A Popcorn Trail [David’s blog on DR Thursday]

The torrents of rain and tropical wind gusts paused momentarily to regroup, so we went out. She couldn’t wait to set foot on the dock. She needed – needed – to walk to the small pavilion at the far end. A shelter with benches and remembrance. Her memories called.

Many years ago I had a week all alone in my childhood home. I was writing my book and the empty house seemed like a perfect quiet retreat. Between writing sessions I walked. I literally felt pulled to revisit the places and pathways of my youth. I stood at the edge of the present and listened for the echoes of my past. It’s what she was doing as we slow-walked toward the pavilion: attuning to the resonance of her life.

Standing beneath the shelter, already drenched from the rain, the wind winding up for the next hard gust, she said, “I wrote a song here…” The story spilled from her in fragments and she reassembled the pieces. A small section of the puzzle came together.

The birthplace of a song. The birthplace of an artist. A tiny pavilion at the end of a dock. The place where a young woman composed music in her mind and left behind a bit of the song, a popcorn trail for an older woman to follow so that she might someday find her way home.

read Kerri’s blogpost about THE PAVILION

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The Door [David’s blog on Two Artists Tuesday]

“Follow your bliss and the universe will open doors where there were only walls.” ~ Joseph Campbell

We leaned an old door against the garage. The towel rack serves as an excellent perch for birds. Initially, we entertained the idea of hanging a basket of flowers from the rack but abandoned the idea. As time and weather peel back the layers and reveal the door’s history, we are delighted that we left well-enough alone. The door is beautiful and needs no adornment.

I am rereading The Hero With A Thousand Faces, Joseph Campbell’s masterwork introducing us to the idea of a monomyth: the story-pattern found universally in folklore, myths, religious narratives…across cultures. The human journey. This time through I am slow-reading the book, taking in only a few pages a day – or sometimes if it strikes me I linger on a single paragraph. In this phase of my life I am less interested in consuming information and more wanting to savor what I read. I am not trying to “get there” or to “achieve” or ascend the heights of knowledge mountains. I am in favor of strolling and appreciating.

Sitting on the step of the deck, watching Dogga explore the crab grass, I realized that we placed the door directly opposite of Barney the piano. And, because my mind is savoring mythic journeys I was amused at the creation of our unintentional sculpture. Music is Kerri’s bliss. Since she fell and broke both of her wrists the door has been mostly closed. Recently she cleaned out her studio. It feels good in there! There’s light and space and new energy. Occasionally, spontaneously, she will run in and play for a few minutes. Dogga and I exchange a knowing look: the muse is calling.

There was certainly a departure from the known. There have been challenges – more than I care to count. Like Barney and the door, the old world collapses, layers peel away, revealing history long unattended. In the collapse the purest form emerges and finds new light. Though the journey is not yet complete, I am witness to her transformation.

We placed an old door opposite of Barney. Where once there was only a wall, I have faith that this door will open. She will return to the land of the known, and as the monomyth foretells, she will bring with her a boon, a special gift gained from her arduous journey.

read Kerri’s blogpost about THE DOOR


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Lean Into It [David’s blog on DR Thursday]

And what did the oracle say? Did she give you insight? Wise counsel? Did she offer a prophesy? Divination? Are you on your way? Do you know where you are going?

This song has been playing through my mind all morning: “Mama pajama rolled outta bed, she ran to the police station…” Simon and Garfunkel. Down by the School Yard. I think it’s in my head because, for many days, it was rolling through Kerri’s head. Transference. The difference is that when she sings the song it sounds like it is supposed to. Queen of Corona.

Before Simon and Garfunkel moved in, I was awash in The House at Pooh Corner. Kenny Loggins and John Messina. “I’ve wandered much further today than I should and I can’t seem to find my way back to the woods…” I hadn’t thought of this song for years and, this time, Kerri wasn’t a source of song-transfer. Where do these things come from?

A friend wrote last night. Like me, he is a wanderer. He thinks it might be time to find a place to settle. Settle, not settle down. I get that. I looked for my home for years and, as it turns out, it had to find me. A person, not a place. She’s filled with music. “And I’m on my way, I don’t know where I’m goin’ – takin’ my time, but I don’t know where…” I hope he finds his place, his person. I hope he is filled with light.

Impressions on a page. The Balinese taught me it is all a shadow on a screen. The moment I put a name on it, I cleave it in two. Subject and object. Mind and matter. Future and past. The only real place is in between the definitions and it cannot be fully grasped. Just lived. Johannes said, with our words, we make images, projections, and, if the image is good, we lean into it. Reaching for the impression.

