Bang On Stuff

from Lucy & The Waterfox by David Robinson

from Lucy & The Waterfox by David Robinson

John said, “The real challenge is how to help people across the ‘I can’t’ line.” What a great phrase! I imagined myself drawing a line in the sand while my imaginary inner-voice shouted, “Don’t step over this line!”

“Everyone has an “I can’t” line.” John added, “The challenge is never the external stuff. It’s the stuff in our heads that stop us.” Too true!

John is a terrific drummer and extraordinary teacher. He told me that many people come to the drums from the place of, “I can’t” and his job is to hold their hand as they cross the threshold. “Of course they can,” he said, “they just need to know it.”

“How do you do it?” I asked. “How do you help them know it?”

“I have them bang on stuff and I bang on stuff with them.” He smiled.

In other words, gets them to experiment and play. When experimenting, there is no line between can or can’t. It’s a unified space called, “Let’s see!” In play, there is no need for achievement or expertise; there is only play. Bang on stuff and see what happens: it is a great definition for artistry. It is beginner’s mind.

In Austin Kleon’s latest book, Show Your Work, he suggests that we be intentional amateurs. He writes, “Amateurs are not afraid to make mistakes or look ridiculous in public. They’re in love, so they don’t hesitate to do work that others think of as silly or just plain stupid.”

If you desire to step across the “I can’t” line, embrace your inner amateur. Work for the love of your work and not the need to impress or “do it right.” Bang on stuff. Make messes. As Skip says, “Put a stake in the ground and then test it.” Pull on the chain. Walk through the door. Ask questions. Try a new technique. Invent a new technique.

In a bizarre and beautiful chapter in my life I was given a full ride scholarship for a masters degree in costuming. I’d never touched a sewing machine and was a danger to myself and others when trying to cut things with adult scissors. “Why not!” I said to myself and I went for a year. After turning in my first assignment in costume construction, the professor hugged my muslin mess to her breast and laughed, saying, “In the history of garments there have only been 7 possibilities (shirt, pants, skirt, etc.) and you have just created the 8th!” I didn’t know what I could or could not do so I did anything. It was fun. I had no “I can’t line.

John reminded me that the world’s first drum was (and is) a heart. “Everyone’s a drummer,” he said. “The day you can’t drum is the day you are dead.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

 

Embrace The Paradox

Mark Seely's gift to me: A Wordle of my blog

Mark Seely’s gift to me: A Wordle of my blog!

This is a landmark post: number 1000. When I started blogging I told Horatio that I feared I only had enough thought for 10 posts. He said, “If you can write 10, you can write 1000.” I wrinkled my brow in disbelief but it turns out that Horatio was right. With every step comes a new perspective. Kerri has a phrase I love: take down one tree at a time. In other words, if you can’t see where you are going, take the step that you can see; many single steps translate into miles of walking just as one post at a time can become 3 years of small thought-shares all in a row. What is a lifetime but a long series of days?

I’m writing this from a dining room table. All around me, covering the walls, are long strips of newsprint with a gathering storm of many colored post-it notes. The notes contain phrases, actions, like “Burn Your Trash,” or “Both Feet In, “ or “ Leave the Yuck Behind,” or, as you’ve already guessed, “Take Down One Tree At A Time.” They are story prompts. They are insight and idea prompts. Each prompt is associated with one of Kerri’s music compositions (she has 15 albums to date, with material enough for 3 more). They are building blocks for concert/storytelling evenings or keynote speech/performances. From the more than 60 post-it note prompts (and growing) we can combine any 9 to configure an audience-specific performance. The possibilities are endless. The viable themes are both unique and universal. Our umbrella title is Back To Center. We have a series of workshops to compliment the performances. The workshops illuminate the extraordinary moments and liberate the boundless capabilities of we mortals, we ordinary human beings. The big box is appropriately a prompt: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

As it turns out, I am a man of my time after all. The notion of a series of discreet component thoughts assembled to create a universal conception is taking over all of my processes – writing, painting, coaching, facilitating. It is the “many small steps making one large journey” philosophy of creation. It has taken over our world. It is contemporary: note the thought behind an App store or an Army of One. It is natural; cells do it. In the blog world it goes by the name of a “plug-in.” Build your own burger: design your car from the available components. It is the illusion of individuality in the midst of a constraint of choices. There is no arrival, just continuing process of expansive and interchanging capability. It is the Kahn Academy. Work at the pace that is appropriate to you. It is yoga: begin where you are, not where others are. It is what the old world of government process (ridiculously obscure tax codes), health care, education…the usual bureaucratic suspects and old school businesses do not understand. The world of rolling process has ascended; products and outcomes are obsolete before they hit the shelves. Story is more accurate than data (data is, after all, a type of story).

