Sacred Voice [David’s blog on Merely A Thought Monday]

My niece said it perfectly: for the first time in eight years I can vote FOR someone rather than against someone. The direction of intention. Moving toward the light instead of reacting against the darkness. And now, with Kamala Harris and Tim Walz, there is at long last a brilliant sunrise.

Beneath every action is a reason. A purpose or desire.

A vote is an action. It is the single action at the epicenter of every democracy. If there is a sacred action in the idea of democracy, voting is it. It is how we-the-people choose our path forward. It is how we participate (take responsibility) in our development. It is how we give voice to our intentions. To date, the people in the United States have one of the lowest voter turnouts in the world. Only 62%.

Choosing not to vote is…a choice. An inaction.

Over and over again in my career I heard people decry their voice-less-ness. Sunk in the quicksand-belief that their actions did not matter, their voice did not matter, they simply ceased trying. “No matter what I do, nothing changes.” Somehow, the connection between action and impact is snapped. And, the space between the broken pieces fills with the anger of helplessness.

As my former business partner responded to a woman who claimed voicelessness, “If you had a voice, what would you say?”

You have a voice. It’s called a vote. If you choose to use it, what will you say? Will you speak with dark fear or proclaim joy-filled-light? Will you declare possibility or mean-spirited-pout?

Our actions in the next few months, our vote this November, is our voice. I choose the light. My vote, my voice, will speak to a world that serves and shines on the whole community, that reaches for the central ideal: the creation of a nation built on the notion Out-Of-Many–One. Service to all. It is the reason we have a sacred vote, a voice of We-The-People.

There’s never been a better time, a more necessary time, to stand up and speak loud and clear. There’s never been a more important time to help others who have become complacent to claim – to reclaim – their sacred voice.

read Kerri’s blogpost about ACTION

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Turn Around And Look [on DR Thursday]

One little line gives reference to the whole. The horizon line. It is how we naturally – visually – orient in space. It is a baseline of perception. It’s the beginning of discernment.

It is a line that disappeared.

Among other things, art is a reflection of its time. In the past century, art leapt into the abstract. We are “post-modern”. Expressions of personal fantasy rule over community truth, a breaking apart of shared ideals, instant doubt of objective theories…we are mirrored in post-modern art. What is art? What is it not? There’s not a whit of agreement to be found.

General distrust is the beating heart of the post-modern ideal. Division, aggression, tribalism, conspiracy…are its blossoms. Our children perform active-shooter-drills in school; a performance we shudder to attend while our leaders smile and look the other way. Post-modernism at its finest. The absence of a baseline.

Shared truth, group trust, community…requires an undeniable horizon line.

What is up? What is down? What has value? What does not? What has merit? What is undeserving? There is a line. Where is it?

Walking through the antique mall, Brad and I discussed chatGPT. I’m playing with it; he’s using it in his work. It’s raising some very big questions. The questions are not new. They are the next step in a series of questions people have been asking for the past 30 years: what is true? A photograph was once proof that something happened. That hasn’t been true for a few decades. A video was once proof an experience occurred. That is no longer true. News – a word that once implied the accurate reporting of an event. No more. No horizon line.

Brad and I turned our discussion to a sorely missing quality in our times: discernment. In the absence of a horizon line, people will – and do – believe anything. We speculated that, with the introduction of chatGPT into our world, perhaps discernment will once again become important. Perhaps the complete absence of a truth-anchor will turn us toward a common center and require us to look at each other, to seek and restore general trust. The post-modern tide will someday turn and we will draw an old/new line in the sand: we’re-all-in-this-together.

I know, I know. Pie-in-the-sky. However, I’d like to point out that shared dreaming brought us here. Shared dreaming is how we stood on the moon. It is how we can talk to someone across the planet using a small device that fits in our pockets. When a dream becomes shared it becomes powerful. Manifest. A shared dream is a form of a horizon line.

If a shared dream isn’t powerful enough to establish trust, try remembering the other one; the original line of discernment. The line that invites curiosity. It need not be debated. Turn around and look. The horizon line is everywhere.

Four-by-Four, 48x48IN, acrylic, (sold)

read Kerri’s blogpost about THE HORIZON

4×4 © 2007 david robinson

Call It Realism [on Not So Flawed Wednesday]

This garlic could have been painted by Jan Vermeer. To my eye it looks like the work of a Dutch master, an artist more concerned with realism than the ideal.

Art that reveals the beauty in the ordinary. For a few weeks in my surly youth I studied with a realist painter. I was wowed by his technique but could not yet grasp his dedication to capturing the everyday. Only later did I come to understand that his art was not about the technique but about bringing attention to the experience of the everyday. He rejected the aloof and desired to pull art down from the pedestal so it might reflect the lives of the “common people.” He believed that people needed to literally see themselves in the paintings to have access to the painting. They needed to see their hardship and toil as well as the objects that surrounded them.

Bertolt Brecht believed the opposite. In order for people to have access to the deeper messages of a play, they needed to be removed from their circumstance. So, in his way of thinking, people are more capable of seeing themselves in a piece of science fiction than in a reality-mirror.