“Count all the bees in the hive. Chase all the clouds from the sky…”

Prayer of Opposites, 4’x4′, acrylic on hardboard

read Kerri’s blogpost about FOG AND TREE

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buymeacoffee is a shadow on a screen, a simple story to tell.

Listen To The Sing-Song [David’s blog on Merely A Thought Monday]

The sound, rhythm and pattern of language. Listen to the sing-song of a mother talking to her infant child. Exaggerated prosody. Love carried through time and space on a warm carpet of sweetly over-elaborated sound waves. The words carry less meaning than the prosody. The shape of the sound, exaggerated to invoke a giggle. A bright face. A smile.

In our house, the exaggerated prosody is reserved for Dogga. “It’s time for sleepy-night-night!” Kerri sings to a tired-faced-Dogga. There is a distinct rhythm to “sleepy-night-night” that has become a comforting ritual chant. Our day would not be complete without it. He wags his tail and lopes toward the bedroom. Or, “We’re going to the living room!” she says in response to his constant anticipation of our next move. The words “living room” elongated and embued with excitement. He dashes to beat us there and, in my mind, to convince us that he’s been waiting all along.

When Unka John arrives, his ritual Dogga sing-song goes like this: “Hey! Hey! Give me that bone!” The game is explicit, the sound of the words as exacting as a line from Sondheim. After Unka John pretends to eat Dogga’s bone and returns it to the awaiting Dogga mouth, signaling the end of the arrival game, he chants two consecutive times, “Do you want a treat!” with the hard accent and lift on the word “treat.” It sets-off a full body wag and race to the treat jar. “Gentle! Gentle!” is the incantation that signals Dogga to sit and tenderly accept the treat. Of course, the whole sequence of Unka-John love-fest is ignited when we say to Dogga, “Guess who’s coming?” in a melodic line that we know will provoke a bouncing-dog-rush to the front door as we await the imminent arrival.

The meaning is not carried in the words, rather, it’s in the poetry of the tones. The generosity of the sound.

It’s the poetry of everyday life. The ritual sounds we use to shape our day, to create our comfort-home. To fill our hearts with gratitude. To clearly say, “I love you” in sound and tone when our words are merely, “Do you want some lunch?”

read Kerri’s blogpost about EXAGGERATED PROSODY

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Step Out [on Two Artists Tuesday]

Covid made us near-recluses. We have been, like many people, in this “post Covid” era, bumping into a glass wall when we attempt to venture out. It’s as if our social muscle has atrophied. We assign the blame to our current financial situation yet we both know that isn’t true; we live in a region with abundant free concerts and festivals and markets. We can walk to many of the events. We’ve been gifted tickets to museums and gardens.

We plan to go. We make the time. We take a step. We hit the glass. We take a walk in the woods instead. “I’m not sure I want to be in a crowd of people,” we chime. “Too much noise!” we insist.

We point the finger at stress yet we know the very thing we need to do to decrease our stress is to get out of the house, have an adventure, stir the pot…be with people.

With the help of friends we are slowly re-entering the world. Our weekly hike-and-spikes with Jen and Brad. We took 20 to the art museum. We have plans to walk the Third Ward in Milwaukee and eat dinner at the Public Market. Small steps.

It is not an understatement to suggest that Saturday we hit the wall and simultaneously melted down. We made plans to go to an outdoor concert. The evening was perfect. We decided not to decide – another avoidance strategy when our noses are pressed to the glass. It was almost too late. And then something broke. After shaking our fists at the sky and each other, in an act of self-defiance, we stomped into the car and drove to the concert. Birthing pains.

The music recharged us. The audience recharged us: happy people sipping wine, eating cheese and bread, talking, sharing, laughing with the people around them. Complete strangers bonded in kindness, a generosity of spirit enlivened through the shared experience of music. Never suggest to me that the arts are not powerful.

I think we just re-entered the world. Or took an important first step. Certainly, the music cracked the glass wall. I wanted to weep and laugh at the same time. Even as a devoted artist I am sometimes overwhelmed at the subtle, often unrecognized, capacity of the arts to unify and…heal…the human heart.

read Kerri’s blogpost about THE CONCERT

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Appreciate The Glee [on KS Friday]

My “word-of-the-day” is bedight. Adorned. It seems most appropriate that this adverb popped in my box on this day of Forsythia. The trail was bedight in Forsythia. A sudden explosion of vibrant yellow.