Nimble thinking requires nimble processes. Expansive living requires expansive thinking. Cathedrals are built one block at a time but the secret story of a cathedral is that it is never finished. It is always under construction, always changing, updating, repairing and modernizing. That’s the point of a sacred path. Stability, your sacred home, in this modern age is now found in motion, in a pure engagement with a moment. This is what we mean when we say, Be A Ray! Get into motion and focus your intention. Safety is never found in stasis.

Yesterday I wrote that a good life is marked by the capacity to stand solidly in the constancy of discovery. It is a paradox. Another prompt on the wall, one of my favorites, reads, “Embrace The Paradox.” Yes.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies.

 

 

Sizzle!

an illustration from a book I never published: A Dragon's Tale

an illustration from a book I never published: A Dragon’s Tale

I’m breaking my book down into component actions almost as if I was dissecting a play script. It’s an interesting exercise because I’m experiencing a measure of creator’s blowback: I’m having the distinct impression that someone else wrote this book knowing that I’d read it someday. The author formerly known as “me” knew that I’d need to know what it contains. It is often true that we teach what we most need to know.

I started my component part breakdown because I’ll soon be throwing people into an exploration of the book’s 9 Recognitions. I wanted to chart the actions of the story and the learning embedded within the narrative. I say, “throw people into an exploration,” because I eschew the word “teaching.” My life has taught me that good teaching is about creating a container for exploration. Good teaching involves no teaching. Good teaching is watching and waiting for the right moment to ask a single simple question: what did you discover? The response will always be personal and relevant to the learner. No amount of control or planning can match the power of relevant personal discovery.

A side note: good teaching and a good life share a common center: the capacity to stand solidly in the constancy of discovery.

The primary thought-river that carries the raft of my book is “to have the experience first and make meaning second.” Making meaning second is what we do even when we think we know where we are going. Life is mundane only when “mundane” is the meaning we assign to it. Life goes bland and gray when we make meaning prior to having experiences.

The word “presence” is shorthand for having experiences before assigning meaning to the experience. If you strive to be more present simply cease thinking that you know what’s coming. You don’t.

And so, this is what my component part breakdown/book blowback looks like:

“Throw them into an exploration.” This is a remarkably different action than, “teach them.” (Another Recognition from my book: the language we use to assign meaning matters more than we know).

“Ask a single simple question” This is also a remarkably different action than, “teach them.” Live in the question and not the need for an answer.

When I was an aspiring actor deep in my acting school studies I learned that the verbs that I choose matter. The actions that I assign to my pursuit can ignite me up or block my path. The same is true on my discovery path: when I am making meaning, use really good verbs. There’s no need to minimize the sizzle of this extraordinary life.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies (Amazon)

Dream It!

a blast from the past. A self portrait of yearning from long ago.

a blast from the past. A self portrait of yearning from long ago.

[continued from Step Into The Dot]

Standing with both feet in your life means you get rid of Plan B – or at least to put Plan A and Plan B in the right sequence. It has been a source of wonder for me why people (including myself at times) pour their energy into the back-up plan before they jump head first into their dream. Dreams rarely seem practical. Plan B always seems practical. In fact, that is the role of Plan B: lower the bar so it is easily cleared.

I’ve mentioned before how often in coaching relationships I hear the story of people diligently building their art studio but never entering it. Or, if they allow themselves to enter the creative space, they sit, frozen, unable to pick up the brush or the camera. It is dangerous to entertain the freedom that comes with dreaming. It’s as if we allow ourselves to pull back the covers, peek at the dream, to get close enough to feel the heat of it, but not close enough to ignite it into possibility. It is a special kind of pain to delay a dream. It satisfies the desire to want it but not pursue it. It affords the soothing notion of, “ I tried,” or the devastating notion of, “It wasn’t realistic.”