David is working on a re-imagining of Pirandello’s play, Six Characters In Search of an Author. One of the questions of the play is, “Who is telling your story?” And, how are they telling it. I reread the play and was struck by how relevant it is to our times.

The beauty in the ordinary. The turmoils and struggles of the everyday. Ours is a time of tumultuous story tug-of-war. I wonder, in a hundred years, what historians will write about our time. I wonder what aspect of artistry – if any – will be considered “realism.” As defined by Vermeer and Pirandello, it’s to reach across a social line, from the privileged to the working class. For Brecht it is spatial: step out to look in.

One thing is constant, while reaching across time and artificial boundary, it is always the role of the artist to help their community ask the questions: Who is telling my story? Whose story am I telling? What is the story that we are telling?

I imagine those someday-historians will write tomes on our messy struggle to sort out what is “real” and what is not.

read Kerri’s blogpost about GARLIC

Face In [on KS Friday]

figure it out copy

“…gentleness can be a greater force for transfiguration than any political, economic, or media power,…” ~ John O’Donohue

Here is my utopian fantasy: The protesters put down their signs, the police put down their shields, the militia drops their weapons, the citizens of all races, creeds, colors, political identities and economic stripes come out of their houses and hold hands facing into a circle of their creation. Nothing need be said. What are we protesting FOR if not this?

We are excellent at pushing against what we do not want. We are practiced at screaming in rabid reactivity. Finger pointing and blame is among our most popular Facebook pass times.  We like to make noise and bluster about the violation of our rights and ignite fearmongering fires warning of imagined assaults on our amendments. Propaganda and lie make for good reality television ratings. They provide permission to smash glass, loot, denigrate “others” and give cover to murder in all its forms, but are lousy foundations for a civil and civilized society.

Truth is intentional, not reactive. It steps toward an ideal. It provides a national focal point, a guide-star that will not cotton with lie and propaganda.

We seem utterly inept, absolutely incapable at walking toward what we profess. Our ideal is printed on our dollar bills and chiseled into the facades of our buildings: e pluribus unum: out of many, one.  Our division is chiseled into our history.

My utopian fantasy is not so hard to realize but notice it requires a common first step: a putting down of weapon and rhetoric and dedicated division. The  second step is also not difficult: reach out, take the hand that is closest. Circle up with those who you most disagree. The third step may be the hardest: say nothing. Defend and justify nothing. Prove or claim nothing. Face in, not face off.  The greatest intentions, like the most profound truths, are often silent. Step four: live the circle.

We can figure it out. It’s no greater matter than walking toward what we want, what we espouse, instead of forever pushing against what we do not want. Perhaps our first truth is to admit that there is a lie built into what we chisel in walls and what we actually live. We need to intend oneness if we are to realize our central ideal.

Doc Rivers, a black man and coach of the LA Clippers said this yesterday: “It’s amazing why we keep loving this country, and this country does not love us back.” Love. Love back. There is no better or simpler statement of intention. Walk toward it.

He also famously said, “Average players want to be left alone. Good players want to be coached. Great players want to be told the truth.” His dictum applies to nations as well as players: great nations want to be told the truth. Average nations want to be left alone.

 

FIGURE IT OUT on the album RIGHT NOW is available on iTunes

 

read Kerri’s blog post about FIGURE IT OUT

 

hands website box copy

 

figure it out/right now ©️ 2010 kerri sherwood

 

 

 

Look In The Mirror [on Not So Flawed Wednesday]

red cup mirror copy

A few years ago Morris Berman wrote a book, Coming To Our Senses, that jumps with both feet into the complexities of mirrors. Believe it or not, there are societies that are not singularly obsessed with self-image.

What do we see when we look in the mirror? What image do we think we ought to project? Create? Reinforce? What image do we think we ought to match? What do we think we need to hide? What about that hair or those crow’s feet? What do we look for in the image that stares back? Have we ever considered that the image in the mirror is the reverse of what’s actual? That we will, in fact, always see the opposite and never see ourselves as we are?

What amazing power do marketers possess when crafting the images that sell stuff? Models with perfect profiles, men with Greek bodies, all of those images filtered through the magic of Photoshop to heighten, hide, or somehow manufacture a more desirable perfection, an unattainable you. That is the point, after all: to create a perfection that no mere mortal can attain. To create a purchase path, a product possibility of attaining the ideal, even for a moment.

On the island, there is a terrific little coffee house, The Red Cup. Someone at The Red Cup must have read Morris Berman’s book or at least caught on to the power of a mirror. They know, even after a few cups of good coffee, when washing your hands in the restroom, you are likely to look in the mirror and find something that needs changing, something lacking. And so, as a counterbalance to the programming, they offer a simple alternative, a suggestion, in fact, a possibility for what you might choose to see in the mirror: you are so cool, and intelligent and strong and fierce.

read Kerri’s blog post about THE RED CUP

 

feet on the street WI website box copy