Trance Dance [David’s blog on KS Friday]

Our son is an artist. He composes EDM – electronic dance music. The proper term is “DJ” but that doesn’t begin to describe the art form. He does more than select tunes and spin discs. He builds layer-upon-layer of sound to create new and uniquely styled pieces. A surprise weave of repetition and pounding rhythm; it is a master class of tension-and-release. Improvisation meeting intention. Storytelling in sound.

His artistry is a pure root reaching into trance traditions, ancient impulse colliding with modern technology. To me, it is an invocation of ecstatic dance, freeing human bodies of their inhibitions so they might give over to the rolling wave of music. It is an invitation to ecstasy. It invites full-body surrender allowing the music to shake free the spirit. Earplugs are the only requirement.

I love the juxtaposition, the music composed by the mother and the music composed by the son. Kerri’s piano compositions are meditative, they turn the eye inward. They slow the pace like a rich memory. She eschews vocal acrobatics preferring a simple line. Craig’s EDM compositions thump every thought from the noggin, assault the senses, accelerate the pace, tossing bodies into the movement of the moment in a fête of complexity. Both mother and son induce a type of trance; one gently, the other with ferocity.

I’ve watched him watch her play. I’ve watched her watch him play. There is wild respect both ways. On the surface it would appear that their artistry – their music – is worlds apart but, like all things, surface impressions miss the greater depth of the human spirit. There is harmony in their appreciation. There is a shared center in their impulse to make music.

I am the lucky bystander. The proud husband and father. I am in awe no matter which way I look.

figure it out/right now © 2010 kerri sherwood

Kerri’s albums are available on iTunes and streaming on Pandora and iHeart Radio

Listen to Craig’s music here or visit his site here

read Kerri’s blogpost about EDM

like it. share it. comment on it. support it. no matter what, we appreciate your dance with it.

buymeacoffee is a full body ecstatic dance of appreciation for the artists who get you there;-)

Listen To The Sing-Song [David’s blog on Merely A Thought Monday]

The sound, rhythm and pattern of language. Listen to the sing-song of a mother talking to her infant child. Exaggerated prosody. Love carried through time and space on a warm carpet of sweetly over-elaborated sound waves. The words carry less meaning than the prosody. The shape of the sound, exaggerated to invoke a giggle. A bright face. A smile.

In our house, the exaggerated prosody is reserved for Dogga. “It’s time for sleepy-night-night!” Kerri sings to a tired-faced-Dogga. There is a distinct rhythm to “sleepy-night-night” that has become a comforting ritual chant. Our day would not be complete without it. He wags his tail and lopes toward the bedroom. Or, “We’re going to the living room!” she says in response to his constant anticipation of our next move. The words “living room” elongated and embued with excitement. He dashes to beat us there and, in my mind, to convince us that he’s been waiting all along.

When Unka John arrives, his ritual Dogga sing-song goes like this: “Hey! Hey! Give me that bone!” The game is explicit, the sound of the words as exacting as a line from Sondheim. After Unka John pretends to eat Dogga’s bone and returns it to the awaiting Dogga mouth, signaling the end of the arrival game, he chants two consecutive times, “Do you want a treat!” with the hard accent and lift on the word “treat.” It sets-off a full body wag and race to the treat jar. “Gentle! Gentle!” is the incantation that signals Dogga to sit and tenderly accept the treat. Of course, the whole sequence of Unka-John love-fest is ignited when we say to Dogga, “Guess who’s coming?” in a melodic line that we know will provoke a bouncing-dog-rush to the front door as we await the imminent arrival.

The meaning is not carried in the words, rather, it’s in the poetry of the tones. The generosity of the sound.

It’s the poetry of everyday life. The ritual sounds we use to shape our day, to create our comfort-home. To fill our hearts with gratitude. To clearly say, “I love you” in sound and tone when our words are merely, “Do you want some lunch?”

read Kerri’s blogpost about EXAGGERATED PROSODY

like. support. share. comment. all carry forward the meaning and are appreciated with or without sound.

buymeacoffee is a sing-song of generosity offered to the ongoing work of the artists and travelers that support you journey.

