See Like Seuss [David’s blog on KS Friday]

If you’ve ever pondered where Dr. Seuss got his idea for the fabulous hairstyles on many of his characters, look no further than the dried flowers in the field. Thing One and Thing Two wave to us as we walk by. The Grinch wrinkles his nose and grins.

Of course, I made that up. I have no idea where the good doctor found his inspiration. It’s a good bet that he, like most creators of characters, found a visual spark from the crazy shapes and wild styles in nature. I look at the zany filaments of this yellowing pod and see a cartoon henchman, narrowing eyes beneath a spiky do. Of course, my henchman, like all good cartoon thugs, has no real power. He likes to think he can intimidate, an omega with alpha delusions. It’s what makes him lovable. I’ll name him Thistle.

I personify everything. Projecting my human-ness on everything is a quality that identifies me as uniquely human. We see angry volcanoes. Trees that talk. Cartoons animals are a festival of personification. Wily Coyote. Humorless gods in the sky. A cat in a hat. Mother Earth.

We are a miracle of creativity, whether we recognize it or not. Projecting ourselves, infusing our fears and fantasies, the sacred and profane, on every mountain, rock and weed. Even on other people. What we see is…what we see. A creative lens. Is it any wonder we’ve filled volume after volume seeking but never finding truth? Agreement is the best we can do.

Now, if you’ll excuse me, I think I just saw a fox in socks…

transience/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

read Kerri’s blogpost about THISTLE

like. share. support. comment. see like seuss. imagine the possibilities. we thank you.

buymeacoffee is an animated feature length movie comprised of characters drawn from nature who unwittingly support the artists that drew them. It’s a must see.

Speak Back To It [on Two Artists Tuesday]

Noguchi might have designed this unintentional sculpture. A massive stone made delicate, the smaller carrying the weight of the greater. The shapes are not precise; they tend. As a final touch, the piece is set at water’s edge. Elemental commentary, a sculpture exposing the meeting of forces.

My favorite part: no one intended it. Yet, had Noguchi or Andy Goldsworthy walked by, they would have made flowing sketches, taken photographs, and rushed away to make it their own. Nature inspires. A happy accident. I suspect all great art comes into being this way.

Kerri often talks about placing her piano on a seashore or atop a mountain. Composing by responding to what nature presents. The sound of wind through trees, the pull of water rushing away from the beach. Once, she sat at her piano with a stack of image-phrases. She pulled one from the stack, closed her eyes, and played. I was a most happy witness to the wonders of creation.

Yesterday, for the first time in months, I pulled out my sketchbook and drew. The previous day, we visited the Botanic Gardens and I took dozens of photographs. The patterns and shapes of leaves. Startling color. I drew the shapes. I sketched the patterns. No expectation save the movement of hand and pencil. I felt as if I was blowing the dust out of my system. The patterns moved me.

The best news for any artist? We will never match the power and majesty that we find in nature as we reach to discover and express our own nature. The best we can do is draw from it, play in it, speak back to it, simply saying, “Thank you for the inspiration.”

read Kerri’s blogpost about ROCKS