Scratch The Soil [David’s blog on DR Thursday]

For some reason this photograph reminds me of Andrew Wyeth’s great painting, Christina’s World. The landscapes are not remotely the same. His Christina pulls herself through dry grasses on the coast of Maine. Kerri’s photo is of a cornfield in Wisconsin. But there’s something similar about the spirit. Maybe it’s the starkness? I feel it in my belly, an inner quality to the outer image.

There is something willful about corn. In the cliff houses of the Anasazi, archeologists found corn. We take it for granted. Since we can purchase butter lettuce grown hydroponically we forget that there was a time when cultivating food was a new experience. A new relationship with the mystery. It’s the reason people worshipped the corn. It’s like an old joke: it’s not the corn, stupid, the worship was with the relationship to the mystery. It’s never about the form. It’s always about the relationship. A lesson we moderns have yet to learn. The joke continues to be on us.

It’s the same lesson that every artist learns and relearns. It’s not about the painting, the final image. Andrew Wyeth’s painting was not about Christina. It is his reach into the mystery. He must have touched something because his painting opens the mystery to us.

Standing before a blank canvas is like the Anasazi scratching open the soil, the wonder of the seed. The planting of the corn. The promise of nourishment.

read Kerri’s blogpost about CORN

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Play Well [David’s blog on Not So Flawed Wednesday]

“It takes a very long time to become young.” ~ Pablo Picasso

Early in our collaboration, when my plan seemed too fun-loving for our corporate clients, it struck fear in the heart of my business partner. I was fond of telling her, “Everyone really wants to play.”

And, I believed it. I believe it still. Everyone really wants to play. The challenge of stimulating entrepreneurship or innovation or creativity is never about opening minds; it is to scale the fortress walls we erect around our light hearts. The same is true with change initiatives and diversity-equity-inclusion. The heart is the target and playfulness is the path.

In general, the epicenter of what ails us is that we take ourselves too seriously. The cure: play. When the mask of seriousness falls, there’s nothing left to do but play well with others.

I am reminded of the cure every time we assemble at the cabin with The Up North Gang. The overriding intention of our gatherings is to take nothing seriously. To play. We eat too much. We snack with abandon. We adventure. We make space for fun and eschew all serious pursuits. We laugh. Spirits are lifted. Eyes and hearts open. Ideas and imagination flow like a raging river, so warm, safe and impish are our companions.

Play is an action but it is also the fruit of an environment. People cannot play if they do not feel safe. Another truism I learned during my walk in the organizational wastelands: environment creates behavior. So many serious faces; so much fear of being seen “as”… There’s nothing like a safe space to foster a hotbed of creativity.

A warm autumn day, a blue-blue sky, the leaves vibrant with fall color. A quiet mind. An open heart. A great relief. I realized that over these many months Kerri and I have not felt safe, swimming as we are on the bottom of Maslow’s Hierarchy. I was suddenly and profoundly overwhelmed by the lightness in my heart, the ease in my being, the great gift of our Up North Gang.

A gentle reminder that the path forward is rarely found by squeezing together synapses and figuring-it-out in-the-mind. The path becomes clear when illuminated by the lively spirit of play. Heart-paths become visible. I smiled at all that I know and too often forget. Everyone really wants to play.

read Kerri’s blogpost about AUTUMN UP NORTH

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See The Unseen [David’s blog on Not So Flawed Wednesday]

20’s collections are surprising and always thought-provoking. For instance, he has a rich collection of images from the world that he calls “It’s good enough.” Jobs done poorly. The least amount of effort necessary to address a big job. Solutions that merely shift the problem. Beneath his series is a potent observation: this is what the world looks like when no one cares. Good enough. He is an artist of subtle yet powerful statements.

Another series that always makes me laugh is his “found faces” series. Electric outlets, manhole covers, utility plates, door knobs, that, once seen, gaze back at the viewer and can never be unseen. Now, it’s become a group sport. Kerri will stop suddenly, saying, “Oh! A face for 20’s series!” She adds to his collection. He adds to her collections.

It’s what artists are supposed to do for each other and the world. Open each others eyes to the whimsy and worth that surrounds us. To make the unseen seen, the familiar new.

Recently, at a coffeehouse near Madison, I heard the scuffle. Kerri and 20 both saw the face in the door and leapt to capture it. “Did you see it, too?” they simultaneously chimed, snapping away, bobbing around each other to capture the found face.

They are like siblings, a brother and sister competing to get the first photo. Laughing and jabbing ribs. My job is to sit back and appreciate the beauty of being surrounded by so many artists’ eyes – wide open and helping each other – and me – see and fully experience this surprising and mysterious world.

read Kerri’s blogpost about FOUND FACES

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Color It Vivid [David’s blog on Two Artists Tuesday]

These two beauties are Black Swallowtail butterflies in the making. Caterpillars that look as if some artist applied yellow and green paint pens, decorating their black bodies with line and dot. The pop of vibrant color drew our eyes and brought us to our knees to investigate. “Unbelievable!”

