Let Owl Guide You

With the guidance of an elder, I made this medicine shield years ago.

With the guidance of an elder, I made this medicine shield years ago.

“Your vision will become clear only when you can look into your own heart. . . . Who looks outside, dreams; who looks inside, awakes.” Carl Jung

For a few disconcerting moments, I thought the crows had followed me across the country. You will remember that while living in Seattle, I was plagued by crows. They swooped me on a daily basis, picking me out of crowds for a sneak attack. I came to the conclusion that they were trying to wake me up. According to Crow Medicine, crows are an omen of change. When crows are around, something special is about to happen, consciousness is about to change and dis-ease will be dispelled. Since we can only connect the dots backward I can now say with great confidence that I took the medicine and it worked. They hammered me on the head for months before I stepped into the void and allowed new forms to emerge. Needless to say, I have a love-hate relationship with crows.

Yesterday afternoon our backyard was a festival of crows frantically barking. It brought back visceral memories and I went on high alert. As it turns out, the crows were focused on our owl and not me. I haven’t heard the owl since autumn and had forgotten that we have an owl in the backyard. I was happy that the owl was back. The crows were not happy as owls are great nest robbers and also, if hassled excessively, will make a dinner of an adult crow.

A detail from my shield. Owls have been with me for a long time. The owl is the top symbol.

A detail from my shield. Owls have been with me for a long time. The owl is the top symbol.

Last fall I googled Owl Medicine when the owl hooted above my head almost every night. I learned that, as a totem, Owls have great intuition. They follow their instincts. They see clearly (meaning they cannot be deceived). Owls see what others cannot. For instance, Owls see into the inner life of others; generally, they know more about a person’s inner life than that person knows about him or her self. This is why people do not sit next to me at parties! Also, owls are fierce warriors if something dear to it is threatened.

What a fantastic collision of bird archetypes for the crows and the owl to return to my world at the same moment. The owl was mostly indifferent to the incessant crow barking and attacks. There was no contest. In the evening the owl flew away to hunt and I wondered if there might be one less crow barking in the morning.

Both owl and crow are harbingers of change. They both speak to a comfortable relationship with the unknown and an attraction to the mysteries of life. I laughed when I re-read the symbols as I’ve lately been preaching through my book, The Seer (owls and crows are both seers) to cultivate “not knowing” as a necessary step on the path to health and creative vibrancy. In the practice of “not knowing,” one learns to see.

Later in the night, while driving back from Chicago, Kerri and I were talking about the extraordinary and meteoric changes in our lives this past year. She encapsulated my crow and owl commentary when she said, “We make plans according to what we know. It’s what we don’t know that changes us.” Her thought reminded me of another Carl Jung quote. He famously wrote that, “Religion is a defense against a religious experience.” Just so, a life plan is often a defense against a vital life. Adventure and discovery are never in the direction of the known. When you pay attention to the symbolic crow hitting you on the head you can also rest assured that when you step into the void there will always be an owl waiting to guide you.

title_pageGo here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, Seeker, Learner, Leader, Creator…You.

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Return To Life

Tripper-dog-dog-dog listens to birds

Tripper-dog-dog-dog listens to birds

I’m writing this from the choir loft. It’s gorgeous outside and I wonder what I’m doing inside on such a beautiful morning. Kerri is playing the organ for an early morning service. I’ve decided – just this moment – that the organ is an instrument for the dark days of winter. It is heavy and fills your belly like good hearty stew. Birdsong is the music of spring.

Before coming here this morning I was hanging out in the back yard with Tripper-dog-dog-dog. We were watching birds. We were listening to their worship service. He is mystified by them. They are a relatively recent discovery for him. He cocks his head sideways as he stares at them as if to say, “What the heck!” Then he looks to me to see if I’m having the same revelation. I say, “Pretty incredible, huh!” He nods in agreement (no exaggeration. really. no really).

My conversation with the stained glass window continues. The three panels of the window are, of course, the nativity on the left, the crucifixion on the right, and the resurrection in the center panel. It is the largest image. The focal point. The return to life is the center and perhaps this is the meta-point of my window conversation. Many years ago in a class on ritual and life cycles, the instructor said that each one of us would die and be reborn 12 times in the course of our lives. These mini deaths and rebirths were preparation for the main event. Energy does not die, it changes form.

