But If I Had [David’s blog on Not So Flawed Wednesday]

I’ve never taught visual art but if I had, I’d have sent my students outside to look at color in nature. I wouldn’t spend a moment having them study an abstract color wheel or match paint swatches indoors. Together we’d look at light, the angle of the sun. We’d play with shadows and discover the changing hue of shadows; they are more full of color than we want to admit.

We’d bring-to-light, uncover, unearth…we’d learn to see, a skill much more valuable to the artist than merely looking. We’d walk through the world as if for the first time. We’d share our color notes. We’d tease and be teased by a full range of morphing value as the sun played with our perception.

We’d remind ourselves that our window on this life is only open for a short while. We’d saturate ourselves in the infinity of shapes and textures, the marvel of pattern and interconnection; the riches of diversity. We’d immerse-in-the-immensity and not pretend that we were in any way separate or better-than.

We’d stave off a world insistent that we live within the narrow strictures of black and white, bland cubicles of dulled minds. I’d have sent my students outside to wander into their thicket of questions and step boldly into a world without answers but alive in rich, vibrant color.

read Kerri’s blogpost about THE LEAF

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Sing A Love Song [David’s blog on KS Friday]

“Watch for all that beauty reflecting from you and sing a love song to your existence.” ~ Rumi

Deep in the night the thunder rumbled and shook the house. The rain came in buckets and reached through the open window. She leapt out of slumber to close it and then retreated beneath the blankets. She was almost as quickly fast asleep. A leap both ways. I counted the space between the flash and the boom. One-one-thousand, two-one-thousand…Sky’s grumble.

Needless to say, I was awake and on a mind-wander. I remembered students who were invested in the belief that something was wrong with them. Young artists and visionaries desiring to fit in. When young, it’s hard not being one-of-the-crowd. My job at the time, I now believe, was to help them recognize that they were unique in all the world. To flip their perspective. To love in themselves that which made them stand out, that which they feared and rejected.

I understood them because I had walked their path. At this age, I continue to walk the path.

In my mind-wander I reviewed my day. Once, I thought a love song to my existence was somehow a product of achievement. I’m no longer confused about that. Twice today, the dogga came to find me and I was moved to tears. Kerri and I sat on the deck watching the cardinals and she took my hand and I knew to my core that I was the luckiest man alive. She showed me the photo of a daisy drinking in the sun. I am surrounded by generosity and friendship. Rob sends a daily pun in an attempt to keep our spirits high. Dan brought a plastic bin with all the fixings for Southern Comfort Old-Fashioneds – and seed for our lawn because he had extra.

Watch for the beauty.

The lightning flashed. The sky rumbled. I reveled in the sounds of my love song, marveled at my existence.

In A Split Second/As Sure As The Sun © 2002 Kerri Sherwood

Grateful/As It Is © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE DAISY

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Look Around [on DR Thursday]

My sketchbooks are punctuated by weird landscapes. It was a practice. When I felt the need to draw regularly, to exercise my artistry, I worked on compositions for future paintings. And, when I had no idea what to draw, no composition in my head, I sketched my weird landscapes. They were fun and I got lost in them.

There was a blowback effect. I’ve never been a landscape artist. I considered my weird landscapes as not-serious exercises. Yet, they were made of scribbles and patterns and it became a game to collect patterns from nature. My not-serious exercises required me to look around. To get close. To look at the edges and splashes and etchings available in nature. To see. My weird landscapes became eye-opening meditations.

There are miracle-patterns in bark. Orchids, I recently learned, are a master-class of pattern, shape, and color. It is impossible to find a hand painted brush and ink painting as perfect or as spontaneous and lively as the strokes on the rattlesnake plant. Go to the garden if color combinations are in question.

I will never invent anything as imaginable, as impossibly beautiful, as what already exists in this world. I will never produce any painting as glorious as the paintings in nature. The best I can do is play. Look and marvel. And isn’t that a great relief?

read Kerri’s blogpost about RATTLESNAKE PLANT

eve © 2006 david robinson