Take A Picture [on Not So Flawed Wednesday]

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Our time on island was a polarity. The antagonism of the organization was balanced by the utter peace of the littlehouse. Just as we learned to roll with the quickly changing faces of our board, we stood in awe of the swiftly shifting personality of the lake. One moment it was still and the next moment it roiled and took great bites of the shore. It was (and is) a study of the degrees of change, the subtleties of ever-changing-movement.

Each morning Kerri walked to the water’s edge and took a photograph. Reviewing three months of mornings is eye-opening. So much life! So much variation and beauty and power. If I am ever again bored or delusional enough to think that life is dull, I will remember our morning photographs. Were I still working with artists or corporate types I’d make it a mandatory exercise to take a photograph at the same spot everyday for three months. The review at day 90 could slap awake even the most dedicated blindness.

It is the visual equivalent of morning pages. See what you do not see. Aim your focus and realize that, in fact, you have the power to aim your focus, to determine what you see and, therefore, what you study. And, therefore, how you story your life.

During our last pass on the island, Kerri, as is her custom, took her morning photograph. Later, she wandered out of the little house to capture a midday shot. In the evening, I found her by the water’s edge photographing the sunset. She created a panorama, a sweeping story of the day. “Everywhere I look, it’s perfection,” she said.

 

read Kerri’s blog post about PERFECTION

 

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Tell The Story [on Two Artists Tuesday]

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In our house, everything is a story. Sooner or later, all things are personified and become a character in our play. The old air conditioner units are cranky. The soap dispenser has eyes bigger than its stomach and routinely takes on too much soap. Gluttony in bubbles.

The cat does a killer soft-shoe, paws dancing on the table. The studio calls. The piano yearns. The pots and pans complain about the inconsistent burners on the old, dare I say ancient, stove. Rather than retirement, the stove dreams of holding the longevity record for kitchen appliances. Frankly, we think it has a good shot at fulfilling the dream.

And then there is the stuff we do. That, too, finds its way into story-dom. For instance, a few weeks ago we took a rug on a train. It went with us to an urban grocery store and helped us buy a bag of chips. It rode the escalator up and then down, went through a revolving door, evaded a collision with a stranger’s hat. Then, it strolled with us for a few miles, looked at the changing leaves and finally came to rest in its new home, Craig’s apartment. I think it appreciated seeing a bit of the world before meeting its destiny as an area rug. At least, that’s the story I tell myself. Rugs are hard to read so I might be projecting the contentment it felt when it finally left my shoulder for the floor.

 

read Kerri’s blog post about THE RUG

 

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Make It Up! Why Not? [on Not So Flawed Wednesday]

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What exactly is going on here?

It’s possible that this cat through osmosis is assimilating large amounts of information, data, and e-knowledge by sleeping on a computer.

It’s also possible that this cat has an emotional bond with an inanimate object. It wouldn’t be the first time.

Consider that this cat, like a tree felled in the woods, toppled in exhaustiob and landed belly up in this unlikely position.

It might be the heat of the computer that attracted the cat. It’s uncertain in the photograph if the day is cold. This may be a heat-seeking cat. It’s possible.

This cat may not be sleeping at all. After all, this is a photograph, a moment of stop-action-time. This cat might be blinking or this could be a cat yoga pose. This could be an instance of deep-cat-satisfaction.

It’s hard to glean the truth of this photograph. It’s possible in our day and age that this enormous cat is nowhere near a computer. Photoshop is capable of making us see the unlikely, the absurd, the unimaginable. This cat might never have met this computer.

What, exactly, is going on here? We may never know.

I can tell you that this very-large-cat snores like a drunken sailor, especially when sleeping on or near the computer. It’s uncanny and I understand if you doubt what I’m writing. You have absolutely no reason to believe me.

You will undoubtedly make up your own story about this huge cat-snoring-computer convection. Heat transfer. You will assign your unique belief to this image. It’s what we do. It’s why, without doubt, anything is possible. Even the absurd. Especially the absurd.

What is really going on here?

 

read Kerri’s blog post about THE CAT AND THE COMPUTER

 

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*this photo is unaltered. This is not two cats or a large black creature engulfing a cat. This shape is what happens when too much cat meets the floor [help].

 

 

 

Live In The Middle [on Merely A Thought Monday]

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The first of Don Miguel Ruiz’s 4 Agreements is to take nothing personally. He writes that everyone (in their mind’s eye) is the star of their own movie and you are merely a bit player in their story. Their drama is theirs. Their drama is not yours. So, when they hurt you or shout at you or call you names, it is not personal. It is their story, their drama, and there is no need to make their story yours. In fact, to try and own their story or take responsibility for what is playing through their head is impossible. It is, in fact, madness.

It’s easier said than done: don’t take ownership of other people’s drama.

I laughed aloud when, many years after reading the 4 Agreements,  I read the 5th Agreement: Doubt everything you think. In other words, in addition to not owning other people’s drama, realize that your own drama is not as serious as you might think. It’s a passing cloud, a made-up story in which you are the star and other people are cast as bit players. Take seriously your story and you will yell at others, call them names, try to hurt their feelings as you attempt to force your drama on them.