The window is a perfect cycle of the seasons. Throughout the winter the window and I have been talking about the return to life. We’ve talked about birth and rebirth. We’ve talked about pilgrimages. Every life is a pilgrimage. There are long stretches of walking, rich with discovery, sometimes with achy legs and exhaustion. There are days of rest. There are arrivals and departures. Sometimes the weather is fair and sometimes not. The bad weather days make better stories; protagonists need obstacles to move things forward. Flow rarely requires lengthy recounting. Sunrise and sunset are, of course, our daily birth and death cycle, a solar pilgrimage!

Birth and rebirth is the mirror image of death and resurrection and, of course, this is the season of things coming back to life. Both are progressions, movement through the cycle of life. This cycle, punctuated by my first Wisconsin winter, is especially pronounced for me. Three weeks ago we were knee deep in snow. I can see and feel the return of life, the warmth of the sun’s return.

One year ago I was wandering, in the exhaustion phase of my pilgrimage, dropping the old knapsack; it was too heavy to carry any longer. I enacted and presided over one of my mini deaths. This morning I breathed in the cool air and watched the worship of birds. Nests are being built and I am enjoying the sweetness of life’s return.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Hold A Vigil For Kermit

My studio moves into the light.

My studio moves into the light.

Life returns slowly. It is the time of year that the goddess Demeter ceases grieving because her daughter, Persephone, is allowed to return from the underworld. Demeter’s joy ignites earth’s renewal.

This morning we sat outside on the back porch, wrapped in a blanket, our chairs facing the sun, our backs to the wall so we could feel the radiant heat. We drank coffee, soaked up the sun and talked about everything and nothing at all.

We are feeling the stirring. We moved the studio from the basement into the light. A stalled project now has life and is arcing toward production. Inspiration and enthusiasm are playing chase through our creative sessions. A few days ago I found my sketchbook and spend time each day filling its pages. There are new canvases sitting on my easel.

It is the season of resurrection. We are holding vigil for our pond frog, Kermit. Although his name is common his story is extraordinary. Last summer, after we dug the pond in the backyard, Kermit suddenly appeared. All through the fall we checked on him. He looked out at us from his hiding place in the rocks or if caught him by surprise, he’d dart to the opposite side of the pond. This winter was harsh and the pond froze solid. We worried about his fate. When the pond melted, we found a seemingly lifeless Kermit on the bottom with the leaves.

Many species of frogs hibernate. In fact, we learned that certain wood frogs freeze solid to the core. When winter comes their bodies replace the water in their vital organs with a protective “anti-freeze.” All signs of life cease. The heart stops (it is frozen). All measurable electric impulses close down. When the weather warms, their core thaws, and they quite literally come back to life. If you’ve ever doubted the magic and mystery of this life, spend some time watching frogs.

We don’t know yet if Kermit is hibernating or not so we watch. A layer of ice returns to the pond each night. The temperatures are bobbing just above and way below freezing, so we wait, drink in the sun and good coffee. We watch Tripper-dog-dog-dog discover birds and bark at raindrops on the pond; this is his first-ever spring. We fill with hope and ourselves slowly revive from a long winter of hunkering down. We stretch our limbs, we thaw, we breathe.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Love Yourself Better

this one is from the archives. I painted this 10 years ago.

this one is from the archives. I painted this 10 years ago.

He said, “The current goal is to love myself better.” And then he added, “Not so much a goal but something that needs teaching from our own mind.” His statement begs a great question, an ages old question: Can the mind teach itself? Really, the question is can the mind see itself clearly enough to teach itself?  Or, the question within the question: Can the mind teach itself to love itself? I scribbled the questions in my notebook and beneath them I wrote, “Is love teachable? Is love reachable through the mind, especially self-love?

We’d been chatting for a while and had covered a lot of territory, from Monte Blanc pens to typewriters to soap use around the world, clean water, the difference between good and bad scotch, the shapes of the 50 states and how they might influence personal identity and we’d somehow wandered into the epicenter: self-love.

