Come See This! [David’s blog on DR Thursday]

about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – whether or not any absence of the happenings of the day, whether or not the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.

The theme uniting this week’s Melange photo-prompts is light. My response to the prompts are surprisingly (to me) amalgamated: the illumination discovered through differing points of view. A birds-eye-view versus the view from the ground; inviting the outside furniture inside the house, and vice-versa. We have a chiminea in our sunroom and a piano in our backyard.

What opens our eyes to new possibilities? What opens our eyes to what is unseen and right in front of us?

“You have to come see this!” she exclaimed. We stood on the front porch in the bitter cold and watched the full roll-call of winter sunset colors, from vivid to pastel. Warm-cold.

A new year. A year gone by. What do I hope will happen? What did I learn from what just happened? What do I think I can control that I cannot? What can I control that I do not?

What is important now that Dogga is growing old? What is he helping me to see?

What is important now that I am aging? What do I fundamentally understand about importance that I did not understand even three years ago? Has importance changed or have I? The smallest things now seem the most profound. They call me to life, fill me with light. Not so long ago I overlooked the small things in pursuit of lofty dreams. What a waste!

Can I share what calls me to life? Beyond reporting or narrating? Can I be like the sunset, calling others out of their locked doors to marvel at the roll-call of life’s colors?

read Kerri’s blogpost about THE SUNSET

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On The Day of “How?” [David’s blog on KS Friday]

Thoughts from the trail on day number 2 of a new year:

In my distant past I led workshops and retreats. Attendees, after having a significant revelation, would inevitably ask, “How do I take what I now know back into my day-to-day life?” At the time I generally threw the question back at them. “How do you take it back?” There is no formula.

How do we integrate new wisdom into ancient patterns? How do we weave our dreams into our white-knuckle-grip on reality?

There are ubiquitous platitudes that offer not-very-helpful-advice: “Out with the old and in with the new.” “Just do it.” “Pull up your bootstraps.” “Put on your big-boy pants.” These bromides are built upon faulty notions that 1) change is a one-and-done achievement rather than an ongoing process, 2) change is a linear path, and 3) change is something done all-by-yourself in a vacuum.

We only know ourselves in relationship to others. There is no arrival platform in this ever-changing life. Although we would like it to be otherwise, learning (change) is cyclical – it is never linear – and has no end (well, there is one definitive hard-stop).

I could have responded to my attendees with a question like this: To what story are you married? What makes your new insight a threat to the old story? Can you relax, breathe and detach from parts of the old story? I might have suggested that the question “how” presumes needing to know before acting. Is it possible that knowing “how to do it” is something seen after the fact? What if the “how” of taking a revelation back into life can only be understood after it is experienced? And what if “how” is a series of discoveries that never end?

I worked with a man who preached that people only change when, “The pain of staying the same becomes greater than the pain of making the change.” There is some truth to his belief. Pain is a potent motivator. Not-knowing can be unpleasant and very few people willingly walk into discomfort. Discord is a prerequisite of concord. And, vice versa.

Yearning is painful. Holding a dream can be excruciating. Stepping toward a vision can be scary as well as exhilarating. Staying the course in the face of internal opposition is a choice that is made again and again with each new step. And, each new step reveals previously unseen possibilities.

Revelations create new images, updated visions. What if the only thing that matters is stepping toward the vision – especially knowing that each new step will inform and alter the vision? And, what if standing still or temporarily turning away is actually an action: moving toward rather than running from? There is grace in recognizing readiness.

Thoughts to myself from the trail on day number 2 of a new year. It is the day that the fog of holiday celebrations clear and we begin to doubt our resolutions and question the strength of our revelations. It is the day we ask, “How?”

BLUEPRINT FOR MY SOUL on the album BLUEPRINT FOR MY SOUL © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about THE BRANCH

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Moving Mountains [David’s blog on Merely A Thought Monday]

There are few artists that she admires more than Phil Vassar. He is one of the great singer-songwriters of his genre. Last week he played at the Genesse just down the road so we moved a few mountains to be there. He’s recovering from a heart attack and a stroke so he also moved a few mountains to be there. I’ve never witnessed more simple gratitude pour from a performer – for being alive, for being able to sing and play, for sharing his gifts.

