Put It In Context [on Two Artists Tuesday]

THIS from the ferry copy

Context (noun): the circumstances that form the setting for an event, statement, idea, and in terms of which it can be fully understood and assessed.

I love this photograph. It could be of the salt flats. It could be desert landscape. It could be the arctic snows. Absent of context, how can we know?

The headstone of the 21st century will read ‘Taken out of context.’ I was a teacher when the internet first washed over the land and the question on every educator’s desk was this: how do we teach students to discern what information is valid and what is not? Education is, at least partially, the pursuit and discernment of what is true and what is not.

Discernment (noun): the ability to judge well.

In a world in which any one can post anything about any topic in service to any agenda, void of context and with an astounding expectation of 280 characters or less, how do we judge well? No attention span available. No context necessary. Discernment is out of reach. As W.B. Yeats wrote, “The center cannot hold.” 

“The best lack all conviction, while the worst are full of passionate intensity.”  (Yeats, The Second Coming)

Context avoidance and manipulation is not unique to the 21st century. It’s been around since the invention of preachers and politicians. We simply have the tools to amplify it and glut ourselves on the fat that remains.

‘Taken out of context’ comes with a cold surgical sister phrase: after the fact. They knew after the fact. He was an accessory after the fact. It was only after the fact that they saw what was there all along.

fact (noun): a thing that is known or proved to be true.

How do you know or prove something to be true? It is the same question educators faced so long ago: how do we discern what information is valid and what is not? Well, begin by slowing down enough, care enough to place the thought, idea, opinion, data, in its full context. Conviction, ideals, truths…all of these lofty words, have meaning and value, become grounded, solid, and meaning-full – in the presence of context.

(The photograph was taken from a ferry cutting through the surface ice at Death’s Door).

lake ice copy

pull the camera down and this is what you see

 

read Kerri’s blog post on ICE LANDSCAPE

 

zigzag through ice website box copy

 

Ask, “Why?” [on Merely A Thought Monday]

guidance framed copy

I’m told that every evening of her life, Margaret would stop what she was doing, and go outside to watch the sun set. If she was on the phone she would hang up. If she was doing dishes she’d turn off the water. She’d step into her back yard and attend the setting of the sun. It was her ritual.

Last year, Kerri, my mom, and I took my dad back to visit the small town where he grew up. He wanted to live his life there but that was not to be. Now, he is sliding into dementia. Before his sun set he wanted to make at least one last pilgrimage to the place he’s always considered home.

I draw and paint. Not because I want to but because I have to. As far back as I can remember that has been true. The rest of this world seems like Alice’s trip down the rabbit hole. Mad. Illusory. Missing the point. I know what is solid and true when I step in front of a canvas. It’s a paradox, yes?

Why do people make paintings? Why do they compose music? Why are we tellers of story? Inventors of story? Poets? Budget makers and parents alike caution that there is no real value in the arts. They rarely make money. Money making as the ultimate arbiter of value makes for an empty world, indeed.

Why do people climb mountains, jump out of airplanes, or kayak over waterfalls?

“Why does she say, ‘guidance is eternal?'” Kerri asked. We were streaming an episode of Life Below Zero on the National Geographic site and the Boeing commercial came up for the umpteenth time. Amid images of advanced technology and machines that fly, the narrator begins a countdown, 10, 9, 8, guidance is internal, 6, 5,… “I think she’s saying that guidance is internal, not eternal.” We looked at each other. Either way, what a great phrase! Guidance is internal. Guidance is eternal.

Why do people step outside each evening of their lives to watch the setting sun? Return like salmon to their birthplace? Listen to the wind and run to their piano?

 

read Kerri’s blog post about GUIDANCE

 

slow dance party cropped website box copy

 

Emerge [on KS Friday]

when the fog lifts songbox copy

There is a famous season of fog unique to the San Joaquin valley called The Tule Fog. It is dense and otherworldly. Early in my life, as the stage manager of a children’s theatre company, I drove into The Tule Fog almost daily.

Early each morning, in a van loaded with actors and sets and costumes, we’d leave the  highway en route to a school, dropping down into the wetlands and into the white wall of fog. The entire known world would disappear. The horizon vanished. Any sense of up or down faded. We’d creep through the Tule Fog with no actual feeling of progress; the wheels turned, the engine hummed, but there was no way of knowing whether we progressed down the road or whether our wheels were spinning on a treadmill.  Occasionally, a car would pass going the other direction. We knew it more as a disturbance in the fog, something we felt rather than saw. It was harrowing.