His statement nailed the universal dilemma perfectly. It was a declaration of separation. The self watching and wanting more for the self. The separation is in the language: to love myself better. I don’t know anyone who hasn’t made this statement. Which part of the self will better love the other part of the self? Which part of the mind will teach the other to love?

It is where myth meets the everyday. Every human being who has walked the earth has wrangled with separation and the yearning for self-love (re-connection to self, unity). The human journey is a walk from separation (birth, if you want to take it literally) to reunification (death). The story lives in mythologies the world round. If we were still willing to read our mythologies (religions) metaphorically, we’d see it. For instance, being expelled from the Garden of Eden for eating from the tree of knowledge is the story the ancients told of the experience of separation. The inevitable bite of apple from the tree of knowledge brought duality consciousness: male/female, us/them, mine/yours, haves/have-nots, me/you. Separation. The rest of the story, not often told, is how, through out the rest of our lives, we seek the Garden where there lives a second tree: the tree of everlasting life (unity). We journey from knowledge (separation) to everlasting life (reconnection). The death need not be literal. To die to the self is necessary to experience the SELF.

Here’s the great paradox: loving another person is an act of self-love. The path to self-love is found when we serve something bigger than our selves. Think about it: the movement is always from separation to joining, from isolation to connectivity. The obvious question is, “Connectivity to what?”

Self-love is not found when the mind teaches the mind but when the mind gets out of the way of the heart. The love is always there. Love is never missing. Self-love reveals itself when the definition of self grows beyond our own skin. According to our latest neurological science, we experience ourselves as separate because we dull ourselves to our fundamental connectedness to others. In other words, we cultivate a story of isolation and then set about the real work of our lives: to see beyond what we think.

And then he said, “You know what else I just realized?”

“What’s that?” I asked.

“I just landed myself in a blog post.”

Yep.

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Bang On Stuff

from Lucy & The Waterfox by David Robinson

from Lucy & The Waterfox by David Robinson

John said, “The real challenge is how to help people across the ‘I can’t’ line.” What a great phrase! I imagined myself drawing a line in the sand while my imaginary inner-voice shouted, “Don’t step over this line!”

“Everyone has an “I can’t” line.” John added, “The challenge is never the external stuff. It’s the stuff in our heads that stop us.” Too true!

John is a terrific drummer and extraordinary teacher. He told me that many people come to the drums from the place of, “I can’t” and his job is to hold their hand as they cross the threshold. “Of course they can,” he said, “they just need to know it.”

“How do you do it?” I asked. “How do you help them know it?”

“I have them bang on stuff and I bang on stuff with them.” He smiled.

In other words, gets them to experiment and play. When experimenting, there is no line between can or can’t. It’s a unified space called, “Let’s see!” In play, there is no need for achievement or expertise; there is only play. Bang on stuff and see what happens: it is a great definition for artistry. It is beginner’s mind.

In Austin Kleon’s latest book, Show Your Work, he suggests that we be intentional amateurs. He writes, “Amateurs are not afraid to make mistakes or look ridiculous in public. They’re in love, so they don’t hesitate to do work that others think of as silly or just plain stupid.”

If you desire to step across the “I can’t” line, embrace your inner amateur. Work for the love of your work and not the need to impress or “do it right.” Bang on stuff. Make messes. As Skip says, “Put a stake in the ground and then test it.” Pull on the chain. Walk through the door. Ask questions. Try a new technique. Invent a new technique.

In a bizarre and beautiful chapter in my life I was given a full ride scholarship for a masters degree in costuming. I’d never touched a sewing machine and was a danger to myself and others when trying to cut things with adult scissors. “Why not!” I said to myself and I went for a year. After turning in my first assignment in costume construction, the professor hugged my muslin mess to her breast and laughed, saying, “In the history of garments there have only been 7 possibilities (shirt, pants, skirt, etc.) and you have just created the 8th!” I didn’t know what I could or could not do so I did anything. It was fun. I had no “I can’t line.