I felt the same way the day we saw the orchids at The Chicago Botanic Gardens. The shock and variance of vivid color challenged my dedication to the notion that mother earth paints exclusively in earth tones. She does not. Her palette extends from neon to neutral, her color combinations are as enthusiastic as they are subtle.

I am aware that the further I walk down this life-road, the more I see – or am able to see – the feisty mix of color calling from the hummingbird and cardinal, the caterpillar and coneflower, the sunset and sea foam. I know they’ve always been there. I’ve always appreciated them in a passing way. Now, they catch me in their color-nets and hold me captive. My eyes are willing prisoners. “Unbelievable,” is my patent sigh and I find myself grateful beyond words that I have access to a world that spins color beyond my tiny expectation, my limited belief.

read Kerri’s blogpost on COLORFUL CATERPILLARS

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Burst [David’s blog on KS Friday]

If there is a metaphor for Kerri and me, it is this. A seedpod filled to bursting, ready to release into the world an abundance of the new.

We write more than most people care to read. I’ve calculated that, at this point, we’ve written the equivalent of ten full length novels. We have readers all over the globe – yesterday someone in Mongolia showed up. “Why would someone in Mongolia want to read what we write?” we asked, delighted. No matter. It’s what happens when you love what you are doing.

Yesterday, in a fit of no-duh, I reformatted the Smack-dab page on our site so it might be readable (I’m not sure what took me so long…) and I was astounded at our output. I fell into it. Smack-dab joins the comic canon of Chicken Marsala, Flawed Cartoon, At the Door, Flip, and the KnowNow series.

We love to share what we love. Sometimes I see-just-for-a-moment that our ordinary is extraordinary.

We have the third of Beaky’s books to produce. Kerri’s written a children’s book that someday she will allow me to illustrate. I have new ideas every day that get written on slips of paper and tossed in a bin called Someday.

Our Roadtrip is ready to roll and join The Lost Boy in our canon of plays performed together. I am working on a draft of a new play that I’ve been thinking about for years. I allow myself an hour of space away from the job hunt to write or work on a scene. One scene a week. I’m awaiting the decision whether or not my Last of the Old Gods will be rescheduled into the PCO season. It’s a timely story. It needs performing and I need to perform it.

Kerri stares at her piano. There is so much more music to make. I know it. She knows it. I can personally attest to the fact that some of her best vocal pieces have yet to be recorded. I am the sole recipient of such riches.

Each day I stand in my studio and close my eyes and feel the pulse. There are so many more paintings to paint.

Years ago, Joyce, staring wide-eyed into my future, said to me: You express what is true. You reach people through their hearts. You help them to believe.

It’s not a career. It’s an imperative. Seedpods. Ready to burst.

That Morning Someday/The Best So Far © 1995/1999 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about SEEDPOD

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Give It Shape [David’s blog on DR Thursday]

Learning to draw begins – or it did for me -with seeing shapes. Cones and squares and spheres. Shape is the first illusion to acquire.

Lately, I am spending an inordinate amount of time revisiting “beginnings.” My beginnings. Our beginnings. We open bins long stashed in the basement, the musty vaults securing evidence of our passage. We dig through the artifacts and discuss what gave us shape.

Important people shaped us. Many unimportant people shaped us, too. Circumstance and serendipity chipped away the stone that now reveals who we think we are. Shape, I am learning, is as much about what we hold onto as what we determine to let go. At long last setting down a closely held burden creates inner space, shape by another name. Picking up the burden of another to help them with their load necessitates a change of shape inside and between.

I recently decided that it was time to go back to basics. I have my sketchbook close at hand. I’m paying attention to shape, both inside and out. I wonder what I have forgotten about shape and what I need to re-member. If shape, in all its permutations, is the first illusion to acquire, I suspect it is also the last illusion we learn to release.

Some themes remain incomplete. I’ve painted this series-of-shapes over and over again.

my online gallery

read Kerri’s blogpost about SHAPES

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Be Unbearably Small [David’s blog on Two Artists Tuesday]

“We fought so long against small things that we became small ourselves.” Eugene O’Neill

“On my last day of work, the back wheels of my car won’t be out of the parking lot before they erase everything I’ve worked for,” Tom said. He was right, of course. I was there and witnessed the dismantling. His words were not resentful. They were matter-of-fact. He helped me understand that a life’s work is not about achievement. Rather, it is about integrity of process. Relationship. Bringing instead of getting.

“I’ve fought my battles. It’s time for someone younger to pick up the fight,” another in my tribe of dear-wise-guides reminded me when I was pushing him hard to care. I am a few years down the road now and I understand to my bones his position. I have limited time here. I have (mostly) turned my eyes away from the fight and toward the wonder-of-it all. I have no idea how to paint it so I am reticent to touch my brushes. How do you contain – or try to contain in an image or word – the inexplicable? It’s the artist’s dilemma and I love it.

