The Interim [David’s blog on KS Friday]

Posted on February 28, 2025 by davidrobinsoncreative

“You are in this time of the interim/ Where everything seems withheld./The path you took to get here has washed out;/ The way forward is still concealed from you.” John O’Donohue, Benedictus

Persephone has returned to the Underworld. Demeter, her mother, mourns and so the earth is cold. Nothing grows. It is the time of waiting. According to the bargain, after six months, Persephone will return to the upper world, Demeter will rejoice at the homecoming of her daughter, plants will flower, trees will bud, life will be restored.

It is not an accident that Persephone, the goddess who presides over death is also the goddess of fertility and new life. One complete cycle. It’s an archetype found in many cultures across our tiny planet.

This winter we’ve descended into a an especially dark season. With the firing of the military leadership, replaced by nincompoops loyal to a man rather than the constitution, the authoritarian takeover is nearly complete. Yesterday, by executive order, congress lost its power-of-the-purse. The last traces of democracy are being summarily scrubbed. The way forward?

History has taught us that these authoritarians are stuck in their adolescence. They have a bottomless hole where their hearts should be. They attempt to fill the the hole with sex or money or power or fame or alcohol or clothes or cars…It is a void that only maturity can satisfy. Maturity comes with the revelation that service to others rather than self-aggrandizement fills the hole. True to pattern, they will ultimately be consumed by the dark void in their chests, turning their power-lust on each other in a festival of self-destruction, perhaps taking our democracy with them.

And then Persephone will return.

We are in the interim. The path forward is unclear. Yet, it is still not too late to wrangle these child-minds into containment and return mature adults to the hill. Or, we can stay silent and let the children run the show. Lord of the Flies.

Either way, as order follows chaos, courage will reemerge. A new generation of leaders will find their moral center, value decency and join together, connected by service to the nation rather than self-interest. They will set about cleaning up the wreckage, sweeping up the mess. Persephone will return, Demeter will rejoice, life will bud, and perhaps our fragile democracy will be rekindled.

Connected on the album Released From The Heart © 1995 Kerri Sherwood

Kerri’s albums are available on iTunes and streaming on Pandora

read Kerri’s blogpost about ICE

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What Makes Us Classics [David’s blog on saturday morning smack-dab.]

Posted on August 24, 2024 by davidrobinsoncreative

For a little perspective: the body of her computer is a 2008. The brains are from 2012. That she has been able to keep it going for so long – and produced so much with it – is nothing short of a miracle. It is a horse-and-buggy in a freeway world.

Kerri is a child of the depression – a deep imprint left in her psyche by her parents – so she refuses to “buy new” until the old falls apart. As much as I have tried to explain that technology is not like clothes or appliances, they age differently, she maintains her stalwart determination to ride her computer until it fails. And, that day has come.

Lazarus had an easier job of coming back to life than will Kerri’s computer. But stalwart determination dictates that we must at least try to pull the spirit of her computer back from the void. It is with the same determination that she has recently managed, somehow, to publish five blog posts and one cartoon a week with her equally ancient iPad (refusing to touch my computer).

Stubborn determination. Brilliant work-arounds. Tech-death-denial, infrastructure collapse…is no obstacle. A husband who’s in awe of her perseverance, her unwavering belief in squeezing out the last drop of possibility, yet learned to hold his tongue, nod his head and support her dedication to try-try-again. That, dear ones, is what makes us classics.

read Kerri’s blogpost about CLASSICS

smack-dab © 2024 kerrianddavid.com

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Return To The Nest [on DR Thursday]

Posted on May 4, 2023 by davidrobinsoncreative

In a few weeks we will travel to a small town in Iowa for my dad’s inurnment. It is the town of his birth. Although he never lived there during his adult life, it is the place he called home. It is somehow appropriate that we will take him home in spring.

I’ve had plenty of time to think about the coming ritual. It’s now associated for me with the birth of the bunnies in our backyard. We watched the momma-rabbit dig the nest but thought she’d rejected the spot once she’d experienced our enthusiastic dog who regularly terrorizes critters in the backyard. She knew what she was doing. We discovered the truth the day we caught Dogga proudly carrying a baby bunny around in his mouth. He dropped the bunny, unharmed. We went on a 24/7 backyard bunny watch.

Once, sitting on the deck watching the terrorist Dogga run circles, I decided to check out the nest. I stopped in my tracks when I realized two babies were gnawing on grass just inches from my feet. They hopped back to their nest. I watched as they disappeared into the safety of the dark void.

The dark void. The safety of the nest.

Years ago I started a painting. My dad emerging from a field of corn. Or returning to the field of corn. I’m not sure why I painted it. He often talked of his desire to return to his hometown but he could never find a way to make a living there. His yearning seemed profound. I suppose my painting was an attempt to understand the anchor of “home”; I have been a wanderer so his longing seemed incomprehensible.

Watching the bunnies race for their nest and disappear into the comfort of darkness sent a shock of recognition through me. It helped me understand. Away from his nest, he felt like an alien in a confusing frenetic world. In that place, he felt safe. Known. He understood the rules. He knew the stories. He was attuned to the pace.