John reminded me that the world’s first drum was (and is) a heart. “Everyone’s a drummer,” he said. “The day you can’t drum is the day you are dead.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Embrace The Paradox

Mark Seely's gift to me: A Wordle of my blog

Mark Seely’s gift to me: A Wordle of my blog!

This is a landmark post: number 1000. When I started blogging I told Horatio that I feared I only had enough thought for 10 posts. He said, “If you can write 10, you can write 1000.” I wrinkled my brow in disbelief but it turns out that Horatio was right. With every step comes a new perspective. Kerri has a phrase I love: take down one tree at a time. In other words, if you can’t see where you are going, take the step that you can see; many single steps translate into miles of walking just as one post at a time can become 3 years of small thought-shares all in a row. What is a lifetime but a long series of days?

I’m writing this from a dining room table. All around me, covering the walls, are long strips of newsprint with a gathering storm of many colored post-it notes. The notes contain phrases, actions, like “Burn Your Trash,” or “Both Feet In, “ or “ Leave the Yuck Behind,” or, as you’ve already guessed, “Take Down One Tree At A Time.” They are story prompts. They are insight and idea prompts. Each prompt is associated with one of Kerri’s music compositions (she has 15 albums to date, with material enough for 3 more). They are building blocks for concert/storytelling evenings or keynote speech/performances. From the more than 60 post-it note prompts (and growing) we can combine any 9 to configure an audience-specific performance. The possibilities are endless. The viable themes are both unique and universal. Our umbrella title is Back To Center. We have a series of workshops to compliment the performances. The workshops illuminate the extraordinary moments and liberate the boundless capabilities of we mortals, we ordinary human beings. The big box is appropriately a prompt: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

As it turns out, I am a man of my time after all. The notion of a series of discreet component thoughts assembled to create a universal conception is taking over all of my processes – writing, painting, coaching, facilitating. It is the “many small steps making one large journey” philosophy of creation. It has taken over our world. It is contemporary: note the thought behind an App store or an Army of One. It is natural; cells do it. In the blog world it goes by the name of a “plug-in.” Build your own burger: design your car from the available components. It is the illusion of individuality in the midst of a constraint of choices. There is no arrival, just continuing process of expansive and interchanging capability. It is the Kahn Academy. Work at the pace that is appropriate to you. It is yoga: begin where you are, not where others are. It is what the old world of government process (ridiculously obscure tax codes), health care, education…the usual bureaucratic suspects and old school businesses do not understand. The world of rolling process has ascended; products and outcomes are obsolete before they hit the shelves. Story is more accurate than data (data is, after all, a type of story).

Nimble thinking requires nimble processes. Expansive living requires expansive thinking. Cathedrals are built one block at a time but the secret story of a cathedral is that it is never finished. It is always under construction, always changing, updating, repairing and modernizing. That’s the point of a sacred path. Stability, your sacred home, in this modern age is now found in motion, in a pure engagement with a moment. This is what we mean when we say, Be A Ray! Get into motion and focus your intention. Safety is never found in stasis.

Yesterday I wrote that a good life is marked by the capacity to stand solidly in the constancy of discovery. It is a paradox. Another prompt on the wall, one of my favorites, reads, “Embrace The Paradox.” Yes.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Sizzle!

an illustration from a book I never published: A Dragon's Tale

an illustration from a book I never published: A Dragon’s Tale

I’m breaking my book down into component actions almost as if I was dissecting a play script. It’s an interesting exercise because I’m experiencing a measure of creator’s blowback: I’m having the distinct impression that someone else wrote this book knowing that I’d read it someday. The author formerly known as “me” knew that I’d need to know what it contains. It is often true that we teach what we most need to know.

I started my component part breakdown because I’ll soon be throwing people into an exploration of the book’s 9 Recognitions. I wanted to chart the actions of the story and the learning embedded within the narrative. I say, “throw people into an exploration,” because I eschew the word “teaching.” My life has taught me that good teaching is about creating a container for exploration. Good teaching involves no teaching. Good teaching is watching and waiting for the right moment to ask a single simple question: what did you discover? The response will always be personal and relevant to the learner. No amount of control or planning can match the power of relevant personal discovery.