Kerri and I are bringing our work together in a new form: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

This is why Kerri and I are combining our performance, teaching and storytelling gifts in a palate of offers we’re calling Be A Ray! Dreams deferred cause energetic eddies; they make people swirl, putting time and energy into actions that feel good (like building a studio) but do not move the intention forward. To stop the spin is to see the pattern of deferment. It is to see the story beneath a lifetime of actions that lead everywhere but in the direction of the dream. In our vernacular, to “Ray Up!” is to stop the spin, to look squarely at the dream, and to seize the second chances. It is to claim the dream and pursue it.

Dreams need not be realized. They only need to be pursued. In fact, a proper dream pursuit is never realized just as an artist is never finished. Like every good art process, the dream changes with the pursuit. It grows and morphs until the pursuer and the dream unite. There is never an outcome, only a joining, a blending of dream and dreamer. And, this blending is the reason most people go with Plan B. Dreams can’t be controlled and neither can dreamers once unleashed. In other words, the first step in Raying Up! is to relinquish control. Pick up the brush and throw paint; let go of outcome and live in vital process. Let go of what anyone else thinks of your dream and dream it.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

Honor The Split

after hurricane Katrina I was invited to write an illustrate a children's book. There is only one copy: the original went to a child displaced by the storm. This is the first plate. The book is called 'Peri Winkle Rabbit Was Lost.'

After hurricane Katrina I was invited to write and illustrate a children’s book. There is only one copy: the original went to a child displaced by the storm. This is the first plate. The book is called ‘Peri Winkle Rabbit Was Lost.’

Another of the revelations that tumbled through my mind yesterday concerned “splits.” I’ve written often about split intentions, a concept that the fabulous Viv McWaters encapsulated for me when she offered the Chinese proverb: Chase two rabbits and both will get away. Much of my organizational, educational and creative coaching life has been in service to clients who come to me when they have split their intention and are watching both their rabbits escape. I helped them unify their intention and, therefore, clarify their pursuit.

The dark side of the moon that I rarely talk about (and that came clear to me yesterday) is the necessity of a split intention at certain points in a process that make growth possible. The best example is the split that happens within a caterpillar’s body once it cocoons. The encoding for “butterfly” activates, the caterpillar’s body reads it as a cancer, and a battle ensues. A split occurs: to remain a caterpillar or to become a butterfly. Old systems do not easily let go so the caterpillar’s body fights and nearly defeats the inner butterfly intention. However, the resistance makes the butterfly code grow stronger and it fights back. This back-and-forth inner debate progresses until finally the caterpillar’s body collapses into mush (in story cycles, this “mush phase” is the step into the unknown). The mush slowly takes on a new shape and a new identity emerges. The final necessary battle is the newly formed butterfly’s struggle to exit the cocoon. Help a butterfly out of the cocoon and you will kill it; the final struggle is necessary for the wings to grow strong.

This necessary split plays out in humans, too. All change (all stories) begin when the main character (you) are knocked off balance by an event or an inner imperative. This is the moment of a necessary split intention: do I stay or do I go. After being knocked off balance we do the same thing that the caterpillar’s body does: we run to safety and grab onto what we know. We fight off the necessity of change, denying the imperative, grasping for the feeling of security we no longer possess. This is a necessary phase! This debate, running to the safety of home and hiding – and then walking to the edge of our known world and staring at the horizon – and running back home again, creates heat. It gets energy moving. This back and forth, this inner split intention is necessary. It makes the imperative grow impossible to ignore. It is the process necessary for the main character (you) to understand that what was once secure is now suffocating. The discomfort of the unknown becomes more attractive than the safety of the known because of this inner split, this tug-of-war. When, like the caterpillars body, everything goes to mush and there is no way to go back, the only way forward is to step into the present moment without form or identity. Letting go of the known, stepping into the unknown, is the beginning of reunifying the split. Stepping into the unknown is a commitment to a single rabbit to chase.