Time suspended. All conversation, all noise ceased. It was a true liminal space, not here or there, all orientation gone. It was as if were in the boat on the river Styx, crossing over.

And then, we’d rise. Or the sun would reach to us. And the dense white Tule Fog would release its grip on us. It let us go. And we’d emerge like time travelers coming home to a place we once knew. I’d relax my grip on the wheel and breathe a sigh of relief.

WHEN THE FOG LIFTS, is my soundtrack to those early mornings in The Tule Fog. Moving forward fueled by nothing greater than the belief that there will be another side, somewhere. And then, the rise, the reach of the sun, and flood of quiet gratitude.

 

WHEN THE FOG LIFTS on the album THIS PART OF THE JOURNEY available on iTunes & CDBaby

 

read Kerri’s blog post about WHEN THE FOG LIFTS

 

bong trail, wisconsin website box copy

 

when the fog lifts/this part of the journey ©️ 1998 kerri sherwood

Hear Yourself Think [on DR Thursday]

painting FOR PEACE I PRAY morsel copy

Ultimately, if you are lucky,  you come to the realization that you are in prayer, in meditation all day every day. What rolls through your noggin each moment of each day is your meditation. It is your prayer. The question is this: what is your meditation?

We need not go to the mountaintop, enter the big stone building, or walk a thousand miles to the sacred site to find it. It’s all a sacred site. There is no class or teacher that can show you the way to understanding your meditation. I learned in my travels that the high priests in Bali are in prayer/meditation all day, every day. Chanting mantras, reciting prayers. Directing their thought. The only difference between the priests and the taxi driver is that the priests know that they are in constant prayer. They understand the creative power of their thoughts.

I love to paint because my rambling river of thought simmers down. I become quiet. I can ‘hear myself think.’ And, from what I hear, my thoughts, are mostly ridiculous fear fantasies. Rabbit chases. Human-made-up-separation-anxiety.

Beyond all the noise and the chanting is the quiet place. That is what this painting, FOR PEACE I PRAY, is about.

ForPeace,IPray copy

a rough shot of the finished piece. it sold before I took an archival shot. in fact, the image on my site was taken before the words were painted in. go see the difference.

sketch

the sketch

 

read Kerri’s blog post about FOR PEACE I PRAY

 

footprints in sunlit snow website box copy

 

 

for peace i pray ©️ 2016 david robinson

Organize Your Principle [on Not-So-Flawed Wednesday]

tupperware wall cropped copy

On a snowy cold day a few weeks ago, Brad and Jen rearranged the books in their library according to color. Their shelves are now a gorgeous gradation of color through the spectrum. “It’s cool,” Brad said laughing, “but now we can’t find anything.”

Organizing principles. They are the silent partners in most collaborations and conflicts. If shared, they make things easy to find. If not, they make things impossible to see. The genius of our government is based on the simple recognition that there is more than one way to organize. The breakdown of our government comes with the refusal to consider that there is more than one way to organize. My-way-or-the-highway is a great organizing principle if you are a hermit but a lousy choice if community is part of your equation.

‘I am my brothers’/sisters’ keeper’ is an organizing principle. As is ‘every man/woman for him/her self.’ “We The People…” is a declaration of an organizing principle.

With growth comes new necessities. That generally also brings a need to revisit the principles of organization. A teenager operates according to an entirely different set of imperatives than did their 5 year old self. Nations grow and change. They mature (one hopes). We have courts ostensibly to help us hold a common set of principles amid the pains of growth and change.

Distraction and deflection, intentional clutter, concocted chaos sometimes obfuscate the presence of organizing principles. But the greater principles do not go away. Dust settles. The principles remain. We will hear them again when we speak in quiet voices.

Kerri and I walked through School Days Antique Mall, through booths, many stacked with clutter. It is fun to sort through but hard to see what’s really there. Because I am usually awash in metaphor I thought how much the Mall felt like our nation. Stacks of chaos. Warring organizing principles. But, just when I felt like I couldn’t breathe, we rounded a corner into a highly organized room of colorful Tupperware. Hope! There was space and air. It stopped me in my tracks. Tupperware organized by color. The same system as Brad and Jen’s books!  I laughed aloud. The color-organizing-principle! Applied to Tupperware, I could in an instant find anything. I could see.