The lyric went straight to her heart and she cried: dreams can grow wild born inside an American child. She cried for her own wild dreams.

She cried for the crumbling dream called The United States of America. This song, American Child, in a moment became the anthem for all that we are losing, all that her father, a WWII vet, a prisoner of war, who fought against fascists, who carried the deep psychological scars from his service through the rest of his life…all so that his children and grandchildren might live in a country where dreams can grow wild.

She cried.

Democracy is, itself, a wild dream careening toward a cliff. The White House is literally being torn apart by a man-who-would-be-king. The congress has all but abdicated its responsibility; it’s literally left-the-building. The Supreme Court regularly rules against the Constitution, literally elevating one man above the law.

Those who believe in the dream of democracy hit the streets on the day we saw Phil Vassar. It was the biggest protest in the history of our young nation. Thom Hartmann wrote: “The No Kings Day protests last weekend were breathtakingBut here’s the hard truth: that energy, that passion, that righteousness means very little if it doesn’t translate into structure and leadership. Movements that fail to coalesce around leaders and build institutions typically die in the glare of their own moral light or fail to produce results.

Wild dreams are the north star of action. The dreams of an artist become reality after hours and hours and years and years of practice and rehearsal. Specific action aimed at the manifestation of the dream; moving mountains.

Democracy is not defended by hashtags. It’s defended by hands, millions of them, building, voting, organizing, and refusing to quit when the cameras are gone.” ~ Thom Hartmann

Phil Vassar suffered a heart attack. And then a stroke. He is moving mountains because he nearly lost his dream. He’s not sitting at home fretting. He’s playing concerts. He’s writing new songs. He’s breathing new air into his almost-lost-dream.

Perhaps we will do the same.

read Kerri’s blogpost about WILD DREAMS

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Upside Down and Wide Open [David’s blog on KS Friday]

Years ago I had a dream. It was visceral and has stuck with me. In my dream the world flipped upside-down. What was heavy was now light. What was difficult became easy. And vice-versa. What I once did effortlessly was suddenly impossible. I could move a mountain but I could not lift a paintbrush. I awoke from my dream both frightened and enthralled.

What is possible? What is impossible? These are good questions to ask on the threshold of a new year. Earlier this week I sat down to write some intentions for the new year and the page is still blank. I’ve decided it is best to leave the possibilities wide open. A blank page has become my intention.

This morning a quote by Noam Chomsky rolled across my screen: “If you assume that there is no hope, you guarantee that there will be no hope.”

I was entering 2025 with a sense of dread and then, in a matter of 24 hours, my picture for what’s possible completely flipped over. An unreachable opportunity sparked a series of heart-conversations. My heavy dread dissipated like fog meeting a warming sun. My eyes refocused on the essential instead of the periphery. I stepped across the dateline filled with hope.

Sometimes, when you least expect it, mountains move. Sometimes the world flips over. Sometimes dreams come true.

Riverstone on the album AS IT IS © 2004 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about REFLECTIONS

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A Dream Itself [David’s blog on KS Friday]

I awoke this morning with a line from Hamlet running through my mind: “There are more things on heaven and earth, Horatio, than are dreamt of in your philosophy.” What dream, what night-wander was I following that made me bob to the surface with a line from Hamlet as my first thought of the day?

Sometimes I use Google like I use the i-Ching. A divining tool. I called up the phrase from the mighty Google and read two opposing opinions of the meaning of the line. Of course. Divining tools generally cast a broad net. The first writer interpreted the line to mean that the human imagination has limits; there is so much that we don’t know and cannot yet imagined. The second interpretation was stated with absolute authority. This is what Shakespeare meant! “One must believe what he or she sees. Even if they previously did not think so, the real evidence should change their mind.”

Evidence or the limits of imagination? Evidence as the limiter of imagination? I was no closer to answering my dreamtime question but I was affirmed in the dynamic nature of perception and interpretation. What a great play!