A side note: good teaching and a good life share a common center: the capacity to stand solidly in the constancy of discovery.

The primary thought-river that carries the raft of my book is “to have the experience first and make meaning second.” Making meaning second is what we do even when we think we know where we are going. Life is mundane only when “mundane” is the meaning we assign to it. Life goes bland and gray when we make meaning prior to having experiences.

The word “presence” is shorthand for having experiences before assigning meaning to the experience. If you strive to be more present simply cease thinking that you know what’s coming. You don’t.

And so, this is what my component part breakdown/book blowback looks like:

“Throw them into an exploration.” This is a remarkably different action than, “teach them.” (Another Recognition from my book: the language we use to assign meaning matters more than we know).

“Ask a single simple question” This is also a remarkably different action than, “teach them.” Live in the question and not the need for an answer.

When I was an aspiring actor deep in my acting school studies I learned that the verbs that I choose matter. The actions that I assign to my pursuit can ignite me up or block my path. The same is true on my discovery path: when I am making meaning, use really good verbs. There’s no need to minimize the sizzle of this extraordinary life.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Dream It!

a blast from the past. A self portrait of yearning from long ago.

a blast from the past. A self portrait of yearning from long ago.

[continued from Step Into The Dot]

Standing with both feet in your life means you get rid of Plan B – or at least to put Plan A and Plan B in the right sequence. It has been a source of wonder for me why people (including myself at times) pour their energy into the back-up plan before they jump head first into their dream. Dreams rarely seem practical. Plan B always seems practical. In fact, that is the role of Plan B: lower the bar so it is easily cleared.

I’ve mentioned before how often in coaching relationships I hear the story of people diligently building their art studio but never entering it. Or, if they allow themselves to enter the creative space, they sit, frozen, unable to pick up the brush or the camera. It is dangerous to entertain the freedom that comes with dreaming. It’s as if we allow ourselves to pull back the covers, peek at the dream, to get close enough to feel the heat of it, but not close enough to ignite it into possibility. It is a special kind of pain to delay a dream. It satisfies the desire to want it but not pursue it. It affords the soothing notion of, “ I tried,” or the devastating notion of, “It wasn’t realistic.”

Kerri and I are bringing our work together in a new form: Be A Ray!

Kerri and I are bringing our work together in a new form: Be A Ray!

This is why Kerri and I are combining our performance, teaching and storytelling gifts in a palate of offers we’re calling Be A Ray! Dreams deferred cause energetic eddies; they make people swirl, putting time and energy into actions that feel good (like building a studio) but do not move the intention forward. To stop the spin is to see the pattern of deferment. It is to see the story beneath a lifetime of actions that lead everywhere but in the direction of the dream. In our vernacular, to “Ray Up!” is to stop the spin, to look squarely at the dream, and to seize the second chances. It is to claim the dream and pursue it.

Dreams need not be realized. They only need to be pursued. In fact, a proper dream pursuit is never realized just as an artist is never finished. Like every good art process, the dream changes with the pursuit. It grows and morphs until the pursuer and the dream unite. There is never an outcome, only a joining, a blending of dream and dreamer. And, this blending is the reason most people go with Plan B. Dreams can’t be controlled and neither can dreamers once unleashed. In other words, the first step in Raying Up! is to relinquish control. Pick up the brush and throw paint; let go of outcome and live in vital process. Let go of what anyone else thinks of your dream and dream it.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

Go here for hard copies.

Get To Maybe

from the Yoga series by David Robinson

from the Yoga series by David Robinson

A few days ago a I had one of those rare mornings when the revelation door opened and a whole beautiful box of thought toys spilled out and hit me on the head. My favorite came when the “3 kinds of problems” model from a terrific book, GettingTo Maybe, crossed wires with one of my favorite concepts to teach: control your controllables and let the rest go. It goes like this:

The authors of Getting To Maybe define three kinds of problems to illustrate that, at the core of most organizational (and relationship) dysfunction, is a confusion of problem type. In brief, the three kinds of problems are:

1)    A simple problem (baking a cake. If you have a recipe and ingredients, you can get to cake almost every time).