I always look forward to the first Forsythia sighting. It’s the day Kerri dances in delight, chanting, “They’re back! They’re back!” Her relationship with Forsythia reaches into her childhood and has deep love-roots. My association is more recent: it’s the flower that makes Kerri dance. She runs to the vibrant petals to take a close-up. I stand back and appreciate the glee.

Dogga acts as if we are Forsythia. When we return home from errands – even if we’ve only been gone a few minutes – he jumps vertically at the backdoor, so excited is he to see us. Sometimes I like to go on errands just so I can come home to such a glorious welcome. Who doesn’t want to be greeted with out-of-control enthusiasm!

Yesterday, after a particularly arduous slog through the day, Kerri sat on my lap and declared, “We are successful at nothing!” We burst into laughter. Zero. Nil. Nada. Zip. Bupkis. Nought. Naught. And Zilch. And, into that vast nothing, we pour our good laughter and heart until our nada-cup runneth over.

She did not say that we are unsuccessful. Our particular form of success, apparently, is no-thing. Like Glee. Or enthusiasm. Or music. Or beauty. They are hard to wrap your fingers around. They are even harder to assign concrete monetary value. What is our work worth? What – exactly – is our work? Beyond no-thing?

Yesterday I asked Arnie the to ponder the same question I’ve asked many of my wise-eyes pals: why would people support us? Financially? Beyond caring for us or liking us (trust me, we are wildly abundant in love and friendship), why would someone – anyone who doesn’t know us – support our work? What do we bring of value to the community? For us it’s confusing. Approximately 1,500,000 people listen to Kerri’s music every year through streaming services and she receives nearly-nada. Our blogs and cartoon have reached people in over 80 countries. We love to write together. We love to share what we create. Is there concrete value to what we offer? No-thing? If so, what is it called? What could it be? What shape is graspable? We are sitting on the mountain so we cannot see it. What are we missing?

Mostly, we hope to bedight the life-trail – yours and ours – with the vibrant yellow that lives beyond words and evokes spontaneous dancing. Mostly, if it doesn’t make you dance, we hope it helps you stand back and, like me, appreciate the glee.

Kerri’s albums are available on iTunes or streaming on Pandora

read Kerri’s blogpost about FORSYTHIA

the way home/this part of the journey © 1998 kerri sherwood

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Feel The Rumbling [on Not So Flawed Wednesday]

“We have to stop and be humble enough to understand that there is something called mystery.” ~ Paulo Coehlo

Kerri sprinted through the kitchen. “Dogga has a baby bunny in his mouth!” I reached the window the moment she said, “Dogga, drop it!” He did. The bunny hopped away. Dogga beamed with satisfaction. A new friend. And who wouldn’t want to take a gentle ride in a dog’s mouth?

The Mayapples are reaching through the devastation. The new green is slowly overtaking the broken brown. We wondered if anything survived the eradication. How foolish we were to doubt the power of life. The force of nature. Already this spring the chorus of the frog’s-re-emergence has blown us away. “We only think we’re in control,” I thought as Kerri knelt to capture the wrinkly green splendor.

We sat in the back. It’s our preferred spot when we attend a performance. We can’t help it. We study. The singers, a chorus comprised of women and men who’ve been touched by breast cancer, Sing-To-Live, made me think of the Mayapple. Resilient. Powerful. Reaching through the fear and devastation. Life reaching for life. Their final song of the night brought tears to my eyes. Why We Sing.

This is why we – human beings – make art. Life reaching for life.

I shared a painting from the deep archives with Horatio. He wrote, “You were bursting at the seams, amigo…Have you thought to paint the current iteration and see what that looks like?” Bursting at the seams. I feel the rumbling.

I dream of the day Kerri returns to her piano. There’s so much more music! I feel the rumbling.

Butterflies bursting from cocoons. Hardy green shoots breaching seed pods. Mayapples push through the crusty soil called by the warmth of sun. Bunnies emerge from their leafy nest. Courageous people singing to live. It’s everywhere. Feel the rumbling.

read Kerri’s blogpost about MAYAPPLES

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Celebrate The Symphony [on Two Artists Tuesday]

The return of the frogs. No, it’s not the title of a b-grade-horror film. It’s one of our favorite rites of spring. Their chorus is deafening, a sound celebration of the season’s cycle into renewal. We look forward to and celebrate the day of their return.