Living as we now are, in the advent of A-I, one must not believe what he or she sees. I have no idea what Shakespeare meant – we never discussed it – but I am certain that what one sees is no longer evidence of anything. What one hears requires vetting. There are more things on heaven and earth than Shakespeare could have possibly imagined. Our world is beyond his dreaming or he might have suggested to Horatio that he must question everything he hears and challenge everything he sees.

And, about my dreamtime question? I’ll leave that, too, to Hamlet: “A dream itself is but a shadow.”

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE NIGHT

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Secret Sauce [David’s blog on Not So Flawed Wednesday]

The Des Plaines river spilled out onto the flood plain. The trees, not at all surprised, rose tall through the murky water in this yearly ritual of spring. “Has it ever been so high?” she asked. I shrugged.

We walked the path. It mostly rose above the waterline. With water lapping on both sides, the trail sometimes resembled a bridge. A crystal clear day teased forward the colors of the birch and grasses. The world was vibrant and strange. We had the sense that we were walking in another dimension. Second attention; alternate reality.

The beaver tree made more dynamic by its reflection in the water stopped us in our tracks. Were I judging sculpture in nature’s competition, this would be a clear winner. The massive tree, already tipped and chipped at a precarious angle, compounded by the image mirrored in the river overflow gave the illusion of a sphere without roots and heightened the tension of the unstable tree. Weebles wobble and, despite their reputation, sometimes they fall down.

Creative tension. The secret sauce of all good art. Between the river challenging its boundaries, the trail snaking and in danger of disappearing, the vibrant color teased forward by the sun’s eclipse, and the good work of an aesthetic beaver with the notable assistance of the water’s reflection, this walk was as artistically rich, inspiring and refreshing as any day I’ve spent in a gallery.

read Kerri’s blogpost about THE TREE

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All The Way To The Skin [David’s blog on Merely A Thought Monday]

The fortune read, “Sprinkles of joy will shower upon you in unexpected ways.” She stared at in disbelief. It was a whispered reinforcement from an old friend. A much needed affirmation of good things to come.

For me it brought a memory: she was introducing me to Lake Geneva. We were just getting to know each other. The skies opened suddenly and dumped buckets of rain on us. We laughed and laughed, ducking into a doorway for some cover. We were soaked and giddy. Showers of joy came upon us in unexpected ways. So much joy showered us that we had to put towels on the seats of the car to protect the upholstery.

Last night, walking by the cemetery, we talked about the hillside covered in headstones. “These were people with voices and dreams and desperation. Lives.” I said. “Like us. They had just so many days on earth. These stones for me are not an abstraction.” She agreed. We must not waste our precious days lost in the weeds. Railing against the weather.

When the deluge comes, it’s best to hold hands, turn into it, and laugh. Joy may sometimes come in sprinkles but for us it usually arrives in buckets that soak us all the way to the skin.

read Kerri’s blogpost about JOY

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Maple Dreams [David’s blog on Not So Flawed Wednesday]

Tiny helicopters capable of catching the wind and carrying the seeds of a maple, each a pod of wild-tree-possibility.

They require something more than luck to let-go and launch into space. With no control over the direction or force of the breezes, once aloft, they twirl to their seemingly random destiny. Some will find fertile soil and ample light. Most will not. The strategy of the mother tree is nothing more or less than to freely scatter potential, to litter the area with maple-dreams. The evolution of hope.

Some pods never launch just as some ideas never take hold. No matter. Creativity in all its permutations is an infinite game. The idea that lands in just the right spot at just the right moment may, in time, grow into a mighty tree. It may not. The perfection is in the process of plenty, not in the illusion of a single flawless ideal. “Throw many pots.”

On her piano is a notebook of songs and compositions. Hieroglyphs to me but she need only open her burgeoning notebook, decipher the magic writing, and play a song or composition capable of making me weep. Or smile. Or feel something so deeply that I lack words to express it. Her compositions are pods waiting to launch. Pages of plenty, ideas-in-sound, waiting for the force of the unpredictable wind to carry them…somewhere.

She is like the might-maple-mom. Freely scattering potential, littering our lives and those around us with ideas in word and music and paint. She’s so abundant – her idea-pods so ever-present – that we take them for granted. Each carrying the pip of a mighty potential, the germ of a forest of possibility. They are everywhere.

