A Closer Look [David’s blog on KS Friday]

“Art enables us to find ourselves and lose ourselves at the same time.” ~ Thomas Merton

A closer look at the dandelion reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Listen to your inner monologue. It is the story that you tell yourself about yourself. Listen to the stories in the news or racing across your social media screen. They are the stories that society is telling itself about itself. Any good novelist or playwright will tell you that conflict is the motor of story. Note: conflict need not be violent. Longing is a conflict. Unrequited love is a conflict. A search for meaning is a conflict. A closer look at humanity reveals a fractal. Each level a repeat of the same or similar pattern at a progressively smaller scale.

Robert Olen Butler defined story this way: “When a yearning meets an obstacle.” I believe words matter. I have always appreciated Robert Olen Butler’s definition of story because it does not use the word “conflict”. It is the fractal of the human experience.

The Buddhists teach that desire is the cause of suffering. I giggle every time I consider that marketing is essentially the creation of desire so it follows that it is the engine of suffering. The peace found in possession is fleeting. My Buddhist cartoon: retail therapy is but a single stop on a continuous cycle of suffering. If I was a teacher of story-writing I’d send my students to the outlet mall to study shoppers. My bet is that they’d eventually recognize themselves in the shoppers; then they’d have something essential to write about.

Picasso said, “Every painting is a self-portrait.” His sentiment is a fractal. We watch movies to see ourselves. We attend concerts to transcend ourselves – to lose and then find ourselves in the music.

A closer look at us reveals a fractal. We are both the yearning and the obstacle. A repeat of the same or similar pattern no matter the level or the scale.

Fistful of Dandelions © 1999 Kerri Sherwood

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Root And Fly [on KS Friday]

“Inspiration does exist but it must find you working.” ~ Pablo Picasso

At some point I realized that all of the good guidance I have received, all of the masters that I have admired, made statements about Roots & Wings.

“A writer writes. A painter paints.” ~ Tom McKenzie

“You must write 10 bad pages to arrive at one good page.” ~ John Guare

“Live on the plateau (in the present moment).” ~ George Leonard

“Cultivate your serendipity.” ~ Tom Quinn

I remember Jim E. teaching actors not to push their voices to be heard but, first and foremost, to root down into the earth.

After years of practice I am approaching the lesson that Saul taught his tai chi students: stay on the root and the energy will move you. He also taught me, on a brilliant Saturday morning when I was trying to bend the world to my will, to look beyond my opponent into the field of opportunity. It is two ways of saying the same thing. Root. And the wings will appear. Root, and possibility will find you.

Work at the easel, and inspiration will arise.

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give me roots, give them wings/released from the heart ©️ 1995 kerri sherwood

Go On A Fool’s Errand

50% OFF ALL PAINTINGS THROUGH MIDNIGHT APRIL 22nd

 

 

“I paint the way some people write their autobiography. The paintings, finished or not, are the pages of my journal, and as such are valid. The future will choose the pages it prefers. It is not up to me to make the choice.” ~ Pablo Picasso

 

 

The further I walk down this life path, the more I identify with this quote. A younger version of me would have thought it interesting but not much more. A younger version of me wouldn’t have admitted to trying to pre-determine the choice for the future; trying to determine what others see. A forgivable fool’s-errand as I am certain I am not alone in my folly.

There is a flip side to my fool’s-errand. There are things I see in the paintings that no one on earth will ever see. I am the channel. It is the privilege of being an artist to express from personal experience what cannot be fully expressed, only approximated. And, in the attempt to fully express the personal (another fool’s-errand!), a common ground is created – art is a universal meeting place, a crossroads. It’s a paradox. It is also a truth: individuals create common ground through the experiences they share and the stories they tell about those experiences. Society is a creation just as a painting is a creation. Society is an expression just as a painting is an expression.

The future will choose the pages it prefers because it will choose the pages it relates to, the pages it understands, the pages that inspire, remind, or give pause.

For me, at this point in my autobiography, it is enough to paint without regard to validity or investment in value of my paintings. It is enough to discover yet another facet of my life as an art-fool on errands .

DR Thursday

NapOnTheBeach

Nap on the Beach, mixed media, 22.25″ x 55.5″

“I paint the way some people write an autobiography. The paintings, finished or not, are the pages from my diary.” Pablo Picasso

I’ve been selling my paintings from my studio, un-stretched and unframed. When potential buyers come to my studio they view the raw canvas tacked on the wall or spread on the floor. Many of my pieces are big. It’s how I like to paint: big canvas stretched and tacked to the wall. These days when I ship paintings to another state, when I ship paintings to those courageous people who take the leap of faith and buy an expensive (and very personal) painting based on an image from the internet,  I roll them. They receive the piece in a tender unembellished state.

There are practical reasons for my seeming-shoddy showmanship. It saves my customers money to stretch and frame the canvases themselves. The cost of shipping a large framed canvas is breathtaking! If I stretch or frame it myself, if I sell a painting through any gallery, online or brick-n-mortar,  the cost is easily inflated by 70%.

But, that’s not why I show the unfinished edges. Before moving from my Seattle studio I had studio open houses. People inevitably drifted to the paintings stapled to the wall. They touched the edges. They asked me about the drips and marveled over the charcoal lines. They gently brushed the bumps of paint. They entered the story and became a part of it, they took on a role greater than witness. Instead of approaching art – my art – as an untouchable abstract thing, they engaged with it, questioned it, touched it. I loved it. Art is supposed to be accessible. It is supposed to open and say, “Follow me.”

Recently a client slid this painting, Nap on the Beach, from the pile of paintings stacked on the ping pong table, touched its complex surface, and, with Kerri, he held it by the corners saying, “Oh, this canvas is heavy! This one makes me yearn for summer!” And then he asked, “Did you take a nap on the beach? Is this about something you did?”

Yes. And yes again.

On DR Thursday, on your visit to the melange, I hope this painting inspires you to embrace the raw edges, the drips and bumps, and perhaps give over to a quiet mid-winter yearning for sun and sand and a spontaneous nap.

A NAP ON THE BEACH reproductions

nap on the beach framed print

framed art prints

nap on the beach art canvas

canvas prints

 

A NAP ON THE BEACH original

read Kerri’s thoughts on DR Thursday

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a nap on the beach ©️ 2017 david robinson