Bookends. Their drama is not yours. Don’t take it personally. Your drama is not nearly as serious as you pretend. Doubt everything that you think.

What lives between those two dramatic delusion-poles is sometimes called presence. Sometimes it is called peace. It is not a static state, not an arrival or an achievement. It’s a relationship available with others (and the world) when the realization comes that no single story is central or primary or really that important. It is, in many spiritual traditions, called the middle way.

 

read Kerri’s blog post about NotSalmon QUOTE.

 

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Give Over [on DR Thursday]

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It’s called Surrender Now.

I chose it for this week’s Melange because, from this vantage point, surrender seems the only path forward. Giving over rather than giving in. Nonresistance to the forces fighting all around us.

Nonresistance is a scary word. In modern parlance is presupposes tyranny. Unjust authority run amok. It is a path of exposing suppression en route to peace. Ghandi and Martin Luther King.

The surrender in the painting, the surrender of which I write, is a much more personal variety. It is the surrender of aging. It is the surrender of pushing for outcomes and achievements, the release of long-held loss and disappointment. Giving up old stories. giving over to unknown paths and definitions.

Surrender the push-away of life as it comes. Rather, embrace the day with all its surprises. Held in grace. Surrender now.

 

read Kerri’s blog post about SURRENDER NOW

 

 

SurrenderNow framed copy

arches shadows k&d website box copy

 

held in grace: surrender now ©️ 2016 david robinson

Balance [on Two Artists Tuesday]

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Each day we sit on the deck and watch the personality of the lake change. We are witness to the power of the elements at play. Wind drives wave. Wave evaporates and moves wind. Lighting hits earth. Rain feeds the plants. Too much rain, too much wind, too much fire, devastates.

Balancing the elements. It is the central thought in many traditions. The cardinal directions are associated with a color and an element. North, south, east, west. Air, fire, water, earth. People need associations in order to talk about things. In order to know where they fit.

The colors differ from tradition to tradition. Sometimes black, white, red, and yellow. Sometimes blue, green, yellow, red. Sometimes there is a fifth element. There is always a center. When there is the understanding of center point there is also an acknowledgment that separations, experiences like north, south, east and west, are illusions.

Balance is a radically different intention than dominance. Taming-your-nature is not the same as balancing-your-nature. In the tame-your-nature idea, nature, your nature, is corrupt and needs to be controlled. In the balance-your-nature idea, your nature is neither good nor bad, it is a dance of energy, a push-pull of wind and fire, air and earth. In the balance-your-nature idea, there is no such thing as “wild.” because there is no intention to “tame.”

As you might imagine, the artist that explores the tame-your-nature mindset understands their artistry much differently than the artist that explores balance. I was born into and oriented toward the culture of tame-your-nature and so I divine through brush and story the push-pull between goodness and badness. Combat, combat everywhere. Right/wrong. Us/Them. Good enough/lacking.

I desire to see through the other lens. I suspect this desire is the epicenter, the driver behind my paintings. To understand the world I inhabit as energies at play, to know beyond an intellectual understanding that the distinctions don’t really exist; wind is not separate from water, earth is not separate from fire, people are not separate from planet. Illusion. Our division is a play of shadow puppets at best.

I think it is why we hang prayer flags at our littleislandhouse and at our home. Surrounded by combat, we are drawn by the desire to balance, we are enticed by the possibility of harmony.

 

read Kerri’s blog post about PRAYER FLAGS

 

 

 

 

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island prayer flags photograph ©️ 2019 kerri sherwood

Stand On Any Street Corner [on Merely A Thought Monday]

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For reasons that are beyond my pay-grade to comprehend, human beings are obsessed with seeing conflict and division. The news of the day is generally antagonistic and despair-inducing – and that is not unique to our day. Ancient temples and modern televisions alike are overrun with images of war and hostility.

One of the greatest powers a human being can achieve is the power of focus placement. ‘Seeing’ is, after all, a matter of choice.  It is not passive. In any given moment there are multiple points of focus, there are multiple stories, there are many interpretations to choose from.

Stand on any street corner and watch the world happen. Watch the overwhelming number of acts of kindness and generosity. The small moments of simple kindness and consideration. They are everywhere. People giving way, making way, helping. You will be surprised to find that the kindnesses by far outnumber the rudeness, the antagonism.

Stand on any street corner and watch where your focus goes. In the midst of a tsunami of kindness, if you are human and like all other humans, your focus will be captured by the angry guy honking his horn, the commuter shouting at the bus driver. “Such an angry world,” you think and close your eyes, despairing. Anger is so much louder than kindness.

Tell a story of discord, see a story of discord. Practice a story of discord, live a story of discord. Discord is easily leveraged. Division is easily sold. It is like selling candy to a kid. It is readily chiseled into pillars and hungrily read into teleprompters.  It is so easy to see.

Tell a story of kindness, see a story of kindness. Practice a story of kindness, live a story of kindness. Although it is more readily available it is, somehow, more difficult to see. It is less sell-able and, so, is discarded as trite. It requires choice and discernment rather than default. It requires opening your eyes and your story to what is actual, what lives beyond the thundering chorus of conflict-peddlers.