Some have found her intimidating and tried to constrain her promise, to lasso her imagination. Too bad.

Today she completes another spin around the sun. I can already see the next generation of magic seed pods forming. I can’t wait to see what wonder-of-her-spirit will take root and reach for the sky.

[happy birthday]

read Kerri’s blogpost about PODS

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Take A Leap [David’s blog on KS Friday]

According to the myth, ancient Hawaiians believed that the souls of the dead leapt into the next plane of existence at Ka’ena Point.

The ancient Greeks believed the souls of the dead gathered at a specific spot on the shore of the river Styx and awaited the boatman to ferry them across to the underworld. The leap to the next plane of existence.

And then there are the leaping places for the living. The next phase of existence. Sometimes it is a move to a new city. Sometimes it is a career change. Sometimes it looks like an opportunity. Sometimes it looks like a loss. Sometimes it looks like a crossroads with no good choices. Or, too many good choices. Sometimes it looks like a dream come true. Destiny. And all that is required is a leap.

“Leap” is another way of saying, “Let go.”

Today, of necessity we cleaned out most of our society6 storefronts. We populated these stores when we began our Melange. It was an attempt to monetize our art work. Paintings, cartoons, graphic designs, music compositions. Despite a titanic effort, our designs, art prints and products never flew off the shelf. Over the years our store sites have remained mostly inert, so much so that we simply stopped promoting them. Society6 recently changed their business model and we were forced to face the reality of a foregone conclusion: it didn’t work.

The cutting down and clearing out was surprisingly disheartening.

Over the years our Melange transformed from a business idea into a place for Kerri and me to write. To write purely. We love it. It feeds our souls and keeps us grounded. So, I was taken aback by how much hope I still harbored that our artistry might someday, some way – in this way – financially support us.

And so, a letting go. An unexpected step onto the platform. Another leap. Cuts made matter-of-factly. The creation of space.

In a long-ago-disheartened moment, a younger me asked an older-and-wiser-artist, Doug, when the leaping stopped. His answer: It never stops. You just become better and better at leaping.

adrift/blueprint for my soul © 1996 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about LEAPING.

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Imagine It [David’s blog on KS Friday]

It looked like a spiny dragon’s tail or Nudibranch that abandoned ship eons ago and, somehow, its petrified remains traveled from the deep of the sea to a trail in Wisconsin. Perhaps it was the skeleton tip-of-the-tail of a dinosaur. My imagination flooded with mythic-creature-possibilities. As Kerri knelt to snap her photos, I carefully scanned the woods. One cannot be too careful when dragons and dinosaurs might be lurking about.

While I was pretending to be watched by Jurassic critters, it occurred to me that imagination is a muscle. In order to exercise it, to make it strong, it must be used. With intention.

In truth, we (humans) daily exercise our imaginations though we don’t know it. Imagining that we can control what other people see or think. Imagining that the worst will happen. Imagining what might have been. Imagining that our day will be mundane. Imagining ourselves too small in the story of our lives. Imagining ourselves as superheroes saving the day.

That’s one way of exercising the muscle. Another way is to imagine possibilities. Imagine the ridiculous. Pop open the expanse of conceivability. In this direction of imagination exercise, it’s hard to take yourself so seriously.

And, I suppose, that’s the point. Hope slips in when life is held lightly. Hope and imagination-in-the-direction-of-impossible-possibilities are one and the same thing. Spacious. Surrender. In my reckoning, when I have been in the tightest bind or stuck in the worst scenario, the person who shows up, the door that opens, the hand that extends…is beyond my imagining and arrives when I let go.

Last night, deep in the night, I lay awake and listened to Kerri’s soft breathing and Dogga’s gentle old-dog snores. The window was cracked to allow in the cool night air. The chimes sang softly in the midnight breeze. A decade ago, I couldn’t have believed such riches of life would be mine.

But like a dinosaur watching me in the woods, I must have, somewhere way back then, closed my eyes and imagined it.

blueprint for my soul © 1996 kerri sherwood

Kerri’s music is available on iTunes or streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SPINY STICK

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buymeacoffee is a dragon tale whispered to your soul from the deep woods in hopes that your imagination will take over and run wild. It could happen.