It is somehow appropriate. We will take him home, return him to his nest, in spring.

I’m still working on my site...go here to see my continued indecision

read Kerri’s blogpost about BUNNIES

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Go Empty [on DR Thursday]

Posted on June 24, 2021 by davidrobinsoncreative

“Readers…will welcome the enlightening description of ’emptiness as a beneficent state before creation.” ~ Anna Freud, forward to ON NOT BEING ABLE TO PAINT by Joanna Field

Kendy gave me the book, On Not Being Able To Paint in 1999. That was the year I burned almost all of my paintings. Let’s just say that I hit a wall. Another interpretation of my 1999 big fire is that I needed to create space. It’s a paradox I very much appreciate: as an artist, the overwhelming need to create space when feeling completely empty. ‘Being empty’ is not in-and-of-itself spacious.

Emptiness before creation is…biblical – it is pre-biblical, Chaos and Abyss are players in the Greek-god-canon. The universe abhors a vacuum but welcomes space.

This painting, lovingly dubbed THE RED MESS, has been on my easel for months. It predates the great basement flood. It’s what I was painting when I entered the void, when my tank went empty. I must have known I was low on creative fuel because I was trying something new. Red. The painting was, before I wiped it, an image of Kerri taking a photograph of a train through the trees on the Des Plaines river trail. She has a series of Trains-Through-Trees and I’ve delighted in watching her race to catch the shot.

Karola, perhaps the wisest AND happiest person I have ever known, encouraged me to allow myself to “go empty.” At the time, I was in my twenties, I feared emptiness. I thought my muse might leave and never come back. I fought her advice while trying to take her advice. One foot on the gas and the other foot on the brakes. “David,” she said in her German accent, “you have to let the glass go empty before it has the space to fill up! Let yourself go empty!” She laughed so hard at the look on my face that tears came to her eyes.

Now, I’ve sorted out my pedals. I descend into the studio every day and stand before this red mess. I don’t want to take it off the easel. It’s helping me embrace-the-space. It’s a loving postcard to myself, a reminder to respect the emptiness. To stand in the void and welcome the spaciousness.

Muses do not leave. People routinely turn their backs on the muse. Mine is right in front of me, sitting on my easel, draped in brilliant red, just like a stop sign. It is not a matter of hitting the gas or the brakes. Sometimes you just have to get out of the car and rest your eyes for a while.

read Kerri’s blog post about THE RED MESS

www.davidrobinsoncreative.com

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Approach The Edge [on Two Artists Tuesday]

Posted on October 20, 2020 by davidrobinsoncreative

It was nearing sunset when we saw the signs for The Royal Gorge Bridge and decided to jump off the road and investigate. We knew the bridge would be closed but thought it might be a nice break to get out of the truck and walk along the canyon rim as the sun went down.

It was a great idea with this single caveat (and minor confession): I. AM. AFRAID. OF. HEIGHTS. Canyon rims are not the most comfortable places for someone like me, especially in waning light.

I grew up in Colorado and visited The Royal Gorge Bridge as a child. I remember stepping onto the world’s highest suspension bridge, grabbing my mother’s hand, and running. I’m sure my poor mother became kite-like as I raced us to the other side. I have no memory of how we got back across the bridge. I’m certain I was not teleported so I must have crawled on my belly or passed-out and been carried. I survived, that’s about as much as I can say of my previous Gorge experience.

We parked the truck in a picnic area and walked a trail to the rim. Kerri ran to the edge and began snapping pictures. I entered a full-blown existential crisis. High edges feel to me like they are alive; they are a force that pulls me toward them. I have to grab trees or wrap my arms around rocks to resist the force. Worst of all, when I see other people approach the edge, I feel the force pulling them, too. In me, it amplifies the yank toward the abyss.

While Kerri cooed and danced on the rim snapping brilliant photographs, I grimaced and writhed, bound myself to a tree and resisted the siren call of the void. I couldn’t help but think of Alex Honnold scrambling up the face of El Capitan without a rope. “Expand your comfort zone!” I chanted to myself as I watched Kerri, a famous stubber-of-her-toes, zip to-and-fro along the rocky ledge with nary a thought of falling over.

The sun dipped beneath the horizon. It was dark and time to go. Have I yet expressed how darkness compounds the pull of the rim? Edges that can’t be seen are yawning maws that view me as a tasty snack. I had to release my grip on the tree, turn my back to the dark hungry mouth, and pretend not to sprint for the safety of the truck.

That was amazing!” Kerri exclaimed as we hiked back up the trail. “I can’t wait to show you all the pictures!” She was invigorated.

Exhausted, I nodded my head. “Yes.” I stammered, happy to be alive. “That was truly amazing.”

read Kerri’s gorgeous blog post about TINY/VAST

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Listen To The Crows [on DR Thursday]

Posted on October 1, 2020 by davidrobinsoncreative

“Sculpture,” they said. “We think you need to do some sculpture.” They were pushing me to get out of my painter-comfort-zone. It was our agreement as an artist collective: help each other grow. Our group shows were driven by a clear intention. Challenge the art-wheels to exit the art-rut.