The angry shooters and tweet-happy presidents live on the far margins yet they garner the majority of the attention. Stand on any street corner and open your eyes. There is a sweeping quiet kindness that permeates the vast majority, that defines the middle ground. You can see it if you so choose.

 

read Kerri’s blog post about KINDNESS

 

 

 

 

 

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Listen Well [on Not So Flawed Wednesday]

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When I wore my life/business coaching hat, many of my clients secretly wanted to be painters or writers. After wading around in the depths of their dissatisfaction, they’d finally say something like, “What I really want to do is write a book.” And then, they’d divert their eyes and say, “I just don’t know how to get there.”

The path was always simple to say but difficult to execute. Write. Write everyday. There is no magic path. As Tom would say, “A writer writes. A painter paints.” The action is rarely difficult to do; the story wrapped around it is…well, another story altogether.

The difficulty comes in the form of a many headed monster called vulnerability. “If I write (paint, dance, act…) people will judge what I write (paint, dance, act…).” It’s a heavy cloak to wrap around the creative heart. Yes. They will judge. Some will diminish you and some will praise you to the sky. However, that has little or nothing to do with being a writer or painter, with becoming a better writer or painter. Neither the praise nor the derision is truth or accurate or meaningful.

Both accolades and critiques can pull an artist off-center. To listen to either is to ignore  the quiet prompting of the muse. The essential will be lost in the chatter.

My mind is a tumble of truism. “A journey of a thousand miles begins with a single step,” etc. There is no other way to be a writer than to sit down and write. There is no way to become a better painter than to stand at the easel and paint. And, while writing and painting and acting, there is a necessary skill for an artist to develop: learn to let the opinions and judgments of others pass through. They have nothing to do with creating and everything to do with what others are seeing. The artist’s job is not to determine what others see. The job is to write and paint, to create what the muse whispers in your ear.

There is no other way. Artistry is not an achievement. It is an action, a relationship.

Act well your part. Paint well your painting. Write well your novel. Listen well to your muse.

 

read Kerri’s blog post about ACT WELL YOUR PART…

 

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Blink Carefully [on Two Artists Tuesday]

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When I first saw them I thought they were leaves growing like ivy on the post office wall. And then, one of the leaves fluttered its wings and took flight. It took a moment for my mind and eyes to adjust. Not ivy. Thousands and thousands of…dragonflies?

We stood for a few moments marveling at the sheer number of them. An older woman, an islander, pulled up and caught us gaping. “Bayflies,” she said in passing. “In all my years I’ve never seen so many.”

Later, in the theatre, we stared out of the window at another mass of…bayflies or dragonflies, clinging to the warm wall just outside the lobby. Pete came up behind us. “Mayflies,” he said. “There are a ton of them.” Pete is given to understatement. What he called a ‘ton’ I’d call a ‘plague.’ Alfred Hitchcock would have had a heyday with this story.

And the next day they were gone. Just like that. Had you told me about the bayfly-mayfly-dragonfly invasion, I might have wrinkled my brow and smiled at your exaggeration. A fishing story; a massive bug infestation? No one really knows what they are? Yeah, right! Here and gone. Uh-huh.

But it happened. Blink and you would have missed it. Just like life.

 

read Kerri’s blog post about THE INVASION

 

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Love The Journey [on KS Friday]

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This morning, sitting on the steps off the back deck, sipping coffee, DogDog sniffing around the yard, I watched the eagles fly across the bay, dodging seagulls protecting their brood. I fell into one of those moments, those precious few moments, of profound appreciation for my life. This part of my journey is surprising and as orienting as it is disorienting. Both/and.

I like to travel precisely because it throws me off center. Even the simplest things require attention. Which side of the road am I supposed to drive on? Oh my god, where is the corkscrew? What did I just order (I couldn’t even pronounce it)? Once, in a barter culture, I failed miserably because I bartered myself to a higher price. The merchant and I laughed until we cried and then he patted me on the back and only accepted half of my money. Laughter was my coin. That part of my journey changed the trajectory of my life entirely.

Read the order of the tracks on Kerri’s album, THIS PART OF THE JOURNEY, and you notice that the final two titles on the album are This Part Of The Journey followed by The Way Home. She is hyper-intentional so I believe she did that on purpose. Sitting on the deck this morning, I knew without doubt that this part of the journey, no matter how complicated or lost-feeling or unnerving or uncomfortable…or peaceful, is a great gift. It is a step on the way home. And, it will someday make for the best stories, perhaps the best part of my story.

THIS PART OF THE JOURNEY sparkles like the sun on the lake. It is as abundant as DogDog’s curiosity on his discovery trip around the yard. It is as full of laughter as a merchant in Bali who, to this day, tells the story of the tourist who had no idea what he was doing.

THIS PART OF THE JOURNEY on the album THIS PART OF THE JOURNEY is available on iTunes & CDBaby

 

read Kerri’s blog post about THIS PART OF THE JOURNEY

 

not our best morning minturn website box copy

 

this part of the journey ©️ 1998 kerri sherwood