Sitting on the back deck staring into the pastel sky, I thought about their words. Quiet summer nights are prime for reminiscence and reflection. I thought about the battles I have fought in my life. The hills I chose to die on. The art meant to heal or change or provoke. To reach and touch a heart. To shake a sleeper awake.

I have been fortunate to have had such wise guides showing me the way. To give me the rare gift of perspective. I am fortunate to understand how unbearably small I am in this limitless universe. Were I to believe myself grand I would not have access to the awe of this summer night, this rolling pastel sky.

read Kerri’s blogpost about the PASTEL SKY

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*happy birthday, columbus.

Arrive At Wisdom [David’s blog on DR Thursday]

The meeting of sand and surf. In the children’s-book-of-my-mind, at the beginning of the story, sand and surf have completely different points of view. They have radically different understandings of each other and opposing orientations to ebb-and-flow, to the movement of the earth and their place in it. They insist that they are in conflict.

And yet, they meet. Every day. In the story of sand and surf they eventually learn that they can focus on their differences or they can focus on what they have in common. They are surprised to learn that one could not know itself without the other. They are gobsmacked by the knowledge that one would have no purpose without the other! In fact, they would have no identity without the other!

With their new understanding, sand and surf begin to ask a different question: who do they want to be together.

At the end of the story, the climax of this children’s tale, they come to understand that their reason-for-being is each other. They are not, in fact, separate. They are symbiotic. They transform each other in their mutual dance. Thus, they arrive at wisdom.

Sand and surf. Harmony, in the children’s-book-of-my-mind. Nothing really changes other than their choice of where to focus. And then, of course, everything changes.

my favorite illustration from Lucy And The Waterfox

Peri Winkle Rabbit Is Lost. A book I wrote and illustrated for a hurricane Katrina relief project. The organizers asked for an original story to help children understand and cope with loss. Original illustrations, no copies. I loved making this little book and i hope some child, somewhere, now an adult, loves it, too.

My gallery site

read Kerri’s blog post about SAND AND SURF

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Find Up [on KS Friday]

We almost turned around. From the path we could hear the large earth movers rolling up and down the beach. “They’re working,” she said. “Why are they working? It’s the weekend!” Beyond the beach, massive cranes plucked unthinkably large stones from barges and placed them onto the breakwater. We decided to take a look. Maybe we could find a quiet spot at the far end of the beach. The day was scorching. We needed to put our feet in the water.

We stepped around the “Stay Out! Under Construction” sign. Considering who we’d call if arrested, we climbed the hill through the brush and tall grasses before emerging onto the beach. We stopped and laughed at what we saw. The far end of the beach was packed with people. A party boat was anchored just off shore. Jet skis parked at the shoreline. A family hauled in a barbeque. A man threw balls into the surf for his Goldens to retrieve.

“I guess we won’t be alone in the jail.” Our rogue fantasy blushed and vanished.

After wading in the water we spread our towels in a shady spot just beneath the weathered trees. We watched the massive machines construct the breakwaters, a tug boat deftly spun a rock laden barge into the queue. I wondered how the tiny boat could possibly move the massive barge.

Kerri lay back and shot photos of the clouds. She captured our sentinel tree in a few shots. One shot immediately brought to mind an early Georgia O’Keeffee painting. The Lawerence Tree. Georgia stayed at DH Lawerence’s ranch on a visit to New Mexico. At night she’d lay back on a bench beneath a huge pine tree. She painted what she saw. Google the painting and you’ll learn that there’s some confusion: what is the top of the painting? I prefer the trunk of the tree coming from “the top,” just as in Kerri’s photograph.

In the archive I have a few of those confusions. One painting in particular, Earth Interrupted VI, Kerri suggests that I painted it upside-down. “Green at the bottom. Blue at the top.” It’s not a unique problem. Many great masterworks spent decades on their heads before someone noticed and flipped them.

“It’s nice,” I said of her photograph. It perfectly captured the theme of the day. Upside-down. Expect solitude and find a crowd – yet in the shade we found sweet solitude. Believe you are going rogue only to discover you are merely one of the pack. The plan for the day fell apart and led us to the beach and this moment of rolling upside-down surprises. “I’m glad we did this,” I smiled, laying back to see what she saw, to wonder if I have ever really known which way is up.

each new day/right now © 2010 kerri sherwood

Kerri’s albums are available in iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THE TREE & SKY

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Bring It To Life [on saturday morning smack-dab.]

We’re staying put this summer. Circumstance requires it though that hasn’t put a damper on our capacity to dream. “If you could go anywhere right now, where would you go?” For us, it’s a daily game and fun to play.

Kerri and I are roadtrippers. New experiences feed our imaginations and our artistry. Kerri imagines composing with her piano firmly seated at the edge of the canyonlands. I imagine a series of artist-residencies providing stops along the way, taking us to beautiful places to create, stir the pot, meet new people, ignite ideas…

It’s a great dream. Our job, as we see it, one way or the other, is to bring it to life.

read Kerri’s blogpost about TRAVEL DREAMS

smack-dab. © 2023 kerrianddavid.com

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