitting on the stoop of the barracks, sipping tea, discussing his faith and my belief. We explored ideas. We compared and contrasted philosophies. We laughed. We asked questions. We considered and expanded each other’s point of view. We respected each other’s differences because we were both driven by a desire to do good for other people. We shared a common intention. A common direction of intention. We both believed in “something bigger” but did not share the same idea of what “something bigger” might be.

Suddenly, I yearned for that time of openness of thought and generosity of sharing opposing points of view. I imagined sitting again with Father Lauren. Eschewing any black-or-white opinion, attempting to practice what I preach – to practice what I believe – I clicked on a few of the links of Saint Francis de Sales. I read. I wanted to know rather than to judge.

I read that Saint Francis de Sales was noted for “…his deep faith and gentle approach to the religious divisions in his land…” We could use some gentle approaches to division in these rabidly discordant times…This also caught my attention: the direction of intention, the heart of Salesian spirituality, is a practice of prayer consciously directing to god what you are about to do… In other words, intending goodness of action.

My definition of the direction of intention: it’s not about what you get, it’s about what you bring. Saint Francis de Sales and I are not so far apart in our direction of intention. Other-focused. Purposive goodness. We both encourage consciousness of action in the world and awareness of the impact of our actions on others.

So, I amend my initial thought: I do not want to be associated with any church or religion, but there’s plenty of common ground to share when we’re driven – and united – by a conscious desire to do good for other people. 

grace/right now © 2010 kerri sherwood

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Fill The Space With Goodness [on Two Artists Tuesday]

When I was learning to be on a stage there was a phrase I particularly appreciated: fill the space. There was also a companion question that seemed to be more important: what are you bringing to the space?

The assumption beneath both the phrase and the question is that you have a profound impact on your world. Not in abstraction. You are an active participant in creating it. After all, the space is shared, co-created. What do you intend to bring to the shared space? Are you going to “take” energy from the shared space (it’s all about me) or are you going to “bring” energy to the shared space (we are in this together). I understand this choice to be the direction of intention. It’s the origin story behind the name of this blog. A performers job is to bring good energy and light to the shared space, to unify it. To grow the goodness.

I think that’s why Kerri and I are attracted to prayer flags. The mantras on the flags are blown by the wind to fill all the space of the world with good will and compassion. Fill the space with goodness to the benefit of all. A straightforward yet profound intention.

It seems like such a simple thing, doesn’t it? Intend to bring good energy to the space that is shared by all. And, to us, it seems like the number one imperative of our times. In this me-me-me era, rife with “taking” energy from the space, it’s crucial to help reverse the tide.

She was holding black and white bandanas and I saw the thought hit her. She turned and asked, “Do you think it’s a good idea to make our own prayer flags?”

“Absolutely.” I said. “Why not? This world could use all the good intention that we can muster.”

All the world’s a stage, after all.

read Kerri’s blogpost about PRAYER FLAGS

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Reseed [on Merely A Thought Monday]

We pulled everything off the walls of the office. The photographs and posters of plays I’ve directed, Kerri’s first album, framed, a gift. Our poster announcing Beaky’s Books. “I don’t think the office should be about the past,” she said. “It’s time to make this space about our current work and the future.”

She chose a painting, Nap On The Beach, one of many created from our experiences together. She’s making a poster of Smack-Dab, our cartoon. Turning our eyes from what we’ve done, where we’ve been, who we were. We’ve changed. We want different things now. We work in different ways now.

She’s slowly cleaning out the house. I can’t help. This is something she must do by herself. Purging closets, the laundry room, the storage and work rooms. The year of water upended our house. Several times. It continues in the front yard, all the way to the street. When the ground settles, we’ll reseed the lawn. How’s that for a metaphor? When the ground settles, we will reseed.

It takes time for the ground to settle. It can’t be rushed. It should not be rushed. The same is true for cleaning out. We have new piles forming: what goes, what stays. I climb the stairs to the office each morning. When I come down again, she shows me the new space that she’s created from the day’s purge. It’s true on many levels. She’s creating space. Old baggage and burdens are going out with the old clothes and broken appliances. I can see it in her eyes. Space. Light. Like the house, she is beginning to breathe again.

She told me about the dream, her father was setting up microphones. “What are you doing?” she asked.

“Working for tomorrow,” he said.

I had to work hard not to weep. She’s had a rough few years. “Your daddy’s talking to you,” I said. “Sage advice.”

She nodded. Her eyes turning from the pain and constraints of the injuries. Letting go of the past. “Work for tomorrow,” she smiled.

read Kerri’s blog post about WORK FOR TOMORROW

Reach Purely [on Two Artists Tuesday]

“Art, as best practiced and understood over the centuries, is a spiritual as much as technical pursuit.” ~ Kent Nerburn, Dancing With The Gods

It was disconcerting. It still is. The illusion was so distinct that I had to show the book to Kerri and ask if she saw it, too. Each morning I read a few pages from Kent Nerburn’s book. This morning, in a chapter entitled The Divine Thread, I turned the page and a single paragraph, just a few sentences, was printed in a font twice the size as anything else on the page. I read it a few times since the author had given the section such obvious emphasis. After the I finished the chapter, I looked back to reread the oversized section – and it was printed in the same size font as everything else. It wasn’t emphasized at all. The shock of it made me dizzy.

“Art, however, does create this touch. It speaks in different voices, different rhythms, different languages. There is no place in the human heart it cannot reach.”

Paul taught his student-actors that they had an obligation to something greater. “When you choose to get on the stage, you have the power to impact other people’s lives. Do not take that responsibility lightly.” Your art, your creation, if purely intended, will reach the heart of another – purely. Even the loneliest painter knows the transcendence of the expansive energy that comes through in the moment of creation. Transcendence is all inclusive.

I have been humbled by the great artists I’ve known. Teachers, mentors, and others. I’ve been humbled by their humility. Tom, a brilliant director of plays and believer of possibility, influenced more artists than any person I know. He was tortured by the size and scope of his gift. At the end of his life, sitting before a fire in his cabin, he was, for a moment lost in thought. I watched his revelation come to the surface. He looked into his wine and said, “I think I did my best work when I was a just starting, when I was second grade teacher. It was pure imagination. I had no idea what I was doing. I just knew that we could have fun telling stories and going on adventures where our imaginations led us. It was pure.”

I met a few teachers who’d been second grade students in that classroom of long ago. They told me that year changed their lives. They touched his heart and he touched theirs. Shrunken heads and planning expeditions to the Amazon. Maps and budgets and “What do we need to bring to survive?” They spent weeks preparing for “blind day,” an exploration of the world through the full scope of senses. “What could we learn if we didn’t rely on our sight? What would we need to prepare to help each other?” he asked. Pure.

For our wedding, Julia made for us a small box with a Klimt’sThe Kiss” decoupaged on the lid. Inside, she placed a few Euros. A metaphor. Great love as a container for great adventure. We placed the box in our sitting room in a spot where we see it everyday.

Kerri knelt on the dock to get this photograph of the water. “The color!” she gasped. Pull up an image of “The Kiss” – or any of Klimt’s paintings for a closer inspection and you’ll see this water pattern. Klimt might have painted it. He studied swirls in water, swimming color on the reflection of the surface. I’m certain of it.

Great love. Great adventure. Tom. Julia. Paul. Art that is pure. My head spins. There is no place in the human heart that art cannot reach.

read Kerri’s blog post about WATER

images of water © kerri sherwood 2021