Really Look [on KS Friday]

20 watches the house, the dog and our very large cat when we are away. To keep us in touch with what’s going on at home, he sends us mystery photos: common things around our house made mysterious through an extreme close up or unusual angle. Our job is to solve the photo-riddle. I love the game because, no matter where we are, it instantly makes me look at the world in a different way. Or, better said, it makes me look. Really look.

I also appreciate the game because, upon returning home, I run around the house looking at the objects he transformed into enigmas. All that I have grown dull to seeing re-emerges as rich in color and shape and texture and story.

Kerri has the visual sensibility of a contemporary artist. She went down a path of music but might just as well aimed her artistry at the visual. Hers is a natural sense of design. Her camera might as well be an accessory or visual-opportunity-attachment since she moves through the day capturing photographs of passing detail. I’ve known her to be paying bills and jump up suddenly to catch the light on the wall or the texture of the door. Her eye is never passive. She and 20 are alike in that. They are visual twins with unique sensibilities and both serve to keep my eyes open and looking-beyond-what-I-think.

Yesterday, in mid-sentence, she stopped and said, “Oh! I want to show you something!” turned and ran down the hall. When I started to follow she said over her shoulder, “You can’t look! Stay there!” A minute later she returned, sheepish, and showed me the photo she’d just taken. “Do you know what this is?” she beamed. Too excited to wait for my answer she announced, “It’s the laundry chute! Isn’t it cool!” She walked away studying her photograph, muttering, “It’s so coooool.” I ran to the laundry chute to have a look. To really look as if for the very first time.

read Kerri’s blog post about THE CHUTE

find Kerri’s albums on iTunes

Play On Empty [on DR Thursday]

hotel art copy

“The artist goes through states of fullness and emptiness, and that is all there is to the mystery of art.” ~ Picasso

Usually in my state of emptiness I stare at my paintings and they stare back at me. It’s like an old Viola Spolin exercise in which the the actors stare at the audience and the audience stares back at the actors. I look at you. You look at me. The question becomes who is audience and who is actor? Who is the painter and who is the painting?

It is difficult when empty to stay clear of self-criticism. It’s easy to look at the archives and think, “I suck. This work is awful!” I’ve learned that this impulse to deride my past work is actually a necessary refueling stage. It’s akin to how a teenager treats their parents when preparing to leave home. Snarky comments make separation easier. And necessary.

In my current state of emptiness Kerri suggested that I play with color and form. Nothing serious is allowed. Smear, pull, scratch,…follow. This is my first experiment while empty. It was fast, fun, and mostly thought-less.

I took a photograph so I could use it on the Melange. I called the photo “hotel art.”  Kerri said that title sounded derogatory. But, here’s the kicker: she asked me if I was going to keep the painting. If I was going to claim it as a ‘finished piece’ or would it live for a while as an experiment until I painted over it?

Smear, pull, scratch, spatter, flick, erase. Jackson Pollock called his splatter paintings a recording of the dance. A map of the movement of making a painting. I look at you, you look at me.

Where is the line between ‘serious art’ and personal experiment, especially in the world of anything-goes-contemporary-art?  The banana is taped to the wall. Banksy dropped his painting through a shredder at the moment it was purchased at the auction house.

Experiment. Play. Intentional. Improvisational. Keeper. Throwaway. I look at you. You look at me.

All I really know is that I am empty and emptiness does not come with silence. It is a fertile ground for noisy, mostly useless, questions.

 

read Kerri’s blog post about THIS PAINTING

 

 

wideopenmouths website box copy

 

hotel art ©️ 2019 david robinson [if it is taken seriously or perhaps this copyright should apply equally to messes, play, and fun]

Go Tiny And Skip! [on DR Thursday]

PeaceOnEarth copy

Kerri called them ‘morsels,’ little snippets of my paintings. She’d isolate a spot, crop it, perhaps add some words or simply let the cropped image become a new, stand-alone design. We offered her morsels through society6.com [prints, cards, coffee cups, pillows, etc.]. This morsel is from the corner of a large painting, An Instrument of Peace.

The morsels had a profound impact on how I see my paintings. In many cases, I liked the morsels better than the paintings they came from. The morsels said more with less. They took me by the hand and led me back to the forgotten lands of shape, form, and color in their purity.

The morsels helped me comprehend and then dance back and forth across the crevasse between design and painting. Painting [for me] is a deep dive, personal spelunking. It is a meditation. Design is visual play. It’s skipping in the sunshine, looking for shells on the beach. Carefree [Kerri is the designer in our family so it is especially easy for me. I’m like the supervisor on a road crew; she does all the work and I stand there, pat my belly, look important, and get all the accolades].

Originally, Kerri made this morsel as a wish for peace. It is among her many morsels that celebrate this season, the return of the light. Peace seems in short supply in our divided nation, our angry world. She asked that we use this morsel today so I pulled it from the archive. She knows that art carries great power and can inspire people to see anew, to dance back and forth across their personal crevasses, and lead the way back to forgotten lands of community and shared vision. Shape, form, color. Beauty generated and shared inside as well as out. Reaching rather than rejecting as a first action.

All of this possibility, hope, an enormous wish, carried in one little tiny morsel.

 

 

 

read Kerri’s blog post about PEACE ON EARTH

 

PeaceOnEarth copy

for a print or wall art of this image, go here

 

 

oversizedjoy copley place website box copy

 

an instrument of piece ©️ 2015 david robinson

morsel: peace on earth ©️ 2018 david robinson & kerri sherwood