2)    A complicated problem (a moon shot. It require much more expertise, higher math, technology, and tons of money but with the all of the above, landing a human being on the moon is solvable).

3)    A  complex problem (raising a child. No amount of math or “how to” books will help because there isn’t a prescription. The only useful action is to engage. Another word for complex problem is “relationship”).

People and the institutions that they (we) create don’t like the mess of complexity so they (we) pretend that their (our) complex problems are merely complicated. We are great creators of rules and laws and pretend that our rules and laws are unassailable and apply equally to all people in all situations (which is to ignore our complexity and pretend that people are merely complicated).

So far, so good.

When “the control your controllables” wire crossed the Getting To Maybe model, I realized that simple and complicated problems are really about variable control. They are about knowing HOW before you start. They deal with the knowable. Success is determined by the control of the process. In the paradigm of simple and complicated problems, each step is a prescription. It is life as craft assembly or paint by numbers. Needing to know HOW is essentially a desire to control the experience. It’s why we deny the complexity of our lives and pretend that we can know…

Complex problems (relationships. life) are another animal altogether. Success is based on quality of engagement; the variables can never be fully known or fully controlled. In a complexity, we have the experience first and make meaning second. We are present with what is right in front of us, not what we want in front of us. Complexity cannot be controlled. In the complexity paradigm, HOW is something that can only be known after the fact. It is life as art or a path of discovery. Awe is found on this path. So is wonder. It is to accept that we are more mystery than map.

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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Spin A Web

from the Yoga series by David Robinson

from the Yoga series by David Robinson

Quinn’s study smelled of cigarettes and books. There was always a red felt tip pen and a yellow pad for note taking or for his latest composition. Quinn didn’t type and I doubt that he ever touched a computer. He had to feel the pen move across the paper. He was a sports writer though, in truth, he was more a poet philosopher. For Quinn, sports were a path to illumination. He filled his articles with haiku, analogies to chaos theory, Michael Murphy, and George Leonard.

One day while sitting in his study, talking about athletic achievement and success, he said, “You have to cultivate your serendipity.” What a terrific phrase! Serendipity is one of those paradoxical words that imply both coincidence and destiny. So, according to Quinn’s coupling of “cultivate” with “serendipity,” we must either promote coincidences or encourage destiny. Or both.

I responded, “So, in other words, the harder you work, the luckier you get.”

“It’s more than that,” he said. “It’s much more than that. Of course you have to do your work. But you also have to share your work. You have to show up, be visible, ask lots of questions, and seek the masters in your field. You have to show what you don’t know. In fact, you have to operate from what you don’t know. There’s always a better way to make a shot or shoot a basket. To cultivate your serendipity is to never stop learning, never stop improving, never assume that you’ve got it.” He paused and then said, “What you don’t know can be an obstacle or it can be connective tissue.”

Quinn watched me take it in. I knew we were talking about more than athletic achievement. He was trying to help me. At the time, I was an accomplished introvert and was wrestling mightily with sharing my work. I had no problem painting the paintings but telling galleries about my work seemed an utter impossibility. Sharing meant I would have to talk to people. It meant I’d have to say, “This is my work and it is good work.” It meant claiming my gift beyond the thoughts and opinions of others. Quinn was teeming with blarney and always seemed at ease in a crowd though I knew even then that we shared a similar demon. He doubted his gift. He recognized my struggle because it was his struggle.

After a moment he lit a cigarette, blew the smoke and continued, “It’s like spinning a web – and the silk, the connectivity, is spun from seeking what you have yet to learn. The more you share your gift, the more you ask others what they see, the more people know about your gift, the higher the odds that a path to success will open. You have to spin the web.” I nodded my head, taking it in. I remember being daunted by what he was telling me. He leaned back in his chair, his eyes filled with mirth, and said, “Success is really about letting yourself learn; always learn.”

I nodded and stared at the floor. He took a drag on his cigarette and as he blew the smoke he added, “No one does this alone.”

Go here to get my latest book, The Seer: The Mind of the Entrepreneur, Artist, Visionary, title_pageSeeker, Learner, Leader, Creator…You.

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