A short month ago we walked across a snowy field, still a bit in shock at the scrape-clearing of the tall grasses and brush. Broken bits of stick and root poked through the snow. The picture of devastation. In just a few short weeks, the field became a bog – evidently the perfect performance hall for the musician-frogs signaling life’s return with their playing.

They’ve always played in this spot along the trail but this year their symphony is made particularly poignant by the seeming wreckage of their environment. This year, to our ears, they perform a rousing song of perseverance. A composition of resilience.

They’ve also awakened a question in us. We ask it every year but this time it is made more mysterious because the bog is exposed. We can see everything except the frogs. The air is alive with sound while the water is still. We’ve stood, awash in the noisy vibration, yet can see nary a ripple in the surface.

How is it possible to shake the limbs of trees with joyous sound without disturbing the fen? The musicians are invisible.

There can only be one explanation: They are magic, these frogs in their spring renewal, popple-free playing while stirring our hearts and imaginations.

read Kerri’s blogpost about FROG BOG

Settle In and Listen [on KS Friday]

Columbus would sit by the stereo for hours and listen to his records. His collection of styles was all over the map: classical, jazz, country, pop…The vinyl itself was wide-ranging: 45’s and 33 1/3 rpm’s, thick records weighing 180 grams or more. One of my favorite memories is of a dark night, sitting with him for hours, as he played selections for me. “I wonder what this one is,” he’d say, pulling a record from its sleeve. Or, “Oh, you’ll appreciate this one. It’s really odd!”

His enjoyment of music was as much an exploration into the unknown as a return to old favorites; he listened to discover. He’d study, laugh at the quirky and savor to sublime.

Growing up I did not know of his love for music. I suppose with four kids there wasn’t space in his life for his passions since he was an avid supporter of our dreams. I knew he thrived in the mountains and liked nothing better than throwing a fishing line into a lake. His deep appreciation for music came as a surprise.

We brought his records home with us to Wisconsin. They aren’t worth much monetarily. Occasionally I thumb through the albums, pull one, and play it on our little suitcase record player. Over the holidays, Kerri brought out her parent’s LP’s and I pulled the Christmas music from Columbus’ collection. We listened and told stories of Christmas past.

Recently we wandered through an antique store and came upon the boxes and boxes of old vinyl records. Kerri quipped that her CD’s would someday show up in the antique store with my paintings stacked against a wall. I looked a the boxes and wondered what I should do with my dad’s albums. They will, inevitably, end up stacked next to my paintings and Kerri’s CD’s in some moldy old antique mall. So, perhaps I need do nothing with them yet.

Really, I am waiting for an opportunity, a night that I will settle in with the record player and pull Columbus’ vinyl from their sleeves and ask, “I wonder what this one is?”

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about VINYL

it’s a long story/this part of the journey © 1998 kerri sherwood

Join [on KS Friday]

“I wouldn’t mind turning into a vermillion goldfish.” ~ Henri Matisse

To say we were out of place would be an understatement. Two crows in a seagull bar. The Fat Seagull, to be exact. Two artists step into the watering hole of a lumberjack town. The beginning of a joke.

There was a table of ladies playing a rowdy card game. Big guys leaning into the bar, a row of suspenders and worn baseball caps. Bottles of Miller beer. They wrinkled their brows when they caught sight of us. We sat at the only open table. A high bar table pushed into the walkway. Two stools. We knew we were outliers when we ordered wine. The waiter returned a few minutes later having found an unopened bottle. He explained that the only two wine glasses in the bar were broken. We sipped our wine from tiny cups.

We drove two hours north to see a special show. The last performance of a duo. This bar would be their punctuation point. They began to play and slowly the magic happened. Together, people leaned in to listen. Bodies swiveled and danced on stools. Hands clapped at the end of each number. The musicians wove a spell that brought everyone together. Two crows were no longer aliens but integral to the shared experience.

Our waiter refilled our tiny glasses and stayed to chat. He invited us to come back and try the burgers. We smiled and talked to those sitting nearby. Without inhibition, Kerri took photographs of the crowd, the musicians, the coolers, and the ceiling.

The punchline? The power of art. The magic of music. The easy recognition of common center. It is no less potent in a dive bar than in a stadium or auditorium or gallery. The place is incidental when the performance is pure.

read Kerri’s blogpost about THE FAT SEAGULL

Kerri’s albums are available on iTunes & streaming on Pandora

take flight/this part of the journey © 1998 kerri sherwood