The Most Loving Thing [David’s blog on Two Artists Tuesday]

We are still recovering from covid. The progress is slow but certain. We’re finally -after a month – able to walk pieces of our usual trails. Each day we gauge what we can realistically do, we stop often, we turn around or cut short our regular loop when our bodies signal it’s time to stop. “My legs are shaking,” I say as we return to the car. We are not frustrated by our weakness, rather, we are inordinately grateful to be outside, in nature, marveling at the November sky. Especially now. In nature we find sanity in a nation that has lost its mind.

Within our information bubble there is an energetic discussion about self-care. There is encouragement to disconnect from the doom-scrolling and, instead, firmly focus on what brings joy, what invokes love. There is a concurrent ubiquitous conversation about feeling unsafe in a nation that put a rapist in the white house, a convicted felon and avowed fascist who daily promises violence to those who oppose him. Fully half of the nation opposes him so feelings of insecurity are warranted.

The third conversation strand is quieter, a question filled with inordinate sadness. It is the question of whether or not to disconnect from people – family and friends – who knowingly voted for fascism, who support the coming violence. These relationships, personal and familial, no longer feel safe. It’s a matter of trust – of being able to trust someone who either lacks a moral center or who is so enraged that they see themselves mirrored in the despot-elect. It’s impossible to trust people so completely unplugged from reality and so willing to justify thuggery.

It is confusing to love but not to trust. It is bewildering to feel threatened by those you love. It’s a question of vulnerability. It’s a question of honesty, “Do I pretend…” It is made more untenable when taking-a-break or disconnecting is understood as not-loving.

I understand the choice – either way – to be self-loving. We must now protect ourselves.

Also, there is this: a loving parent will not let their child run into the busy street. It is a loving act to shout, “You cannot do this!” It is not without love that we look at our maga-voting family and friends and say, “I cannot pretend that this is election was like all others; I cannot pretend that we are merely having a difference of opinion. We are not. Your vote was for an amoral grotesque who openly promises violence as an authoritarian dictator. Our difference runs much deeper than mere opinion.”

The most loving thing we can do for ourselves is nurture and attend to relationships with those we trust. The most loving thing we can do for our friends and family now hurtling toward the dangerous fascist road is to shout, with voice or with silence, “You cannot do this.”

read Kerri’s blogpost about NOVEMBER SKY

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Turn Toward It [on KS Friday]

This is what he wrote. “The irony I feel is that the world is lost on the artistic temperament of these students.  They don’t seem awake to all that’s going on.” He’s directing teenage students in a play. He was my student thirty five years ago and reached out to me. We compared notes of the production I directed when he was a teenager, and the production he’s directing now. The world has changed mightily. His production will be viewed through a wholly different lens.

I flipped his phrase over in my mind. Artistry is to be awake to all that’s going on. And, awake is not a steady state. It’s not an arrival platform. It’s a relationship between the inner and the outer. What I know about that relationship is that sometimes you need to look away. His students have drilled for active shooters in the hall since they were in kindergarten. Mine couldn’t have imagined it. His students are navigating a pandemic, they’ve never known a world pre 9/11, they live in a country that is eating itself alive. My actors had easier access to what was going on. What was going on was closer in, more immediate and less abstract. They were not looking at a world-wide horror story or lost in the morass of social media. Cell phones were science fiction to my cast. My actors looked at each other and not at their screens.

Stories are about something. We just watched Erin Burnett’s interview with a Ukrainian husband who lost his wife and children to a Russian mortar attack. A month ago, violent death was nowhere on their radar. They were making dinner, going to school, doing homework, late for work. Erin Burnett began to cry and thank goodness. Humanity breaks through and we awake to what’s going on – really going on. We should all be weeping with Erin Burnett and this man.

Sometimes I feel as if I am looking for the small beautiful moments. I am trying to root my day in the explosion of color, the pastel sky, Dogga in the sun. Holding hands. Cooking dinner together. I am trying to be awake to what is going on, the anger and division and warmongering and carelessness as we soil our nest – without it frying my insides. Holding hands is just as real. Reaching toward our neighbors is also what’s going on.

Stories have to be about something and most often stories are about transcendence. Waking up to what is going on is less about waking up – we already know – and more about fully acknowledging it, facing the full picture and turning toward it rather than running away. But, before that final act, that moment of deciding enough-is-enough, before we are willing to blink open our eyes, we pretend the problem is non-existent or small. We ignore the obvious. 500 year storms every year. A family killed by a mortar shell. We bury our faces in our phones, we ban critical race theory, and toss our attention in a Twitter reality or a Tik-Tok diversion.

I wanted to write back and suggest that the world is not lost on the artistic temperament of his students, it’s simply too hard to look at the world so they are choosing to look away. That’s what their play will ultimately be about.

read Kerri’s blogpost about COLOR!!

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the way home/this part of the journey © 1998 kerri sherwood

Truly Powerful People (460)

460.
Join me in inspiring truly powerful people. Each day I will add a new thought, story or idea to support your quest and mine.

A week ago, Judy came to my studio and we talked for hours. When we talk, time has a funny way of condensing: 3 hours becomes three minutes. It is not uncommon for us, 3 minutes into our conversations, to notice the sun setting, the day slipping into night. We jump up, look at a clock, eyes popping at the time; with Judy I always feel the need to make sure my clock is not broken or that it didn’t somehow slip into east coast time. It is one of my favorite aspects of our relationship: so engrossed in our banter, we never have slow goodbyes – the ferry is about to sail or the meeting has already started; we rush to the door like teenage lovers whose parents came home early.

In our last “good god look what time it is” revelation, Judy pulled from memory this poem by Naomi Shihab Nye:

Red Brocade Pillow

The Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where he’s come from,
where he’s headed.
That way, he’ll have strength
enough to answer.
Or, by then you’ll be
such good friends
you don’t care.

Let’s go back to that.
Rice? Pine nuts?
Here, take the red brocade pillow.
My child will serve water
to your horse.

No, I was not busy when you came!
I was not preparing to be busy.
That’s the armor everyone put on
to pretend they had a purpose
in the world.

I refuse to be claimed.
Your plate is waiting.
We will snip fresh mint
into your tea.
.

Isn’t it lovely? Being busy is the armor everyone wears to pretend that they have a purpose in the world. How nice to stop pretending – even for a moment – and go back to the real purpose of living. Your plate is waiting.