The split creates the heat necessary for change. At the right moment in every life story, just as in the caterpillar’s transformation, a split intention is essential. To rush through this phase is just as devastating as trying to help the butterfly out of the cocoon. Trying to eliminate the discomfort too soon is a sure way to stay split and ultimately kill the transformation.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies (Amazon)

Open To Belief

another from the Yoga series by David Robinson

another from the Yoga series by David Robinson

I’m having one of those days ripe with revelations and have been scrambling to capture the insight ripples before they rush down my thought river, around the bend, and out of mind.

One of the ripples has to do with the “As if….” The “As if…” is a tool for actors, self-growth seekers, and human beings in general. For an actor, to act “As if…” opens the door to belief in a character. For the seeker of self-growth, to act “As if…” opens the door to belief in his or her capacities, as if they were a character in the play of their own lives. The “As if” serves as a bridge into a possible future when belief is hard to come by.

When I was younger, a favorite “As if” mantra imparted to me by adults was, “To dress for the job I wanted, not the job I was applying for.” In other words, dress as if I already had the job I wanted. In my case it was lousy advice because donning pants and shirts spattered with paint was not the ladder climbing attire they wanted me to embrace. For me, the elders needed a different premise beneath their “As if” advice. There was no ladder in my paradigm. Dressing for any job felt like self-betrayal on my way to soul death. Of course, years later, having lost my mind, I actually put on a suit and lace-up shoes to coach my first executive client.  He laughed heartily as I writhed in my new suit. He advised me to show up as I am, not as what I thought he wanted me to be. Great advice! His quote, “You are an unmade bed and need to own it. It’s why I hired you – because you are different.” As if!

I’ve understood for years that people perform themselves. “As if” can be a kick-starter for a belief-filled performance. It is an illusion-seed that, when watered and tended, grows into the identity you wish to inhabit. In other words, perform the person you want to become and not the one you currently believe yourself to be. Invoke “As if…” and sooner or later you may start to believe in your performance. Sooner or later you may become who you imagine yourself to be.  The roles we play are not fixed identities and much more fluid than we pretend! Becoming who you imagine yourself to be is called growth and requires a wee bit of acting.

One of my favorite lessons from the theatre is that character (the role you play, like Hamlet or Juliet) is not something you pretend, it is found in how you do what you do. Characters in plays want something; how they go about getting what they want reveals who they are. So, when building a character, swim upstream.  The character will reveal itself through you (the actor) if you identify and take action: craft how he or she does what they do. Young actors have to transcend the notion that acting is pretending. It is not. Action and pretense are two different things. A musician does not pretend to play music and an actor does not pretend to play a character. An actor pursues intentions. An actor acts (thus, the moniker). Actions are the notes an actor plays. Hamlet is the consummate student. He seeks truth. He tests hypotheses. How he goes about seeking and testing determines what we see as a character.

The same might be said of you and me. A human being pursues intentions. We take actions everyday and so, perform ourselves. How we go about our pursuit reveals what we believe. When we have little belief and big, big fear, we have the option of acting “As if…” It’s a loop. “As if…” leads to belief and belief leads to “As if…” Life off the stage is just like life on the stage: it is a cycle of belief and dis-belief. “As if…” is an ongoing growth process. Imagination knows no outcome.

In a recent workshop, after remembering a favorite childhood game, a man in the workshop said, “My imagination opened me to my belief.” Yes. That’s it exactly!

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies (Amazon)

Feed The Spark

Marcia, DeMarcus, and me many moons ago.

Marcia, DeMarcus, and me many moons ago.

If I’d shared a context-less photo of Lake Michigan yesterday you’d swear I was standing on a beach in the Bahamas. The water was vibrant turquoise. It was intense and stopped me in my tracks more than once. It was a 180° turnabout from earlier this week when the lake was frozen over and looked like a sea of broken glass. Things change so fast. These extraordinary moments pass so quickly.

I talked with Marcia this morning. Today is her 85th birthday and she told me that she’s working on becoming present. “I’m not very good at it,” she said, “though I think my life would be so much better if I didn’t project myself into a made-up future and worry about the well going dry.” We laughed heartily.

Marcia was a great actress in her day. And when she stepped off the stage she became an exquisite costume designer. Her father, DeMarcus, was a pioneer in the theatre and a great painter and I am the lucky to carry forward their tradition of artistry. I know my lineage! It seems like yesterday that Marcia was designing a play that I was directing; she pulled me aside and said, “DeMarcus wants you to have these.” She handed me a painter’s box with his brushes and paint. That was over 25 years ago. If my house was on fire and I could only save one possession I’d take that box. It contains some of her renderings and some of his notebooks. It is sacred to me.