Feel The Stir [on DR Thursday]

“It has bothered me all my life that I do not paint like everybody else.” ~Henri Matisse

The canoe glided silently through the lily leaves. I counterbalanced the canoe as she stretched over the side to take a photograph. Leaning, I stared down at the leaves. Vibrant color and pattern, Matisse might have painted them. They stirred within me the deep desire to paint, something I haven’t heeded for too long. Nature is a great artist.

The trees surrounding the lake signaled autumn’s imminent arrival. Crimson reds and yellows dotted the shore. Fall paints me melancholy and I felt the first whispers of the coming-sweet-sorrow. Deep quiet. Still water reflection. Hearing rhythms beyond sound. Nature, I am told, is a great healer.

Although I’ve painted all my life I’ve never thought of myself as a painter. For me, painting is not about the image I produce. It is about walking into the dark cave or soaring into the blinding light. Icarus. Nature’s call.

My sister remains confounded that I have not given myself over to the wealth and riches of pet portraiture. Early in my life I was paid-not-well to copy masterworks, alter the colors so they might match a client’s couch. I can paint anything. I can paint like anyone. I left that behind. It was soul draining. I paint to answer Nature’s call, to discover how to paint like myself.

Counterbalancing the canoe, staring at the Matisse leaves, the brilliant white lily, I acknowledged the stir. I promised myself, my easel, like autumn’s imminent arrival, “Soon.”

read Kerri’s blogpost about LILY

icarus © 2008 david robinson

Feel The Rhythm [on Not So Flawed Wednesday]

We lay awake in the night listening to the waves pound the shore. Boom. Rest. Boom. Rest. This lake that is sometimes glassy-in-stillness can rival the Atlantic Ocean in restlessness. It has many moods. It can turn on a dime. I have found great peace walking the shores. I have stood in awe as it blasted those very same shores, hurling boulders with ease.

When we were fortunate to live for a summer in the littlehouse, right on the lake. Kerri had to adjust to the constant sound. Her musician’s ears were caught in the rhythm of sound lapping the shores. Nature’s metronome. We teased about parking a piano on the back deck so she might compose an album of pieces set to the lake’s pulse.

The most striking visceral-revelation that I brought back from Bali is that we function together. Just as I am impacted by the lake, my pace and rhythm are impacted by the people around me. No one is an island. David Abram wrote in The Spell of the Sensuous that it is nearly impossible to meditate in the un-united states. We are an angry frenetic lake, fast moving wave. Changeable. I will always remember pausing at the custom’s gate re-entering the country. It was too much. Finally, I stepped through the doors and felt sucked into a chaotic turbulent whitewater river. It was months before I adjusted, before a walk down the street didn’t feel like a fist fight.

Columbus (my dad) would sit for hours each morning, on the porch. Listening. When I was younger I wondered what he was listening to – or for. He grew up in Iowa and came into adulthood moving to the rhythm of the corn. He lived his adult life in Colorado. It was a different rhythm, the metronome of the mountains. For many years he yearned to live where he understood the rhythm. He was, I think, listening for the corn.

When I return to Colorado I feel an immediate recognition. The mountains are the rhythm I was born into. Alignment. My original dance was a mountain dance.

Kerri and I are both transplants to the lake. Perhaps that is why we hear it so clearly. Jim E. told me that people go to the shore to stare into the infinite. We listen to the lake with the same awareness. The lake was here before me. The lake will be here after I am gone. The mountains, too. We are, of course, delusional to entertain the idea that we control it – nature. That we are somehow separate. Sometimes I think it is the artist’s job to bring proper perspective to the community, to pop the separation-notions – even for a moment – out of ego-brains.

This lake could hurl me like a pebble. It also brings peace to my soul. Stillness. We are not as distinct as we want to believe. That recognition is the single greatest blessing of artistry. It’s a circle dance. Just as my dad is disappearing back into the corn, I, too, will someday rejoin my original rhythm and fold back into the mountain.

read Kerri’s blog post about THE LAKE