All of my life I’ve had a special relationship with birds. Owls show up at auspicious moments. Hawks visit when I need to step back and take the long view. The surprise turkey on our roof, harbinger of good things to come. At the time of my sculpture challenge, I was, each and every day, assaulted by crows.

I read that crows have facial recognition so I told myself the daily assault was a case of mistaken identity. I’d never done harm to a crow. Yet, everyday during my walk, I was dive-bombed. Once, a crow was so relentless that I took refuge in a coffeehouse.

The worst was the day, lost in thought as I approached the door to my studio, at the last moment, I saw a baby crow perched on the door step. I heard them before I saw them. An entire murder of crows came to the baby’s defense. I leapt over the baby and into the studio. They pounded the door and pecked at the windows. They circled my studio for hours. Angry cawing. It was a scene straight out of Alfred Hitchcock.

Crows seemed like the obvious subject matter for my first stab at sculpture.

I decided to use found objects: wood, wire hangers, newspaper, string, a plastic clamp. India ink and glue.

Creating my sculptures became something of a meditation. As I bent the wire and glued the paper it occurred to me that perhaps the crows weren’t confusing me with someone else. Perhaps their attacks were meant for me. Perhaps I needed to listen. In some traditions, crows are the keeper of sacred law. They are heralds of consciousness change, shape-shifting. They thump you on the head when you need to wake up, when you are not living in alignment with your best interests. That was certainly true of me at the time. The crows were literally hitting me on the head.

I loved making my sculptures. I love what they brought me to understand. My artist-friends were more right than they knew; I needed to do some sculpture. I needed to exit my rut and step into a scary void and, in that way, invite new seeing, new forms, and finally, a new way of being.

www.davidrobinsoncreative.com

read Kerri’s blog post about CROW

crow ©️ 2010 david robinson

Filed under: Art, Awakening, Creativity, DR Thursday, Edges, Seeing | Tagged: , , , , , , , , , , , , , , , , , , , , , , | 4 Comments »

Avoid The Vortex [on Two Artists Tuesday]

Posted on August 4, 2020 by davidrobinsoncreative

SHH copy

I miss my friend dearly. We spoke on the phone for almost two hours this morning. It had been too long since our last check-in. He said something very pertinent to our times. Although he does not believe in the devil, by way of metaphor he said this: The devil’s job is to pull us into a negative vortex. And, these days, the devil is winning.

I am guilty of being pulled into the angry vortex and his caution hit home.

Yesterday, Kerri’s entire catalogue of posts was blocked by Facebook. That’s 130 weeks times 5-posts-a-week = 650 posts. We have no idea why. We read FB’s new Community Standards, the reasons they give for blocking content, and can’t find evidence of a single violation. It’s almost a mystery.

Almost. A few minutes before her posts were wiped from FB, someone visited our business page, scanned Kerri’s blog-posts from last week, and alerted FB that they were spam. Coincidence is not always correspondence however, in this case, one action – the alerts – triggered the other action – the blocking of Kerri’s posts. It was an intentional act and not an accident.

In this age of information there is, of course, no person to call, no help line or customer service agent. There is a firewall, a form, a void or black hole, that accepts feedback. The feedback form, however, informs givers of feedback [human beings] that their feedback will not be read.

I scratch my head at the existential drama I am currently living. Sarte. No Exit.

The Facebook-content-scrubbing may be temporary. It may not. The blog-posts may be reviewed or they might not. There’s no one to ask and there’s no next-level-information available. I wrote about this a few months ago, the good-bots at FB suddenly sent Kerri copyright violation warnings on her recordings. She wrote, recorded, and owns the copyrights to all of her music and albums. FB now blocks her from sharing her own music. Her protests went into the same black hole as her blog-post-feedback.

The intelligence is, at best, artificial.

People are angry. It takes a special kind of anger to systematically go through someone’s posts and mark them as spam. They had to jump my posts to reach Kerri’s so it seems obvious that the anger is personal though the none-the-less feeble. Any poltroon can hit a button; it takes a bit of courage to give voice, especially when it is in opposition.

The vortex may be attempting to suck the light from all of us but I doubt the devil will win. Life is not a win/lose game. It moves. It changes. Day follows night.

My friend said something else that I found hopeful in these dark times: out of ashes, out of chaos, the phoenix always rises. That is important to remember. It is best to stand still when all things seem like they are spinning, spinning out of control.

 

read Kerri’s blog post about SHHHHH! [it’s possible that her posts may never reappear so, if you enjoy reading Kerri’s blog, consider subscribing. I know we publish waaay too much but, with the minor exception of us, no one reads everything that we write.]

 

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Filed under: Edges, Metaphor, Two Artists Tuesday, Uncategorized | Tagged: , , , , , , , , , , , , , , , , , , , | Leave a comment »

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