I dedicated my book to Marcia and her husband, Tom. Tom was my mentor and he passed away in August. Marcia said, “I’m reinventing myself now that Tom is gone.” I asked what she was discovering in her reinvention. “The creative spark never goes away!” she chirped. “I need a good project!” She told me that the final years with Tom were like cocooning because all of her energy went to caring for Tom in his dementia and failing health. “It was hellish!” she whispered, “I wasn’t doing any of the things that keep me fed. I’m ready to create again!”

Before hanging up I asked what she was going to do on her birthday. She chortled and said, “I have an excellent day planned for myself. I’m going to put new carpet in the studio and then I’m going to put my hands in the soil and feel the earth! I’ve no time to lose so you can be certain that I’m going to feed the spark.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Get hard copies here.

Let’s Dance

from my cartoon series, FLUB

from my cartoon series, FLUB

[This is a response to my dear friend who believes he will someday be worthy to call himself “artist.”]:

There is a trap that every artist must negotiate: the mistaken notion that “artist” is something you achieve. “Artist” is something that you are (and every child is an artist, wouldn’t you agree?). Art is an exploration of life. Some of the greatest artists in history had no training and no experience. They, like you, enjoy playing with various colors and never followed a textbook or a guideline because art doesn’t happen in textbooks and the only guideline that ultimately matters is in the heart of each individual artist. Art is an exploration. It is a relationship with the mystery.  It is not a prescription. There isn’t A WAY to do it. There is your way. And my way.

Art is an engagement with something intangible and if it is life giving to you, that is all that matters. It gives you life and you bring it to life and that dance of giving and bringing life is the work of the artist. The viewer will never see what you see because they do not have your eyes or your life experience or your heart. They will see what they see and interpret it according to their life-filters. Some people will love your work, some will hate it, most will be indifferent – and that has nothing to do with you. You can’t (nor should you) determine what they see. A painting or photograph is like a doorway: the viewer can step through or not. They can choose to engage or not to engage and you have no power over what they  do or see or feel or think. And, it is vital that you understand that because the notion that you can control what they think is the very thing that leads you to believe that you must pass some credibility test to be deemed and artist. When a viewer engages with a work of art they cease to be a viewer and themselves become an artist. Engagement with art is never passive; it is creative. They enter their own dance of creation. They become creators. Yours is to offer the doorway, not to push people through it.

In truth, the shadow side for the artist in trying to control what other people think is that they give away the essential thing: what they think. Why assign to other people the responsibility for your identity as “artist.” If they like your work then you are an artist? If they hate your work then you are not? You can either serve your heart (art) or please other people but you cannot do both.

I’ve coached a legion of people who set up great studio space for themselves and then never go into it. People are great at creating separation from what they want. They can get close to it (set up the studio) but fear stepping into it (picking up the paint brush) because the act of making art is the act of releasing control. It is to offer without condition. It can be a scary thing to give voice to what you see. It is vulnerable to show your heart to the world. It is only scary until you own it and get out of the trap of valuing other people’s point of view over your own.

Another form of separation is to say, “I will be an artist when I sell my work.” Selling your work does not make you an artist. Making art is what makes you an artist. Acceptance does not make you an artist. Making art is what makes you an artist. 10,000 hours in the studio will make you better and better (meaning freer and freer to express) but it will not make you an artist. You are an artist in the first hour and an artist in the 10,000th hour because you are exploring your relationship with life. You might have better mastery of the tools in the 10,000th hour but “master of tool” and “artist” are two distinctly different things. The  artist uses the tool, the tool does not define the artist.

You have the courage to go to your studio and get lost in an exploration of life through image and color. You lose all sense of time because your relationship with the mystery is pure. And, in the end of the day, who cares if anyone sees you as an “artist;” who cares if you see yourself as an “artist.” All that matters is that you enter that sacred studio place and open yourself to the mystery and say, “Let’s dance.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Or, go here for hard copies and Kindle (Amazon)

Update Your Model

InfinityI laughed when I read this phrase on Skip’s Power Point presentation:

“All models are false. However, some are useful.” Alan Kay

I spent years of my life reading books built upon the thought models of thinkers, consultants, physicists, mathematicians, artists, business people and spiritual thinkers. None of the models was true. Many contradicted other models. Models are only useful if they help us make sense of our days on this planet.