 

read Kerri’s blog post about COLORFUL TUPPERWARE

 

kettlemoraineacornwebsitebox copy

 

 

Collect Your Stories [on Two Artists Tuesday]

coffee pot copy

We haunt the local antique stores. We rarely buy anything but, if we do, you can be certain the purchase is one of these: an old coffee pot, a wooden box, an old suitcase.

The suitcases are transformed into our “special boxes.” We keep the artifacts of our life – notes, ticket stubs, travel mementos… in our special boxes. They are stacked in our dining room and made more special by the flat rocks collected from our travels and cleverly arranged on and around our special boxes.

Kerri and I both have a thing for boxes and old wooden containers. Stand in the middle of our home and look any direction and you will spy a box. Some are small. Some are large. All are well traveled and have a story to tell. My brushes and paints live in one. I keep an altar-of-sorts in and around DeMarcus’ paint box. We have a box in our living room that is for the not-flat-rocks that we’ve taken from the beaches and forests and rivers that we’ve visited. Each rock tells a story.

Once, driving through Massachusetts, we stopped at a little antique shop and were attracted to a collection of small coffee pots. Four of the pots made the trip home with us and now live in our kitchen. They functionally serve as tea canisters (clever, yes?) but in deeper truth, they are markers in time. We moved out the old story and brought in the coffee pots, symbols of the new.

Coffee pots. Wooden boxes. Old suitcases. Containers of story. Containers for story. They make us conscious of the stories we collect and intentional about the story we live and tell.

 

read Kerri’s blog post about COFFEE POTS

 

coffeepots website box copy

this beautiful photo courtesy of our dear 20

Live Into Simplicity [on Merely A Thought Monday]

chip hailstone box copy 3

I am a fan of simple wisdom. Most of my mentors, the people I admire most, lived their way into simplicity. Measure twice, cut once. Know the hill you want to die on. An actor can only do one thing at a time. Write a good story backwards. Let go your technique.

I use the term ‘fools errand’ a lot because I’ve been on so many of them myself. Tilting at windmills. Trying to change the world, fighting ogres, slaying dragons. All the best stories, the simple wisdom tales, tell us that the thing we seek is with us all along and yet, we need to go looking anyway. We have to. It is the rare bird that knows who they are right out of the chute. The universal quest is always to find yourself.

Roger once told me that he went to graduate school to expedite his learning. “I can take forty years figuring it out for myself or I can go to school for three years.” It was a statement made sensible by his youth. It was a statement of arrival – of knowing – and, after a few years of living, it becomes apparent to artists and seekers alike that arrival is an illusion. Knowing is relative and ongoing. I’d love to talk to the artist he has become forty years after making that statement. My bet is that he’d laugh.  We’d laugh at the jungle of nonsense we’ve both mapped our way through.

“You can make a piece of wood short but you can’t make a piece of wood long.” You can’t force a square peg into a round hole. If you chase two rabbits, both will escape. Nothing is broken, nothing needs to be fixed. Wherever you are is called Here.

The necessary action is always clear but the story wrapped around it makes it seem complex. Simple, yes?

 

read Kerri’s blog post about MAKING A PIECE OF WOOD SHORT

 

footprints in the snow at bristol woods website box copy

Hold And Be Held [on KS Friday]

YOU HOLD ME songbox copy

Tom and I sat on the little deck just off the kitchen of his cabin at the ranch. We watched the sun set on the land his family had owned for generations.  “They’re going to build a Walmart just off McKenzie Road,” he said, not taking his eyes off the setting sun. “That’s about it, I think.” The tide of development would soon gobble up the ranch.

He told me that, without the land, he would not know who he was. It held him. He held it.

It was a complicated relationship. During his life, he’d attempted to flee the land more than once but it would not let him go. During his life, the world tried to take it away from him more than once but he would not let it go.

Tom died on his land. His wife and nephew fought hard to make that possible. They held him and the land together, through their passing. Both are gone now.

Why does a piece of music evoke such a specific memory? Kerri’s YOU HOLD ME always takes me back to that deck and that sunset. A love story. A life story. To hold and be held.

 

YOU HOLD ME on the album THIS PART OF THE JOURNEY available on iTunes & CDBaby

 

read Kerri’s blog post about YOU HOLD ME

 

aspen silver bull website box copy

 

you hold me/this part of the journey ©️ 2000 kerri sherwood

Chase Bubbles [on DR Thursday]

morsel copy

a morsel from Chasing Bubbles

“I must have a prodigious amount of mind; it takes me as much as a week, sometimes, to make it up!” ~Mark Twain

Lately, I’ve been hoping that my paintings are really more iconography than autobiography. When I sit and review my pieces I see a festival of introversion and introspection.  Lots of figures looking inward. Or down. It is true that I would have made an excellent hermit. Most of the news of the day seems to me like so much noise. I mean that literally. It’s too loud and drives me in search of quiet places. All of this is to note that my autobiography would most certainly be a snore to read so I worry that my paintings – if autobiographical – put people to sleep.

So. The sweet saving grace, the possibility of symbol. A reference to something bigger. Chasing Bubbles. A few years ago at the farmer’s market I saw a young girl racing after a  huge bubble. She was laughing with delight in the chase and I took a photo thinking, “This would make a great painting.” And, then, I thought (this is a confession)…a great painting of the human condition. We are bubble-chasers all.

This is the point where Kerri routinely tells me to ‘gear down.’ “You think too much!” she gasps, clutching her now-aching noggin. “Why can’t it just be a painting from something you saw!?” Well, that would make it autobiographical. ZZZZZZZZZZZZZZZ.

It’s a dilemma.  And, there I go again, chasing bubbles.

 

 

Bubble Chaser in process copy

Chasing Bubbles (in process). It still has a long way to go. Mixed Media 33 x 48IN

 

read Kerri’s blog post about CHASING BUBBLES

 

not our best morning minturn website box copy

drc website header copy

Chasing Bubbles (in process) ©️ 2019 david robinson

 

Sit In The Megaphone [on Not So Flawed Wednesday]

comingtoyoufrommegaphone copy

 

Rounding the bend on the green trail at Bristol woods, we sometimes stop and climb into the megaphone. The first time we saw the nature megaphone, we had no idea what it was. It looked like a giant wooden dunce cap. It was big enough to crawl into so we did. Sitting in the dunce cap, we speculated about what it could be (other than a shaming-hat for a giant). Later, the naturalist confirmed our speculation: a large funnel-shaped device for amplifying and directing nature’s voice.

Screen Shot 2019-02-20 at 9.16.19 AM

Amplifying nature’s voice. Last week, on my birthday, we walked the snowy trail and climbed into the megaphone for a rest and some snacks. We laughed a lot and made a few very silly Snapchat messages. We also sat quietly and listened.

We live in a time, it seems to me, that nature is talking loud and clear. This morning we read in the news that an Australian mammal, the Bramble Cay Melomys, is the first species to be declared extinct due to climate change. “Ocean inundation from rising sea levels…which led to dramatic habitat loss.”

Dramatic habitat loss. An antiseptic phrase. Many species, from polar bears, to frogs, to coral reefs (yes, a brilliant life form) are stepping toward the same abyss and will be eulogized, by us, using the same scrupulously clean phrase. Scruple is another good word: a twinge of conscience. ‘Dramatic habitat loss’ is a phrase remarkably clean of scruple.

I can’t help it. I listen to words and usage. I ponder intention, the story beneath the story. Words like ‘tame’ and ‘wild’ are human-made distinctions. So are concepts like ‘property lines’ and ‘natural resources’ and ‘land management.’ Language meant to make it seem that we are somehow removed from or in control of the forces of nature. ‘Hubris’ – another surgical word – masks a nasty bit of delusion: the notion that we are somehow above it all.

After reading the news this morning Kerri said, “They won’t really notice the enormity of the loss until it is people.” With her fingers, she put the word “they” in quotation marks. They. Us. We. And, I wondered silently, will we, even then? Or, will we, as we are now doing, turn it against each other?

Swimming in data AND experience (extinction and climate change are, after all, experiences), we are still vehement in our denial and roaring debate. Sitting  in nature’s megaphone I am almost certain that we story-telling-animals are more-than-capable of arguing ourselves into extinction over the degree of ‘human causation’ in the ‘dramatic loss of habitation.’ ‘Human impact on the environment’ – another very sterile phrase, is, after all, not a new phenomena.  The current iteration does, however, speak volumes about how capable we are of hearing and incapable we are of listening.

 

read Kerri’s blog post about THE NATURE MEGAPHONE

 

megaphones website box copy