Culture is a thought model. Travel to another culture and you’ll spend some time being disoriented because you will have entered a different model for sense making. For instance, some cultures/models place the accent on the individual and others place it on the group. I come from a culture that celebrates the individual and my world was rocked in a culture that celebrates the group; the model was so different that I could not sense make anything and fell head long into “not knowing.” While stumbling about unable to make sense of the world, I saw my own cultural model for what it is: a useful model – not truth.

Art, in most of Western culture, is considered important if it breaks or disturbs the model. In most Eastern cultures art is considered important if it supports the model.  Neither is truth. Neither is right. Both are useful for sense making if you understand the model.

Language is a model. It is very useful model, wouldn’t you agree? Wade Davis is sounding an important alarm that is going mostly unnoticed: we are losing languages faster than species are going extinct. Each language lost is more than a lost collection of words; a language lost is an entire world lost. It is a mythology lost. A language lost is a way of seeing and engaging with the mystery that is lost. What is useful and unknowable (un-see-able) to other languages/models is lost forever.

Religion is a model. Science creates and constantly revises its models. Religion could learn a thing or two from science (and vice versa). Maps are models. For a terrific book on mind models, get Charles Hampden-Turner’s, Maps Of The Mind.

A study of history is a study of models that served as sense makers for a time but collapsed under the weight of updates. For instance, no explorer ever sailed off the edge of the world despite the unassailable model of the day. It turns out that the sun does not rotate around the earth though many people were hushed and crushed for going against the model of their day. Newton showed us that space and time were fixed and Einstein showed us that space and time are not only fluid but connected.

We get into trouble when we confuse our models with truth. No model is true. No model is right. This applies especially to the models that we carry within us: the mind models that lead us to believe that, “I can’t do it…” are false. My favorite model that is mistaken for truth shows up like this: “I’m not creative.” That is a model that is both false and not very useful. What might you need to do to reconsider your model and accept an update?

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies

Take The One Action

a work in progress. I'll call it "Salutation"

a work in progress. I’ll call it “Salutation”

It is true that, at the end of the day, we are our own best obstacle. Nothing is better at blocking meaningful action toward a dream than our personal story of doubt and fear. It comes in many forms, like, “Who am I to think that…,” or “If I only had some time I’d…,” or “If I only knew how to start, I’d….”

Lately, I’m fascinated with a specific form of the best-personal-obstacle canon: why do we take any action EXCEPT the one action that matters. For instance, I hear often statements like this: “I want to be a writer, but….” Anything following the statement of desire is a self-generated obstacle. There’s not enough time. No one will like what I write. Fill in the blank. The single action that matters is to write. Sit down and write. That is how one becomes a writer. And, if the writing happens everyday, one will become a better and better writer. Anything else is a well-placed, self-generated obstacle.

The question is, “Why do we need our obstacles?” What does placing a boulder in the road do for us? There is an obvious answer: it keeps us from the scary prospect of fulfilling our dreams. Fulfilling a dream requires showing up and expressing a personal truth. Personal truth is, well, personal, and will always meet resistance because there are billions of personal truths walking around out there.

The refusal to take the single-action-that-matters applies to the everyday. How many times have you swam in a pool of overwhelm rather than pick up the phone and make the call that you know you need to make? Once, when I ran a theatre company, I knew I needed to fire an employee but I didn’t want to do it. She was a nice person. She wasn’t doing her job. We had countless meetings discussing why she wasn’t taking the one single action that mattered (doing her job). And, so, I didn’t take the one single action that mattered (letting her go). When I finally mustered the courage to fire her, she thanked me. She wanted to do something else with her life but didn’t have the courage. When I fired her, I pushed her out of the nest. I became the circumstance that pushed her into the one action that mattered.

I think that’s the point of not taking the one action that will actually matter. We allow circumstance to decide for us. We delay until the bill collector comes or until the boss fires us or until we are sitting in a rocking chair telling the story of why we never had time to write. If only….

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies